I'm an award-winning English writer of what's broadly termed science fiction and fantasy, at least in the sense that most of my work features strange events and fantastic settings. But I'm also deeply drawn to naturalistic fiction and have often found that one of the best and most exciting ways to explore the thrillingly odd without losing touch with the believably real is to take a step sideways in history. Alternate history isn't just about the Nazis winning World War Two, and the Confederate American South defeating the Yankee North. A good, original alternate history can open up the traditional novel into fresh worlds and new vistas.
Moorcock might be best known for his sword-and-sorcery Elric novels, but he's also a writer of considerable daring and style. Gloriana tells of a Queen of Albion whose empire stretches from the great continent of Virginia to far Hindustan, and then on to Cathay beyond. Half-familiar figures and place names vie with pagan myths and strange ceremonies inside a palace so vast and rambling that every kind of wonder, and the darkest of secrets, have room to hide. The settings and the language are glorious, and the characters, and their schemes and machinations, come vibrantly alive. This is a vivid dream of an alternate queen and an alternate England.
Tiem and again, small numbers of Germans, civilian nad military, noble and ignoble, scheme to topple the Fuhrer, and on several occasions they came within minutes - or inches - of succeeding. Fest explores why they tried, why they found so little support either in Germany or outside it, and why they failed.
I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
I love the film The Wicker Man (released in 1973) and was delighted to discover this novelisation from its director and screenwriter.
Full of pagan religion and ritual sacrifice on remote Summerisle, it is wonderfully creepy. Nor is it a flat retelling of the film but an expansion of the character of poor Sergeant Howie. Set up by Lord Summerisle to be the May sacrifice, he is tormented and abused as he searches for a missing child and on film is shown as priggish and cold.
Yet in the book, he is brave, vulnerable, doggedly trying to do the right thing in the face of adversity. He also performs a touchingly heroic act at the end of the book even as he suffered - I admit to shedding a tear.
First published in 1978, five years after the release of the classic horror film from which it is adapted, The Wicker Man by director Robin Hardy and screenwriter Anthony Shaffer, is a gripping horror classic.
A novelization of the haunting Anthony Shaffer script, which drew from David Pinner's Ritual, it is the tale of Highlands policeman, Police Sergeant Neil Howie, on the trail of a missing girl being lured to the remote Scottish island of Summerisle. As May Day approaches, strange, magical, shamanistic and erotic events erupt around him. He is convinced that the girl has been abducted for human…
I write fantasy romance, or romantic fantasy, and one of my favorite things this little genre niche can do is use its otherworldly setting to re-examine our preconceived notions of romantic relationships. Polyamory exists in the real world, of course, so surely it should also exist in worlds with hauntings, spells, magic-powered giant mecha, and gods who intervene in mortal fates. Here are some books I have loved that make polyamory a fundamental part of their fantasy worldbuilding.
This novel is the start of a mesmerizing series about being in love with two of your very dear childhood friends, or possibly five of your childhood friends, and feeling inexplicably compelled to return to the eerie ancient manor home where the six of you first spent the summer together. Rare books, dreams, pagan rituals, and a whole lot of sex—what’s not to love? This book really captures the dark, wintery, haunted, strangely out-of-time atmosphere of the house, and it’s extremely (t)horny, putting all of Sierra Simone’s incredible skill on display. This is the kind of complex, emotional writing I aspire to.
Twelve years ago my mother disappeared into the fog-shrouded moors of Thornchapel.
I left her memory there, along with the others. Of my childhood friends, playing in the woods. Of the crumbling, magical world we found, and of the promises we made beneath the wild roses. I moved on, building a life as a librarian in America, far away from the remote manor where my mother was last seen alive.
And then the letter arrives.
A single word, in her handwriting, calling me back to England. Followed by a job offer I could never refuse, from a person I never…
Witchcraft as a mystical tradition is the purpose of my life. All of the craft, rituals, and spells revolve around the core concept of connecting to the divine and exploring consciousness, and that has been the purpose of my writing, teaching, and community work. While there are lots of things focused upon the “how” of Witchcraft, I like to reflect on the why and I am always seeking the philosophy, art, and poetry that can take me deeper into the mystical experience of life.
This was probably one of the first books to specifically connect Witchcraft and Shamanism in a practical way for me. Witchcraft Today Book Three edited by Chas S. Clifton opened the door, but Johnson told you how to deftly step through it. Previously called The North Star Road, he linked stellar knowledge of European Paganism with its spirit worker roots and gave you very practical and meaningful ways to commune with the powers and understand more deeply the Witch’s sabbat, the wild hunt and the journey of life after death. Huge influence on my work.
An inspiring guide for those who seek to reclaim the ways and the lore of their ancestors, this text uncovers the spiritual experience at the core of shamanism.
I learned to swim at age two; the oceans became my lifetime playpen, and sailboats my adult toys. I began to sail at age 14 and put away my soggy deck shoes at the age of 70. Now at age 88, I write about those adventures—stories of wartime Vietnam, aerial exploration in North Africa, the Persian Gulf, ports of Mexico, and racing or cruising sailboats to Hawaii, Fiji, Tahiti, New Zealand, Bermuda, Mexico, Panama, the Caribbean and stops along the way. Life-long friends, romance, islands, and every kind of ocean weather fill my memories. Climb aboard my pages at my website and sail through a portion of my life.
I read this story while doing research for my own books about how life on islands like Tahiti used to be hundreds of years ago, prior to any contact with the Western World. The sea was master and anyone lucky enough to be cast ashore after a hurricane was blessed by the Gods—even a princess from a different coral island. Clare Coleman did years of research to write a series of three fascinating books that take you to the days before South Pacific discovery—of voyaging outrigger canoes, native taboos, pagan rituals, exotic dancing, and romance. The book is as good as any description of what Jacques Rousseau referred to as the culture of the ‘Noble Savage’.
This first of Coleman’s Ancient Tahiti series, continues with Sister of the Sun and Child of the Dawn, is perfect reading for anyone that loves island history, native lore, and adventure.
A chief’s daughter is storm-tossed onto the strange land of Tahiti in a novel that “shows that the ancient South Pacific can be a dangerous paradise” (Publishers Weekly).
In the first volume of the Ancient Tahiti series, Tepua, the daughter of a chief sails from her coral atoll home toward her planned, and ritually mandated, marriage. But she never reaches her destination because a violent storm damages her vessel and leaves her stranded on the shores of Tahiti, a land previously unknown to her. She is made unwelcome because of her foreignness and is victimized because of her weakness and…
I’ve loved history since my grandfather told me tales about my ancestors and their exploits. I haunted libraries, reading up on whatever current era I had a passion for: Roman, medieval England, American Civil War, etc. but I was always disappointed that little or no space was given to women’s stories. They had to have existed or all those famous men wouldn’t have been born. It took some digging and a feminist revolution, but finally remarkable women’s lives began to surface in academia and I now turn their stories into popular fiction. I hope these recommendations help readers learn about awesome women who didn’t make it into the history books. Enjoy!
I metaphorically danced on the rooftop when I discovered this book. Do you know how likely it is that writing from the wild fifth century comes down to us? Much less writing by a woman? It had to survive barbarian incursions, fires, floods, and ravenous insects as well as “curators” of collections who decide which books get kept and which get used as fuel for the hypocaust.
This one features Empress Aelia Eudocia. Born Athenais, she was a pagan poetess who married the Most Christian Emperor Theodosius II and is the titular Rebel Empress in the third of my Theodosian Women series. Sowers not only provides us with Eudocia’s words translated from Greek, but fills in the history and politics of her life. A real find!
In Her Own Words: The Life and Poetry of Aelia Eudocia is the first full-length study to examine Eudocia's writings as a unified whole and to situate them within their wider fifth-century literary, social, and religious contexts. Responsible for over 3,000 lines of extant poetry, Eudocia is one of the best-preserved ancient female poets. Because she wrote in a literary mode frequently suppressed by proto-orthodox (male) leaders, much of her poetry does not survive, and what does survive remains understudied and underappreciated. This book represents a detailed investigation into Eudocia's works: her epigraphic poem in honor of the therapeutic bath…
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
Being a fan of history, mythology, and folklore really drew me to this book. It delves into ancient magic, pagan practices, and other traditions that continue to this day. The book was thoroughly researched and opens a window into mankind’s beliefs and superstitions throughout the ages. The book explores the similarities between different cultures’ creation myths and ritualistic practices as well as Christianity’s appropriation of many pagan holidays, rituals, and locations. Anyone interested in mythology or folklore should definitely have this on their reading list.
Published originally in two volumes in 1890, this extraordinary study of primitive myth and magic, collected from sources around the world, led Frazer to identify parallel patterns of ritual, symbols and belief across many centuries and many different cultures. Frazer's learning inspired a whole generation of ethnographers and comparative anthropologists, and had a particularly powerful effect on many other thinkers and writers such as Sigmund Freud, D H Lawrence, Joyce, Yeats and T S Eliot.
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
The golden age of Jewish-American literature began in the early 1950s and lasted until the early 1980s.
Pulitzers abounded: Saul Bellow won Humboldt’s Gift, and Bernard Malamud won for The Fixer.Norman Mailer won twice, in nonfiction and in fiction, for The Armies of the Night and The Executioner’s Song. (Grace Paley would win one in 1994 for stories originally published in this period.)
Philip Roth’s Portnoy’s Complaint, a novel about jerking off, sold more than 400,000 copies in hardcover in its first year. But you can’t talk about the golden age without mentioning Cynthia Ozick. The Pagan Rabbi, published in 1971, contains such essential stories as “Envy; or, Yiddish in America,” one of the most searing (and hilarious) indictments of assimilation—and writerly envy—ever printed.
As long as I can remember I have found the world a terrifying yet magical place. My first memories are of reading ghost stories, the best mirrors for my emotional experiences. As a teenager supernatural tales continued to inspire me and still do. Sometimes a starkly realistic approach can prove too dull or intrusive; far better to process or confront issues by presenting them as fantastical. When I return to these books, or discover similar stories, I listen hard to what they are trying to tell me. I won’t learn overnight for, as the villain in The Doll Maker states: “the life so short, the craft so long to learn.”
“I wanted to be alone in my room and glad over it all to myself.” In the framing story, two Victorian gents struggle to decipher the hidden meanings of a teenage girl’s diary they have recently uncovered. Partially written in a secret language, that could equally derive from folklore sayings or teen slang, the contents appear to hint at an inauguration into pagan rituals and witchcraft in the nearby woods. A unique attempt to conjure a dark magic out of the missing memories of childhood, this novella explores both the excitement and peril of keeping your first secrets. “I was afraid something had happened to me…”
Machen's weird tales of the creepy and fantastic finally come to Penguin Classics. With an introduction from S.T. Joshi, editor of American Supernatural Tales, The White People and Other Weird Stories is the perfect introduction to the father of weird fiction. The title story "The White People" is an exercise in the bizarre leaving the reader disoriented and on edge. From the first page, Machen turns even fundamental truths upside-down, as his character Ambrose explains, "there have been those who have sounded the very depths of sin, who all their lives have never done an 'ill deed'" setting the stage…
I just looked this up. The word is Hibernophile. I love all things Irish even though I'm American, and distantly, Irish American. My inspiration for the Brigid of Ireland trilogy met at the intersection of genealogy research and discovering druids. The novel Druidsby Morgan Llywelyn whichI read soon after The Mists of Avalon impacted so much of my future writing I love research, too. Finding my family roots—immigrants to the New York marble quarries during the Famine—was the impetus for tying these two things together. This—researching Catholicism in Ireland—led me to Patrick and Brigid. I live, teach, and write in the mountains of Virginia.
Kate Horsely’s writing is exquisite. Every word, every detail is carefully chosen and her language has a beauty all its own. The novel is about an Irish nun, Gwynneve, who was raised pagan. She sought refuge in Saint Brigit’s and is welcomed because of her literacy. She is to transcribe the words of St. Augustine and St. Patrick. She observes the crossroads of paganism and Christianity and witnesses the positive and negative of both sides. I don’t want to give any spoilers, but Gwynneve becomes caught up in the conflict as she records her diary of observations and pays the price for honesty. Again, I’m fascinated by the two belief systems, pagan and Christian, side by side, and searched for how that transition occurred.
A druid-turned-nun writes of faith, love, loss, and religion in this “beautifully written and thought-provoking book” set at the dawn of Ireland’s Christian era (Library Journal)
Cloistered in a stone cell at the monastery of Saint Brigit, a sixth-century Irish nun secretly records the memories of her Pagan youth, interrupting her assigned task of transcribing Augustine and Patrick. She revisits her past, piece by piece—her fiercely independent mother, whose skill with healing plants and inner strength she inherited; her druid teacher, the brusque and magnetic Giannon, who introduced her to the mysteries of the written language.
