10 books like Norse Myths

It’s impossible to separate Orkney’s history from the Vikings and the mark they left on the culture and settlement of the land. While Price’s book doesn’t focus specifically on Orkney, it does offer a detailed look into the impact Vikings had on numerous regions, especially during the greatest period of Scandinavian expansion and their maritime power. I appreciated Price's focus on the context of the world the Vikings existed in, which grounded the research in something other than romanticized hero worship. A true heavy haul of a book, but worth every second spent reading and cross-referencing.

If you’re looking for a comprehensive reference book on the Norse deities, this is the title to get. In addition to describing the historical context and importance of Scandinavian mythology, the book alphabetically lists, describes, and explains the gods, the goddesses, as well as important mythological artifacts and creatures. It also has a section for additional resources and an excellent index. This is the book I find myself referring back to over and over again to make sure I’ve got my details right in my own writing.

I’ve always been enthralled by the myths and legends of the north. In this collection we get a deep and richly woven retelling of the famous and infamous heroes and gods of Norse mythology. Told in the narrative of a storyteller, Neil Gaiman brings these ancient legends into glorious life with his flowing and dynamic prose.

The way these stories are phrased here makes this my favourite set of retellings. Crossley-Holland’s choice of words evokes the original Norse. He uses alliteration, mainly when describing land and sea, and he is very careful to use words that come from Old English, a sister language to Old Norse, in preference to words from Latin, Greek, and post-Latin languages. There are plenty of other retellings that cover similar ground, but none with quite this joy in the energy of the original.

Kevin Crossley-Holland published excerpts from his Norse Myths as a book for children. But as a child’s first introduction to the tales, it might be too poetic. I’d recommend, instead, Norse Mythology for Kids by Mathias Nordvig.

Nordvig retells the myths as your wise uncle might—if he happened to be Loki, the trickster god. For Nordvig not only blends different versions of a tale, but he also adds bits he thinks our original sources shouldn’t have left out.

Into that “mist world” at time’s beginning, for instance, Nordvig inserts a loon who helps the goddess Jord build the Earth. It’s a tale I’m familiar with from Native American mythology, but as Nordvig asserts, the Norse stories “are still alive.” And to keep them that way, we need to make them our own.

For serious readers of Norse mythology, its origins in literature and early culture the Byock translation of the 13th-century text by Snorri Sturluson presents the Viking equivalent of Heroditus’ Histories of the Ancient Greeks and the religious texts of the Abrahamic religions. It’s a thrilling read and forms the basis of all modern versions of Viking legend. I still refer to this, years after first reading it.

I studied magic, sorcery, and spirit possession as a student anthropologist for a few months in Indonesia in the late 1980s. Thirty-odd years later, when I came to write a series of novels about Viking warriors being possessed by the spirits of bears and wolves, which they believed lent them a berserk frenzy in battle, I drew on my own meagre experience and on the far more impressive work of Neil Price, a professor of Archaeology at Uppsala University and expert on the pre-Christian religions. In The Viking Way, Price explains Viking belief systems and tackles occult subjects such as seithr, shamanism, and the supernatural empowerment of aggression eloquently and extensively. I couldn’t have written my novels without his illumination.

The most compelling original source material for the Norse myths is a collection of anonymous poems known as the Poetic Edda. Based on a 13th-century Icelandic transcription of ancient oral legends, the Poetic Edda includes the creation myths of the Ash Tree and the Frost Giants, the adventures of Thor and Loki, and many other lesser-known Norse tales. Jackson Crawford’s translation manages the difficult task of making the stories understandable while capturing the rhythm and beauty of the original poems.

Translated and edited by Anthony Faulkes. It too comes from the thirteenth century. The author was an Icelandic law-speaker, a chief, and a deeply involved scholar interested in the retention of the old forms of pre-Christian poetry. Why should you look at this if you have done the Elder Edda? A good question, especially since in many ways Snorri’s version is longer. And that is the reason. If you noticed that the Tree churches (stave churches) have snakes on the roof, that is something Snorri notes about the Tree Yggdrasil, that the snakes in the branches will forever gnaw away at them. It is Snorri who related that the underworld agreed to release the good Balder from Hel if every creature wept. All did but one, Loki, the god of deceit and trickery. And so Balder remains dead till Ragnarok. This makes all the more poignant the phrase found in… show more.

While Snorri wrote in his native Old Norse in Iceland, unbeknownst to him, a Danish writer remembered as Saxo the Grammarian ('Grammaticus') was writing a monumental history of the Danish kingdom in Latin. Since the old gods were held to be the ancestors of the royal families of medieval Scandinavia, Saxo spends quite a bit of time in the first nine books of 'The History of the Danes' retelling their stories. Many fans of Norse mythology who read the Eddas still never approach Saxo's work, which in fact has been mined in recent centuries for many rich details that are preserved nowhere else. Like Snorri, Saxo tries to "rationalize" the old gods into becoming misguided or deceitful human beings from the distant past, and he does a more thorough job of it, but even through this veneer, it is hard not to recognize the same characters that we know from… show more.