The most recommended opera books

I’m a physician, so it’s probably not surprising that a book by a physician about an alien physician might hit my list of meaningful space operas. What is surprising is Star Surgeon’s double-twist—the patients aren’t who we think they are, and the secret to getting Earth into the prestigious Galactic Confederation isn’t what we think it is—both of which actually had huge real-world thematic implications. On face level, it’s a medical thriller: the protag’s the first alien to graduate from human medical school, and he’s got to prove himself by curing an epidemic on a remote planet without arousing the ire of his human teachers. (I felt like this in residency.) But on a metaphysical level, Star Surgeon is a quiet manifesto dissecting the origins of racism—and the very biology of sentience itself. 

I’m cheating a little here, but I made the rules and there’s a little clause in the rules I made that says I can break them as long as I announce that I am breaking them. Herewith, I announce. 

This isn’t a book about readers. It’s a book about watchers—specifically the Dutch audience for the soap opera Dallas. But this book is so good and so wild, it changed forever the way I think about “reception,” including reading. I recommend this book all the time and if you want to understand the freedom and creativity of readers, you have to read it.

I’m amazed that more people aren’t talking about this book. It falls in line with the vampire romance genre so effortlessly, and yet it is egregiously overlooked. I remember reading it years ago when I was a teenager and being totally entranced. There’s this beautiful lilt to the writing, and the plot is so richly complex. It deals with the subject of immortality in such an interesting way, comparing the endless life of this vampire to the swiftly expiring life of this girl’s mother. The romance itself is actually refreshing as well. There’s this soft, sweet gallantry that you don’t see a lot in modern work, in my opinion.

I picked up a copy of Sally Rogers-Davidson’s book Polymer in a bookshop in Glebe. I admit I took it from the shelf because of the chance resemblance between our names. It entertained me royally on a long bus ride and I instantly wanted to write to the author. I later met Sally R-D and found we had more in common than our names and our penchant for writing science fiction.

Polymer is one of the most wonderful lively, romantic, adventurous space operas I’ve ever read. It’s sharply written, and Polly Meridian herself is a heroine I wish I’d invented. Her hero is an antihero at first, but the story persuades the reader to give him a chance, as Polly does.

If Canone Inverso is your main course, The Murder of Figaro is the perfect dessert. It is light, frothy, and witty as a Mozart comic opera. As it should be, since the main characters are Mozart and his wife Constanze. Together, the frolicking pair must speedily solve the backstage murder of the government censor; otherwise, Mozart’s new opera, The Marriage of Figaro, will never see the light of day. Larson herself was an accomplished opera singer and has thorough insight into the opera world: the music, the business, and the backstage backstabbing. Written as a delightful opera buffa, this book is an absolutely fun read.

This passionate paranormal romance between a talented soprano singer and a macabre musical genius blends mythical aspects of a legendary ghost haunting the Paris Opera House. I was enthralled by the supernatural forces and deliciously dark seduction of Christine Daaé by the unlikely Romantic hero, the Phantom. I enjoyed how the chivalrous Raoul, le Vicomte de Chagny, nobly battles the diabolical Phantom like a medieval knight defending his Lady. I read this classic in its original French language version while obtaining my MA in French literature, and I loved both the English translation as well as the modern musical film adaptation.

This book helped me understand the lives of young male jazz musicians in the early 20th century. A wacky, ecstatic, fragmented, kaleidoscopic, memoir—nostalgic always for Bloomington, Indiana, and his college days in the early 1920s. There Carmichael met his pals Monk and Bix, both of whom died too young. He dedicates the book to them and remembers them fondly. Monk, a surrealistic poet, and Bix, a great musical genius, they understood each other immediately. Bix responded to one of Monk’s poems saying, “I am not a swan.” There is a Dadaist flavor to Monk’s writing, as well as some of Hoagy’s: “The years had pants.” Intertwined with these memories is the slow, jerky progress of Carmichael’s journey from a would-be composer to a famous songwriter.

Eventually, I recommend a work of fiction.

Micro-psychology by a brilliant storyteller, this was the first of Proulx’s books that I ever read, even though it was the last of the Wyoming trilogy. I went on to read the rest – and then more of her work.

Proulx draws me into the characters, their lives, the plot, setting, and atmosphere, using cleverly interpretative, and uniquely descriptive language. Just a few of her words and I am inside the story. I have been to Wyoming, taking the trilogy for company, although I had read them previously.

Some of her stories remain firmly fixed in my head, and I can re-read them without ever becoming bored. 

C.J. Cherryh‘s Hugo-winning Downbelow Station is on a lot of people’s TBR pile but I suspect due to its intimidating size, it never gets any further. Which is a damn shame. Once you get into it, the story is completely absorbing. Cherryh’s world-building is outstanding, presenting a convincing 24th Century society, with just enough enriching detail to draw you in. The politics and tactics of the warring factions are familiar yet not derivative. If you loved Alien’s Ripley as much as I did, then I suspect you will love the character of Captain Signy Mallory. She is presented as a badass in the best possible way: tough, smart, resolute, and unfailingly loyal to her crew. Though this is classic space opera, filled with war, intrigue, and politics, the emphasis is on the people not the pew-pew space battles. If that’s a plus for you like it is for me,… show more.

This book may fall more under dark fantasy and the adventure it takes you on is more emotionally invested rather than swords and sorcery.

But I love origin stories and Kay does a fantastic job creating a world with tragic heartbreak and undying love. This book is based on The Phantom of the Opera and delves deeper into Erik’s origins and how he came to haunt the opera house.

It’s fantasy because while based in reality, the author also weaves a subtle magic that takes us on an adventure into the far reaches of a dark genius’ mind.