I just looked this up. The word is Hibernophile. I love all things Irish even though I'm American, and distantly, Irish American. My inspiration for the Brigid of Ireland trilogy met at the intersection of genealogy research and discovering druids. The novel Druidsby Morgan Llywelyn whichI read soon after The Mists of Avalon impacted so much of my future writing I love research, too. Finding my family roots—immigrants to the New York marble quarries during the Famine—was the impetus for tying these two things together. This—researching Catholicism in Ireland—led me to Patrick and Brigid. I live, teach, and write in the mountains of Virginia.
Kate Horsely’s writing is exquisite. Every word, every detail is carefully chosen and her language has a beauty all its own. The novel is about an Irish nun, Gwynneve, who was raised pagan. She sought refuge in Saint Brigit’s and is welcomed because of her literacy. She is to transcribe the words of St. Augustine and St. Patrick. She observes the crossroads of paganism and Christianity and witnesses the positive and negative of both sides. I don’t want to give any spoilers, but Gwynneve becomes caught up in the conflict as she records her diary of observations and pays the price for honesty. Again, I’m fascinated by the two belief systems, pagan and Christian, side by side, and searched for how that transition occurred.
A druid-turned-nun writes of faith, love, loss, and religion in this “beautifully written and thought-provoking book” set at the dawn of Ireland’s Christian era (Library Journal)
Cloistered in a stone cell at the monastery of Saint Brigit, a sixth-century Irish nun secretly records the memories of her Pagan youth, interrupting her assigned task of transcribing Augustine and Patrick. She revisits her past, piece by piece—her fiercely independent mother, whose skill with healing plants and inner strength she inherited; her druid teacher, the brusque and magnetic Giannon, who introduced her to the mysteries of the written language.
When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own.
I love a noir detective story. Set that story in a fantastical, blood-drenched Tenochtitlan, the capital of the Aztec empire, and I’m totally sold.
The story follows Acatl, who is a high priest of the dead, as he, I kid you not, tries to solve what appears to be a murder case. Except he’s not walking the streets of some modern city – his journey takes him through the fascinating world of a familiar yet unique Aztec empire where human sacrifice is the only thing keeping the world spinning in its proper order.
Having familiar conflicts, including family issues, makes this one a unique standout. Acatl sounds like people I know. Following his determined efforts to bring a specific evil to heel – all while in a society that seemingly glories in bloodshed – is awesome.
The first book in the critically acclaimed Obsidian and Blood trilogy:
Year One-Knife, Tenochtitlan the capital of the Aztecs. Human sacrifice and the magic of the living blood are the only things keeping the sun in the sky and the earth fertile.
A Priestess disappears from an empty room drenched in blood. It should be a usual investigation for Acatl, High Priest of the Dead--except that his estranged brother is involved, and the the more he digs, the deeper he is drawn into the political and magical intrigues of noblemen, soldiers, and priests-and of the gods themselves...
I became enthusiastic about the history of the Baltics when my dissertation advisor persuaded me to use my language training in German and Russian to test the American Frontier Theory in the Baltic region. None of the various theories were applicable, but I earned a Ph.D. anyway. Later I taught in Italy, Yugoslavia, Estonia, and the Czech Republic. I've written a number of books and won a Fulbright Hays grant, the Dr. Arthur Puksow Foundation prize, the Vitols Prize, and others. I retired in 2017 after fifty-one years of university and college teaching, but I would still be teaching if my hearing had not deteriorated to the point that I could not make out what shy students were saying.
This is a look at the evolving Lithuanian state at a key moment in its efforts to fight off western crusaders, expand to the east against Russians and south against Mongols, and accommodate its society and religious practices to its allies and subject peoples.
This was the era when the modern states of Belarus and Ukraine were forming under Lithuanian rule or protection. The cities of those regions, as well as the princes, were all Orthodox Christians, but they preferred being governed by tolerant pagans who lived among them than being heavily taxed by Muslim nomads who despised them.
In the decades to follow, Lithuanians would be deeply influenced by Polish culture and religious thought, so the conversion to Roman Catholicism in 1387 came as no surprise.
From 1250 to 1795 Lithuania covered a vast area of eastern and central Europe. Until 1387 the country was pagan. How this huge state came to expand, defend itself against western European crusaders and play a conspicuous part in European life are the main subjects of this book. Chapters are devoted to the types of sources used, to the religion of the ancient Balts (and the discovery of a pagan temple in Vilnius in the late 1980s), and to Lithuanian relations and wars with Poland and the Germans. Under Grand Duke Gediminas, Lithuania came to control more of Russia than…
I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
I love the film The Wicker Man (released in 1973) and was delighted to discover this novelisation from its director and screenwriter.
Full of pagan religion and ritual sacrifice on remote Summerisle, it is wonderfully creepy. Nor is it a flat retelling of the film but an expansion of the character of poor Sergeant Howie. Set up by Lord Summerisle to be the May sacrifice, he is tormented and abused as he searches for a missing child and on film is shown as priggish and cold.
Yet in the book, he is brave, vulnerable, doggedly trying to do the right thing in the face of adversity. He also performs a touchingly heroic act at the end of the book even as he suffered - I admit to shedding a tear.
First published in 1978, five years after the release of the classic horror film from which it is adapted, The Wicker Man by director Robin Hardy and screenwriter Anthony Shaffer, is a gripping horror classic.
A novelization of the haunting Anthony Shaffer script, which drew from David Pinner's Ritual, it is the tale of Highlands policeman, Police Sergeant Neil Howie, on the trail of a missing girl being lured to the remote Scottish island of Summerisle. As May Day approaches, strange, magical, shamanistic and erotic events erupt around him. He is convinced that the girl has been abducted for human…
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
Being a fan of history, mythology, and folklore really drew me to this book. It delves into ancient magic, pagan practices, and other traditions that continue to this day. The book was thoroughly researched and opens a window into mankind’s beliefs and superstitions throughout the ages. The book explores the similarities between different cultures’ creation myths and ritualistic practices as well as Christianity’s appropriation of many pagan holidays, rituals, and locations. Anyone interested in mythology or folklore should definitely have this on their reading list.
Published originally in two volumes in 1890, this extraordinary study of primitive myth and magic, collected from sources around the world, led Frazer to identify parallel patterns of ritual, symbols and belief across many centuries and many different cultures. Frazer's learning inspired a whole generation of ethnographers and comparative anthropologists, and had a particularly powerful effect on many other thinkers and writers such as Sigmund Freud, D H Lawrence, Joyce, Yeats and T S Eliot.
I have always been a voracious reader and was blessed with parents who filled my home with books, who read to me, and who exposed me to both true and fictional stories that expanded my heart and nourished my imagination. I grew up on Christian biographies, along with devouring history and novels. I was shaped, nourished, and strengthened by the stories of real men and women who lived lives that mattered, and who understood that God never puts His children in times, in places, or in circumstances where He cannot enable them to shine brightly, and where they cannot speak truth and compassion into the darkness.
The sheer, transcendent beauty of the language in this book would have made me love it even had I not found the story engaging, and the powerful, personal truth of the story it tells would have made me love it even if the prose had been awkward and lackluster.
The marriage of the language with the deeply personal story of a young American couple finding their way through love, marriage, and friendship to the love of Christ, and then facing the ultimate test of their young faith, will mark you forever. I will warn you that I finished the book in floods of tears!
A heart-rending love story described by its author as “the spiritual autobiography of a love rather than of the lovers” about the author’s marriage and search for faith.
Vanauken chronicles the birth of a powerful pagan love borne out of the relationship he shares with his wife, Davy, and describes the growth of their relationship and the dreams that they share.
A beloved, profoundly moving account of the author's marriage, the couple's search for faith and friendship with C. S. Lewis, and a spiritual strength that sustained Vanauken after his wife's untimely death. Replete with 18 letters from C.S. Lewis,…
A yearning for a happy and meaningful life, as well as struggles with fear, guilt, and unfulfilled wishes, are common to mankind of all ages. My books combine historical and fictional characters to address such timeless spiritual issues from a Christian perspective. During a hiking tour of the Isle of Elba, I discovered the cave where the saintly 6th-century hermit San Cerbone lived in exile. Researching his life inspired me to write a work of historical fiction about that colourful character’s interactions with Silvanus, an unhappy local lad who longs to escape but finds new priorities.
Sensitively written with a solid basis in history, we meet – and in some cases come to love – Queen Bertha, Pope Gregory, Archbishop Augustine, and other key players. The hopes and fears that drive Augustine on his challenging mission to convert England and to bring the old-school Christian Britons in Wales back into the fold of the Roman Church, are vividly portrayed. We also encounter the harsh reality of life in the primitive, war-torn, pagan Land of Angels.
This book taught me a lot about a significant period in the history of Britain and inspired me to reflect on the prevailing incompatible Christian perspectives.
Princess Bertha of Paris is shocked to learn of her impending marriage to the heathen king of Kent. But their barbaric world is dramatically changed by the coming of Augustine from Rome, on a mission to impress his hero, Pope Gregory the Great. As the new arrivals face hostility and murder, the powerful king sees a way of using Augustine to further his ambition. However, Bertha's eldest son is in league with the banished priests and she knows her husband's vengeance will be terrifying should he find out...In this Anglo-Saxon world on the threshold between pagan beliefs and Christianity, the…
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
The golden age of Jewish-American literature began in the early 1950s and lasted until the early 1980s.
Pulitzers abounded: Saul Bellow won Humboldt’s Gift, and Bernard Malamud won for The Fixer.Norman Mailer won twice, in nonfiction and in fiction, for The Armies of the Night and The Executioner’s Song. (Grace Paley would win one in 1994 for stories originally published in this period.)
Philip Roth’s Portnoy’s Complaint, a novel about jerking off, sold more than 400,000 copies in hardcover in its first year. But you can’t talk about the golden age without mentioning Cynthia Ozick. The Pagan Rabbi, published in 1971, contains such essential stories as “Envy; or, Yiddish in America,” one of the most searing (and hilarious) indictments of assimilation—and writerly envy—ever printed.
I started my professional writing career in 1987 having founded the small press writers’ magazine, Quartos, which ran for nine years until its merger with Acclaim in 1996 to become The New Writer, as well as authoring several creative writing how-to books – including Horror Upon Horror. In addition to acting as judge for national writing competitions, I've also tutored at writers’ workshops including The Annual Writers’ Conference (Winchester College), The Summer School (University of Wales), Horncastle College (Lincolnshire), and the Cheltenham Literature Festival. Having been a staunch supporter of the Gothic Society and a regular contributor to its quarterly magazine, Udolpho, I have also created the series of The Vampyre’s Tale novels.
Simon Raven had a marked fascination for the supernatural that first manifested in an early novel Doctors Wear Scarlet, which was cited by Karl Edward Wagner (himself an award-winning American writer, poet, editor and publisher of horror and writer of numerous dark fantasy and horror stories), as one of the thirteen best supernatural novels. The story is set against Raven’s customary background of academia and University life and has a distinctly macabre and spine-chilling theme. It starts harmlessly enough with a young man’s infatuation for a beautiful Greek girl, but Chriseis is no ordinary holiday love affair; three friends track down their missing companion across the Aegean, where it becomes increasingly obvious that their relationship is strange to say the least. Despite dispatching Chriseis in the remote mountains of Crete and not without cost to themselves, the missing scholar is returned to his University – but the curse of…
Richard Fountain, a promising young Cambridge scholar, went to the island of Crete to study ancient rites and pagan rituals before suddenly and inexplicably breaking off all contact with the outside world. Disturbing rumors have filtered their way back to England, whisperings of blasphemous rituals and obscene orgies, hints of terrible crimes and wanton murder . . .
Three of Richard’s friends travel to Greece to find him and bring him back. Following a grim progression of ominous clues, they will arrive at last at an abandoned fortress high in the wild and desolate White Mountains, where they will discover…
I'm an award-winning English writer of what's broadly termed science fiction and fantasy, at least in the sense that most of my work features strange events and fantastic settings. But I'm also deeply drawn to naturalistic fiction and have often found that one of the best and most exciting ways to explore the thrillingly odd without losing touch with the believably real is to take a step sideways in history. Alternate history isn't just about the Nazis winning World War Two, and the Confederate American South defeating the Yankee North. A good, original alternate history can open up the traditional novel into fresh worlds and new vistas.
Moorcock might be best known for his sword-and-sorcery Elric novels, but he's also a writer of considerable daring and style. Gloriana tells of a Queen of Albion whose empire stretches from the great continent of Virginia to far Hindustan, and then on to Cathay beyond. Half-familiar figures and place names vie with pagan myths and strange ceremonies inside a palace so vast and rambling that every kind of wonder, and the darkest of secrets, have room to hide. The settings and the language are glorious, and the characters, and their schemes and machinations, come vibrantly alive. This is a vivid dream of an alternate queen and an alternate England.
Tiem and again, small numbers of Germans, civilian nad military, noble and ignoble, scheme to topple the Fuhrer, and on several occasions they came within minutes - or inches - of succeeding. Fest explores why they tried, why they found so little support either in Germany or outside it, and why they failed.
