I just looked this up. The word is Hibernophile. I love all things Irish even though I'm American, and distantly, Irish American. My inspiration for the Brigid of Ireland trilogy met at the intersection of genealogy research and discovering druids. The novel Druidsby Morgan Llywelyn whichI read soon after The Mists of Avalon impacted so much of my future writing I love research, too. Finding my family roots—immigrants to the New York marble quarries during the Famine—was the impetus for tying these two things together. This—researching Catholicism in Ireland—led me to Patrick and Brigid. I live, teach, and write in the mountains of Virginia.
Kate Horsely’s writing is exquisite. Every word, every detail is carefully chosen and her language has a beauty all its own. The novel is about an Irish nun, Gwynneve, who was raised pagan. She sought refuge in Saint Brigit’s and is welcomed because of her literacy. She is to transcribe the words of St. Augustine and St. Patrick. She observes the crossroads of paganism and Christianity and witnesses the positive and negative of both sides. I don’t want to give any spoilers, but Gwynneve becomes caught up in the conflict as she records her diary of observations and pays the price for honesty. Again, I’m fascinated by the two belief systems, pagan and Christian, side by side, and searched for how that transition occurred.
A druid-turned-nun writes of faith, love, loss, and religion in this “beautifully written and thought-provoking book” set at the dawn of Ireland’s Christian era (Library Journal)
Cloistered in a stone cell at the monastery of Saint Brigit, a sixth-century Irish nun secretly records the memories of her Pagan youth, interrupting her assigned task of transcribing Augustine and Patrick. She revisits her past, piece by piece—her fiercely independent mother, whose skill with healing plants and inner strength she inherited; her druid teacher, the brusque and magnetic Giannon, who introduced her to the mysteries of the written language.
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
The golden age of Jewish-American literature began in the early 1950s and lasted until the early 1980s.
Pulitzers abounded: Saul Bellow won Humboldt’s Gift, and Bernard Malamud won for The Fixer.Norman Mailer won twice, in nonfiction and in fiction, for The Armies of the Night and The Executioner’s Song. (Grace Paley would win one in 1994 for stories originally published in this period.)
Philip Roth’s Portnoy’s Complaint, a novel about jerking off, sold more than 400,000 copies in hardcover in its first year. But you can’t talk about the golden age without mentioning Cynthia Ozick. The Pagan Rabbi, published in 1971, contains such essential stories as “Envy; or, Yiddish in America,” one of the most searing (and hilarious) indictments of assimilation—and writerly envy—ever printed.
Witchcraft as a mystical tradition is the purpose of my life. All of the craft, rituals, and spells revolve around the core concept of connecting to the divine and exploring consciousness, and that has been the purpose of my writing, teaching, and community work. While there are lots of things focused upon the “how” of Witchcraft, I like to reflect on the why and I am always seeking the philosophy, art, and poetry that can take me deeper into the mystical experience of life.
This was probably one of the first books to specifically connect Witchcraft and Shamanism in a practical way for me. Witchcraft Today Book Three edited by Chas S. Clifton opened the door, but Johnson told you how to deftly step through it. Previously called The North Star Road, he linked stellar knowledge of European Paganism with its spirit worker roots and gave you very practical and meaningful ways to commune with the powers and understand more deeply the Witch’s sabbat, the wild hunt and the journey of life after death. Huge influence on my work.
An inspiring guide for those who seek to reclaim the ways and the lore of their ancestors, this text uncovers the spiritual experience at the core of shamanism.
I learned to swim at age two; the oceans became my lifetime playpen, and sailboats my adult toys. I began to sail at age 14 and put away my soggy deck shoes at the age of 70. Now at age 88, I write about those adventures—stories of wartime Vietnam, aerial exploration in North Africa, the Persian Gulf, ports of Mexico, and racing or cruising sailboats to Hawaii, Fiji, Tahiti, New Zealand, Bermuda, Mexico, Panama, the Caribbean and stops along the way. Life-long friends, romance, islands, and every kind of ocean weather fill my memories. Climb aboard my pages at my website and sail through a portion of my life.
I read this story while doing research for my own books about how life on islands like Tahiti used to be hundreds of years ago, prior to any contact with the Western World. The sea was master and anyone lucky enough to be cast ashore after a hurricane was blessed by the Gods—even a princess from a different coral island. Clare Coleman did years of research to write a series of three fascinating books that take you to the days before South Pacific discovery—of voyaging outrigger canoes, native taboos, pagan rituals, exotic dancing, and romance. The book is as good as any description of what Jacques Rousseau referred to as the culture of the ‘Noble Savage’.
This first of Coleman’s Ancient Tahiti series, continues with Sister of the Sun and Child of the Dawn, is perfect reading for anyone that loves island history, native lore, and adventure.
A chief’s daughter is storm-tossed onto the strange land of Tahiti in a novel that “shows that the ancient South Pacific can be a dangerous paradise” (Publishers Weekly).
In the first volume of the Ancient Tahiti series, Tepua, the daughter of a chief sails from her coral atoll home toward her planned, and ritually mandated, marriage. But she never reaches her destination because a violent storm damages her vessel and leaves her stranded on the shores of Tahiti, a land previously unknown to her. She is made unwelcome because of her foreignness and is victimized because of her weakness and…
I experienced unusual events as a child. Over time, I accepted that some things exist outside rational/empirical/logical understanding. Many years later as a chaplain, I listened to patients share their life stories. Those in the final stage of life often described experiences of stepping through the veil between this world and the next. Although the mystical may not be talked about, it is always present. It can be a knowing that guides you forward in a positive direction or stops you dead in your tracks to protect you. And in a moment of grace, it can offer a reassuring glimpse of the journey ahead.
John Steinbeck’s third novel (written in 1933) explores faith and belief with a heavy dose of mysticism, pagan rites, and fantasy. The story follows Joseph Wayne to California where he establishes a thriving ranch. With a fierce connection to the land, Joseph’s beliefs are at times a raw blend of biblical and pagan. After his father dies and a drought strikes the land, Joseph’s good fortune disappears and his faith is tested. Steinbeck was better known for East of Eden andGrapes of Wrath, but this book is my favorite. It feels at times gritty and uncomfortable, but it is also intensely authentic.
While fulfilling his dead father's dream of creating a prosperous farm in California, Joseph Wayne comes to believe that a magnificent tree on the farm embodies his father's spirit. His brothers and their families share in Joseph's prosperity andthe farm flourishes - until one brother, scared by Joseph's pagan belief, kills the tree and brings disease and famine on the farm. Set in familiar Steinbeck country, TO A GOD UNKOWN is a mystical tale, exploring one man's attempt to control theforces of nature and to understand the ways of God.
As long as I can remember I have found the world a terrifying yet magical place. My first memories are of reading ghost stories, the best mirrors for my emotional experiences. As a teenager supernatural tales continued to inspire me and still do. Sometimes a starkly realistic approach can prove too dull or intrusive; far better to process or confront issues by presenting them as fantastical. When I return to these books, or discover similar stories, I listen hard to what they are trying to tell me. I won’t learn overnight for, as the villain in The Doll Maker states: “the life so short, the craft so long to learn.”
“I wanted to be alone in my room and glad over it all to myself.” In the framing story, two Victorian gents struggle to decipher the hidden meanings of a teenage girl’s diary they have recently uncovered. Partially written in a secret language, that could equally derive from folklore sayings or teen slang, the contents appear to hint at an inauguration into pagan rituals and witchcraft in the nearby woods. A unique attempt to conjure a dark magic out of the missing memories of childhood, this novella explores both the excitement and peril of keeping your first secrets. “I was afraid something had happened to me…”
Machen's weird tales of the creepy and fantastic finally come to Penguin Classics. With an introduction from S.T. Joshi, editor of American Supernatural Tales, The White People and Other Weird Stories is the perfect introduction to the father of weird fiction. The title story "The White People" is an exercise in the bizarre leaving the reader disoriented and on edge. From the first page, Machen turns even fundamental truths upside-down, as his character Ambrose explains, "there have been those who have sounded the very depths of sin, who all their lives have never done an 'ill deed'" setting the stage…
J.D. Foslan is the author of Loki’s Saga: A Novel of the Norse Gods and has been a practicing Polytheist and mystic for over a decade. The author’s other interests include the Frisian language spoken by roughly a half-million people in the Netherlands.
We live in a society that allows for only two possibilities: that there exists either one God or no God at all. What C.S. Lewis did for Christianity, this book does for modern Polytheism. It’s an intelligent and thoughtful read that opens up the mind and heart to new spiritual possibilities.
In this book John Michael Greer turns his attention to the intellectual underpinnings and superstructures of the Pagan and magical movements. Pagan religions have tended to be more concerned with practice that with theory and in a system that has no dogma - no legislated doctrine - that is as it should be. Yet as out movement grows and matures, it is inevitable that we will begin to think in a more abstract way about our models and systems. John Michael Greer has provided a primer on the kinds of ideas and themes that must be included in any discussion…
When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own.
I love a noir detective story. Set that story in a fantastical, blood-drenched Tenochtitlan, the capital of the Aztec empire, and I’m totally sold.
The story follows Acatl, who is a high priest of the dead, as he, I kid you not, tries to solve what appears to be a murder case. Except he’s not walking the streets of some modern city – his journey takes him through the fascinating world of a familiar yet unique Aztec empire where human sacrifice is the only thing keeping the world spinning in its proper order.
Having familiar conflicts, including family issues, makes this one a unique standout. Acatl sounds like people I know. Following his determined efforts to bring a specific evil to heel – all while in a society that seemingly glories in bloodshed – is awesome.
The first book in the critically acclaimed Obsidian and Blood trilogy:
Year One-Knife, Tenochtitlan the capital of the Aztecs. Human sacrifice and the magic of the living blood are the only things keeping the sun in the sky and the earth fertile.
A Priestess disappears from an empty room drenched in blood. It should be a usual investigation for Acatl, High Priest of the Dead--except that his estranged brother is involved, and the the more he digs, the deeper he is drawn into the political and magical intrigues of noblemen, soldiers, and priests-and of the gods themselves...
I grew up with a serious passion for mythology and fairy tales. By the time I reached college, I knew that would be my path in life: honoring the Old Deities, honoring the earth, and writing new myths and fairy tales. To that end, I have published numerous short stories, novellas, and poems (the majority with a Pagan focus), serve on the board of directors of a Pagan publisher and a Pagan non-profit organization, and edit a Pagan literary ezine.
Charlotte English’s Malykant Mystery series is a rarity. Not only are the mysteries engaging, but the setting is unusual (a wintery Russian-type city) and the main character is the priest-assassin of the God of Death! Konrad Savast swore himself to the God’s service after his sister’s violent death, vowing to track down and kill those who had violated natural law through the act of murder. Savast’s devotion to his God and his duty will appeal to Pagans of every tradition. While tragic, the stories are never gruesome. Short enough to read in a single sitting, and lots of fun.
In an icy, Victorianesque world, a harsh god rules, and He has one law: a life for a life.
Konrad Savast is the Malykant: detective, judge and executioner in one. It's kill and be killed in Konrad's world, and his unhappy duty to mete out his Master's implacable justice.
The body of an aristocrat lies in the mist-shrouded reaches of the Bone Forest. Her killer has signed their own death warrant; but first, Konrad must learn who could have wanted the delightful Lady Rostikova dead...
With a pair of bloodthirsty ghosts to assist him, Konrad will hunt…
A yearning for a happy and meaningful life, as well as struggles with fear, guilt, and unfulfilled wishes, are common to mankind of all ages. My books combine historical and fictional characters to address such timeless spiritual issues from a Christian perspective. During a hiking tour of the Isle of Elba, I discovered the cave where the saintly 6th-century hermit San Cerbone lived in exile. Researching his life inspired me to write a work of historical fiction about that colourful character’s interactions with Silvanus, an unhappy local lad who longs to escape but finds new priorities.
Sensitively written with a solid basis in history, we meet – and in some cases come to love – Queen Bertha, Pope Gregory, Archbishop Augustine, and other key players. The hopes and fears that drive Augustine on his challenging mission to convert England and to bring the old-school Christian Britons in Wales back into the fold of the Roman Church, are vividly portrayed. We also encounter the harsh reality of life in the primitive, war-torn, pagan Land of Angels.
This book taught me a lot about a significant period in the history of Britain and inspired me to reflect on the prevailing incompatible Christian perspectives.
Princess Bertha of Paris is shocked to learn of her impending marriage to the heathen king of Kent. But their barbaric world is dramatically changed by the coming of Augustine from Rome, on a mission to impress his hero, Pope Gregory the Great. As the new arrivals face hostility and murder, the powerful king sees a way of using Augustine to further his ambition. However, Bertha's eldest son is in league with the banished priests and she knows her husband's vengeance will be terrifying should he find out...In this Anglo-Saxon world on the threshold between pagan beliefs and Christianity, the…
