The most recommended books on Pompeii

We all love Mary Beard, and this superb book looks into the daily life of the people who lived in Pompeii before its destruction, revealing plenty of fascinating detail, and excellent explanation and commentary. Definitely one of the best books about daily life in an ordinary Roman town.

It’s difficult to imagine any discussion of Pompeii (or Roman gardens) without mentioning Jashemski. She quite literally wrote the book(s) on gardens, and her archaeological approach to plant remains revolutionised how botanical evidence is collected. This book, published after her death, is a memoir more than anything, detailing her work, her travels, and her vast experience of working in Pompeii. It is, in many ways, a love letter to the place that somewhat unexpectedly became the focus her life.

Pompeii is such a wonderful archaeological site and one that allows archaeologists to develop new ways to investigate how that ancient city functioned. This book, through meticulous study of paving, carts, and curbstones even, prods the surviving pieces from antiquity to create a full understanding of how traffic was enabled and hindered by the inhabitants of Pompeii. Plenty of streets blocked to traffic here and lots of detailed archaeological evidence to get to grips with, but coming through the book to the reader is the passion of the author and his need to discover and reveal new facts about Pompeii to his readers.

Edward Bulwer Lytton's influential 19th century novel The Last Days of Pompeii was inspired by a painting he had seen in Milan. He immediately rushed to Pompeii, where his book was published in 1834, by coincidence exactly when Vesuvius erupted. It became an immediate success and is still being published. As Benjamen Disraeli wrote that November, "A trembling spectator, I watched the artists till I was overcome by the phantasma, and was glad to find myself once more in the solitude of my armchair." Available in economic form. The book became an immediate success and is still being adapted to today's media.

This book is realistic fiction, and it’s based on a true story. I learned a lot about volcanoes, Rome, and Pompeii, and it was very energetic.

It ends where the reader has to make up the rest of the story on their own, but the good news is they survive the volcano.

Mario Praz’s Illustrated History of Interior Decoration is a wonderful chatty collection of case studies that explores the history of the subject in a well-informed and erudite manner. Interiors are generally lost to the mists of time, remembered only as the backdrop to other activities in paintings and prints, Praz has searched out the best of these to generously illustrate the book.

Imagine re-creating the works of Shakespeare or Milton from the graffiti on the walls of Victorian England – impossible you’d say. But it is possible to find lines of the most famous poets of the Roman world scratched into the walls of Pompeii, and Milnor provides a systematic overview of how and why this literary re-production occurred, what it indicates about literacy and learning, and how differently the ancients viewed writing in public spaces.

I’ve been on an archaeology kick this year, and this book (a Christmas gift) was right in my sweet spot – detailed but accessible, with a personal viewpoint that brought the four “lost cities” to light.

It helped that one of those cities was near my home – Cahokia, in Illinois, a UNESCO World Heritage Site that I have visited. Two of the others (Angkor and Pompeii) are cities I had only a superficial knowledge of, but now feel much better informed about. And the fourth, Catalhoyuk in Turkey, was unknown to me. An insightful book with a fresh perspective on ancient urbanism.

A collection of interlinked short stories about the volcanic destruction of Pompeii which works better than I thought it would. A lot better, as this is one of the most moving books I’ve ever read, bringing me to tears in places. Six authors, all looking at the doom of quite different characters, from gladiators to senators to a pregnant woman and more, you expect the whole thing to be utterly depressing but, somehow, it isn’t. I must admit I read this when I was in a very fragile state of mind having just suffered a terrible tragedy of my own, so it’s possible that affected my reading of A Day of Fire and how I responded to it, but I know it was extremely well written and I was so glad to have read it. I think you should too.

Probably the best and most approachable overview of the history and archaeology of Pompeii, good for the armchair enthusiast and student alike. It is clear, concise, and well-illustrated, and unlike many such books that appeal to a more general audience, it is authored by an expert who has been working on site and teaching about Pompeii for most of her career.

Tourists, who are marched through the only designated, purposely-built brothel in Pompeii, stare at the cubicles with built-in masonry beds and wall paintings depicting sexual acts. Richardson pieces together an array of evidence, from various finds and graffiti to the early excavation reports, to assess the experiences of both the male clients and the female prostitutes. According to Richardson, more than sex was provided by the women of the brothel. This book imaginatively reconstructs the activities of the brothel in an intriguing way.

I included this book due to the historical research that went into writing this story.

Pompeii is told from the POV of a young engineer who takes over the maintenance of the reservoir that brings water to the city and has run dry. Young Attilius needs to determine how and why. The narrative highlights the months and weeks ahead of the devastating eruption that destroyed Pompeii, Herculaneum, and Stabiae.

Attilius faces corruption as he navigates the treacherous path to discovering the truth of the city’s impending doom and those who seek to reap financially from the city’s demise.

Despite being the second book in a series, it stands beautifully on its own. Amara, the main character, is a freedwoman living in Pompeii.

She has seen her freedom bought from the brothel and has been set up in the titular house. However, she also wants her best friend to be free, so she purchases Victoria from the pimp. The twist, however, is that Amara discovers she can run a lucrative business by renting out her slaves and immediately returns on her word to free Victoria.

This book is rich in historical detail. Again, it deals with politics and women’s roles in a completely different milieu. The characters are all complex and believable, given that no one questions the way their lives are dictated by Roman law. 

No city of the Roman world survives more fully than Pompeii in southern Italy. Baths, bars, houses, and temples have been recovered, along with pots and pans, foodstuffs, medical instruments, and skeletons with evidence of an appallingly high rate of disease. For a knowledgeable and witty guide to the city you can’t beat Mary Beard, who helps us see it was not all marble columns and pretty paintings. I especially love her description of the House of the Tragic Poet, in which Edward Bulwer-Lytton set an early scene of his novel The Last Days of Pompeii, a dinner party hosted by the character Glaucus. Beard reveals that just behind this house was a cloth-processing workshop in which the main agent used would have been human urine. “In the background to Glaucus’ elegant dinner party,” writes Beard, “there must have been a distinctly nasty odor.”        

It is an anthology of essays that provide a range of topics and approaches to women who lived and worked in these small towns, now spectacularly preserved despite their sudden destruction by the eruption of Mt. Vesuvius in 79 CE. The lives lived here tend towards the gritty, workaday world with studies of women in business and trade, although elite women, public priestesses, also make an appearance. Two that feature women's names scratched on walls (graffiti) and drawings of women etched in or painted on Pompeian walls (by Erika Zimmermann Damer and Margaret L. Laird) argue for women's (partial) literacy and their greater visibility. These essays do much to make the fascinating archaeological material accessible.

This bestselling book first came out long before my own global history of wine and it has gone through a number of editions as well as translations. It takes on the long history of wine ‘from Noah to Now’ in a readable, well-informed narrative – as we would expect of Hugh Johnson, who is one of the best-known English wine writers and authors. His richly illustrated book has global range and covers all the world’s wine-producing regions. It’s an excellent example of history written for a non-specialist readership and is probably the book that has done more than any other to bring history to the attention of wine lovers.

I loved this book for so many reasons!

The setting, which brought ancient Pompei to life as a vibrant, dangerous city; the immersive plot, which kept me reading when I should have been doing many other things…

Most of all, though, the characters, Amara and her fellow she-wolves (Pompeian slang for prostitutes) are loyal, inventive, and strong, even in the dreadful circumstances they have to endure.

I felt utterly involved in their lives and struggles and terrified about what might happen to them, all the way to the very last page. I’m saving the other two books in the trilogy, even though I want to gulp them down because I don’t want to run out of story and have to leave them behind.

More often than not, people forget that the Vesuvian sites are, as gruesome as it sounds, large mass burials – not just of the cities themselves, but of people. The human remains of Pompeii (and by extension, Herculaneum) have been ignored or treated like some kind of circus attraction for centuries. What Lazar does is open your eyes to just how much information there is to be found from the casts and skeletons, and the potential to learn so much more about people and life in the first century. Her work is groundbreaking.

For as many fiction novels surrounding the Colosseum as I have read, this was the first one written from the stagehands, if you will, and I devoured it in a single sitting. I almost passed on it because the model on the cover is a stock photo that’s everywhere in the genre covers but I'm so glad I didn’t. Experience Pompeii’s destruction, and the building and inauguration of the Colosseum, like never before. Althea and Marcus will drag you through some of the most well-written world building and seamless research into these two events as you face calamity after calamity with them. This novel is both absolutely a romance, and barely a romance, which will make sense when you’re in the final pages of this unforgettable story.