I’m a scientist, engineer, and writer who has written on a wide range of topics. I’ve been fascinated by mythology my entire life, and I spent over a decade gathering background material on the myth of Perseus and Medusa, and came away with a new angle on the origin and meaning of the myth and what inspired it. I was unable to present this in a brief letter or article, and so decided to turn my arguments into a book.
The book is still in print, and has been cited numerous times by scholarly journals and books. It formed the basis for the History Channel series Clash of the Gods (in which I appear).
The title may not sound compelling, but the story is.
One of the chief competitors of Christianity in Imperial Rome was the religion of Mithraism. We have some accounts of this mystery religion, and have excavated several of their underground worship centers, called Mithraeae, but none of the sacred texts or internal documents survive.
Why would the Romans be so taken by the ancient religion of Zoroastrianism? Ulansey suggests that Mithaism was not just a variant of Zoroastrianism, but a new religion based upon Zoroastrian images and foundations, but incorporating new scientific knowledge about the stars and the heavens, and makes a strong case for his suggestions.
David Ulansey's book breaks new scholastic ground by arguing that the Roman cult of Mithras did not originate in Persia, as previously thought. Instead, Ulansey suggests, the cult was triggered by the reaction of a group of Tarsian intellectuals to the discovery in 128 BCE, of the Precession of the Spheres. To these fatalistic Stoics the only possible explanation for this phenomenon was the existence of a divinity powerful enough to shift the heavens, and this was to become the revelation at the heart of the Mithraic mysteries. This information was then married to the astrology of the zodiac and…
Adrienne Mayor, a historian of ancient science and folklorist at Princeton University, looks at classical myths that ultimately owe their inspiration to fossils found and interpreted by the Greeks and Romans.
Stories of Giants and Monsters grew up around the giant and mysterious fossil bones that resembled nothing they knew. In particular, she relates the image and stories of griffins to ceratopsian fossils, like those of Protoceratopsand Psitticasaurus.
She also shows how dwarf elephant fossils may have inspired the myth of the Cyclops. An excellent read.
Griffins, Cyclopes, Monsters, and Giants--these fabulous creatures of classical mythology continue to live in the modern imagination through the vivid accounts that have come down to us from the ancient Greeks and Romans. But what if these beings were more than merely fictions? What if monstrous creatures once roamed the earth in the very places where their legends first arose? This is the arresting and original thesis that Adrienne Mayor explores in The First Fossil Hunters. Through careful research and meticulous documentation, she convincingly shows that many of the giants and monsters of myth did have a basis in fact--in…
The Model Spy is based on the true story of Toto Koopman, who spied for the Allies and Italian Resistance during World War II.
Largely unknown today, Toto was arguably the first woman to spy for the British Intelligence Service. Operating in the hotbed of Mussolini's Italy, she courted danger…
Willy Ley was a fascinating individual – a member and founder of the German VfR, the Rocket Society whose membership included Werner von Braun.
He fled Nazi Germany and settled in the United States, writing popular science articles, translating German science fiction, and writing some of his own. He was instrumental in popularizing the Space effort, even appearing on Disney’s Man into Space shows on television.
But he wrote on a range of topics, and his articles discussed the dwarf elephant fossil role in the myth of the Cyclops, the possible origins of the Babylonian sirrush, the role of fossil mammoths and wooly rhinoceros in shaping European legends, and the possible origins of the Unicorn legend.
Terence Hanbury White is famous for writing The Sword in the Stone, The Once and Future King, andThe Book of Merlin, all about King Arthur and his court. But he wrote many other books, both fiction and nonfiction.
This book is a translation of a Medieval bestiary, filled with strange animals like the Unicorn, the Dragon, the Phoenix, and the Amphisbaena. As White points out, the book was not meant as a mere rainy-day diversion, but was a serious attempt to catalog the animals of the world and how they related to man and the world.
White, a believer in the high knowledge and science of the often belittle Middle Ages, provides extensive footnotes showing that many of the apparently fantastic creatures and behaviors documented in the Bestiary do, indeed, have factual roots.
The Basilisk might stem from an imperfectly understood description of the King Cobra, the immortal bird the Phoenix might ultimately derive from a description of the Purple Ibis (“Phoenix” means “purple”), and so forth. A very interesting and underappreciated book.
Tourists and local residents of St. Augustine will enjoy reading about the secret wonders of their ancient city that are right under their noses. Of course, that includes a few stray corpses and ghosts!
The figure of the vampire has become very familiar through portrayals in literature, stage, and cinema, but where does the myth itself originate?
Many have speculated on the roots of the vampire legend, ascribing it to various diseases, like porphyriaor rabies. But Barber stripped away the cultural additions imposed on the legend by its fictional interpretation and looked for origins consistent with the bare, original legend.
A nice piece of folkloric detective work, and one that influenced my own book.
In this engrossing book, Paul Barber surveys centuries of folklore about vampires and offers the first scientific explanation for the origins of the vampire legends. From the tale of a sixteenth-century shoemaker from Breslau whose ghost terrorized everyone in the city, to the testimony of a doctor who presided over the exhumation and dissection of a graveyard full of Serbian vampires, his book is fascinating reading.
"This study's comprehensiveness and the author's bone-dry wit make this compelling reading, not just for folklorists, but for anyone interested in a time when the dead wouldn't stay dead."-Booklist
I wrote Medusa to present my case for the many conundrums surrounding the story. Why does Medusa have snakes in place of hair? Why is she the only mortal one of three monstrous sisters? Why did the Greeks place her image on shields, and on breastplates, and why did the Classical Mayans and the Iatmul of New Guinea do the same? Why is her face, or one similar to it, placed on edge roof tiles from Japan to Spain? And, lastly, why did the Greeks and Romans think she was so incredibly ugly that she would turn an onlooker to stone? What’s really behind her mask? The solution took me through ancient astronomy, psychology, animal control, and forensic science to a set of unexpected conclusions.
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
The Valor of Valhalla series by Martin Kearns is a pulse-pounding dark urban fantasy trilogy that fuses the raw power of Norse mythology with the grit of modern warfare. Set in a world where ancient gods and mythical creatures clash with secret military organizations and rogue heroes, the series follows…
