100 books like An Instance of the Fingerpost

There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.

It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series. 

Harvey’s Heart is a tiny book but it packs in a lot, including plenty of illustrations. I used to teach the history of medicine and I found blood circulation a difficult topic – I’m squeamish myself, and faint at blood tests, which doesn’t help! But this book makes Harvey’s ideas very clear, not least how something we now take for granted wasn’t obvious at all until the 17th century.

His breakthrough was a weird mix of building on discoveries by others – such as knowing that valves stop the blood moving backwards – while observing, experimenting, and speculating for himself. Although he published his theory in 1628, he seems to have worked it out maybe ten years earlier. The conventions of science in his day meant he had to offer it to the world rather cautiously, because saying that the ancients had got it wrong was a dangerous claim… show more.

It was a great idea to make Harvey come to life by imagining what he’d have written in his diary! This is a well-researched book which gets across how much more there was to Harvey than just the circulation of the blood. His family, his work on the development of the embryo, his role as a physician to King Charles I, and his encounters with witches – a great story – as well as a convincing sense of the sort of man he was and of the times in which he lived.

We think of blood as a gift: if you’re a blood donor you ‘give’ blood. But this book examines how it became a marketable commodity. It starts with Harvey but goes up to CJD and the AIDS crisis. It’s a fascinating story of generosity and greed as well as of those who worked in hematology in the early days when very little was known for sure. With lots of engrossing anecdotes, Starr brings to life the people whose experiments led to our knowledge today.

Go on. Give yourself a treat! Read the book which started it all! There’s nothing quite like reading the original source. Harvey wrote in Latin but this is a good translation with an excellent introduction by Andrew Wear, an expert on the period. And as a bonus, the Everyman edition includes The Anatomy of Thomas Parr – an account of the dissection of a Shropshire farmer said to be 152 years old, performed by Harvey himself. What killed Parr? Coming to London, a city “full of the filth of men”. Be warned!

I’d never have guessed I’d be so beguiled by a book about moss. Or, more precisely, about Alma Whittaker, a bryologist observing moss.

I enjoyed this book's ‘differentness’. It’s an episodic story, unusually structured, with various life-like trailings-off of plotlines, characters, and marriage, but no less gripping for that.

Researching natural sciences in the nineteenth century is skilfully described, but it’s Alma who lingers in the mind. Its sentences, I thought, are beautiful too.

I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.

It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.  

I cried at the conclusion of this book. I cried because I cared so deeply for the women I met on their journeys. And I cried to release the anguish I felt from their rejection, constriction, and subjugation to arranged marriages.

I’m so very grateful for a book written by an Afghan with a clear-eyed perspective of his culture and sensitivity to the tyranny of suppression, especially for women treated as unequal to men. But there’s so much more to this book; it is an homage to courage, resilience, and, ultimately, love, namely, a mother’s self-sacrificing love.  The characters conquer despair and limited freedoms with enduring hope. 

I don't think there is an author who hasn't at least once wished that he was the one who wrote a book by another author. Ever since I first read Umberto Eco's masterpiece, I wished I had written it. That wish only intensified whenever I reread it—and I did it many times. It is a perfect novel by all standards. It is a superb literary work based on storytelling virtuosity and a colossal erudition.

The detective narrative drive is a background of the main theme—how the Renaissance was borne. No other novel in the history of literature has managed to depict a long-gone century in such an impeccably authentic way. Among many authors who influenced my writing, Umberto Eco is certainly the most prominent.

About WWII codebreaking, the reason this makes my ‘Best 5’ is that, besides being constantly inventive and informative, it’s also very funny. (I’m that shallow.)

There are similarities, I think, with Catch 22, in the plot’s intelligence, absurdity, and dreamlike turns.

I think Stephenson’s character Bobbie Shaftoe, a soldier who carries out counterintelligence deceptions, is hilarious. Also, Stephenson’s use of real historical characters–he presents believable portraits of Alan Turing, Douglas MacArthur, Karl Dönitz, and Hermann Göring, with a walk-on appearance by Albert  Einstein–gave me license to do so in my own fiction.