I’ve been writing about the end of the world for years, so I know my way around the apocalypse! It’s not as dark as it sounds – it’s not the end of the world itself that I find fascinating, it’s imagining the reactions of the people who inhabit these nightmare scenarios. I’m a people watcher at heart, and these days it seems we’re increasingly restricted by the polarization of society, almost forced to pick a side. Come the apocalypse, all the preconceptions and regulations will be stripped away, and folks will behave as they genuinely want to, not how they think they should. Now that would really be something to behold!
My Autumn series is a zombie apocalypse that’s a million miles removed from The Walking Dead and Night of the Living Dead. I wanted to make the undead believable – there’s no flesh eating, no gore for gore’s sake – and focus instead on the absolute horror faced by the people left behind, trying to survive in a world where the dead outnumber the living by 100,000 to 1. Now, in the shadow of the pandemic, the newest book – Autumn: Dawn – has taken on a new resonance.
Welcome to London. Population seven million. 99.9% of them dead. Can enough survivors band together to make a difference, or has the country - maybe even the entire world - already been lost to the dead?
Take the body horror nightmare of John Carpenter’s The Thing and substitute the remoteness of that film’s Antarctic setting for the densely populated familiarity of the UK. When a deadly infection strikes, four friends must cross a chaotic, war-torn England to reach their families. The infection turns people into vile, cannibalistic monsters that are almost Lovecraftian in their grotesqueness. There’s something about the juxtaposition of the normality of UK life and the unrelenting horror of the infection that really hits home. This is a vicious book that pulls no punches and spares no one. Beautifully written, and bleak as hell.
A pestilence has fallen across the land. Run and hide. Seek shelter. Do not panic. The infected WILL find you. When Great Britain is hit by a devastating epidemic, four old friends must cross a chaotic, war-torn England to reach their families. But between them and home, the country is teeming with those afflicted by the virus - cannibalistic, mutated monsters whose only desires are to infect and feed. THE LAST PLAGUE is here.
Richard Jane, a diver working on a rig in the North Sea, is on a dive when ‘an event’ takes place which devastates the surface of the planet. This is another wonderfully written apocalypse – the descriptions are such that you can’t stop reading, no matter how horrific. The terror of Jane’s frantic escape from the black, ice-cold, subterranean depths is harrowing enough, but the soul-sapping devastation he finds when he reaches the surface is something else altogether. The first part of the book is particularly powerful, as Jane walks south along virtually the length of what’s left of the country to look for his son in the ruins of London.
This is the United Kingdom, but it's no country you know. No place you ever want to see, even in the howling, shuttered madness of your worst dreams. You survived. One man. You walk because you have to. You have no choice. At the end of this molten road, running along the spine of a burned, battered country, your little boy is either alive or dead. You have to know. You have to find an end to it all. One hope. The sky crawls with venomous cloud and burning red rain. The land is a scorched sprawl of rubble and…
In the zombie sub-genre, it’s hard to move for the countless books and films about battle-hardened troops trying to maintain law and order as the world tears itself apart. All too often, these stories are little more than battle scene after battle scene, when the gauge of ammo being fired at the zombies is given more importance than a cohesive plot, character development, or any other such trivialities! Not so with Tooth and Nail. A fantastic writer of military fiction, DiLouie cut his teeth here with a startlingly realistic story of a pack of exhausted soldiers trying to deal with the impossible as society crumbles around them.
This is the way the world ends. Not with a bang, not with a whimper, but a slaughter.
As a new plague related to the rabies virus infects millions, America recalls its military forces from around the world to safeguard hospitals and other vital buildings. Many of the victims become rabid and violent but are easily controlled-that is, until so many are infected that they begin to run amok, spreading slaughter and disease. Lieutenant Todd Bowman got his unit through the horrors of combat in Iraq. Now he must lead his men across New York through a storm of violence…
Another comparison with Carpenter’s The Thing here. A crew working on a derelict refinery platform moored in the Arctic Ocean are waiting for a relief ship to take them home when they discover that the rest of the world has been ravaged by a global pandemic. This is another book where the brilliance of the prose and the grotesqueness of the infection combine to devastating effect and deliver a hugely effective vision of the apocalypse.
They took the job to escape the world They didn't expect the world to end.
Kasker Rampart: a derelict refinery platform moored in the Arctic Ocean. A skeleton crew of fifteen fight boredom and despair as they wait for a relief ship to take them home.
But the world beyond their frozen wasteland has gone to hell. Cities lie ravaged by a global pandemic. One by one TV channels die, replaced by silent wavebands.
The Rampart crew are marooned. They must survive the long Arctic winter, then make their way home alone. They battle starvation and hypothermia, unaware that the…
How could any list of bleak apocalyptic novels be complete without mentioning The Road? McCarthy’s masterpiece is a tale of hope in the grimmest of grim circumstances. Rarely has a vision of the end-times been so unremittingly bleak, and yet the focus on the relationship between an unnamed man and his son leaves the reader in no doubt that no matter how desperate the situation, there’s always hope. McCarthy’s sparse, punctuation-free style perfectly suits the decaying, stripped back world he describes. A remarkable novel.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
Saving Raine is a captivating tale of resilience, redemption, and the enduring power of love, penned by the acclaimed author Marian L. Thomas.
This contemporary fiction novel chronicles the compelling journey of Raine Reynolds as she confronts heartache, betrayal, and loss. Against the vibrant backdrops of Atlanta and Paris, Raine's story unfolds as she grapples with the aftermath of her husband's infidelity and tragic passing.
Through poignant prose and compelling characters, "Saving Raine" delves into themes of forgiveness, healing, and the strength discovered in confronting life's greatest challenges. Readers will be captivated by Raine's emotional odyssey as she unearths hope, redemption, and the courage to embrace a brighter future.
Raine Reynolds stands at the crossroads of despair and opportunity.
When the life you've built crumbles and the past refuses to release its grip, sometimes you need a fresh start-a new beginning that promises hope and redemption.
Once a celebrated author, Raine's life unraveled, sending her fleeing to the picturesque streets of Paris to escape the tormenting heartache that threatened to consume her. Yet, no matter how far she traveled, the pain remained her unwelcome companion.
Returning to bustling Atlanta as a senior VP for an ad agency, Raine is forced to confront a city steeped in…
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