Here are 100 books that A Venetian Affair fans have personally recommended if you like
A Venetian Affair.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
For more than thirty years I have been discussing, formulating ideas, and writing about Architecture, Building Reuse, and Interiors. I lead the MA Architecture and Adaptive Reuse programme and direct graduate atelier Continuity in Architecture at the Manchester School of Architecture. I am currently the Visiting Professor at the University IUAV of Venice where I am conducting research on the sustainable adaptation of existing buildings with particular emphasis on the environmental concerns within the inherently fragile city of Venice.
Jan Morris’s book is a fantastic discussion about the evolution of Venice. It explores why the city looks as it does, why the inhabitants behave in a particular manner, it explains how the buildings are constructed, why the boats are shaped as they are, how the navy constructed their Arsenale, what is best to eat, and when, what the climate is like and how this has informed behaviour and so much more...
Often hailed as one of the best travel books ever written, Venice is neither a guide nor a history book, but a beautifully written immersion in Venetian life and character, set against the background of the city's past. Analysing the particular temperament of Venetians, as well as its waterways, its architecture, its bridges, its tourists, its curiosities, its smells, sounds, lights and colours, there is scarcely a corner of Venice that Jan Morris has not investigated and brought vividly to life.
Jan Morris first visited the city of Venice as young James Morris, during World War II. As she writes…
I am an anthropologist who became attached to Venice after spending time in Italian language school there and returning over and over, often staying for months. What tourists see is the superficial beauty of the city. But Venice is a place of incredible depth and complexity, both historically and today. During my many visits, I began to hear (on the street) and read (in museums) of the many inventions that happened in Venice. I soon started making a list and, with additional reading, this list grew to 220 inventions—such as quarantine and the paperback book—and realized how much we owe to Venice for how we navigate the world today.
Venice is a Fish is the book to carry to Venice so that you can sit in a campo somewhere (or at a café with a spritz) and read it during your stay. A funny, fun, and informative book about Venice as it is now, as well as over its long history. Then you can follow in the book’s footsteps and go for a walk and get lost.
'Every year, hundreds of books on the city are published, but none resembles this one' - Independent
'This gem of a book offers practical advice but in a distinctly lyrical tone. If you are lucky enough to be going there, take Venice is a Fish and you will want for nothing' - Sunday Telegraph
Built on an inverted forest, paved with a tortoiseshell of boulders, Venice is a maze of tiny alleys, bridges and squares. Tiziano Scarpa wanders through the city, recounting the customs and secrets that only Venetians know. With everything from practical advice for aspiring Venetian lovers to…
I am an anthropologist who became attached to Venice after spending time in Italian language school there and returning over and over, often staying for months. What tourists see is the superficial beauty of the city. But Venice is a place of incredible depth and complexity, both historically and today. During my many visits, I began to hear (on the street) and read (in museums) of the many inventions that happened in Venice. I soon started making a list and, with additional reading, this list grew to 220 inventions—such as quarantine and the paperback book—and realized how much we owe to Venice for how we navigate the world today.
Toso Fei is a Venetian author who writes about the quirks and mysteries of Venice. He has several books about ghost stories, strange events, and inventions. All his books are great because he not only writes well but is knowledgeable as only an insider can be.
I am an anthropologist who became attached to Venice after spending time in Italian language school there and returning over and over, often staying for months. What tourists see is the superficial beauty of the city. But Venice is a place of incredible depth and complexity, both historically and today. During my many visits, I began to hear (on the street) and read (in museums) of the many inventions that happened in Venice. I soon started making a list and, with additional reading, this list grew to 220 inventions—such as quarantine and the paperback book—and realized how much we owe to Venice for how we navigate the world today.
Here you get McCarthy’s whit and her fine descriptions about living in Venice. Although her stay happened long ago, her stories about interacting with her landlord and other Venetians, and all the adjustments one must make when living in a water-bound city, ring true today as well.
A penetrating work of reportage on Venice. “Searching observations and astonishing comprehension of the Venetian taste and character” (New York Herald Tribune).
My first encounter with Venice was as a PhD student consulting the state archives in the former monastery attached to the basilica of the Frari, a place redolent of the history and culture of the city, lined with the tombs of doges. This inspired me to learn more about this improbable city, a curiosity that has never waned. Since then, I have visited the city more times than I can count, taking students, cultural tours, and visiting my many friends. Consequently, I was invited to produce my Essential Italy for Smithsonian Journeys and later their first virtual reality tour of the city. I can never tire of Venice nor completely know it.
The greatest travel writer of her generation (she died in November of 2020) produced a popular introduction to the city, mixing fact and story in her uniquely engaging style. It is a book that rivals Honour’s guide but focuses more on the patterns and rituals of life in Venice, linked by a profound appreciation for that unusual place, a city where the “streets are full of water”. If you like Morris, you might also be interested in her old but still engaging Venice, written when she was still James Morris.
A fascinating exploration of the history, sights, seasons, arts, food, and people of an incomparable city. “A highly intelligent portrait of an eccentric city, written in powerful prose and enlivened by many curious mosaics of information...a beautiful book to read and to possess” (The Observer). New Foreword by the Author. Index.
I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
Tangled canals. Crooked alleyways. Slumping palazzi 500-hundred years old. Venice is Italy’s most atmospheric city, right? Maybe. Genoa runs a close second. Both are misunderstood and misrepresented in literature. Outsiders don’t dip below the theme-park surface. Except for the late, great Michael Dibden. Dead Lagoon features Commissario Aurelio Zen, a flawlessly drawn Italian detective. What makes me so sure? Genetics, experience, passion. My mother’s family is Venetian (via Rome). I’ve spent decades diving deep into the Lagoon City. I even did a year of college there. When I follow Zen into those crumbling palaces to unnail their intrigues, or watch him dart down bleak alleys stinking of fish and corruption, I know the writing rings true. Dibden “gets” Italy, unlike other, better-known novelists using Venice as a soft-boiled backdrop.
Among the emerging generation of crime writers, none is as stylish and intelligent as Michael Dibdin, who, in Dead Lagoon, gives us a deliciously creepy new novel featuring the urbane and skeptical Aurelio Zen, a detective whose unenviable task it is to combat crime in a country where today's superiors may be tomorrow's defendants.Zen returns to his native Venice. He is searching for the ghostly tormentors of a half-demented contessa and a vanished American millionaire whose family is paying Zen under the table to determine his whereabouts-dead or alive. But he keeps stumbling over corpses that are distressingly concrete: from…
Europe’s finest masterpieces drew me from Seattle, Washington to the Netherlands, where I earned a master’s degree in art history. During my study, the restitution of artwork that had been looted during WWII was a hot topic, and one that deeply fascinated me. Ultimately, my classes and work for several Dutch cultural institutions inspired me to write my series of art history mysteries.
This complex novel is akin to going on a highly enjoyable journey through gorgeous settings and two distinct periods of time. A multitude of seemingly unrelated stories set in London, Venice, and New York City, slowly intertwine and merge throughout the novel. Revenge drives one character, the desire to reach a higher social standing another, fame and perhaps wealth motivates a third, and memories of better times keep a fourth going. Yet all of their stories are connected via a single painting, Titian’s Man With the Blue Sleeve. To find out how and why, you’ll have to read this captivating novel.
It is 1576 and Venice is in chaos, ravaged by plague and overrun by crime. In the midst of the anarchy we find those brave souls who have chosen not to flee the city. Titian, most celebrated of Venetian painters, his health failing badly. Sebastiano, a gondolier who is the eyes and ears of the corrupted and crumbling city. And Tullia, the most notorious courtesan of the age, who must fight to retain her status as well as her worldly possessions. In the present day, the echoes of what happened centuries earlier still ripple as the lives of ordinary people…
I am a queer writer who lovers to read and write mystery and crime fiction. The history of these genres is often full of homophobic stereotypes and scapegoating of queer characters. While I think it’s important to show queer characters as flawed, I also want to make sure to celebrate the contributions of queer writers to these messy, wonderful genres.
This book deserves all the comparisons to Patricia Highsmith’s The Talented Mr. Ripley—but despite the similarities of the setting and genre, it’s so much more than an imitation.
The story is unique and unbearably tense. While I read, I felt like I was watching a Hitchcock movie: the dread and apprehension felt so palpable and painful that I had to keep reading because I couldn’t stand not knowing how it would turn out.
An L.A. Times Book Prize Finalist | An O Magazine Best Book of the Year
“Stylish… a compelling take on the eternal question of how good people morph into criminals. Terrific.”—People, Book of the Week
From the author of The Destroyers comes an "intricately plotted and elegantly structured" (Newsday) story of intrigue and deception, set in contemporary Venice and featuring a young American couple who have set their sights on a risky con.
When Nick Brink and his boyfriend Clay Guillory meet up on the Grand Canal in Venice, they have a plan in mind—and it doesn’t involve a vacation.…
Historical fantasy is my favorite genre, combining my twin passions of history and mythology/folklore. I especially like to read about unfamiliar times, places, identities, and cultures. What I love best about the fantastical is that it allows me to think and write about deep matters symbolically. As someone still discovering my asexuality in middle age, I’ve always identified best with coming-of-age stories, which is why there are so many young protagonists in both my reading and my writing.
How could I not love a book set in an alternate Renaissance Venice? When modern-day teenager Lucien “stravagates” in his sleep to Belezza, he discovers a world of gondolas and bridges, spies and alchemy. I love the way Venetian customs are ramped up to fantasy proportions—for example, the traditional “marriage with the sea” involves the ruling Duchessa actually plunging into the lagoon—or does it?
The book moves between the fantastical Bellezza and the “real world” of modern-day Britain, where Lucien is a teenage cancer patient. Lucien’s increasing illness in our world provides added jeopardy to the adventures in Belezza, where Lucien teams up with Ariana—a plucky girl who wants to become the city’s first female mandolier (gondolier)—to save Belezza from the machinations of Rinaldo di Chimici.
Set in Talia, a parallel world very similar to 16th-century Italy, the narrative follows Lucien, who in our world is very ill. Given a marbled notebook to use as a diary, the notebook is the unexpected means that transports Lucien to this dangerous new world; a world that thrills to the delight of political intrigue and where a life can be snuffed out with a flash of a merlino blade. The city of Bellezza (Venice in our world) is astonishingly evoked, with a filmic eye to detail, from the sensuousness of silks and velvets, to the thrill and danger of…
My first encounter with Venice was as a PhD student consulting the state archives in the former monastery attached to the basilica of the Frari, a place redolent of the history and culture of the city, lined with the tombs of doges. This inspired me to learn more about this improbable city, a curiosity that has never waned. Since then, I have visited the city more times than I can count, taking students, cultural tours, and visiting my many friends. Consequently, I was invited to produce my Essential Italy for Smithsonian Journeys and later their first virtual reality tour of the city. I can never tire of Venice nor completely know it.
Every visitor, regardless of how often he or she has been somewhere, needs an engaging, accurate, and timely guidebook. Hugh Honour’s Companion Guide to Venice is my choice because it was written by an art historian who lived in Italy (he died sadly in 2016) and because it falls into that rarified category of guides that not only describe what you are seeing and how to get there but also places the artwork, building or site in a broader context. Thus, the book functions as a history of Venice and Venetian culture and an insight into its unique society. It is also beautifully written in carefully crafted and modulated sections that evoke the grandeur of the city and its lagoon.
Offers all that the visitor with a concern for beauty and for leisurely sight-seeing will require. FINANCIAL TIMES
The best guide book I have ever encountered... and a book I found it impossible not to read from beginning to end. OBSERVER
There are few pleasanter ways of passing a summer's evening than sitting over a cup of coffee, and perhaps a glass of Aurum, in the Piazza San Marco. It is especially agreeable on those nights when the Venetian city band thunders away at some throbbingly romantic piece... And all the while the younger inhabitants parade around the square, chattering,…
