Here are 100 books that The City of Falling Angels fans have personally recommended if you like
The City of Falling Angels.
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My first encounter with Venice was as a PhD student consulting the state archives in the former monastery attached to the basilica of the Frari, a place redolent of the history and culture of the city, lined with the tombs of doges. This inspired me to learn more about this improbable city, a curiosity that has never waned. Since then, I have visited the city more times than I can count, taking students, cultural tours, and visiting my many friends. Consequently, I was invited to produce my Essential Italy for Smithsonian Journeys and later their first virtual reality tour of the city. I can never tire of Venice nor completely know it.
Every visitor, regardless of how often he or she has been somewhere, needs an engaging, accurate, and timely guidebook. Hugh Honour’s Companion Guide to Venice is my choice because it was written by an art historian who lived in Italy (he died sadly in 2016) and because it falls into that rarified category of guides that not only describe what you are seeing and how to get there but also places the artwork, building or site in a broader context. Thus, the book functions as a history of Venice and Venetian culture and an insight into its unique society. It is also beautifully written in carefully crafted and modulated sections that evoke the grandeur of the city and its lagoon.
Offers all that the visitor with a concern for beauty and for leisurely sight-seeing will require. FINANCIAL TIMES
The best guide book I have ever encountered... and a book I found it impossible not to read from beginning to end. OBSERVER
There are few pleasanter ways of passing a summer's evening than sitting over a cup of coffee, and perhaps a glass of Aurum, in the Piazza San Marco. It is especially agreeable on those nights when the Venetian city band thunders away at some throbbingly romantic piece... And all the while the younger inhabitants parade around the square, chattering,…
My first encounter with Venice was as a PhD student consulting the state archives in the former monastery attached to the basilica of the Frari, a place redolent of the history and culture of the city, lined with the tombs of doges. This inspired me to learn more about this improbable city, a curiosity that has never waned. Since then, I have visited the city more times than I can count, taking students, cultural tours, and visiting my many friends. Consequently, I was invited to produce my Essential Italy for Smithsonian Journeys and later their first virtual reality tour of the city. I can never tire of Venice nor completely know it.
The greatest travel writer of her generation (she died in November of 2020) produced a popular introduction to the city, mixing fact and story in her uniquely engaging style. It is a book that rivals Honour’s guide but focuses more on the patterns and rituals of life in Venice, linked by a profound appreciation for that unusual place, a city where the “streets are full of water”. If you like Morris, you might also be interested in her old but still engaging Venice, written when she was still James Morris.
A fascinating exploration of the history, sights, seasons, arts, food, and people of an incomparable city. “A highly intelligent portrait of an eccentric city, written in powerful prose and enlivened by many curious mosaics of information...a beautiful book to read and to possess” (The Observer). New Foreword by the Author. Index.
This list reflects my focus as a writer about and researcher of cultures very different from my own. I grew up in the country of New Zealand and have been based in Australia for a long time–but I have worked and lived in places like India, Barbados, Malaysia, Canada, Jordan, Syria, Cambodia, and Laos. All of those experiences contribute to my evolution as a writer through academic works, biography, creative nonfiction, memoir, and, more lately, crime fiction and screenwriting. I would not be the writer I am without this curiosity for the “Other,” and it continues to drive me.
When I first visited Venice, I had the strange sense that I already “knew” the city because I had read this first and all the subsequent Leon novels set in the city and featuring Commissario Guido Brunetti. From those books, I recognized landmarks and hidden alleys, cafes and restaurants, how to take the Vaparetto, and where the main police stations and markets were.
I wanted to write like that, make the city a main character–and I love other series that do the same, like Andrea Camilleri’s Montalbano series set in Sicily. These books “take you there.”
'A splendid series . . . with a backdrop of the city so vivid you can almost smell it.' The Sunday Telegraph
Winner of the Suntory Mystery Fiction Grand Prize __________________________________
The twisted maze of Venice's canals has always been shrouded in mystery. Even the celebrated opera house, La Fenice, has seen its share of death ... but none so horrific and violent as that of world-famous conductor, Maestro Helmut Wellauer, who was poisoned during a performance of La Traviata. Even Commissario of Police, Guido Brunetti, used to the labyrinthine corruptions of the city, is shocked at the number of…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
My first encounter with Venice was as a PhD student consulting the state archives in the former monastery attached to the basilica of the Frari, a place redolent of the history and culture of the city, lined with the tombs of doges. This inspired me to learn more about this improbable city, a curiosity that has never waned. Since then, I have visited the city more times than I can count, taking students, cultural tours, and visiting my many friends. Consequently, I was invited to produce my Essential Italy for Smithsonian Journeys and later their first virtual reality tour of the city. I can never tire of Venice nor completely know it.
If you truly want to know a city, you must go beyond even the best guidebooks into those specialized collections of stories, myths, gossip, and suppressed facts. Much cultural history is in fact officially recorded gossip, so there is no opprobrium in enjoying the salacious, highly local, and fascinating stories that are known only to oral history. This is such a book: a fascinating collection of legends, myths, gossip, and generally little-known stories about Venice.
Discover the secrets of St. Mark's Basilica with not a tourist in sight, finally crack the mystery of the pillars around the Doge's Palace, take a trip on the only underground canal in Venice in search of the alchemical sculpture of the winged horse, lunch at a restaurant tucked away in a lagoon fisherman's house, track down Teriaca, that miracle potion brewed in Venice from time immemorial, decode the paintings of the Scuola di San Rocco applying the principles of the Jewish Kabbalah and see how Kabbalistic music influenced the construction of San Francesco della Vigna, visit an unknown underground…
Thanks to formative experiences playing Where In The World Is Carmen Sandiego?, I’ve long been obsessed with international true crime capers. There’s just something about the genre, and how it ties together colorful characters, audacious escapades, and fantastic locales, that sucks me in. As a longtime journalist, I’ve sought out and chronicled many narratives in this vein – from snowboarding bank robbers, to an expedition in search of the origins of the world’s most expensive coffee bean, to the wild story that led to my bookThe Curse of the Marquis de Sade. Here are my favorite nonfiction books on international capers, guaranteed to take readers on globetrotting adventures.
This book jumped out at me at a bookstore one day, and I loved it so deeply that I sought out the author when I learned he lived nearly and we became good friends.
Rubinstein stumbled upon a true crime story most reporters only dream of – that of hard-drinking third-string Hungarian hockey goalie Attila Ambrus, who took up bank robbing and triggered the largest manhunt in post-communist Eastern European history – and then was smart enough to let the story tell itself, bit by incredible bit.
The result is a wild ride through the chaos of post-Cold War Hungary with a rambunctious antihero for whom you can’t help but root.
Attila Ambrus was a gentleman thief from Transylvania, a terrible professional hockey goalkeeper - and preferred women in leopard-skin hot pants. During the 1990s, while playing for the biggest hockey team in Budapest, Ambrus took up bank robbery to make ends meet. Arrayed against him was perhaps the most incompetent team of crime investigators the Eastern Bloc had ever seen: a robbery chief who had learned how to be a detective by watching dubbed Columbo episodes, a forensics officer who wore top hat and tails on the job, and a driver so inept he was known only by a Hungarian…
Thanks to formative experiences playing Where In The World Is Carmen Sandiego?, I’ve long been obsessed with international true crime capers. There’s just something about the genre, and how it ties together colorful characters, audacious escapades, and fantastic locales, that sucks me in. As a longtime journalist, I’ve sought out and chronicled many narratives in this vein – from snowboarding bank robbers, to an expedition in search of the origins of the world’s most expensive coffee bean, to the wild story that led to my bookThe Curse of the Marquis de Sade. Here are my favorite nonfiction books on international capers, guaranteed to take readers on globetrotting adventures.
The Telling Roomcombines several of my greatest joys: Spain, artisanal cheese, and the unparalleled wordsmithing of writer Michael Paterniti.
To track the creation one of the world’s greatest cheeses and the betrayal and sabotage that led to its downfall, Paterniti moves his family into a quiet Spanish village – and thanks to his vibrant, evocative writing, brings readers along for the ride.
As someone who’s spent time in the picturesque, history-rich environs of central Spain, I can attest that The Telling Room is the next best thing to travelling yourself to the lands of El Cid and Don Quixote.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Entertainment Weekly • Kirkus Reviews • The Christian Science Monitor
In the picturesque village of Guzmán, Spain, in a cave dug into a hillside on the edge of town, an ancient door leads to a cramped limestone chamber known as “the telling room.” Containing nothing but a wooden table and two benches, this is where villagers have gathered for centuries to share their stories and secrets—usually accompanied by copious amounts of wine.
It was here, in the summer of 2000, that Michael Paterniti…
At the age of forty-nine, Laurie Woodford rents out her house, packs her belongings into two suitcases, and leaves her life in upstate New York to relocate to Seoul, South Korea. What begins as an opportunity to teach college English in Asia evolves into a nomadic adventure.
Thanks to formative experiences playing Where In The World Is Carmen Sandiego?, I’ve long been obsessed with international true crime capers. There’s just something about the genre, and how it ties together colorful characters, audacious escapades, and fantastic locales, that sucks me in. As a longtime journalist, I’ve sought out and chronicled many narratives in this vein – from snowboarding bank robbers, to an expedition in search of the origins of the world’s most expensive coffee bean, to the wild story that led to my bookThe Curse of the Marquis de Sade. Here are my favorite nonfiction books on international capers, guaranteed to take readers on globetrotting adventures.
Harr is best known for his blockbuster legal thriller A Civil Action, but the work that has stuck with me is his 2005 follow-up about a high-stakes quest to find a lost masterpiece by the Renaissance master Caravaggio.
Stretching from a hilltop village on the Adriatic Sea to the alleyways of Rome to an unexpected discovery in a dusty old house in Ireland, The Lost Paintingtaught me that a single incredible object—in this case, Caraggio’s extraordinaryThe Taking of Christ– can be the central character of a book, taking readers across centuries and from one exotic locale to another.
Told with consummate skill by the writer of the bestselling, award-winning A Civil Action, The Lost Painting is a remarkable synthesis of history and detective story.
An Italian village on a hilltop near the Adriatic coast, a decaying palazzo facing the sea, and in the basement, cobwebbed and dusty, lit by a single bulb, an archive unknown to scholars. Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries.
The artist was Caravaggio, a master of the Italian Baroque.…
I have visited all the major wine regions since I developed my passion for wine as a Sommelier and Beverage Director in luxury hotels in London and around the world. To learn more about wine, I studied to become a French, Italian, and Spanish Wine Scholar, joined the Champagne Academy in France, and recently completed a two-year Diploma in Wine at the WSET School in London. I’ve also worked two harvests as a winemaker at Mission Hill Winery in British Columbia in 2020 and Trius Winery in Niagara, Ontario in 2021. My novels are inspired by my studies, work experience, and travels through the world’s best wine regions.
I loved this book and couldn’t recommend it highly enough. It reads like a modern-day thriller, made all the better as it's based on true-events. It’s a well-told story involving Thomas Jefferson, Chateau Lafite Wine, Christie's Auction House, Masters of Wine, and Billionaires that had me turning the pages as fast as possible. I loved all the historical details and the well-researched nature of this gripping tale.
What I enjoyed most about the book was its exploration of the perceived value we place on wine and how we reconcile that perceived value with how far we would go to obtain such items at any cost. As this recounting demonstrates, there are at least two sides to every story and sometimes many more. I hope to read more by this author and hope he explores other famous stories of theft, fraud, and betrayal in the world of wine.
The rivetingly strange story of the world's most expensive bottle of wine, and the even stranger characters whose lives have intersected with it.
The New York Times bestseller, updated with a new epilogue, that tells the true story of a 1787 Château Lafite Bordeaux—supposedly owned by Thomas Jefferson—that sold for $156,000 at auction and of the eccentrics whose lives intersected with it.
Was it truly entombed in a Paris cellar for two hundred years? Or did it come from a secret Nazi bunker? Or from the moldy basement of a devilishly brilliant con artist? As Benjamin Wallace unravels the mystery,…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
This accessible academic work brings to life the inner workings – and breakdowns – of marriages at a time when annulment was the only option. Through court and ecclesiastical proceedings and petitions written by both sexes, the lives of ordinary women – including sexual relations, domestic abuse, cheating, and financial problems – are made even more real by the voices of friends, neighbors, and in-laws.
Based on a fascinating body of previously unexamined archival material, this book brings to life the lost voices of ordinary Venetians during the age of Catholic revival. Looking at scripts that were brought to the city's ecclesiastical courts by spouses seeking to annul their marriage vows, this book opens up the emotional world of intimacy and conflict, sexuality, and living arrangments that did not fit normative models of marriage.
Marianne Bohr and her husband, about to turn sixty, are restless for adventure. They decide on an extended, desolate trek across the French island of Corsica — the GR20, Europe’s toughest long-distance footpath — to challenge what it means to grow old. Part travelogue, part buddy story, part memoir, The…
The financing of private firms is fascinating and a bit mysterious. It remains misunderstood and regularly gives birth to hype and excesses. I started my career working for a venture capital fund at the top of the Internet financial bubble, in 2000. This experience has imprinted my career and derailed my ambitions. It also fueled my thirst for knowledge. I started from essentially a virgin theoretical and academic land. I developed a body of practical and academic knowledge. Writing and publishing my books seemed to be the next logical step. I enjoy reading books on the sector and recommending them.
It might seem odd, but there is no real better book than this one to illustrate the challenges of private equity. I use it as an example in my training sessions regularly.
The Merchant of Venice is not only one of the best plays on finance and ethics, but also the perfect illustration of the challenges of start-up investing before it became a profession. This play illustrates how venture financing differs in practice from bank financing. It also conveys the uncertainties associated with entrepreneurship, and how some capital providers are not able to take such a risk.
Shakespeare masters the art of contrasting the perspectives of an entrepreneur and a banker in a short and powerful format. It is a masterpiece and a must-read for anyone who wants to understand the philosophy of start-up investing.
In The Merchant of Venice, the path to marriage is hazardous. To win Portia, Bassanio must pass a test prescribed by her father’s will, choosing correctly among three caskets or chests. If he fails, he may never marry at all.
Bassanio and Portia also face a magnificent villain, the moneylender Shylock. In creating Shylock, Shakespeare seems to have shared in a widespread prejudice against Jews. Shylock would have been regarded as a villain because he was a Jew. Yet he gives such powerful expression to his alienation due to the hatred around him that, in many productions, he emerges as…
