98 books like History of the Danes

There are many books that aim to provide a succinct, coherent introduction to the subject of Norse mythology. Few, however, manage to so with the clarity and authority of Professor Carolyne Larrington’s The Norse Myths: A Guide to the Gods and Heroes. This book deals with all of the critical aspects of the mythos: from Ginnungagap (‘the howling void’) to Ragnarök (‘the doom of the gods’) by way of Yggdrasil the world-tree, the divine families (the Æsir and the Vanir) and the giants who opposed them, as well as the doings of human heroes like Sigurd the Volsung. This is an excellent introduction to the subject that includes retellings of many of the most important myths alongside illustrations and vital historical and literary context. If you are just beginning your journey into this realm of monsters and gods, there are few better places to start.

The most compelling original source material for the Norse myths is a collection of anonymous poems known as the Poetic Edda. Based on a 13th-century Icelandic transcription of ancient oral legends, the Poetic Edda includes the creation myths of the Ash Tree and the Frost Giants, the adventures of Thor and Loki, and many other lesser-known Norse tales. Jackson Crawford’s translation manages the difficult task of making the stories understandable while capturing the rhythm and beauty of the original poems.

Translated and edited by Anthony Faulkes. It too comes from the thirteenth century. The author was an Icelandic law-speaker, a chief, and a deeply involved scholar interested in the retention of the old forms of pre-Christian poetry. Why should you look at this if you have done the Elder Edda? A good question, especially since in many ways Snorri’s version is longer. And that is the reason. If you noticed that the Tree churches (stave churches) have snakes on the roof, that is something Snorri notes about the Tree Yggdrasil, that the snakes in the branches will forever gnaw away at them. It is Snorri who related that the underworld agreed to release the good Balder from Hel if every creature wept. All did but one, Loki, the god of deceit and trickery. And so Balder remains dead till Ragnarok. This makes all the more poignant the phrase found in… show more.

The closest thing to a "novel" from medieval Scandinavia, The Saga of the Volsungs was written down in the 1200s in Iceland by an author who knew the poems about the Volsungs in the Poetic Edda, but also knew a vast wealth of additional poems about them that are otherwise lost to us. Rather than transmit the poems directly, this unknown author chose to attempt to put together a cohesive story of the sprawling generations of this family, beginning with the fathering of their first ancestor by the god Odin and continuing through all the events that lead Odin himself to engineer the death of its last generations. Here we have dwarves forging magic swords, dragon-slayers, Valkyries laboring under the weight of ill-considered oaths, and star-crossed lovers seeking bloody revenge. This volume also includes the medieval "fanfic" sequel, The Saga of Ragnar Lothbrók, written shortly after The Saga of the… show more.

Poul Anderson is best known for his science fiction, but he was also one of the great fantasy and historical fiction writers of the 20th century, as well as a founding member of the Society for Creative Anachronism. His fantasy and historical fiction novels tended to focus on the Viking Age and/or Norse myths, and War of the Gods is my favorite of these. It is a rousing novelization of Book 1 from Saxo Grammaticus’ Gesta Danorum, one of our foremost sources of Norse mythology. War of the Gods takes Saxo’s brief story, uniquely positions it against the background of the mythological war between the Aesir and Vanir, and expands the tale from its short foundation to be an action-packed novel that remains faithful to its original inspiration. 

Snorri did not write his Edda in a vacuum, and the mythological and heroic poems collected in the thirteenth century Codex Regius (and a handful of other manuscripts) provide a snapshot of the sort of raw material from which his book was constructed. The apparent antiquity of these poems (quite how old remains a matter of debate) led to them being labelled the ‘Elder’ Edda and, although in their preserved form they are products of the Middle Ages, they powerfully evoke the strange and esoteric world of northern antiquity. In content the mythological poems encompass, amongst much else, Völuspá (the prophetic vision of a sorceress revealing the breaking and rebirth of the world at Ragnarök and the events that will precipitate it), Hávamál (the gnomic wisdom of Odin, including an account of his self-mortifying pursuit of occult knowledge) and Lokasenna (in which the god Loki provides a definitive example of… show more.

I enjoyed reading about the courage the young protagonist, Annemarie, had and her determination to keep her best friend safe.

Lowry’s lyrical words put you in the moment and make you feel part of that world. I learned a lot about what WWII looked outside Germany, how people reacted to it, and how many outwitted the enemy. 

When I think of Kierkegaard, his story with Regina Olsen, his fiancée, always comes to mind.

What happened during and after their courtship will forever mark the life and work of an author who is considered by many to be the father of existentialism and a key figure in understanding the crisis of modernity in which we are immersed.

Philosopher of the Heart is not just a biography; it's a philosophical exploration that invites readers to engage with Kierkegaard's questions about our individual existence and the search for meaning. 

Since I’ve traveled a lot above the Arctic Circle, I relish a good Nordic noir.

Smilla, part Greenlander and part Dane travels from Copenhagen back to Greenland on a quest for truth about a brutal death deemed an accident.

The gripping ending included elements I found fascinating, Inuit culture, human evil, and extreme weather. 

This book is about “The Danish universe of meaning,” or, the view of the world as it is has been captured by Danish words and meanings. The work includes deep semantic analysis of cultural constructs such as hygge, roughly, ‘pleasant togetherness’ and tryghed, roughly, ‘sense of security, peace of mind,’ as well as cognitive verbs, emotion adjectives, personhood constructs, and rhetorical keywords. But Levisen’s aim is not only to study Danish—at heart, the book is about cultural semantics at large. The aim is to use Danish as a case study and to provide a new model for comparative research into the diversity and unity of meaning in European languages. To my mind, this book wonderfully succeeds in achieving this aim.