100 books like Deathlok the Demolisher

Legends are made of powerful stuff, and nothing has greater power than a total flip in perspective. I still recall the gut-punch end to this book, though it’s been decades since I read it. 

Robert Neville is a vampire hunter by day and a tormented man by night. As seemingly the only living human in post-apocalyptic Los Angeles, Robert faces depression, isolation, alcoholism, and his undead neighbor, Ben Cortman, who appears outside Robert’s front door each night chanting, "Come out, Neville."

But when Robert is finally captured, and the truth of his situation is revealed, he gets a good look at the world through the eyes of the undead and is forced to ask himself, who am I? What have I become? 

I’ve always loved this story of the misguided scientist and his outwardly monstrous but inwardly very sympathetic creation. My favorite scene is the one where the monster hides out in a shed of an unsuspecting family, and by watching them through a chink in the wall, he learns to speak; then, he learns to read with some of their abandoned books.

For me, his acquisition of language and literacy most poignantly characterizes his humanity in a surprising twist since Victor Frankenstein ought to be the learned one. The centrality of language to human experience has been an important theme in my own journey toward specializing in linguistics.

I absolutely loved this anthology when I first read it in the 90s. It was still very much in my mind when Constable asked me to do another comics anthology for them. Jones searched for the very best zombie stories but also he wasn’t constrained by one idea of what a zombie was/could be. It has the big names from the time Clive Barker, Ramsey Campbell, and Christopher Fowler but also some of my favourite authors whose writing blurs genre lines such as Charles L Grant and Dennis Etchinson. It put in my mind that the zombie was as much about ideas of outsiders, rejection, and control as dead flesh continuing to move.

Now this isn’t in the zombie genre but it has that sense of being overwhelmed by numbers of nameless foes that seems very much a central tenet of the modern zombie genre. It has the outpost of an empty island that put our narrator (a pacifist) in the position of having to kill again and again. So often the zombies are faceless hordes – perhaps that is the fear they encapsulate but here, in what feels like the setting of a late-night movie I used to watch as a kid, here the narrator is tested again and again. A fantastic novel that defies categories. 

I particularly enjoyed reading this book for its exuberating passion for standing up for one’s beliefs within the crusader expedition of battle.

Its formation is that of a clever and well-preformed narrative. Marvel Comics introduces a vicious and corrupt government that attempts to entrap these superheroes into a reprehensible system of Tyranny. Iron Man, Captain America, Spider-Man, and The Fantastic Four, among others, align with their patriot allegiances to engage in this bloody war to the end.

The plot was intense. Overall, this narrative was fun and exciting to read leaving you on the edge of your seat until the end.

I loved Captain America when I first came across his character as a kid.

There was always something well, noble, about the guy. What he stood for and how he acted. His code of honor. His way of being.

Yes, Captain America can do all kinds of things with his amazing abilities, and you'd not want to get into a fight with him if you are a doer of evil. But it's his character that defines him and Mark White has written a tour de force exploring not just who and what Captain America represents but how you can incorporate superhero virtues into your own life. One of my favorite books!

This list wouldn’t be complete if I didn’t add a superhero comic. But instead of Spiderman or Captain America, I want to introduce you to Runaways. A middle-grade graphic novel comic series about six Los Angeles teenagers who join together after discovering that their supervillain parents are planning on destroying the world. What could be more fun than a bunch of random teenagers banding together to try and save the world while trying to grapple with their place in it? Dinosaurs, aliens, mutant powers, grocery shopping, crushes, and turning eighteen, it’s a lot to handle and is certainly very fun to read – even for a someone who doesn’t like reading. Plus, if a reader makes it to the end, they’re rewarded with unforeseen plot twists. 

I’m a huge film fan. When I was younger, I didn’t read many books, but I love the stories in films and comics. The recent Marvel films have made me feel like a youngster again and I’ve loved how they have all become interconnected. I would have thoroughly enjoyed flicking through this encyclopedia when I was a child. It’s a book that you can open at any page and look through. You could even read it backward if you like! Full of dynamic pictures of all the Marvel characters with descriptions and facts. All in bite-sized chunks and it hardly feels like you are reading at all.

Technically the reportage of a Rolling Stone writer embedded with Marines 2002, Evan Wright’s first-person account of young men at war is, in some ways, as much a story of the author’s experience of W’s nation building as it the story of the soldiers themselves. Wright earned the respect of the men he rolled with by riding on point, or in the lead vehicle, where he was sure to take enemy fire. It’s his description of what drove him to face such danger that makes the writer at once relatable and brave: “Partly it was about not losing face. I reverted to like, a twelve-year-old on the playground. I wouldn’t back down. And there were times when I knew we’d be shot at, and I’d fantasize about getting taken out of being embedded. But then I’d make it through and not be injured, and I’d be flooded with this deep… show more.

Jules wrote this book in 1965, so it certainly doesn’t reflect the latest scholarship. But as probably the first critical history of the Golden Age, it’s a valuable read—and a lot of fun!  Jules gives a real sense of what it was like to be alive, in New York City, creating these great works.