Growing up in post-WWII Europe, young people’s anxiety was often channelled into searching for ‘lost worlds’, places hope could be nurtured and ancient solutions revived. So I encountered Atlantis and Lemuria and other imagined places but also learned, from training as a geologist, that once-populated lands had actually been submerged. Myths and legends often contain grains of observational truth at their heart. The more ‘submergence stories’ I research, from Australia through India and across northwest Europe, the more I realize how much we have forgotten about undersea human pasts. And how our navigation of the future could be improved by understanding them.
Ever since deep-sea fishing vessels started to bring up artifacts and the bones of extinct land animals from the floor of the North Sea (UK), there has been a suspicion that a once-inhabited submerged land lay there. Named Doggerland, this land has now been investigated in more detail than any other. We know how people lived there, what the topography and vegetation were like, what animals roamed there. And we know that about 8000 years ago, Doggerland – the last land link between the British Isles and the rest of Europe – became submerged. A gripping and hugely compelling account.
This excellent book, which deserves a wide readership, reports on the work of the North Sea Palaeolandscapes Project, which has been researching the fascinating lost landscape of Doggerland which until the end of the last Ice Age connected Britain to the continent in the North Sea area. It aims to make the findings available to a general readership, and show just how impressive they have been, with nearly 23,000km2 mapped. The techniques used to reconstruct the landscape are explained, and conclusions and speculation about the climate and vegetation of the area in the Mesolithic offered. It also tells the story…
I’ve been writing about the end of the world for years, so I know my way around the apocalypse! It’s not as dark as it sounds – it’s not the end of the world itself that I find fascinating, it’s imagining the reactions of the people who inhabit these nightmare scenarios. I’m a people watcher at heart, and these days it seems we’re increasingly restricted by the polarization of society, almost forced to pick a side. Come the apocalypse, all the preconceptions and regulations will be stripped away, and folks will behave as they genuinely want to, not how they think they should. Now that would really be something to behold!
Richard Jane, a diver working on a rig in the North Sea, is on a dive when ‘an event’ takes place which devastates the surface of the planet. This is another wonderfully written apocalypse – the descriptions are such that you can’t stop reading, no matter how horrific. The terror of Jane’s frantic escape from the black, ice-cold, subterranean depths is harrowing enough, but the soul-sapping devastation he finds when he reaches the surface is something else altogether. The first part of the book is particularly powerful, as Jane walks south along virtually the length of what’s left of the country to look for his son in the ruins of London.
This is the United Kingdom, but it's no country you know. No place you ever want to see, even in the howling, shuttered madness of your worst dreams. You survived. One man. You walk because you have to. You have no choice. At the end of this molten road, running along the spine of a burned, battered country, your little boy is either alive or dead. You have to know. You have to find an end to it all. One hope. The sky crawls with venomous cloud and burning red rain. The land is a scorched sprawl of rubble and…
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I like this series set in wartime London. Electra “Ellie” McDonnell, a safecracker, is in business with her Uncle Mick, they rob homes of the rich.
After they are arrested, the handsome Major Ramsay has a deal for Ellie: if she will help him, he’ll let her, and her uncle walk free. A straightforward deal, except for the romantic complication.
As the Blitz continues to ravage London, Ellie McDonnell is approached by British Intelligence officer Major Ramsey with a new assignment. She is to travel under an assumed identity to the port city of Sunderland and there await further instructions. Ellie, ever-ready to aid her country, heads north, her safecracking tools in tow. But before she can rendezvous with the major, she witnesses an unnatural death. A man falls dead in the street in front of her, with a mysterious missive clutched in his hand. Ellie's instincts tell her that the man's death is connected in some way to her…
I am a former journalist and corporate public relations expert with a Ph.D. in Foreign Languages, I’ve always been passionate about World War 2 history and truly fascinated by the deceptions put in place by both the Allies and the Axis. I believe that a story that mixes fiction with history is highly powerful and evocative. I set my debut novel in the Rome in 1942 because I was inspired by the numerous stories heard from both my grandfathers who fought in the war and because Fascist Italy is not as well-known as it should be. As one of the very few female thriller writers in this genre, I wanted to celebrate the contribution of women in World War 2!
Another great thriller by Follett, what I found different and interesting for this book was the setting, Nazi-occupied Denmark during World War 2. The mixing of fictional and historical events is well accomplished. Typical of Follett, the novel presents intertwining stories in an adept way that builds tension throughout. It is very well researched and the places really come to life. I loved the abundance of technical details that don’t feel overwhelming, though. With memorable, strong characters, all determined to reach their goals, the writer did a great job in placing them into a well portrayed, true-life context. I loved the spinning swirl of actions that accompany the reader until the very end.
Ken Follett and the intrigue of World War II-"a winning formula" (Entertainment Weekly) if ever there was one. With his riveting prose and unerring instinct for suspense, the #1 New York Times bestselling author takes to the skies over Europe during the early days of the war in a most extraordinary novel. . . .
It is June 1941, and the war is not going well for England. Somehow, the Germans are anticipating the RAF's flight paths and shooting down British bombers with impunity. Meanwhile, across the North Sea, eighteen-year-old Harald Olufsen takes a shortcut on the German-occupied Danish island…
Great concept that really hasn't been explored like this before. Apparently this is a translation of a German book, but the interpretation was so smooth that the later revelation was a bit of a surprise.
Frank Schatzing's amazing novel is a publishing phenomenon with translation rights sold around the world, drawing rave reviews for both pulsating suspense and great scientific knowledge.
The world begins to suffer an escalating and sensational series of natural disasters, and two marine biologists begin to develop a theory that the cause lies in the oceans, where an entity know as the Yrr has developed a massive network of single-cell organisms. It is wreaking havoc in order to prevent humankind from destroying the earth's ecological balance forever.
The Americans, under the ruthless General Judith Lee, take a more pragmatic approach than…
I'm a French writer, originally from Provence, who found herself catapulted into Scandinavian culture almost twenty years ago when I married a Swede. When I wrote Block 46, my first book back in 2015, I set the plot in Falkenberg, a town on the west coast of Sweden, bringing my southern European culture face to face with the Scandinavian one, a kind of alliance between fire and ice. What I'm sharing with you today is the essence of my “empirical research” as a Swedish wife, an expatriate in Sweden, and a mother of three mini-Vikings, giving you the keys and the secrets of this northern culture that fascinates so much.
Sussi Louise Smith is a Danish artist, painter, poet, children's book author, and a daughter of the sea. Her work is influenced by the Baltic and North Seas, which she is missing greatly as she lives in England.
Sussi touches my soul and my heart with every verse and every story she tells, to the point that I chose one of her poems (“And So It Begins”) as an opening quote for my latest book.
This is not only a wonderful travel book following the coast of the North Sea from the Kattegat to Amsterdam, but like other outstanding place-writing books these days a meditation on the pitfalls of history and memory and how we face it individually.
Not an escapist book, but still perfect reading for the dark season when rain or snow howl around the house and you're snug inside, reading on the sofa.
Me, my notebook and my love of the wild and desolate. I wanted to do the opposite of what was expected of me. It's a recurring pattern in my life. An instinct.
There is a line that stretches from the northernmost tip of Denmark to where the Wadden Sea meets Holland in the south-west. Dorthe Nors, one of Denmark's most acclaimed writers, is a descendant of this line; for generations, her family lived among the storm-battered trees and wind-blasted beaches of the North Sea coast. Returning after decades of inhabiting cities, she chronicles a year spent travelling up and down…
I was fortunate enough to take up white water kayaks as a student in Scotland, eventually becoming a member of the British wild water racing team. The portable nature of these craft makes it easy to move from one stretch of water to another. I subsequently became the editor of Canoeist(by accident) and have travelled all the major British canals, the larger lochs, the entire mainland coast, and many other waters, producing guides that have been found useful for those on the water, on foot, on bikes or in armchairs.
This is the third and final part of the author's trilogy on the East Anglian coastline, covering Essex, the previous two featuring Norfolk and Suffolk.
With her background in sailing, it is not so much a gazetteer as a wonderful medley of all things nautical as she goes off at a tangent time after time to fill in colour on the Essex coast, accompanied by her sketches and sketch maps.
Here are geology with the inundation of what has become the North Sea, human evolution, the Cinque Ports, the Hudson Bay Company, pocket submarines, sailing boat types, salt production, smuggling, Samuel Pepys, the Battle of Maldon, Anglo Saxons, oysters and other seafood, classic yacht racing, the Beagle, monsters, mermaids, the Great Lakes and much more.
Tom Licence is Professor of Medieval History at the University of East Anglia and a former Fellow of Magdalene College, Cambridge. He is a Fellow of the Royal Historical Society and a Fellow of the Society of Antiquaries. He teaches Anglo-Saxon History to undergraduates and postgraduates.
Blair approaches the history of these centuries by dividing mainland Britain into environmental and cultural zones. In doing so, he highlights the role of geography, geology, infrastructure, trade and even rainfall in determining trends of settlement, social cohesion, and material culture. Blair examines how landscapes were created – the evolution of villages, towns, and religious complexes – while exploring the relationship between centres of power and the satellite hubs around them. The book is richly served by colour images, artists’ reconstructions, maps, and diagrams. Comparisons to Scandinavia (where early timber structures survive) help bring the houses and surroundings of the Anglo-Saxons vividly to life.
Shortlisted for the Wolfson History Prize A radical rethinking of the Anglo-Saxon world that draws on the latest archaeological discoveries
This beautifully illustrated book draws on the latest archaeological discoveries to present a radical reappraisal of the Anglo-Saxon built environment and its inhabitants. John Blair, one of the world's leading experts on this transformative era in England's early history, explains the origins of towns, manor houses, and castles in a completely new way, and sheds new light on the important functions of buildings and settlements in shaping people's lives during the age of the Venerable Bede and King Alfred.
In the eleventh century, the rulers of the lands surrounding the North Sea are all hungry for power. To get power they need soldiers, to get soldiers they need silver, and to get silver there is no better way than war and plunder. This vicious cycle draws all the lands of the north into a brutal struggle for supremacy and survival that will shatter kingdoms and forge an empire.
The Wolf Age takes the reader on a thrilling journey through the bloody shared history of England and Scandinavia, and on across early medieval Europe, from the wild Norwegian fjords to…
