Here are 43 books that Dead Lagoon fans have personally recommended if you like
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I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
A double homicide in Sicily. Innocent, eccentric, small-town characters. The Mafia, the church, and a stifling, frightening nightmare world portrayed with humor, humanity, and a diamond-tipped eye for detail: that’s Leonardo Sciascia’s 1960s detective novel classic, To Each His Own (A ciascuno il suo). The writing is clean, clear, nervy, and seductive—some of the best crime writing, period. It even survives translation. This book is at least as good as The Godfather and better than anything by Andrea Camilleri. As you turn the pages, you’re not only transported to off-the-beaten-track, real-deal Sicily. You feel the grit. You smell it. You enter the heads and hearts of Sicilians. Written over 50 years ago, To Each His Own needs no refreshing. That world never changes.
This letter is your death sentence. To avenge what you have done you will die. But what has Manno the pharmacist done? Nothing that he can think of. The next day he and his hunting companion are both dead.The police investigation is inconclusive. However, a modest high school teacher with a literary bent has noticed a clue that, he believes, will allow him to trace the killer. Patiently, methodically, he begins to untangle a web of erotic intrigue and political calculation. But the results of his amateur sleuthing are unexpected—and tragic. To Each His Own is one of the masterworks…
I am the ultimate dilettante. I consume huge amounts of history, literature, and current events. I am not interested in dumbing down what I write. I am endlessly curious and assume my readers are also. I started writing during the pandemic and have not quit. I have completed three novels and have been an avid reader my entire life. Join me!
I really enjoyed this historical mystery novel. It is an early example of a narrative being told from multiple perspectives, some unreliable; beware!
The novel is a classic with beautiful language and sentence construction. I feel there is an elegance and craft given to this narrative rarely found in today’s commercial mystery genre. Sit back and enjoy being seduced by Wilkie Collins.
HarperCollins is proud to present its range of best-loved, essential classics.
'The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared.'
One of the earliest works of 'detective' fiction with a narrative woven together from multiple characters, Wilkie Collins partly based his infamous novel on a real-life eighteenth century case of abduction and wrongful imprisonment. In 1859, the story caused a sensation with its readers, hooking their attention with the ghostly first scene where the mysterious 'Woman in White'…
The first books I loved were Gothic classics like Jane Eyre and Rebecca, because of their isolated settings and secretive characters. When I first started writing, it was always stories about communities–the first novel I wrote featured a retirement village and a circus. Maybe that’s because I love observing communities in everyday life, like local pubs in which everybody has their place. When domestic suspense novels really took off, I started devouring crime books with close-knit settings and soon was writing them, too. I love the claustrophobia, the backstories, the landscape, the web of relationships. It can be done in so many different and brilliant ways.
Continuing with the Gothic theme, I have to mention one of my all-time favorite books. The estate of Manderley is almost another character in this novel, looming large over the story along with the legacy of its dead mistress. And the community poses an immediate threat to the book’s unnamed narrator, the new wife of the estate’s owner, when she comes in as an outsider and gets the cold shoulder from Manderley’s staff. Her desperate attempts to win everybody over lead to some gloriously nail-biting moments.
But what I adore about this novel is how it slowly reveals that the community’s loyalties are not what they seem. Even the significance of rooms and objects in the house–like Rebecca’s writing desk or the sound of the sea from a particular window–changes as the story unfolds.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
Do you want the gritty, pungent beauty of Paris during the heyday of the Romantics—the 1830s? You want perversion, decadence, a crazy, kinky plot revolving around sex, dominance, Sapphic passion, murder, and intrigue, set in the Trocadero neighborhood? Only Honoré de Balzac could dream up something this wild and get away with it. One of the wonders of this short novel is how, through casual descriptions, Paris comes to life. It’s not a picture-postcard version of the city. Au contraire. It’s a seamy, real place I recognize after 35 years living there. While I was reading The Girl with the Golden Eyes, I actually went out and found the locations. The city has changed less than you’d think in 190 years. Above all, the seamy, perverse side remains.
Beginning with a visceral description of the society and politics of Paris, The Girl with the Golden Eyes considers the sex life of the upper class by its raw depiction of the underside of Parisian life. Henri de Marsay is a young, rich man who is nearly devoid of morals and virtue. After he meets Paquita Valdes, a mysterious and beautiful woman, he becomes infested with a deviant lust for her. When his plan to seduce her succeeds, Henri and Paquita maintain an intensely sexual relationship. However, when Henri starts to suspect Paquita is involved with another lover, he becomes…
I have always had a strong, long-lived interest in all things Italian (including Italian food and wine). I spent my third year of university at a campus in Rome and travelled all over Italy during my year there. I’ve been back to Italy as a tourist and researcher numerous times, as five of my ten award-winning novels are set there (in Venice, Rome, Cremona, etc.). I have many Italian friends and my most recent novel,The Artist and the Assassin, is being translated into Italian and will be published by Les Flaneurs Edizioni, an Italian publisher in Bari, Italy.
Another in Donna Leon’s series set in Venice with a focus on Commissario Guido Brunetti, a totally believable detective with all the skills any good detective would need to have while meeting up against all the difficulties any detective would encounter in a society (Italy) where the nature of bureaucracy is extremely problematic. So problematic that Brunetti is forced to take a break on a nearby island where he runs into other crimes and difficulties.
'When she's writing about her beloved Venice, Donna Leon can do no wrong. And Earthly Remains, her new mystery featuring Commissario Guido Brunetti, is one of her best. It's also one of her saddest, dealing as it does with the seemingly unstoppable polluting of the great lagoon . . . Leon dares to try, once again earning the gratitude of her devoted readers.' New York Times
A New York Times Bestseller A New York Times Top Ten Crime Novel of 2017 A New York Times Book Review Editors' Choice An Amazon Best Book of the Month (Mystery) __________________________________
I love good stories and I like to learn about other cities even if it is in a work of fiction. With few exceptions, every story I’ve written is in a location I’ve visited. When you can’t visit a place, then reading about a city in modern-day fiction is a close substitute. How many readers feel like they know the English countryside after reading multiple British mysteries? Or feel like you know Boston when reading the Robert Parker Spenser series? That’s the point of a good mystery – to take you someplace you’re not.
With this book, we get to visit Venice which might be my favorite Italian city. Ms. Leon has written a long-running series always set in Venice. It features an Italian detective (Commissario Guido Brunetti), his professorial wife, two children, an incompetent supervisor, and a secretary that is an IT geek. I like the series as I can feel myself walking down the streets of Venice Island over bridges, and in boats on the canals. The inspector goes home for lunch most days, something that you don’t find in America. She does a good job of describing a way of life in Venice beyond the mystery story.
In the landmark thirtieth installment of the bestselling series the New Yorker has called “an unusually potent cocktail of atmosphere and event,” Guido Brunetti is forced to confront an unimaginable crime
In his many years as a commissario, Guido Brunetti has seen all manner of crime and known intuitively how to navigate the various pathways in his native city, Venice, to discover the person responsible. Now, in Transient Desires, the thirtieth novel in Donna Leon’s masterful series, he faces a heinous crime committed outside his jurisdiction. He is drawn in innocently enough: two young American women have been badly injured…
After solving her first case, private eye Siobhan O’Brien is hired by Phillip Ahn, an octogenarian billionaire with his own personal island in the Pacific Northwest. Ahn, a genius in artificial intelligence, swears that Duke, his youngest child and only son, is an impostor. Is Ahn crazy, or is Duke…
Jill Leovy, author of Ghettoside, is a journalist and independent researcher who covered the Los Angeles Police Department and homicide for fifteen years, and who is currently working on a book dealing with murder and feud in human history. She has covered hundreds of street homicides and shadowed patrol cops, and she spent several years embedded in homicide detective units. More recently, she has been a Harvard sociology fellow and a featured speaker on Homer and violence at St. John's College, New Mexico. She is a senior fellow at the USC Center on Communication Leadership and Policy.
This is a much-needed antidote to the navel-gazing tendencies of American criminal justice thought.
Reading contemporary treatments, you might almost be fooled into thinking that certain types of police controversies have a specifically American – or at least modern – origin. They don't. In fact, the peculiar challenges of policing and its inevitable discontents might even be universal.
Certainly, they were present at an early stage in medieval Italy, long before the first English "bobbies" ever dawned a uniform. Use-of-force controversies, weapons prohibitions, reluctant witnesses, hostile crowds, simmering beefs among local gangsters: it's all here. Roberts' medieval world so eerily resembles our own when it comes to law enforcement that one ends up surprised to encounter any differences at all.
Here's one, though: medieval town dwellers did not have cell phones with which to film the cops misdeeds. Instead, they hollered for notaries to scribble records on the spot.
Medieval states are widely assumed to have lacked police forces. Yet in the Italian city-republics, soldiers patrolled the streets daily in search of lawbreakers. Police Power in the Italian Communes, 1228-1326 is the first book to examine the emergence of urban policing in medieval Italy and its impact on city life. Focusing on Bologna in the thirteenth and early fourteenth centuries, Gregory Roberts shows how police forces gave teeth to the communes' many statutes through a range of patrol activities. Whether seeking outlaws in the countryside or nighttime serenaders in the streets, urban police forces pursued lawbreakers energetically and effectively.…
I am a long-time writer and reader of mystery novels and short stories, but I have also written contemporary novels, scholarly work in history and culture, and history books. I am particularly interested in the psychology of crime and of detectives, and in each of the books I’ve recommended, the characters are drawn with unusual subtlety and depth or are interestingly eccentric. In addition, Vargas’s novels usually include interesting and little-known historical information, while Tallis’s Lieberman Papers series gives a lively picture of Vienna in its golden age of culture without neglecting the disquieting anti-Semitism and political unrest under the surface.
Nabb’s Marshal Guarnaccia, unflamboyant and patient, is an unspectacular thinker but a brilliant listener with a real, if unsentimental sympathy for the people he deals with on both sides of the law. Without fancy vices or personal charisma, Guarnaccia’s fundamental decency is nowhere on better display than in The Marshal’s Own Case, set among the desperate young transgender prostitutes of the Florentine sex trade, a culture quite different from the Marshal’s own secure family life.
The shocking discovery of a dismembered body on a Florentine hillside was only the first of the shocks in a case no one wanted to handle. Finally Marshal Guarnaccia was detailed to investigate. The author also wrote "The Marshal and the Madwoman".
I have always had a strong, long-lived interest in all things Italian (including Italian food and wine). I spent my third year of university at a campus in Rome and travelled all over Italy during my year there. I’ve been back to Italy as a tourist and researcher numerous times, as five of my ten award-winning novels are set there (in Venice, Rome, Cremona, etc.). I have many Italian friends and my most recent novel,The Artist and the Assassin, is being translated into Italian and will be published by Les Flaneurs Edizioni, an Italian publisher in Bari, Italy.
The Monster of Florence is set in the famous Italian city of Florence (Firenze), as are all of Magdalen Nabb’s mysteries. She gives us fascinating insights into life in Florence, through the eyes of her detective, Marshall Guarnaccia. The Marshall is a very down-to-earth and believable character and does his best at trying to catch a serial killer on the loose in that part of Italy. The author takes the reader right inside life in Florence with a work that is entirely engaging and well-written.
Based on a chilling true crime, The Monster of Florence follows the reopening of a cold case—a serial killer who targeted unmarried couples and terrorized Florence for two decades.
Marshal Guarnaccia's job with the carabinieri—the local Florentine police—usually involves restoring stolen handbags to grateful old ladies and lost cameras to bewildered tourists. So when he is assigned to work with the police in trying to track down a vicious serial killer, he feels out of his league. To make matters worse, the Proc he must report to is Simonetti, the same man he knows drove an innocent man to suicide…
In 2038 a devastating pandemic sweeps across the world. Two decades later, Britain remains the epicenter for the Fornax variant, annexed by a terrified global community.
David Malik is as careful as any man to avoid contact with the virus. But when his sister tests positive as an asymptomatic carrier,…
I’ve been a traveler and a dreamer ever since I was a little girl. I used to write to the tourism bureaus of different countries and tape pictures of faraway places onto the walls of my bedroom. It’s no surprise I ended up living in Europe, my home base for excursions all over the world. My historical fiction always features places that mean a lot to me, whether it’s Germany (where I live now), or Sicily – where my mother’s family came from. Digging into my Sicilian heritage and the culture and life of the island for my third novel was like discovering a new home.
I have very romantic notions of Sicily, and I look to the Inspector Montalbano series of detective novels to show me the grit and corruption that Sicily is actually known for.
This is the first novel in the series and introduces Montalbano as an honest cop in a dishonest world, a Sicilian town where everyone hustles for work and murders are common. Even if everybody is corrupt in their own ways, they’re still very human, and Montalbano’s tolerance of human failings makes him one of the great detectives to read.
The Shape of Water is the first in Andrea Camilleri's wry, brilliantly compelling Sicilian crime series, featuring Inspector Montalbano. This edition with a stunning redesigned cover.
The goats of Vigata once grazed on the trash-strewn site still known as the Pasture. Now local enterprise of a different sort flourishes: drug dealers and prostitutes of every flavour. But their discreet trade is upset when two employees of the Splendour Refuse Collection Company discover the body of engineer Silvio Luparello, one of the local movers and shakers, apparently deceased in flagrante at the Pasture. The coroner's verdict is death from natural causes…
