I teach writing and children's literature at the University of Wisconsin, Stevens Point, and for many years worked as a librarian. (Once a librarian, always a librarian!) First and foremost, I'm a reader. The real world can be an unpleasant and depressing place, so I regularly escape inside books. Although serious books are great, it's also nice to escape to a world where you can laugh and not worry about anything too bad happening.
I may be cheating here. Rapunzel is an old-time fairy tale, and Cress is a science fiction re-writing of that story, so I'm going to count it in this list as "historical." This is the third book in Meyers' Lunar Chronicles and it is my favorite of the bunch. Cress (Rapunzel) is incredibly smart and completely naive to the world. Her romantic interest is a completely dopey bad guy, who you shouldn't waste your time disliking. The odd situations they get themselves into mirror, to an extent, the famous fairy tale. Lots of fun.
Cress is the third book in the bestselling Lunar Chronicles series, following Cinder and Scarlet.
Incarcerated in a satellite, an expert hacker and out to save the world - Cress isn't your usual damsel in distress.
CRESS grew-up as a prisoner. With only netscreens for company she's forced to do the bidding of the evil Queen Levana. Now that means tracking down Cinder and her handsome accomplice Emperor Kai. But little does Levana know that those she seeks, and the man she loves, are plotting her downfall . . .
As paths cross and the price of freedom rises, happily…
As a kid, I loved fantasy; it was my escape from real life. Portal Fantasy is one of the oldest sub-genres in that regard, with works such as Wizard of Oz, Through the Looking Glass, and Chronicles of Narnia, to name a few. LitRPG is a newer genre, though its roots extend back to the 80s. Fantasy is full of magical worlds that embrace the reader’s mind, allowing them to live beyond their own life. I have experienced what it is like to fall in love countless times, to fly a ship through the sky using magic and swordfight, and to die and be reborn. Through these stories, I have lived.
I know many people seem to like his other series more, but this is one that actually grabbed me. An AI intelligence being sent back to the past, only its one that has magic. I mean come on, how fun does that premise sound? It uses a fairly traditional LitRPG setup, but there is nothing wrong with that in the slightest.
I do have a few nitpicks with the story, but they can be explained away with magic more than anything else.
After tragically losing the only person he ever cared about, Alexander, a rogue artificial intelligence, opens a portal to an alternate dimension to escape his grief.
Scanning trillions of different dimensions, Alexander finally finds a world that is reminiscent of the only time he was ever happy, back when he could play virtual reality games with his only friend. He doesn't know why, or how, such a world exists, but he doesn't care. All he cares about is finding a place where he can escape the misery of Earth and start over.…
I am now a Professor of Cognitive Science at the University of Sheffield, UK. I co-wrote Mind Hacks with technologist Matt Webb; we had great fun doing it. My research has always been in cognitive psychology and cognitive neuroscience, using experiments to understand the mind and brain and how they fit together.
Clark is a philosopher and shows with wit and many great examples how our minds evolved to be a tight meshing between our brains, bodies, and the environment. In this account, our human endowment is to naturally absorb technologies, whether as simple as a stick or as complex as the internet, into our thinking and so warp and expand our consciousness and our capacity for thought.
So much discussion of artificial intelligence is about what computers will do better than humans or instead of humans. This book explodes the whole notion: intelligence has always been artificial, and the most interesting questions are about how we’re going to use technology to think. Onwards!
From Robocop to the Terminator to Eve 8, no image better captures our deepest fears about technology than the cyborg, the person who is both flesh and metal, brain and electronics. But philosopher and cognitive scientist Andy Clark sees it differently. Cyborgs, he writes, are not something to be feared-we already are cyborgs. In Natural-Born Cyborgs, Clark argues that what makes humans so different from other species is our capacity to fully incorporate tools and supporting cultural practices into our existence. Technology as simple as writing on a sketchpad, as familiar as Google or a cellular phone, and as potentially…
I’m an MK, aka missionary’s kid, who ended up with more questions than answers about this thing called life. I nearly became an astrophysicist but chose finance as the safe bet, which led me to investing in over 150 early-stage tech startups. Along the way, I met and worked with people all over the world. Each with fascinating ideas about how and why we ended up on this waterlogged rock we call home. They say science fiction is the genre of philosophy, and I hope you agree if you get a chance to check out these fantastic books.
I would be lying if I said I love this book due to its stellar writing. Sorry, mate! It’s a great way to see through a teenager’s eyes what they might find and do in parallel worlds. And it has a pretty rad cat, who sometimes speaks with a British accent.
Throw in a couple of orange lizard lesbians trying to chill on Europa, and you have yourself an escapist, if not absurd, book that will keep you entertained.
An award-winning sci-fi comedy about a nerdy teen who tumbles through the multiverse.
It's spring break and Max is stuck at home all by himself. Just the way he likes it. He games online, feasts on junk, and wonders why his cat can suddenly talk.
Thanks to a bizarre mishap, Max has started shifting between parallel universes whenever he falls asleep. A curious affliction, and one that steadily erodes his sanity. Day after day, he awakes to a strange new reality and struggles to make sense of his surroundings.
But then one day he awakes to a hyper-advanced version of…
Zombies are not my writer’s passion, family is. I chose the zombie backdrop to showcase the family I wanted to write about at both their best and worst moments. Because when it all comes down to the end of the world, it really doesn’t matter what happened to end it. But who you’re with at the end can make all the difference.
The World Over is the first book in a series, so it sets up the expectations for what is coming.
Winter, on the other hand, is the last in a series, and it did a lot to show me how to bring together an ensemble cast in a way that builds to a satisfying ending without making previous installments feel unnecessary or redundant. While zombies don’t appear in Winter, the history of the experimentation done to create the evil queen’s lupine army gets a lot of screen time without crossing the line into over-telling.
For anyone interested in the more technical aspects of a zombie apocalypse, Winter is a great novel for learning to weave background exposition with foreground action.
Don't miss the thrilling final chapter of Marissa Meyer's Lunar Chronicles series.
Princess Winter is admired for her grace, kindness and beauty, despite the scars on her face. She's said to be even more breath-taking than her stepmother, Queen Levana...
When Winter develops feelings for the handsome palace guard, Jacin, she fears the evil Queen will crush their romance before it has a chance to begin.
But there are stirrings against the Queen across the land. Together with the cyborg mechanic, Cinder, and her allies, Winter might even find the power to launch a revolution and win a war that's…
The sci-fi/fantasy/crime genre is probably one I’ve known the least about, and I only really started to dive down the rabbit hole when I began writing my series. I’m glad I did. The world-building and lore that is woven into this genre truly sets it apart from the usual stuff. On top of needing an intricate technological imagination that has some grounding in the real world, these kinds of books also need to have characters that are believable and a narrative that is not so futuristic that it strains credulity. It’s a tough mix to get right, but when I find a story that nails these aspects it really immerses me into the world and narrative like nothing else.
Where to start with this one? It is probably considered one of the original titles that brought in the cyberpunk genre and takes you on a wild ride.
What I liked best about this series is the way it delves into the concepts of a soul (a ghost) and whether people who have become cyborg or with a cyborg brain are indeed still human. At what point does the line between human and android overlap?
These greater philosophical questions are brilliantly intertwined with political intrigue, espionage, terrorism, and murder. Plus the main character is a badass sexy cyborg and pro hacker that likes to shoot guns, kick people and drive really fast. What’s not to love?
Deep into the twenty-first century, the line between man and machine has been blurred as humans rely on the enhancement of mechanical implants and robots are upgraded with human tissue. In this rapidly converging landscape, cyborg superagent Major Motoko Kusanagi is charged to track down the craftiest and most dangerous terrorists and cybercriminals, including 'ghost hackers' who are capable of exploiting the human/machine interface and reprogramming humans to become puppets to carry out the hackers' criminal ends.
Although I write Fantasy, I’m a Cyberpunk enthusiast who mentally lives in the high-tech effed-up future authors and artists imagined in the ‘80s. My imagination has been so influenced by Cyberpunk since I watched (and eventually read) Akira as a kid that I ended up creating a Fantasy world with a retro-futuristic, low-life/high-tech vibe, and a lot of motorcycles. An awful lot. I’m also a rebel by heart and a queer person, hence my stories always feature a fight against society and LGBTQ+ characters. I like reading about dystopias, morally grey characters, and dark content. This is what I read, and this is what I write about.
More a space opera than a full-fledged Cyberpunk story, Schismatrix is a masterpiece with incredible worldbuilding and socio-political commentary. This book impacted mine on many levels; it features an initially hopeless protagonist who eventually fights for a cause, a revolution with struggling factions, a dystopian tyranny, futuristic pirates. It’s a visionary book permeated with deep reflections on human essence and transhumanism, one that’ll make you wonder where humanity is heading, what our purpose is, and what our search for growth and change will entail.
The Nebula-nominated novel of “abrave new world of nearly constant future shock”—plus all the short fiction of the Shaper/Mechanist universe (The Washington Post).
Acclaimed science fiction luminary and a godfather of the genre’s remarkable offspring—cyberpunk—Bruce Sterling carries readers to a far-future universe where stunning achievements in human development have been tainted by a virulent outbreak of prejudice and hatred.
Many thousands of years in the future, the human race has split into two incompatible factions. The aristocratic Mechanists believe that humans can only achieve their greatest potential through technology and enhancing their bodies with powerful prosthetics. The rebel Shapers view…
Can stories bring a human scale to something as all-encompassing as climate change? In 2011, I began an MA in Literature and Environment with this question weighing on my mind. I finished my degree two years later with a draft of my debut novel, Under This Forgetful Sky. I’ve come to understand the climate crisis, in many ways, as a crisis of imagination. Its enormity tests the limits of the imaginable. What if the world as we know it ends? What would life look like on the other side? The books on this list reckon with the fears these questions bring while also gesturing beautifully, unsentimentally, courageously toward hope.
War Girls is YA sci-fi that takes place in war-torn Nigeria at the end of the 22nd century.
The world as we know it has ended because of runaway climate change and nuclear disaster, and two sisters, Onyii and Ify, live together in a makeshift colony of traumatized former child soldiers. After a devastating raid on their camp, the sisters are separated—each believing the other was killed—only to find themselves on opposing sides of the conflict.
This is a book about the world-shattering horrors of war, but it’s also about colonial violence, about sisterhood and solidarity, and about small moments that forever shape how the protagonists view each other and themselves. It’s also a complex, character-driven story that tenaciously searches for hope in ruins and aftermaths.
Two sisters are torn apart by war and must fight their way back to each other in a futuristic, Black Panther-inspired Nigeria. The year is 2172. Climate change and nuclear disasters have rendered much of earth unlivable. Only the lucky ones have escaped to space colonies in the sky.
In a war-torn Nigeria, battles are fought using flying, deadly mechs and soldiers are outfitted with bionic limbs and artificial organs meant to protect them from the harsh, radiation-heavy climate. Across the nation, as the years-long civil war wages on, survival becomes the only way of life.
I’ve been reading and enjoying science fiction since, as a kid, I rode my bicycle to the local library to read everything they had. That’s given me a broad exposure to the field from the Golden Age classics to new stuff hot off the presses. I’ve had four science fiction novels published, and in all of them I’ve used personal experiences to create as realistic a world as possible. I’ve also focused on ordinary people who find themselves in extraordinary circumstances – that combination makes for better stories. I’ll leave the superheroes to the Marvel Cinematic Universe – they’ve got the budget to Blow Stuff Up Real Good!
We’ve all read and seen stories where the old hero comes out of retirement to save the day one last time.
But what if the “hero” really wasn’t a hero, but rather the product of somebody’s marketing department? That’s the premise of this book.
Captain Dash Drake is famous, but fame has not brought fortune. When the evil invaders he “defeated” the last time come back, he’s ready to give up. His latest trainee, girl genius Kenzie Washington, thinks her hero will save the day. Watching the two of them misunderstand each other was amusing. Also standalone.
(You should detect a pattern on my list – I’m not fond of never-ending series.)
Kenzie Washington, fourteen-year-old girl genius, signs up for a two-week tour as a cadet on the spaceship of her idol, Captain Dash Drake. Too bad Dash, who once saved the galaxy from the evil Forgers, is a broke loser and much less than meets the eye. But when an intergalactic evil appears and launches an attack, Dash, Kenzie, and the ship’s crew escape, making them the next target. On the run and low on gas, Dash and Kenzie encounter cannibal space-pirates, catastrophic equipment failure, and a cyborg who’s kind of a jerk. Kenzie is determined to discover the bad guys’…
I’ve always been drawn to stories where characters discover the magic within and channel it to confront overwhelming odds. Dystopian fantasies meld the intricate worldbuilding of an oppressive world with a character’s unique abilities to fight back. When I was a young adult, these types of books made the most challenging moments in life manageable, not only for the escapism but for their message of hope. They reminded me I wasn’t alone and that my voice mattered. At their core, they’re made for the dreamer in all of us. They inspired me to become an author and write about the transformative power of self-discovery.
Between the high-stakes worldbuilding, Earth on the brink of war with Luna while battling a global pandemic, and Marissa Meyer’s fresh sci-fi take on magic, the story drew me in and wouldn’t let me go.
I’m not ashamed to say I devoured this in one sitting. I was fascinated by the lunar people’s ability to use their “gifts” to manipulate bioelectricity, casting glamours and bewitching their victim’s minds. It added yet another layer of tension to the story.
The seamless fusion of dystopia, sci-fi, and elements from classic fairytales creates a powerhouse narrative that centers around Cinder, a cyborg mechanic whose fate is inexplicably twined with the prince’s in a race to find a cure and prevent the impending war.
A forbidden romance. A deadly plague. Earth's fate hinges on one girl . . .
CINDER, a gifted mechanic in New Beijing, is also a cyborg. She's reviled by her stepmother and blamed for her stepsister's sudden illness. But when her life becomes entwined with the handsome Prince Kai's, she finds herself at the centre of a violent struggle between the desires of an evil queen - and a dangerous temptation.
Cinder is caught between duty and freedom, loyalty and betrayal. Now she must uncover secrets about her mysterious past in order to protect Earth's future.
