Here are 100 books that The Viking Way fans have personally recommended if you like
The Viking Way.
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I have always loved stories about King Arthurâwhatâs not to loveâArthurian stories are about the underdog triumphing, destiny, knights and quests, swords (and stones, or lakes), great heroes and villains, and magic. My university studies made me into a military historian (among other thingsâincluding an opera singer and a historian of film), and I loved revisiting my love of Arthur in various guises. I have sung him on stage, played him in roleplaying games and miniature wargames, and I have written articles and books about him in film and history. I hope my list of recommendations provokes you to think about King Arthur in new ways!
There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.
It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyoneâhe puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesnât know where to begin, I wouldnât hesitate to recommend this book and series.
Uther, the High King of Britain, has died, leaving the infant Mordred as his only heir. His uncle, the loyal and gifted warlord Arthur, now rules as caretaker for a country which has fallen into chaos - threats emerge from within the British kingdoms while vicious Saxon armies stand ready to invade. As he struggles to unite Britain and hold back the Saxon enemy, Arthur is embroiled in a doomed romance with beautiful Guinevere.
I grew up on a Viking battlefield, in an English coastal village once raided then occupied by Norsemen. We had ancestors who lived on the Isle of Orkney, and in the Celtic south-west. From a young age, I read Norse and Celtic myths and legends, and went on to study history and philosophy â and then became an author. Now, I have family in Sweden and grandchildren of Ash and Elm. My list offers pure escapism, but also shows how our ancestors lived in an age with no electricity or compulsory schooling. Itâs the wonderful combination of the âother worldâ myths and history that I believe makes us who we are.
This very readable non-fiction is an account of how the people we call the Vikings lived and why they wentaâviking.
Historian Neil Price describes in an easy-to-comprehend manner the Scandinavian world of long ago â when gods, spirits, and humans co-existed in a brutal axe-age. The author explains strange superstitions and how the belief in supernatural beings affected daily life.
Readers also learn about the terrible climate catastrophe that made northern lands virtually uninhabitable, and where Viking explorers sailed to in search of fertile land and treasure. My own family background gives me a strong connection to this history and its special mythology.
'As brilliant a history of the Vikings as one could possibly hope to read' Tom Holland
The 'Viking Age' is traditionally held to begin in June 793 when Scandinavian raiders attacked the monastery of Lindisfarne in Northumbria, and to end in September 1066, when King Harald Hardrada of Norway died leading the charge against the English line at the Battle of Stamford Bridge. This book, the most wide-ranging and comprehensive assessment of the current state of our knowledge, takes a refreshingly different view. It shows that the Viking expansion began generations before theâŚ
Dr. Thomas Williams is a bestselling writer, historian, and archaeologist. A Fellow of the Society of Antiquaries of London, he was a curator of the major international exhibition Vikings: Life and Legend at the British Museum in 2014 and earned his PhD at UCLâs Institute of Archaeology. He wrote Viking Britain and Viking London.
There are many books that aim to provide a succinct, coherent introduction to the subject of Norse mythology. Few, however, manage to so with the clarity and authority of Professor Carolyne Larringtonâs The Norse Myths: A Guide to the Gods and Heroes. This book deals with all of the critical aspects of the mythos: from Ginnungagap (âthe howling voidâ) to RagnarĂśk (âthe doom of the godsâ) by way of Yggdrasil the world-tree, the divine families (the Ăsir and the Vanir) and the giants who opposed them, as well as the doings of human heroes like Sigurd the Volsung. This is an excellent introduction to the subject that includes retellings of many of the most important myths alongside illustrations and vital historical and literary context. If you are just beginning your journey into this realm of monsters and gods, there are few better places to start.
Who were the Norse gods - the mighty AEsyr, led by Odinn, and the mysterious Vanir? In The Norse Myths we meet this passionate and squabbling pantheon, and learn of the mythological cosmos they inhabit. Passages translated from the Old Norse bring this legendary world to life, from the myths of creation to ragnaroek, the prophesied end of the world at the hands of Loki's army of monsters and giants, and everything that comes in between: the problematic relationship between the gods and the giants, in which enmity and trickery are punctuated by marriages and seductions; the (mis) adventures ofâŚ
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorâand only womanâon a remote Everest climb in Tibet.
Have you ever done something on a whim and fallen in love with it? That was how I found Old Norse literature. I was taught the Norse language by reading the prose and poetry of medieval Iceland. In reading their literature, I discovered a rich, vibrant society filled with complex, passionate people. Here were doomed romantics, poets, and philosophersâalong with chieftains and priests facing complex political and religious change. I undertook a PhD to study their literary craft. I hope, if nothing else, that my novel might encourage readers to go off and read the sagas themselves. And, if I am really lucky, they may just enjoy my stories too.
Want to know where Marvel comics got many of its ideas? Then, read this book.
Snorri Sturluson is an Icelandic national hero. Historian, poet, and politician, he was a chieftain during a civil war in Iceland facing encroaching Norwegian expansion. In the middle of all of this, it is argued that he wrote The Prose Edda.
In this book you will learn about the original myths and legends of medieval Iceland written in an accessible and engaging manner.
The most renowned of all works of Scandinavian literature and our most extensive source of Norse mythology
Written in Iceland a century after the close of the Viking Age, The Prose Edda tells ancient stories of the Norse creation epic and recounts the battles that follow as gods, giants, dwarves and elves struggle for survival. In prose interspersed with powerful verse, the Edda shows the gods' tragic realization that the future holds one final cataclysmic battle, Ragnarok, when the world will be destroyed. These tales have proved to be among the most influential of all myths and legends, inspiring worksâŚ
Iâm a retired professor of medieval literature, and taught at six universities, including Oxford and Harvard. I have published widely on Old English, Old Norse, and on my predecessor at Birmingham, Leeds, and Oxford, JRR Tolkien. I think itâs vital for academics to break out of their enclosed communities and engage with the interests of the general public â especially in areas where the public has shown keen interest, like the literature, history, and archaeology of the Vikings, all of which deserve to be taken together.
Dr Barraclough not only traces Viking voyages north, south, east and west, she has followed in their footsteps. She was knighted with the penis-bone of a walrus by the Polar Bear Society of Hammarfest, saw the runestones commemorating those who âdied in the east with Ingvar,â and mapped saga accounts of Newfoundland. Grisly information about Icelandic ânecropantsâ and the Greenland hero âCorpse-Lodin.â This book has particularly beautiful color plates.
In the dying days of the eighth century, the Vikings erupted onto the international stage with brutal raids and slaughter. The medieval Norsemen may be best remembered as monk murderers and village pillagers, but this is far from the whole story. Throughout the Middle Ages, long-ships transported hairy northern voyagers far and wide, where they not only raided but also traded, explored and settled new lands, encountered unfamiliar races, and embarked on pilgrimages and crusades.
The Norsemen travelled to all corners of the medieval world and beyond; north to the wastelands of arctic Scandinavia, south to the politically turbulent heartlandsâŚ
I am a Professor of Early Medieval English History at the University of Cambridge. I also work on relations with the rest of Britain, and between Britain and its European neighbours, especially from an economic and social point of view. My interest in early medieval history arose from the jigsaw puzzle approach that it requires: even more so than for other periods, sources are few and often challenging, so need to be seen together and interpreted imaginatively.
âVikingâ really refers more to an activity than an ethnicity, and has developed an unhelpful amount of baggage in modern times. This book, however, is about vikings red in tooth and claw who fought, raided, and conquered across Britain, but did so as conscious and coherent historical figures rather than an aggressive force of nature. Through delicate source-work that traverses several linguistic and cultural divides, Downham traces the activities of a powerful Scandinavian dynasty that played a formative role in the history of Britain and Ireland across the ninth and tenth centuries.
Vikings plagued the coasts of Ireland and Britain in the 790s. By the mid-ninth century vikings had established a number of settlements in Ireland and Britain and had become heavily involved with local politics. A particularly successful viking leader named Ivarr campaigned on both sides of the Irish Sea in the 860s. His descendants dominated the major seaports of Ireland and challenged the power of kings in Britain during the later ninth and tenth centuries. This book provides a political analysis of the deeds of Ivarr's family from their first appearance in Insular records down to the year 1014. SuchâŚ
Doctors at War: The Clandestine Battle against the Nazi Occupation of France takes readers into the moral labyrinth of the Occupation years, 1940-45, to examine how the medical community dealt with the evil authority imposed on them. Anti-Jewish laws prevented many doctors from practicing, inspiring many to form secret medicalâŚ
Iâm a retired professor of medieval literature, and taught at six universities, including Oxford and Harvard. I have published widely on Old English, Old Norse, and on my predecessor at Birmingham, Leeds, and Oxford, JRR Tolkien. I think itâs vital for academics to break out of their enclosed communities and engage with the interests of the general public â especially in areas where the public has shown keen interest, like the literature, history, and archaeology of the Vikings, all of which deserve to be taken together.
Dr Arnoldâs book begins with the grisly cenotaph discovered at Repton, which may well be the burial-site of Ăvarr the Boneless. His book combines historical, literary and archaeological sources to give a balanced and comprehensive survey of the Vikings, briefly and at an affordable price. The best book to put into a studentâs hands.
This concise and balanced history traces the 300-year saga of the pirates and warlords who poured out of Scandinavia between the eighth and eleventh centuries, terrorizing, conquering, and ultimately settling vast tracts of land throughout Europe. Undaunted by the might of the Arab caliphates and the Byzantine Empire, they founded Russia, originated the bloodline that came to rule France, and created a North Sea empire that included England. They also established settlements across the North Atlantic, notably in Iceland and Greenland, and their adventurous spirit and extraordinary seafaring skills led them to explore and briefly build colonies in North America.âŚ
Like any writer, Iâm fascinated with what makes people tick and why they act the way they do. Naturally, this means I read a lot of history. I love reference reading; I love researching arcane questions for a tiny detail that will bring a character or their world to life. Creating epic fantasy is an extension of both my drives as a reader and a writer. Pouring myself into characters who inhabit different settings is a deeply satisfying exercise in both craft and empathy, and each history book has some small bit I can use to make my settings more compelling, more enjoyable for readers, and more real.
I was in love the moment I opened an abridged version of Gibbonâs magnum opus as a young history buff, and was even more delighted when I sought out the multivolume full experience.
Gibbonâs view of the Roman Empire is magisterial and his footnotes are a cranky delight; heâs up-front when his sources have axes to grind and sourly suspicious of his own motivations.
Sure, heâs an 18th-century British colonialist with all that entails. Heâs also deliciously ironic, hilariously sardonic, and does his mightiest justice when heâs skewering folly and tyranny of any stripe.
Spanning thirteen centuries from the age of Trajan to the taking of Constantinople by the Turks, DECLINE & FALL is one of the greatest narratives in European Literature. David Womersley's masterly selection and bridging commentary enables the readerto acquire a general sense of the progress and argument of the whole work and displays the full variety of Gibbon's achievement.
I am a rising literary star, crafting captivating narratives that blend classic and contemporary themes. My work, like Tolkien, Lovecraft, and King, delves into the darker side of humanity and explores complex characters in intricate worlds. My unique perspective and deep understanding of storytelling make my book recommendations invaluable. I have apassion for the craft, offering insightful analysis and curating diverse reading lists. By introducing readers to classic works, I foster a deeper appreciation for the art of storytelling.
I yearn to lose myself in the intricate tapestry of Tolkien's world, where every word is a brushstroke on the canvas of imagination. I am captivated by the allure of ancient languages and the power of storytelling to transport the reader to realms beyond reality.
The epic struggle between good and evil, the weight of destiny, and the enduring bonds of friendship resonate deeply within me. I am eager to embark on this perilous journey, to witness the rise and fall of heroes, and to confront the ultimate test of courage and will.
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
Dr. Thomas Williams is a bestselling writer, historian, and archaeologist. A Fellow of the Society of Antiquaries of London, he was a curator of the major international exhibition Vikings: Life and Legend at the British Museum in 2014 and earned his PhD at UCLâs Institute of Archaeology. He wrote Viking Britain and Viking London.
Snorri did not write his Edda in a vacuum, and the mythological and heroic poems collected in the thirteenth century Codex Regius (and a handful of other manuscripts) provide a snapshot of the sort of raw material from which his book was constructed. The apparent antiquity of these poems (quite how old remains a matter of debate) led to them being labelled the âElderâ Edda and, although in their preserved form they are products of the Middle Ages, they powerfully evoke the strange and esoteric world of northern antiquity. In content the mythological poems encompass, amongst much else, VĂśluspĂĄ (the prophetic vision of a sorceress revealing the breaking and rebirth of the world at RagnarĂśk and the events that will precipitate it), HĂĄvamĂĄl (the gnomic wisdom of Odin, including an account of his self-mortifying pursuit of occult knowledge) and Lokasenna (in which the god Loki provides a definitive example ofâŚ
Compiled by an unknown scribe in Iceland around 1270, and based on sources dating back centuries earlier, these mythological and heroic poems tell of gods and mortals from an ancient era: the giant-slaying Thor, the doomed Voelsung family, the Hel-ride of Brynhild and the cruelty of Atli the Hun. Eclectic, incomplete and fragmented, these verses nevertheless retain their stark beauty and their power to enthrall, opening a window on to the thoughts, beliefs and hopes of the Vikings and their world.