The best opera books

I first read The Explorers when I was a child. I delighted in it then and still do. Its style got to me first. A real literary style. Some of the stories are hard-boiled, Raymond Chandler in space. Some poetic. But so much better than most clunky SF. And also, so unconventional This is not Azimov. Rather than space opera, we get a scientist drunk, bemoaning his “contributions” to space flight. Instead of wondrous inventions, we get cheesy computer art. Brainless generals celebrate nuclear war. Well-written, unusual, simultaneously funny and sad, The Explorers is a masterpiece of 50s SF.

Fat Tuesday is the book that taught me what a lesbian was and what a joyful possibility that could be for me.

It’s about a high school senior named Rusty who decides, despite all the desperate circumstances of her life, to travel to New Orleans for Mardi Gras with her sick mother and dysfunctional friends.

Rusty and company are obsessed with soap operas as an escape from their current reality, and as their road trip proceeds, their reality becomes more and more like a soap opera plot, with all the drama, dramatic twists, and exaggerated exuberance that soap operas are known for! 

Through a dazzling collection of sources that include letters, contracts, memoirs, biographies, newspaper reviews, and fictional stories about the figure of the cantatrice, Kimberly White’s French Singers on the French Stage is a brilliant account of the various stages of singers’ lives in nineteenth-century France, beginning with their births and following them up to and past their retirements. In between, she describes their training at the Paris Conservatoire, debuts, marriages, benefits, and scores of other important issues that they grappled with throughout their careers. I do not know of any other work in the field of prima donna or opera studies that is at once as thorough and as lucidly written—it is a page-turner from beginning to end.

Nicole has done something really great with this series. She’s created memorable, detailed characters to build a cast you really care about. I really love seeing how other authors have humans interact with aliens and vice versa. This series was a great blend of everything you need for an epic adventure.

I picked up this book because the back cover made it sound like this funny romp where a rock competition decides the fate of the Earth—and who doesn’t want that? But this isn’t just a more uplifting version of that one Rick and Morty episode about “Gettin’ Schwifty.” With vivid worlds and deeply flawed characters, Space Opera is like a psychedelic trip with that brilliant, probably-drunk friend whose gorgeous mind you could listen to for days. (Stop looking at me like that! I’m not in love with her syntax, you are!) Don’t get me wrong: there are so many behaviors in Space Opera that I recommend against as a sexual health physician—they’d increase your risk of disease and mental illness—and I’ve got moral positions that don’t jive with Valente’s vision, either. But there’s a scene where Valente touches on immigration and deportation that made me weep and left an indent… show more.

Princess Theresa-Maria has wonderful breeding but no money and little future in the crumbling Austrian castle where she lives with ancient relations. Rebranding herself as Tessa, our heroine becomes a wardrobe mistress, working for nothing for an opera company almost as destitute as she is. Tessa is much happier until she falls in love with a wealthy man…a poor-boy-made-good, who hires the company to delight his fiancée. With much melodrama, an unlikely pot of yogurt, a drastic haircut, a metaphorical silk purse, and a button, this story wends its opulent way to a happy ending. The hero’s foster mother, Martha, crawling about the castle as a self-ordered penance for telling fibs is a particularly odd moment, but whether she is being Theresa-Maria or plain Tessa, our heroine is a wistful, starry-eyed delight. 

AM Scott is fantastic at character development, and she explains technology in a way that anyone can understand. These books are hard to put down and I really enjoyed getting to know the main character. This is an ongoing series and I look forward to seeing what she does next. 

I don’t typically read military sci-fi or hard science fiction, but these two incredible authors have pulled me in. This series is part of a bigger universe called Aeon 14 and all of it is a joy to read. The authors work together to weave a story full of well-developed characters, flawless character interactions, along with conflict and resolution. 

If you read one book in your life, read Bel Canto. 

Ann Patchett’s writing is always sublime but her characters in this book are unforgettable. She stages a hostage situation in an undisclosed South American country. Over time, the young terrorists and the group of international strangers find a way to live and even thrive together. 

The novel revolves around the one female hostage, a beautiful opera singer. Her singing charms the most hardened terrorists and most skeptical politicians.

A struggling actress catches her big break when she's hired onto a reality TV/soap opera show produced by and watched by mythical creatures. They're fascinated with humans and more than willing to accept the soapiest of soap opera plots as reality. Dawn is an entertainment journalist and she mixes humor with insider details that make the set seem authentic. Well, as authentic as a set populated with fawn producers, cameradryads, and security dragons can get.

Although much of the story happens on set, the New York City bits by this Brooklyn-based author feel both authentic and fun to me.

My parents would certainly confirm I have always asked a lot of questions, and I am naturally the curious sort (some narrow-minded people say I am nosy…go figure…LOL). So, Seattle bed-and-breakfast hostess Judith McMonigle Flynn, who can’t mind her own beeswax to save her soul and let the police do their job, is a gal after my heart. In this book, Judith isn't exactly bellowing "Bravo!" over the news that obnoxious opera star Mario Pacetti and his entourage are coming to stay at the Hillside Manor. So when the would-be Pavarotti inadvertently drinks poison and falls down dead on his tosca, accusing eyes turn to Judith and her amateur sleuthing partner, irrepressible graphic artist cousin Renie. It's curtains unless the cousins can unmask the real culprit—before a killer's final, fatal encore.

I love the collision of wills between the bed and breakfast hostess and her cousin that bring a snap,… show more.

This series of 3 books traces the recordings of various operas from the infancy of recording through modern-day recording and is another fascinting read. Making this even more interesting is the fact that each opera is taken on by a different writer so you always get a fresh view on the works being discussed.

If Canone Inverso is your main course, The Murder of Figaro is the perfect dessert. It is light, frothy, and witty as a Mozart comic opera. As it should be, since the main characters are Mozart and his wife Constanze. Together, the frolicking pair must speedily solve the backstage murder of the government censor; otherwise, Mozart’s new opera, The Marriage of Figaro, will never see the light of day. Larson herself was an accomplished opera singer and has thorough insight into the opera world: the music, the business, and the backstage backstabbing. Written as a delightful opera buffa, this book is an absolutely fun read.

One of the greatest series of books ever written about the early years of live broadcasting from the Metropolitan Opera. Jackson’s detailed analysis of the existing broadcasts is informative and fascinating. Even better they can be read by themselves, or even better, when listening to the actual broadcast. The amount of information in this series (3) is unbelievably vast and fascinating. All three are recommended.

J.B. Steane’s massive book, over 600 pages, is one of the most comprehensive books on historical singers ever written. My copy is riddled with text underlining and notes in the margins. His evaluations of singers are always honest, but fair. I have read this book at least 3 times and have re-read sections many more times. It invaluable.

We’ve all read and seen stories where the old hero comes out of retirement to save the day one last time. 

But what if the “hero” really wasn’t a hero, but rather the product of somebody’s marketing department?  That’s the premise of this book.

Captain Dash Drake is famous, but fame has not brought fortune. When the evil invaders he “defeated” the last time come back, he’s ready to give up. His latest trainee, girl genius Kenzie Washington, thinks her hero will save the day. Watching the two of them misunderstand each other was amusing. Also standalone. 

(You should detect a pattern on my list – I’m not fond of never-ending series.)

Esen is a shapechanger, a young one. While exploring a world considered ‘safe’ by her matriarch, she is captured by the natives. Her only hope of rescue is to betray her species' strict rules and reveal her true nature to her fellow prisoner, a human.

I adore Esen as a character. She is very relatable. I also love the breadth and scope of species and habitats and worlds in this series. Julie Czerneda is one of my favorite authors. Her storytelling skills shine. Esen is definitely not human, but Czerneda creates such a warm character you can’t help but love her. Beholder’s Eye is part coming-of-age but mostly a darn good science fiction adventure.

Helva is a ‘brain’, a person with a defective body who becomes meshed with a starship as its controller. Each brain-ship is partnered with a ‘brawn’, a human who acts as the liaison for the ship as well as its partner and protector. Helva loves singing and brings heart to her role as a scoutship brain.

Anne McCaffrey brings her signature romance to this book with a complex relationship that grows between Helva and her brawn as they explore the universe. McCaffrey is deft at creating characters that are vulnerable but still strong in their own way. Though Helva has no physical strength, she has a heart that loves to sing. Even though she is basically a starship, she holds on to her humanity.

To portray the title character in Bizet’s Carmen is only one of the many transformations American orphan Lilliet Berne’s life requires, both on and offstage, as she ascends to opera stardom in late 19th century Paris. In this immersive novel, the clothes are as richly described as the music, and the music is described with not only sincere emotion but attention to realities and absurdities: Bizet’s early death leads to greatly improved ticket sales, for example. In Chee’s haunting first novel Edinburgh, he made choral music shimmer with both beauty and horror. The Queen of the Night is very different in setting, time, and sweeping sense of adventure, but shares Chee’s ability to movingly explore acts of survival and reinvention.

In my own life, I’ve tried several times to learn other languages, including Japanese, Mandarin Chinese, and Scottish Gaelic. It’s hard to adjust to a new language and the cultural knowledge behind it. Cherryh’s hero, Bren Cameron, is a translator and mediator between humanity and the Atevi, the race of aliens who inhabit the world Cameron’s ancestors were marooned on (I’m simplifying here; go with me!). He has to not only translate the language, but the very concepts, of two species with very different points of view. And he has to do all this while surviving multiple attempts on his life, living alone surrounded by aliens, and cut off from his own people—but then, who are his own people? It’s a great story about a man who is human, but also admires the aliens who surround him, and has to constantly be on guard for the myriad of cultural assumptions… show more.