As a longtime arts educator who has worked predominantly with kids ages 3 to 12, I initially set out to find books that could inspire them about theatre. For many years I have searched for the perfect books that achieve this and have used all of these books in my teaching.
There are many jobs in theatre, from the performers on stage, to all of the people like the writers, directors, and designers who make their magic behind the scenes. This book makes the excellent case that there is a place for anyone in the theatre, taking kids by the hand walking them through how it requires a team effort to make a production happen.
A delightful introduction to opera, Bravo! Brava! A Night at the Opera teaches elementary school children what opera is by showing how it is made. "Who writes the words?", "Who makes an opera happen? "Who is backstage?"--these questions and more are answered with easy-to-understand explanations and are illustrated with whimsical watercolors by the author. From composer, choreographer, and costume designers to the conductor, lighting and special effects crew, and, of course, the singers, the excitement builds as Anne Siberell explains each person's role in producing an opera. Bravo! Brava! A Night at the Opera reveals details of the most famous…
I’ve had the urge to write stories as far back as public school. And despite encouragement from a creative writing teacher in high school, my first career ended up being corporate financial analysis. By the time I reached 59, I was (a) unemployed and unemployable (due to age) and (b) in a relationship with a wonderful woman who loved science fiction and was very creative (a former art teacher). With her encouragement, I finished my first SF novel at just the right time to benefit from the explosion of interest in reading ebooks bought on Amazon. I’ve now written 37 novels.
I was enthralled by this book. If memory serves me correctly, C.J. Cherrryh was awarded the title of Grand Master by an SF organization for this book and it’s obvious why.
The scope of the story universe she has created is mind-boggling. The characters are believable, and the action makes your heart beat faster. There are scenes in the book that make you want to see them in a movie. I can say that this book and her style of writing has had a bigger impact on my own writing than any other author.
If military SF is your thing, you’ll love this book.
The Hugo Award-winning classic sci-fi novel about interstellar war.
The Beyond started with the Stations orbiting the stars nearest Earth. The Great Circle the interstellar freighters traveled was long, but not unmanageable, and the early Stations were emotionally and politically dependent on Mother Earth. The Earth Company which ran this immense operation reaped incalculable profits and influenced the affairs of nations.
Then came Pell, the first station centered around a newly discovered living planet. The discovery of Pell's World forever altered the power balance of the Beyond. Earth was no longer the anchor which kept this vast empire from coming…
Just like my Upstagedheroine, my first stage experience was playing Mr. Jacey Squires in The Music Man. Both of my parents were singers and really, there’s never been a time when music—and the friends I made through music—haven’t been an important part of my life. Love of the arts can bring kids together in surprising ways. The characters in these books face varied challenges, home lives, and predicaments. But for all of them, it’s the support of friends, a dose of courage, and inspiration from the arts that get them through. That’s why I’ve chosen these five wonderful, readable, un-put-downable books.
I absolutely fell in love with twelve-year-old Bart—a kid who doesn’t complain when there are only pretzel sticks for dinner, who takes boxing lessons, but can’t punch, a kid who loves opera. Opera! (Specifically, the voice of baritone Bryn Terfel--Look him up and listen!) He lives near Oslo, Norway in shabby public housing with his loving, alcoholic, and often unemployed mother. Bart makes the best of everything in his life. His unique, gentle nature, some lovely friendships, and Svingen’s storytelling completely
won my heart. I don’t know why this book hasn’t gotten more accolades—maybe
because people expect every Norwegian novel to have Vikings and fjords. (Language
Alert: There are some instances of the word sh*t—blame the translator).
From award-winning Norwegian author Arne Svingen comes “an uplifting coming-of-age story” (The Wall Street Journal) about a relentlessly positive teenager who uses his love of opera to cope with his less-than-perfect home life.
Bart is an eternal optimist. At thirteen years old, he’s had a hard life. But Bart knows that things won’t get any better if you have a negative attitude. His mother has pushed him into boxing lessons so that Bart can protect himself, but Bart already has defense mechanisms: he is relentlessly positive…and he loves opera.
Listening to—and singing—opera is Bart’s greatest escape, but he’s too shy…
I love to read, and sometimes I want to be lost in a story or world for just an hour or two. Oh, I’m always sorry when a good story ends, no matter how long or short. But a good novella is like a slice of homemade chocolate cake. I might want to eat more, but if it’s perfectly done, there’s nothing quite as satisfying as that first, warm slice out of the oven.
This is one of those books with three novellas that add up to a novel. The first introduces our intrepid wizard, a man happy with a beer and his laboratory tucked deep inside his castle. He does not wish to be bothered by quests, adventures, or distressed maidens.
The stories are fun and funny, and there’s enough suspense to keep me eagerly turning the pages. The main character is a bit of a bumbling fantasy version of “Columbo.” He is a wizard who can’t use violence to win, so he must use his brains.
The romantasy is told from the male POV and doesn’t occur until the last, longest story of the set. I loved all three stories and also love Frank Tuttle’s Markhat series.
All three of Wistril's magical misadventures are included in this complete compilation of cantrips and catastrophes!
Wistril Besieged --
Wizard Wistril's wants are simple -- four meals a day, a steady supply of honey-gold Upland beer, and above all else, peace and quiet.
All but the latter are in plentiful supply at Castle Kauph. Despite secreting himself on the edge of the Wild, Wistril finds himself battling an army of relentless mercenaries while the entire population of the nearest village takes refuge in his home. Even Kern, Wistril's long-suffering, sharp-tongued apprentice, isn't sure whether the army or the houseguests will…
I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.
I picked up a copy of Sally Rogers-Davidson’s book Polymer in a bookshop in Glebe. I admit I took it from the shelf because of the chance resemblance between our names. It entertained me royally on a long bus ride and I instantly wanted to write to the author. I later met Sally R-D and found we had more in common than our names and our penchant for writing science fiction.
Polymer is one of the most wonderful lively, romantic, adventurous space operas I’ve ever read. It’s sharply written, and Polly Meridian herself is a heroine I wish I’d invented. Her hero is an antihero at first, but the story persuades the reader to give him a chance, as Polly does.
Polymer never wanted to get involved in an intergalactic war. Nor did she ever expect to fall for a member of the enemy forces. But when her idyllic existence on Delta Station is shattered by the invading Gloman Empire, Polymer discovers that there is more to life than long, hot baths. Torn from the only home she has ever known, Polymer is forced to re-evaluate her own beliefs and convictions as she joins the battle against the seemingly unstoppable Glomans. Hunted across the galaxy by a ruthless suitor, Polymer finds herself at the centre of a terrible conspiracy and has…
From dancing on a crane in a meteor shower, to earning a history degree at the top program in my country; bathing under a waterfall to cradling the dying as a physician—I’ve always straddled the line between adventure and hunger for the truth beyond. Some books are the same way: they pull you in with fun and plot, and colors, and they leave you with bigger thoughts and questions about the Universe at large. All genres have this capacity for surprise and depth, but space opera’s best—here’s a list of reads with that special metaphysical power.
I picked up this book because the back cover made it sound like this funny romp where a rock competition decides the fate of the Earth—and who doesn’t want that? But this isn’t just a more uplifting version of that one Rick and Morty episode about “Gettin’ Schwifty.” With vivid worlds and deeply flawed characters, Space Opera is like a psychedelic trip with that brilliant, probably-drunk friend whose gorgeous mind you could listen to for days. (Stop looking at me like that! I’m not in love with her syntax, you are!) Don’t get me wrong: there are so many behaviors in Space Opera that I recommend against as a sexual health physician—they’d increase your risk of disease and mental illness—and I’ve got moral positions that don’t jive with Valente’s vision, either. But there’s a scene where Valente touches on immigration and deportation that made me weep and left an indent…
FINALIST FOR HUGO AWARD FOR BEST NOVEL 2019 FINALIST FOR LOCUS AWARD FOR BEST SCIENCE FICTION NOVEL 2019
IN SPACE EVERYONE CAN HEAR YOU SING
A century ago, intelligent space-faring life was nearly destroyed during the Sentience Wars. To bring the shattered worlds together in the spirit of peace, unity and understanding, the Metagalactic Grand Prix was created. Part concert, part contest, all extravaganza, species far and wide gather to compete in feats of song, dance and/or whatever facsimile of these can be performed by various creatures who may or may not possess, in the traditional sense, feet, mouths, larynxes…
My debut novel,The Sleepless, is a sci-fi noir story born out of my passion for both speculative fiction and crime fiction. I grew up devouring Marvel comics and Ray Bradbury and Agatha Christie, and those were some of my strongest influences when I finally decided to write my own stories. As a queer immigrant and a person of color, I was also influenced by the lives of people who live these identities, as much as I was influenced by my career as a lawyer in the immigration, criminal, and civil rights fields.
As a reader, I am drawn to both noir and science fiction because they are both puzzles. They present a mystery seeking an answer, whether it is a question about the rules of a strange new world, or the question of who killed who and how. In Far from the Light of Heaven, we start with a locked room murder mystery set on an interstellar vessel. The seemingly impossible crime is enough to keep one reading to the end, but then the book provides other, more enticing mysteries that grow in scale and scope the deeper the story goes.
'Gripping and skilfully told, with an economy and freshness of approach that is all Tade Thompson's own. The setting is interstellar, but it feels as real, immediate and lethal as today's headlines' Alastair Reynolds
Arthur C. Clarke Award winner Tade Thompson makes a triumphant return to science fiction with this unforgettable vision of humanity's future in the chilling emptiness of space.
The colony ship Ragtime docks in the Lagos system, having travelled light years from home to bring one thousand sleeping souls to safety among the stars.
Some of the sleepers, however, will never wake - and a profound and…
For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events.
Mix a couple of strong, mysterious characters with a dangerous quest and you've got me. It's a plot where I had to pay attention as the danger ratchets up with betrayals and twists and turns that kept me guessing. There's enough detail in settings and tech to convince without any info dumps and the romance is an integral part of the story. Loved it.
When the cure for a deadly disease is stolen, two misfits are all that stands between greed and intergalactic tragedy.
Luka Foxe can’t let anyone know about his secret mental abilities. Debilitated by their influence when faced with violence, the brilliant forensic investigator now only takes assignments involving theft. But when he has to hunt down a hijacked vaccine for a galaxy-wide pandemic, the tragic first clue is his best friend’s brutal murder.
Nightshift guard Mairwen Morganthur knows she must keep a low profile. The product of illegal genetic alteration, she’s a lethal weapon with no social graces. But when…
I believe deeply that, as messy and painful as life is, there is always joy, and usually humor, to be found. The book I wrote, Leaving’s Not the Only Way to Go, pulls from some of the painful experiences I’ve had, and I often find myself following my description of the book, about two women who meet in a grief group, with “but it’s not a downer!” It’s true, because Leaving is also inspired by all the joy and connections I’ve made for myself, even in the midst of loss. I learned how to balance the two sides of life through books like the ones on this list.
Fat Tuesday is the book that taught me what a lesbian was and what a joyful possibility that could be for me.
It’s about a high school senior named Rusty who decides, despite all the desperate circumstances of her life, to travel to New Orleans for Mardi Gras with her sick mother and dysfunctional friends.
Rusty and company are obsessed with soap operas as an escape from their current reality, and as their road trip proceeds, their reality becomes more and more like a soap opera plot, with all the drama, dramatic twists, and exaggerated exuberance that soap operas are known for!
What does Rusty Quinn do when her mom loses touch with reality, her best friend's dad explodes over a kiss, her other best friend gets committed to a psych ward, and the sanest person she knows is an egotistical Finnish exchange student who swears in a language nobody understands? She could write a soap opera, of course - or go to Mardi Gras. In fact, she could do both!
Funny how destiny comes down to single choices, focused moments, and split-second decisions. Can running away to Mardi Gras really change four lives forever?
Growing up I read a lot of science fiction: HG Wells, Isaac Asimov, John Wyndham; those kind of authors and their inspiring tales. In my early twenties, I penned a few short stories as I worked as an aeronautical engineer. Always being at the leading edge of technology certainly helped shape my dreams of the future. I have an interest in writing novels that place humankind within a universe [or multiverse] we are only just starting to understand. To date, I have written six novels, two of them extensive short story collections. They are light years from each other, but share the future adventures of mankind in an expansive universe as a common theme.
I would describe this book as a future-mediaeval tale. It is beautifully written and a joy to read.
An exquisitely compiled tale that weaves fantasy and science fiction around the lives of Viola and her mysterious young apprentice, Jo. Storytellers both, they travel along a spirited trail, on land and in space, with each hiding their own secrets.
A superb read that takes you into the lives of these outcasts on the run. Highly recommended.
"Set amid an imaginative blend of sci-fi and fantasy, the novel’s fictional universe is vividly realized and will grab curious readers. The book works in thought-provoking themes that will further draw readers in." BookLife Prize
The Alchemist meets fantasy with a splash of space opera. Viola Alerion, a renowned storyteller in the Haldrian Empire, wants to be left in peace. For years, she’s been hounded by her past, never to find a moment’s rest. Then she meets a boy who wants to become her apprentice. He refuses to take no for an answer, and she reluctantly yields, even though she…
