I’ve loved stories of space, and especially space operas, since I was a child watching Star Trek reruns with my dad. I love the ways very different cultures can work together toward a common goal, but also the many ways those cultures can butt into each other and cause friction. While you can certainly tell stories about that kind of thing on Earth, science fiction lets you tell it writ large, without smacking any particular human group over the head with their differences. I love the way you can tell a story about humans today by focusing on struggles between alien cultures that aren’t a part of our everyday experience.
In most space opera novels, humans are the absolute best. Whether they began the government they belong to, or came to it later, they’re specialin a way that makes the universe better. Melinda Snodgrass’ The High Ground is different. In her series, humans went into space, met aliens, and conquered nearly everyone they met. Now the aristocrats of the Solar League spend their time on balls and dancing, while in the dark, a new menace approaches. This is an action series, but the heart of the story is the relationship between Mercedes, eldest daughter of the Emperor, and Tracy, the common-born son of a tailor, thrust together by circumstance and torn apart by the realities of their society. It’s a great series, full of adventure, political infighting, and humans—some of them, anyway—learning to be better people.
In the Solar League, those without choice seek the High Ground …
As humanity progresses through the stars, in some ways, it has regressed.The Solar League, under the control of its aristocracy, has conquered many races it has encountered, placing such aliens on the bottom rung of a social order with class and marriage being all important.
As the Emperor’s daughter, Mercedes becomes the first woman to join the Solar Leagues elite military training center, the High Ground. She has everything she could dream of … except a say in her life.
However, Mercedes, along with Tracy, the common born…
I fell in love with opera history as an undergraduate exchange student in Vienna and went on to pursue my passion in graduate school. Rather than writing about opera composers and their music, I chose the unusual path of studying famous singers from the nineteenth century, especially the prima donnas who exerted extraordinary authority over composers, theater directors, and spectators. In my books and articles, I focus on the power of divas to thrill audiences and to shape the musical culture of which they are an integral part. The books I am recommending explore the lives and careers of some of the most fascinating prima donnas of the nineteenth century.
Through a dazzling collection of sources that include letters, contracts, memoirs, biographies, newspaper reviews, and fictional stories about the figure of the cantatrice, Kimberly White’s French Singers on the French Stage is a brilliant account of the various stages of singers’ lives in nineteenth-century France, beginning with their births and following them up to and past their retirements. In between, she describes their training at the Paris Conservatoire, debuts, marriages, benefits, and scores of other important issues that they grappled with throughout their careers. I do not know of any other work in the field of prima donna or opera studies that is at once as thorough and as lucidly written—it is a page-turner from beginning to end.
The study of singers' art has emerged as a prominent area of inquiry within musicology in recent years. Female Singers on the French Stage, 1830-1848 shifts the focus from the artwork onstage to the labour that went on behind the scenes. Through extensive analysis of primary source documents, Kimberly White explores the profession of singing, operatic culture, and the representation of female performers on the French stage between 1830 and 1848, and reveals new perspectives on the social, economic, and cultural status of these women. The book attempts to reconstruct and clarify contemporary practices of the singer at work, including…
I love weird situations. I have been writing since I was four years old, and have been patiently waiting for the man who appreciates my wide range of vocal inflections. Books have always been companions for me. It helped me develop empathy for others at a young age. Reading about situations that involve people who are nothing like you helps you think beyond yourself. I think that is partly why I’ve always gravitated towards books with unique plots and characters. There’s something invigorating about a story that breaks the mold and offers something new, even if it’s a little strange. The books I’ve recommended all have heavily influenced me and my writing throughout the years.
I’m amazed that more people aren’t talking about this book. It falls in line with the vampire romance genre so effortlessly, and yet it is egregiously overlooked. I remember reading it years ago when I was a teenager and being totally entranced. There’s this beautiful lilt to the writing, and the plot is so richly complex. It deals with the subject of immortality in such an interesting way, comparing the endless life of this vampire to the swiftly expiring life of this girl’s mother. The romance itself is actually refreshing as well. There’s this soft, sweet gallantry that you don’t see a lot in modern work, in my opinion.
Zoe is wary when, in the dead of night, the beautiful yet frightening Simon comes to her house. Simon seems to understand the pain of loneliness and death and Zoe's brooding thoughts of her dying mother.
Simon is one of the undead, a vampire, seeking revenge for the gruesome death of his mother three hundred years before. Does Simon dare ask Zoe to help free him from this lifeless chase and its insufferable loneliness?
I’ve been reading and enjoying science fiction since, as a kid, I rode my bicycle to the local library to read everything they had. That’s given me a broad exposure to the field from the Golden Age classics to new stuff hot off the presses. I’ve had four science fiction novels published, and in all of them I’ve used personal experiences to create as realistic a world as possible. I’ve also focused on ordinary people who find themselves in extraordinary circumstances – that combination makes for better stories. I’ll leave the superheroes to the Marvel Cinematic Universe – they’ve got the budget to Blow Stuff Up Real Good!
We’ve all read and seen stories where the old hero comes out of retirement to save the day one last time.
But what if the “hero” really wasn’t a hero, but rather the product of somebody’s marketing department? That’s the premise of this book.
Captain Dash Drake is famous, but fame has not brought fortune. When the evil invaders he “defeated” the last time come back, he’s ready to give up. His latest trainee, girl genius Kenzie Washington, thinks her hero will save the day. Watching the two of them misunderstand each other was amusing. Also standalone.
(You should detect a pattern on my list – I’m not fond of never-ending series.)
Kenzie Washington, fourteen-year-old girl genius, signs up for a two-week tour as a cadet on the spaceship of her idol, Captain Dash Drake. Too bad Dash, who once saved the galaxy from the evil Forgers, is a broke loser and much less than meets the eye. But when an intergalactic evil appears and launches an attack, Dash, Kenzie, and the ship’s crew escape, making them the next target. On the run and low on gas, Dash and Kenzie encounter cannibal space-pirates, catastrophic equipment failure, and a cyborg who’s kind of a jerk. Kenzie is determined to discover the bad guys’…
For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events.
Mix a couple of strong, mysterious characters with a dangerous quest and you've got me. It's a plot where I had to pay attention as the danger ratchets up with betrayals and twists and turns that kept me guessing. There's enough detail in settings and tech to convince without any info dumps and the romance is an integral part of the story. Loved it.
When the cure for a deadly disease is stolen, two misfits are all that stands between greed and intergalactic tragedy.
Luka Foxe can’t let anyone know about his secret mental abilities. Debilitated by their influence when faced with violence, the brilliant forensic investigator now only takes assignments involving theft. But when he has to hunt down a hijacked vaccine for a galaxy-wide pandemic, the tragic first clue is his best friend’s brutal murder.
Nightshift guard Mairwen Morganthur knows she must keep a low profile. The product of illegal genetic alteration, she’s a lethal weapon with no social graces. But when…
I began my journey in communications as a competitive public speaker in high school and college, culminating in a national championship. That experience inspired me to help others develop their public speaking and presentation skills, especially effective point-making, which is fundamental to communication success but rarely addressed by trainers. Nowadays, I’m thrilled to combine my skill, experience, and passion in my work as a speechwriter and speech coach for organizations ranging from American Express to State Farm Insurance, as well as a speechwriter for a major nonprofit and contributor to media outlets including Harvard Business Review,Fast Company, and Newsweek.
I’ve always been a fan of Allison and her work, and Speak with Impact is the best way to access all of her terrific insight.
If anyone can prove that public speaking is a skill and not a talent, Allison does, serving up practical advice on everything from effective storytelling and breathing techniques to body language and conquering fear. She also leverages her varied experiences as a CEO, Harvard lecturer, Ted Talk speaker, and opera singer (!).
This book is simply a must-have for everyone from jobseekers to CEOs who want to impact and influence others through their communications.
When you know what to say and how to say it, people listen. Find your powerful voice, and step into leadership. Speak with impact.
Every day, you have an opportunity to use your voice to have a positive impact -- at work or in your community. You can inspire and persuade your audience -- or you can distract and put them to sleep.
Presentation styles where leaders are nervous, ramble, and robotic can ruin a talk on even the most critical topics. As your performances become weak, your career prosects start to dim. To get ahead and make an impact,…
I am a spy aiming to uncover hidden documents, private journals, and secret messages penned in the distant past. I am a detective racing to reveal the world’s most dastardly deeds and daring escapades. I am an adventurer zooming around the planet along with history’s bravest heroes and most despicable villains. I am an artist whose illustrations transform ancient stone-cold statues by turning them into living, breathing human beings that laugh and cry, win and lose, love and hate, and spring vividly to life. And I am a storyteller striving to lure readers of all ages, whether they are children or adults.
Destitute Jasper Ankle will pay any price to attend his beloved opera. But when its most famous diva chokes to death on an admirer’s candied violet, a hitherto unknown beauty named Ortenzia Caviglia takes her place, and as her star rises, everyone who might stand in her way conveniently drops dead. But as her fame and fortune increase, Jasper Ankle becomes more and more impoverished, and if you are familiar with Edward Gorey’s dreadfully terrifying tales and his delicate, elegantly devilish black and white penmanship, perhaps you can imagine what is happening herein. (By the way, Gorey is also dead but you can still get hold of his evil little books.)
Ortenzia Caviglia is an undiscovered opera understudy whose lucky break results from the mysterious murder of the reigning diva. Upon hearing her sing, Jasper Ankle becomes her deepest admirer, undaunted by perilous weather and abject poverty in his quest to hear her sing. As Ortenzia's star rises, Jasper sinks further into despair, until performer and fan collide in true Edward Gorey fashion. Exquisitely illustrated with Gorey's signature pen-and-ink crosshatching, The Blue Aspic is a heart-wrenching and oddly hilarious tale of unrequited love and the dangers of celebrity.
I believe deeply that, as messy and painful as life is, there is always joy, and usually humor, to be found. The book I wrote, Leaving’s Not the Only Way to Go, pulls from some of the painful experiences I’ve had, and I often find myself following my description of the book, about two women who meet in a grief group, with “but it’s not a downer!” It’s true, because Leaving is also inspired by all the joy and connections I’ve made for myself, even in the midst of loss. I learned how to balance the two sides of life through books like the ones on this list.
Fat Tuesday is the book that taught me what a lesbian was and what a joyful possibility that could be for me.
It’s about a high school senior named Rusty who decides, despite all the desperate circumstances of her life, to travel to New Orleans for Mardi Gras with her sick mother and dysfunctional friends.
Rusty and company are obsessed with soap operas as an escape from their current reality, and as their road trip proceeds, their reality becomes more and more like a soap opera plot, with all the drama, dramatic twists, and exaggerated exuberance that soap operas are known for!
What does Rusty Quinn do when her mom loses touch with reality, her best friend's dad explodes over a kiss, her other best friend gets committed to a psych ward, and the sanest person she knows is an egotistical Finnish exchange student who swears in a language nobody understands? She could write a soap opera, of course - or go to Mardi Gras. In fact, she could do both!
Funny how destiny comes down to single choices, focused moments, and split-second decisions. Can running away to Mardi Gras really change four lives forever?
Just like my Upstagedheroine, my first stage experience was playing Mr. Jacey Squires in The Music Man. Both of my parents were singers and really, there’s never been a time when music—and the friends I made through music—haven’t been an important part of my life. Love of the arts can bring kids together in surprising ways. The characters in these books face varied challenges, home lives, and predicaments. But for all of them, it’s the support of friends, a dose of courage, and inspiration from the arts that get them through. That’s why I’ve chosen these five wonderful, readable, un-put-downable books.
I absolutely fell in love with twelve-year-old Bart—a kid who doesn’t complain when there are only pretzel sticks for dinner, who takes boxing lessons, but can’t punch, a kid who loves opera. Opera! (Specifically, the voice of baritone Bryn Terfel--Look him up and listen!) He lives near Oslo, Norway in shabby public housing with his loving, alcoholic, and often unemployed mother. Bart makes the best of everything in his life. His unique, gentle nature, some lovely friendships, and Svingen’s storytelling completely
won my heart. I don’t know why this book hasn’t gotten more accolades—maybe
because people expect every Norwegian novel to have Vikings and fjords. (Language
Alert: There are some instances of the word sh*t—blame the translator).
From award-winning Norwegian author Arne Svingen comes “an uplifting coming-of-age story” (The Wall Street Journal) about a relentlessly positive teenager who uses his love of opera to cope with his less-than-perfect home life.
Bart is an eternal optimist. At thirteen years old, he’s had a hard life. But Bart knows that things won’t get any better if you have a negative attitude. His mother has pushed him into boxing lessons so that Bart can protect himself, but Bart already has defense mechanisms: he is relentlessly positive…and he loves opera.
Listening to—and singing—opera is Bart’s greatest escape, but he’s too shy…
To be a successful humorous cozy mystery author, character development is the key. Prior to writing cozy mysteries, like the protagonist in my Holly Swimsuit Mystery Series, I enjoyed a career as a ladies’ apparel sales exec. Fortunately for my writing gig, salespeople are also students of human nature. I've been fascinated by what makes people tick all my life and have taken all I have learned and applied it to my writing. The relationship between the protagonist and her sidekick is one that makes the characters in my stories imperfect, but believable, accents their individuality, and lets their personalities come alive so that readers can’t help but invest in them.
My parents would certainly confirm I have always asked a lot of questions, and I am naturally the curious sort (some narrow-minded people say I am nosy…go figure…LOL). So, Seattle bed-and-breakfast hostess Judith McMonigle Flynn, who can’t mind her own beeswax to save her soul and let the police do their job, is a gal after my heart. In this book, Judith isn't exactly bellowing "Bravo!" over the news that obnoxious opera star Mario Pacetti and his entourage are coming to stay at the Hillside Manor. So when the would-be Pavarotti inadvertently drinks poison and falls down dead on his tosca, accusing eyes turn to Judith and her amateur sleuthing partner, irrepressible graphic artist cousin Renie. It's curtains unless the cousins can unmask the real culprit—before a killer's final, fatal encore.
I love the collision of wills between the bed and breakfast hostess and her cousin that bring a snap,…
Bed-and-breakfast hostess Judith McMonigle Flynn isn't exactly bellowing "Bravo!" over the news that obnoxious opera star Mario Pacetti and his entourage are coming to stay at the Hillside Manor. The world-class tenor is a renowned pain-in-the-neck—a bloated buffoon who could easily eat her out of house and home. So when the puffed-up, would-be Pavarotti inadvertently drinks poison and falls down dead on his tosca, accusing eyes turn to Judith and her amateur sleuthing partner, cousin Renie. Now it's curtains unless the cousins can unmask the real culprit—before a killer's final, fatal encore.
