Here are 100 books that The Lost Painting fans have personally recommended if you like
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Thanks to formative experiences playing Where In The World Is Carmen Sandiego?, I’ve long been obsessed with international true crime capers. There’s just something about the genre, and how it ties together colorful characters, audacious escapades, and fantastic locales, that sucks me in. As a longtime journalist, I’ve sought out and chronicled many narratives in this vein – from snowboarding bank robbers, to an expedition in search of the origins of the world’s most expensive coffee bean, to the wild story that led to my bookThe Curse of the Marquis de Sade. Here are my favorite nonfiction books on international capers, guaranteed to take readers on globetrotting adventures.
In 2006, John Berendt published a true crime caper every bit as serpentine and seductive as his iconic first book Midnight in the Garden of Good and Evil– but this time, he took aim at the quirks and secrets of Venice, Italy.
Exploring the mystery behind a terrible fire that consumed Venice’s historic opera house, Berendt immerses himself in the tale.
Reading it felt like settling into the iconic city and getting to know the wonderful characters who call it home.
"Funny, insightful, illuminating . . ." -The Boston Globe
Twelve years ago, Midnight in the Garden of Good and Evil exploded into a monumental success, residing a record-breaking four years on the New York Times bestseller list (longer than any work of fiction or nonfiction had before) and turning John Berendt into a household name. The City of Falling Angels is Berendt's first book since Midnight, and it immediately reminds one what all the fuss was about. Turning to the magic, mystery, and decadence of Venice, Berendt gradually reveals the truth behind a sensational…
Thanks to formative experiences playing Where In The World Is Carmen Sandiego?, I’ve long been obsessed with international true crime capers. There’s just something about the genre, and how it ties together colorful characters, audacious escapades, and fantastic locales, that sucks me in. As a longtime journalist, I’ve sought out and chronicled many narratives in this vein – from snowboarding bank robbers, to an expedition in search of the origins of the world’s most expensive coffee bean, to the wild story that led to my bookThe Curse of the Marquis de Sade. Here are my favorite nonfiction books on international capers, guaranteed to take readers on globetrotting adventures.
This book jumped out at me at a bookstore one day, and I loved it so deeply that I sought out the author when I learned he lived nearly and we became good friends.
Rubinstein stumbled upon a true crime story most reporters only dream of – that of hard-drinking third-string Hungarian hockey goalie Attila Ambrus, who took up bank robbing and triggered the largest manhunt in post-communist Eastern European history – and then was smart enough to let the story tell itself, bit by incredible bit.
The result is a wild ride through the chaos of post-Cold War Hungary with a rambunctious antihero for whom you can’t help but root.
Attila Ambrus was a gentleman thief from Transylvania, a terrible professional hockey goalkeeper - and preferred women in leopard-skin hot pants. During the 1990s, while playing for the biggest hockey team in Budapest, Ambrus took up bank robbery to make ends meet. Arrayed against him was perhaps the most incompetent team of crime investigators the Eastern Bloc had ever seen: a robbery chief who had learned how to be a detective by watching dubbed Columbo episodes, a forensics officer who wore top hat and tails on the job, and a driver so inept he was known only by a Hungarian…
Thanks to formative experiences playing Where In The World Is Carmen Sandiego?, I’ve long been obsessed with international true crime capers. There’s just something about the genre, and how it ties together colorful characters, audacious escapades, and fantastic locales, that sucks me in. As a longtime journalist, I’ve sought out and chronicled many narratives in this vein – from snowboarding bank robbers, to an expedition in search of the origins of the world’s most expensive coffee bean, to the wild story that led to my bookThe Curse of the Marquis de Sade. Here are my favorite nonfiction books on international capers, guaranteed to take readers on globetrotting adventures.
The Telling Roomcombines several of my greatest joys: Spain, artisanal cheese, and the unparalleled wordsmithing of writer Michael Paterniti.
To track the creation one of the world’s greatest cheeses and the betrayal and sabotage that led to its downfall, Paterniti moves his family into a quiet Spanish village – and thanks to his vibrant, evocative writing, brings readers along for the ride.
As someone who’s spent time in the picturesque, history-rich environs of central Spain, I can attest that The Telling Room is the next best thing to travelling yourself to the lands of El Cid and Don Quixote.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Entertainment Weekly • Kirkus Reviews • The Christian Science Monitor
In the picturesque village of Guzmán, Spain, in a cave dug into a hillside on the edge of town, an ancient door leads to a cramped limestone chamber known as “the telling room.” Containing nothing but a wooden table and two benches, this is where villagers have gathered for centuries to share their stories and secrets—usually accompanied by copious amounts of wine.
It was here, in the summer of 2000, that Michael Paterniti…
I have visited all the major wine regions since I developed my passion for wine as a Sommelier and Beverage Director in luxury hotels in London and around the world. To learn more about wine, I studied to become a French, Italian, and Spanish Wine Scholar, joined the Champagne Academy in France, and recently completed a two-year Diploma in Wine at the WSET School in London. I’ve also worked two harvests as a winemaker at Mission Hill Winery in British Columbia in 2020 and Trius Winery in Niagara, Ontario in 2021. My novels are inspired by my studies, work experience, and travels through the world’s best wine regions.
I loved this book and couldn’t recommend it highly enough. It reads like a modern-day thriller, made all the better as it's based on true-events. It’s a well-told story involving Thomas Jefferson, Chateau Lafite Wine, Christie's Auction House, Masters of Wine, and Billionaires that had me turning the pages as fast as possible. I loved all the historical details and the well-researched nature of this gripping tale.
What I enjoyed most about the book was its exploration of the perceived value we place on wine and how we reconcile that perceived value with how far we would go to obtain such items at any cost. As this recounting demonstrates, there are at least two sides to every story and sometimes many more. I hope to read more by this author and hope he explores other famous stories of theft, fraud, and betrayal in the world of wine.
The rivetingly strange story of the world's most expensive bottle of wine, and the even stranger characters whose lives have intersected with it.
The New York Times bestseller, updated with a new epilogue, that tells the true story of a 1787 Château Lafite Bordeaux—supposedly owned by Thomas Jefferson—that sold for $156,000 at auction and of the eccentrics whose lives intersected with it.
Was it truly entombed in a Paris cellar for two hundred years? Or did it come from a secret Nazi bunker? Or from the moldy basement of a devilishly brilliant con artist? As Benjamin Wallace unravels the mystery,…
I arrived in New York City from Germany thirty years ago with two suitcases and a typewriter. Since then, I try to combine my background as an art historian – I hold a M.A. in Art History and Anthropology from the University of Tübingen, Germany – with my experiences travelling around the world for seven years, and my love for writing. After a career in museum education (at the San Diego Museum of Art, the Mingei, and the Athenaeum) I founded Konstellation Press, an indie publishing company for genre fiction. The first of my four novels, Spring of Tears, an art mystery set in France, won the San Diego Book Award.
The settings of this book are Rome, Paris, and London, three of my favorite European cities. The missing Masterpieces are by Caravaggio and Malevich, two of my favorite painters. The author is the founding director of the Association for Research into Crimes against Art (ARCA) and holds a degree in art history, so he knows what he is writing about, and the book contains fascinating details art historical details, but also deep insights into the field or art forgery and international art theft. Enough to keep you glued to your seat for hours.
The disappearance of a priceless Caravaggio in Rome and the famous 'White on White' by Russian painter Kasimir Malevich in Paris heralds the start of a series of seemingly unconnected art crimes across Europe. Fitting the pieces together as they follow a trail of bluffs and double-bluffs, bizarre clues and intellectual puzzles, Inspector Jean-Jacques Bizot in Paris and Harry Wickenden of Scotland Yard come to realize that what at first appears a spate of random thefts is all part of a single master plan, and that they are being led ever deeper into a baffling conspiracy.
I am Professor of Classics at George Mason University. I learned about ancient Romans and Greeks in my native Germany, when I attended a humanist high school, possibly the oldest in the country. (It was founded during the reign of Charlemagne, as the eastern half of the Roman Empire was still flourishing.) My mother once informed me that I betrayed my passion for stories long before I could read because I enthusiastically used to tear pages out of books. In my teens I became fascinated with stories told in moving images. I have been a bibliophile and, em, cinemaniac ever since and have pursued both my obsessions in my publications.
Richards’ book broadens the perspective advanced here with a concise overview of American and British films and some American-European co-productions about ancient Greek, Roman, biblical, and other cultures.
Its main focus is on the 1950s and 1960s, when epic filmmaking reached its height with color and widescreen cinematography, giant sets, huge casts, stereophonic sound, extreme lengths, and ruinous costs.
Richards rides to the rescue of several less-than-stellar films but can be severe as well, e.g. about 300: “probably the most Fascistic film to come out in cinemas since the fall of the Third Reich.” (No argument here.)
A few inaccuracies concerning antiquity and cinematic details detract from the book’s value, but they are instructive, since errors can create new fictions from the fictions that films invariably create from history.
This book offers a new, full analysis of the Ancient World epic and how this film genre continues to comment on modern-day issues.Few genres have been subject to such critical scorn as the Ancient World epic. Yet they have regularly achieved huge box office success. This book tells the history of the Ancient World epic from the silent screen successes of "Intolerance" and "The King of Kings" through the 'golden age of the epic' in the 1950s (Quo Vadis, Ben-Hur, Spartacus, Cleopatra etc) through to the 1990s revival with "Gladiator", its successors in cinema (Alexander, Troy, 300) and on television…
I first visited ancient Greece as an undergraduate. Homer and Plato seemed to speak directly to me, addressing my deepest questions. How do you live a good life? What should you admire? What should you avoid? Frustrated by English translations (each offers a different interpretation), I learned to read ancient Greek and then Latin. In college and then graduate school, I came to know Homer, Plato, Aeschylus, Cicero, Ovid, and many others in their own words. The ancient Greeks and Romans faced the same existential struggles and anxieties as we do. By precept, example, and counter-example, they remind me of humanity’s best tools: discernment, deliberation, empathy, generosity.
Osgood details the ancient version of a phenomenon we may recognize: a cold-blooded grift by a charismatic, lawless, leader transmuted into terrorism while posing as patriotism.
Detailing the violent conspiracy of L. Sergius Catilina (63 BCE), Osgood’s elegant translation of Sallust’s The War Against Catiline (c. 43 BCE) emphasizes the danger that political violence and intimidation pose to communal welfare and stability. The Romans never found the recipe for combining individual freedom with equality and political harmony. (Rome’s 450-year-old Republic ultimately devolved into civil war and autocracy.)
Sallust’s tale and Rome’s experience caution us against preserving inequities even as we seek to preserve the rule of law.
An energetic new translation of an ancient Roman masterpiece about a failed coup led by a corrupt and charismatic politician
In 63 BC, frustrated by his failure to be elected leader of the Roman Republic, the aristocrat Catiline tried to topple its elected government. Backed by corrupt elites and poor, alienated Romans, he fled Rome while his associates plotted to burn the city and murder its leading politicians. The attempted coup culminated with the unmasking of the conspirators in the Senate, a stormy debate that led to their execution, and the defeat of Catiline and his legions in battle. In…
Curious about Ancient Rome and especially about gladiators, I asked myself, who were the backstage team of the Colosseum? The more I searched for the team, the more I realised there was hardly any mention of them. If there were hundreds of animals, dancers, singers, gladiators, criminals, and more about to be shown off to an audience of 60,000, who was planning and managing it all? And so I created the Colosseum’s backstage team – a retired centurion called Marcus and his scribe Althea, along with a motley crew of slaves, a prostitute, a street boy, even a retired Vestal Virgin… they came alive for me while researching and I eventually created a four-book series.
People sometimes look surprised when I say I start my historical research with children’s books, but when those books are works of art like this one, you’ll quickly see why. Stephen Biesty’s ability to take the most complex of buildings and draw their most intricate workings and construction elements is legendary. Explore the Forum, Temple, Baths, Colosseum, and Circus Maximus in wonderful detail and learn about Ancient Rome at a single glance… or many hours poring over every page. Might be out of print – buy a secondhand copy quickly before they all get snapped up!
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"The ancient city of Rome is the perfect subject for Stephen Biesty's illustrations - beautifully constructed, technologically advanced, and teeming with life. Titus's "Roman Holiday" takes in the Temple, the Forum and the Baths, the Colosseum and chariot racing at the Circus Maximus, all illustrated in stunning, painstaking detail". "There are cross-sections, cut-aways and explosions, authoritative annotations, lists and explanations. Biesty captures the epic scale of the city - the capacity crowd at the Colosseum, for example - and there is some wonderful attention to detail in the architecture and the engineering. But he also succeeds in capturing the humanity…
I’m a scientist, engineer, and writer who has written on a wide range of topics. I’ve been fascinated by mythology my entire life, and I spent over a decade gathering background material on the myth of Perseus and Medusa, and came away with a new angle on the origin and meaning of the myth and what inspired it. I was unable to present this in a brief letter or article, and so decided to turn my arguments into a book.
The book is still in print, and has been cited numerous times by scholarly journals and books. It formed the basis for the History Channel series Clash of the Gods (in which I appear).
Adrienne Mayor, a historian of ancient science and folklorist at Princeton University, looks at classical myths that ultimately owe their inspiration to fossils found and interpreted by the Greeks and Romans.
Stories of Giants and Monsters grew up around the giant and mysterious fossil bones that resembled nothing they knew. In particular, she relates the image and stories of griffins to ceratopsian fossils, like those of Protoceratopsand Psitticasaurus.
She also shows how dwarf elephant fossils may have inspired the myth of the Cyclops. An excellent read.
Griffins, Cyclopes, Monsters, and Giants--these fabulous creatures of classical mythology continue to live in the modern imagination through the vivid accounts that have come down to us from the ancient Greeks and Romans. But what if these beings were more than merely fictions? What if monstrous creatures once roamed the earth in the very places where their legends first arose? This is the arresting and original thesis that Adrienne Mayor explores in The First Fossil Hunters. Through careful research and meticulous documentation, she convincingly shows that many of the giants and monsters of myth did have a basis in fact--in…
After learning Latin in college and studying Italian philosophy in graduate school, I stumbled into Rome for the first time over a decade ago as faculty on a study-abroad trip. In two weeks, I learned more about history and life than I had in two decades of study. I’ve been lucky enough to go back every summer since, with the sad exception of the pandemic years. I adore Rome. It didn’t help that a few years ago, in the Basilica of San Clemente, I fell head over heels for a Renaissance art historian and tried her patience with poetry until she married me.
This book is a treasure-trove of wise and gorgeous sentences—like, “Knowledge of Rome must be physical, sweated into the system, worked up into the brain through the thinning shoe-leather. Substantiality comes through touch and smell, and taste, the tastes of different dusts.”
Like the Eternal City, A Time in Rome by the Irish-British novelist Elizabeth Bowen doesn’t fit into tidy categories.
Is it a guidebook to the city? Is it a memoir? Is it a history of Rome? Yes and no.
Though I can’t quite put my finger on what it is, I love it. It’s a perfect book for reveries over a mid-morning caffé.
Elizabeth Bowen's account of a time spent in Rome is no ordinary guidebook but an evocation of a city - its history, its architecture and, above all, its atmosphere. She describes the famous classical sites, conjuring from the ruins visions of former inhabitants and their often bloody activities and speculates about the immense noise of ancient Rome, the problems caused by the Romans' dining posture, and the Roman temperament. She evokes the city's moods - by day, when it is characterised by golden sunlight, and at night, when the blaze of the moon 'annihilates history'.
