Here are 100 books that The Origins of the Mithraic Mysteries fans have personally recommended if you like
The Origins of the Mithraic Mysteries.
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I’m a scientist, engineer, and writer who has written on a wide range of topics. I’ve been fascinated by mythology my entire life, and I spent over a decade gathering background material on the myth of Perseus and Medusa, and came away with a new angle on the origin and meaning of the myth and what inspired it. I was unable to present this in a brief letter or article, and so decided to turn my arguments into a book.
The book is still in print, and has been cited numerous times by scholarly journals and books. It formed the basis for the History Channel series Clash of the Gods (in which I appear).
The figure of the vampire has become very familiar through portrayals in literature, stage, and cinema, but where does the myth itself originate?
Many have speculated on the roots of the vampire legend, ascribing it to various diseases, like porphyriaor rabies. But Barber stripped away the cultural additions imposed on the legend by its fictional interpretation and looked for origins consistent with the bare, original legend.
A nice piece of folkloric detective work, and one that influenced my own book.
In this engrossing book, Paul Barber surveys centuries of folklore about vampires and offers the first scientific explanation for the origins of the vampire legends. From the tale of a sixteenth-century shoemaker from Breslau whose ghost terrorized everyone in the city, to the testimony of a doctor who presided over the exhumation and dissection of a graveyard full of Serbian vampires, his book is fascinating reading.
"This study's comprehensiveness and the author's bone-dry wit make this compelling reading, not just for folklorists, but for anyone interested in a time when the dead wouldn't stay dead."-Booklist
I’m a scientist, engineer, and writer who has written on a wide range of topics. I’ve been fascinated by mythology my entire life, and I spent over a decade gathering background material on the myth of Perseus and Medusa, and came away with a new angle on the origin and meaning of the myth and what inspired it. I was unable to present this in a brief letter or article, and so decided to turn my arguments into a book.
The book is still in print, and has been cited numerous times by scholarly journals and books. It formed the basis for the History Channel series Clash of the Gods (in which I appear).
Adrienne Mayor, a historian of ancient science and folklorist at Princeton University, looks at classical myths that ultimately owe their inspiration to fossils found and interpreted by the Greeks and Romans.
Stories of Giants and Monsters grew up around the giant and mysterious fossil bones that resembled nothing they knew. In particular, she relates the image and stories of griffins to ceratopsian fossils, like those of Protoceratopsand Psitticasaurus.
She also shows how dwarf elephant fossils may have inspired the myth of the Cyclops. An excellent read.
Griffins, Cyclopes, Monsters, and Giants--these fabulous creatures of classical mythology continue to live in the modern imagination through the vivid accounts that have come down to us from the ancient Greeks and Romans. But what if these beings were more than merely fictions? What if monstrous creatures once roamed the earth in the very places where their legends first arose? This is the arresting and original thesis that Adrienne Mayor explores in The First Fossil Hunters. Through careful research and meticulous documentation, she convincingly shows that many of the giants and monsters of myth did have a basis in fact--in…
I’m a scientist, engineer, and writer who has written on a wide range of topics. I’ve been fascinated by mythology my entire life, and I spent over a decade gathering background material on the myth of Perseus and Medusa, and came away with a new angle on the origin and meaning of the myth and what inspired it. I was unable to present this in a brief letter or article, and so decided to turn my arguments into a book.
The book is still in print, and has been cited numerous times by scholarly journals and books. It formed the basis for the History Channel series Clash of the Gods (in which I appear).
Willy Ley was a fascinating individual – a member and founder of the German VfR, the Rocket Society whose membership included Werner von Braun.
He fled Nazi Germany and settled in the United States, writing popular science articles, translating German science fiction, and writing some of his own. He was instrumental in popularizing the Space effort, even appearing on Disney’s Man into Space shows on television.
But he wrote on a range of topics, and his articles discussed the dwarf elephant fossil role in the myth of the Cyclops, the possible origins of the Babylonian sirrush, the role of fossil mammoths and wooly rhinoceros in shaping European legends, and the possible origins of the Unicorn legend.
I’m a scientist, engineer, and writer who has written on a wide range of topics. I’ve been fascinated by mythology my entire life, and I spent over a decade gathering background material on the myth of Perseus and Medusa, and came away with a new angle on the origin and meaning of the myth and what inspired it. I was unable to present this in a brief letter or article, and so decided to turn my arguments into a book.
The book is still in print, and has been cited numerous times by scholarly journals and books. It formed the basis for the History Channel series Clash of the Gods (in which I appear).
Terence Hanbury White is famous for writing The Sword in the Stone, The Once and Future King, andThe Book of Merlin, all about King Arthur and his court. But he wrote many other books, both fiction and nonfiction.
This book is a translation of a Medieval bestiary, filled with strange animals like the Unicorn, the Dragon, the Phoenix, and the Amphisbaena. As White points out, the book was not meant as a mere rainy-day diversion, but was a serious attempt to catalog the animals of the world and how they related to man and the world.
White, a believer in the high knowledge and science of the often belittle Middle Ages, provides extensive footnotes showing that many of the apparently fantastic creatures and behaviors documented in the Bestiary do, indeed, have factual roots.
The Basilisk might stem from an imperfectly understood description of the King Cobra,…
For longer than I can remember I have been fascinated by ancient civilizations, earth mysteries, cave art, magic, mythology, and shamanism. As an author, my research and writing continues to be inspired by these interests. I specialise in the ethnography of sacred landscapes and rituals; and more generally in esotericism, consciousness, and healing. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing have appeared in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.
This is without doubt the most accessible, enjoyable, lavishly illustrated, and informative guide to the mystery cults of antiquity that you will ever find. Its author, Hugh Bowden, is a renowned expert on the history and archaeology of mystery cults. That said, he has managed to combine a highly readable text with informative diagrams and images of the cult sites, cult objects, inscriptions, and wall paintings. This book provides the perfect introduction to the major cults, how they were organised and what they stood for.
This is the first book to describe and explain all of the ancient world's major mystery cults - one of the most intriguing but least understood aspects of Greek and Roman religion. In the nocturnal "Mysteries at Eleusis", participants dramatically re-enacted the story of Demeter's loss and recovery of her daughter Persephone; in the Bacchic cult, bands of women ran wild in the Greek countryside to honor Dionysus; and, in the mysteries of Mithras, men came to understand the nature of the universe and their place within it through frightening initiation ceremonies and astrological teachings. These cults were an important…
For longer than I can remember I have been fascinated by ancient civilizations, earth mysteries, cave art, magic, mythology, and shamanism. As an author, my research and writing continues to be inspired by these interests. I specialise in the ethnography of sacred landscapes and rituals; and more generally in esotericism, consciousness, and healing. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing have appeared in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.
For those wishing to dig a little deeper into the topic, Marvin Meyer’s The Ancient Mysteries is a key sourcebook for both the serious researcher and the curious amateur alike. For each of the major mystery cults of antiquity - the Rites of Eleusis, those of Isis and Osiris, Dionysus, Mithras, and others - Meyer has collected every pertinent classical reference to provide ready access to contemporary sources relevant to understanding each of the cults.
Zeus and the other gods of shining Olympus were in reality divine only by popular consent. Over the course of time Olympian luster diminished in favor of religious experiences more immediate to the concerns of people living in an increasingly cosmopolitan ancient world. These experiences were provided by the mysteries, religions that flourished particularly during the Hellenistic period and were secretly practiced by groups of adherents who decided, through personal choice, to be initiated into the profound realities of one deity or another. Unlike the official state religions, in which people were expected to make an outward show of allegiance…
Historical fantasy is my favorite genre, combining my twin passions of history and mythology/folklore. I especially like to read about unfamiliar times, places, identities, and cultures. What I love best about the fantastical is that it allows me to think and write about deep matters symbolically. As someone still discovering my asexuality in middle age, I’ve always identified best with coming-of-age stories, which is why there are so many young protagonists in both my reading and my writing.
There’s not enough Muslim historical fantasy in the world, and this one is so lavish and full of aching romance—my favorite kind! It takes us from 18th-century Cairo, where con-girl Nahri accidentally summons centuries-old deava warrior Dara, to the fabled City of Brass, its walls covered in enchanted statues, home to rival clans of djinn.
I love how the tribes of Deavabad reflect different parts of the Islamic world and its pre-Islamic culture. For example, the main djinn faith reflects Islam, whereas the deava faith with its fire temple reflects the Zoroastrianism of ancient Persia. It’s a complex, believable world in which I can immerse myself, full of revelations, betrayals, tugs of loyalty, and dilemmas of love.
Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by-palm readings, zars, and a mysterious gift for healing-are all tricks, both the means to the delightful end of swindling Ottoman nobles and a reliable way to survive.
But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, to her side during one of her cons, she's forced to reconsider her beliefs. For Dara tells Nahri an extraordinary tale: across hot,…
I became a science journalist because I’ve been fascinated by the natural world around me for as long as I can remember. I also always loved imagining another world or realm, ever since I first read The Lion, the Witch, and the Wardrobe and The Wizard of Oz series as a child. So when I was writing my blog, Gory Details, at National Geographic, I naturally started to get curious about places around the world that are linked to legends of otherworldly realms. Now, as an author, I’ve had the chance to explore these places for myself, and I hope readers will enjoy going on the journey with me!
I love the originality of this book—who ever would have thought to write about the geology of hell but a geologist? As a big-time nerd, I loved the deep dive into science, mixed with the stories and legends of people around the world.
I also enjoyed the author’s personal stories about visiting many of the places in the book, from the oilfields of Azerbaijan (and accompanying legends of the Zoroastrians) to the famed Greek river Acheron, said to carry the dead to the underworld.
I’m a psychiatrist and philosopher who lives and teaches in Oxford, England. I’ve long held that there is much more to mental health than the mere absence of mental disorder. Mental health is not just about surviving, limping from crisis to crisis, but about thriving, about developing and expressing our highest, fullest potential as human beings. The Stoic attitude is a path not just to sanity but to hypersanity, at a time when more than one in five adults are suffering from some form of depression. Unlike many modern interventions, Stoicism is no sticking plaster, but a total and radical reappraisal of our relationship to ourselves and to the world.
In the last years of his life, Marcus Aurelius kept a journal, now called the Meditations, which has miraculously come down to us, and through which we might enter the mind of that rarest of things: a philosopher-king. The twelve books that make up the Meditationsconsist in a variety of disparate reflections that seem to have been written for the author’s own benefit: for strength, for guidance, and for self-improvement—for example, “To speak to the Senate—or anyone—in the right tone, without being overbearing. To choose the right words.” This touching intimacy, and the epigrammatic character of many of his reflections—for example, “Don’t argue what a good man should be. Just be one.”—has ensured the appeal and perennial popularity of the work.
How to think clearly, act purposefully, overcome obstacles, and find peace & happiness along the way.
Marcus Aurelius (121-180 CE) was one of the few true philosopher-kings in history.
His father died when Marcus was three. At age fifteen, he was adopted by his aunt's husband, the future Emperor Antoninus Pius, putting him in the line of succession. At forty, he became a reluctant emperor of the Roman Empire.
Marcus was conflicted because the demands of being emperor--on top of the temptations of wealth and power--seemed incompatible with his true ambition: to be a humble student of philosophy.
I received my first introduction to the Stoics when completing a Master’s in Philosophy. It was enough to spark a life-long interest. Later in life I read Stoicism widely, along with classical history, including Gibbon and Durant. What struck me about Gibbon’s work was how the ancient “golden age,” with the enlightened rule of its “five good emperors,” including Marcus Aurelius, closely mirrored the trajectory of the contemporary American empire. Today, pundits sometimes casually refer to the US as a reincarnation of the Roman Empire. They talk of Pax Americana, imperial presidencies, and American exceptionalism. I wondered how far one could take that idea and this led me to begin work on The Last Stoic.
For anyone interested in the broad sweep of world history, Durant’s Story of Civilization is a must-read. The scope of the work is simply breathtaking, extending from the dawn of human civilization to the end of the Napoleonic era. And Durant somehow manages to bring all the countless threads together and into context in an accessible manner. From Gibbon I turned to Durant for a more general view. In the volume Caesar to Christ, the similarities between the American and ancient Roman empires are made even starker. For instance, he writes, “the Roman patriciate and upper-middle class passed with impressive speed from stoic simplicity to reckless luxury.” Gibbon echoes the same sentiments in the first volume of the Decline and Fall.
In this massive book ,whose scope and wit recall the golden days of historical writing,Will Durant recounts the flaming pageant of the rise of Rome from a crossroads town to mastery of the world.He tells of its achievements from the Crimea to Gibraltar and from the Euphrates to Hadrian's wall,of its spread of classic civilization over the Mediterranean and western European world.
