Here are 100 books that The Prose Edda fans have personally recommended if you like
The Prose Edda.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
To experience another's thoughts and emotions, one first has to feel them. Eyes, lips, tongue, and teeth are involved before the brain/heart can engage. Translation of poetry is the same. My mother has sung Chinese poetry to me since forever, and English poetry came alive for me through verse speaking. I studied and taught as I wrote for many years. I cannot say I find my way into every poem I come across, but the poems I translate are ones I know and love. That is why I am passionate about translation. For me, it is not a secondary experience but a primary, primal performance art!
That I would love a poem written/translated by Seamus Heaney did not come as a surprise to me, but that it is Beowulf, a poem/story steeped in the Germanic warrior culture and soaked in blood that enthralled me, did surprise me.
I do not remember the occasion that prompted my reading, but even as I opened the book to its Introduction, and read “...And now this is ‘an inheritance’ --/Upright, rudimentary, unshiftably planked/ In the long ago, yet willable forward...Again and again and again,” I could not put it down.
In fact, you might say, it is not the story but the voice of the poet and how he brought this ancient language and people back to life that compelled me to read on. Of course, the voice is that of the poet of “Digging,” as he traces his roots back to these unlikely ancestors.
Composed towards the end of the first millennium, the Anglo-Saxon poem Beowulf is one of the great Northern epics and a classic of European literature. In his new translation, Seamus Heaney has produced a work which is both true, line by line, to the original poem, and an expression, in its language and music, of something fundamental to his own creative gift.
The poem is about encountering the monstrous, defeating it, and then having to live on, physically and psychically exposed, in that exhausted aftermath. It is not hard to draw parallels between this story and the history of the…
I’ve always loved history, especially European history, and fell in love with the Vikings and their mythology after reading the first book of the Last Kingdom Series by Bernard Cornwell. One of the reasons I wanted to write Viking fiction is because I was keen to learn more about these amazing people who had such a large influence on European history, but had been stigmatized by the Christian religion. I really wanted to learn about who they were as a people and how they saw their world through their religion and their interactions with Christian nations around them.
This was one of the first books I read when I decided to write about Vikings and I found it a treasure trove filled with information about the daily lives of the Scandinavians, away from raids and the shield walls.
It told me everything I needed to know about what Vikings wore, what they ate and how they cooked their meals. I learnt about the hierarchy of the ruling classes and how they traded with the nations of the Middle East. It is filled with information about their religion, how they felt about life and death, and much more.
The Vikings maintain their grip on our imagination, but their image is too often distorted by myth. It is true that they pillaged, looted, and enslaved. But they also settled peacefully and traveled far from their homelands in swift and sturdy ships to explore. The Age of the Vikings tells the full story of this exciting period in history. Drawing on a wealth of written, visual, and archaeological evidence, Anders Winroth captures the innovation and pure daring of the Vikings without glossing over their destructive heritage. He not only explains the Viking attacks, but also looks at Viking endeavors in…
Dr. Thomas Williams is a bestselling writer, historian, and archaeologist. A Fellow of the Society of Antiquaries of London, he was a curator of the major international exhibition Vikings: Life and Legend at the British Museum in 2014 and earned his PhD at UCL’s Institute of Archaeology. He wrote Viking Britain and Viking London.
There are many books that aim to provide a succinct, coherent introduction to the subject of Norse mythology. Few, however, manage to so with the clarity and authority of Professor Carolyne Larrington’s The Norse Myths: A Guide to the Gods and Heroes. This book deals with all of the critical aspects of the mythos: from Ginnungagap (‘the howling void’) to Ragnarök (‘the doom of the gods’) by way of Yggdrasil the world-tree, the divine families (the Æsir and the Vanir) and the giants who opposed them, as well as the doings of human heroes like Sigurd the Volsung. This is an excellent introduction to the subject that includes retellings of many of the most important myths alongside illustrations and vital historical and literary context. If you are just beginning your journey into this realm of monsters and gods, there are few better places to start.
Who were the Norse gods - the mighty AEsyr, led by Odinn, and the mysterious Vanir? In The Norse Myths we meet this passionate and squabbling pantheon, and learn of the mythological cosmos they inhabit. Passages translated from the Old Norse bring this legendary world to life, from the myths of creation to ragnaroek, the prophesied end of the world at the hands of Loki's army of monsters and giants, and everything that comes in between: the problematic relationship between the gods and the giants, in which enmity and trickery are punctuated by marriages and seductions; the (mis) adventures of…
Born the half-breed, bastard son of an orc chieftain, Wrank tries to survive life in OrcHome among ignorance and spite aimed at his human heritage even as he develops a Talent for folding shadow. When life is no longer viable among the clans, he escapes into the world of humans…
I was introduced to the paranormal and unknown by my father. He was open to all possibilities. I loved being shocked, awed, and traumatized by the depths of dystopia and the heights of Utopian Imagination! I think, because we all live somewhere in between, flowing up and down as life experiences us, riding us ever onward!
I knew the basics of the Norse Gods and Goddesses, but told in the perspicacious words of a master storyteller like Gaiman, really painted the ruined walls with all the color needed!
I love processing what the minds who birthed these Gods must have thought, dreamed, meant, and saw!
Neil Gaiman, long inspired by ancient mythology in creating the fantastical realms of his fiction, presents a bravura rendition of the Norse gods and their world from their origin though their upheaval in Ragnarok.
In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin's son, incredibly strong yet not the wisest of gods; and Loki-son of a giant-blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the…
Alice has had a passion for myths ever since reading Greek myths as a small child. Alice's most recent book is a retelling of myths and legends worldwide. As well as editing several anthologies for children, she has published a book on mythology and another on the fantasy writer Mervyn Peake, and she has many scholarly publications on fantasy and children's literature.
The way these stories are phrased here makes this my favourite set of retellings. Crossley-Holland’s choice of words evokes the original Norse. He uses alliteration, mainly when describing land and sea, and he is very careful to use words that come from Old English, a sister language to Old Norse, in preference to words from Latin, Greek, and post-Latin languages. There are plenty of other retellings that cover similar ground, but none with quite this joy in the energy of the original.
George Hagen is a Brooklyn writer who has written two adventure books for children about talking ravens. Hagen lived on three different continents by the time he was eleven, and developed a tremendous passion for folktales of all cultures from Africa, Egypt, Greece, Europe, and Celtic and Norse myth. His children's books were inspired by the myth of the Viking God Odin whose two ravens, Huginn and Muninn, flew around the land of ice and fire, reporting all the news. Hagen has appeared before hundreds of students, unraveling the secret mystery of riddles (modern and ancient) at schools from New York to Los Angeles.
The D'Aulaire's book is a visual feast of stories from the land of ice, fire and Viking culture. The tales are well-told and exciting. It comes with lively illustrations which offer children who haven't encountered Thor, Odin, Freya or Loki before, a panorama of this marvelous world and the many adventures of the Norse Gods.
The Caldecott medal-winning d'Aulaires once again captivate their young audience with this beautifully illustrated introduction to Norse legends, telling stories of Odin the All-father, Thor the Thunder-god and the theft of his hammer, Loki the mischievous god of the Jotun Race, and Ragnarokk, the destiny of the gods. Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.
Like Neil Gaiman, I came to Norse mythology via the Stan Lee/Jack Kirby Marvel comics route. And when I explored the material further I was struck by the darkness and unsanitised oddity of many of the stories. They clearly reflected the Vikings’ view of the world as a cold, hostile, sometimes absurd place that must be met with a strong arm and a hearty laugh if one is to survive not only physically but mentally. There’s something refreshingly honest about such an approach, and when I came to write the third novel in my Pantheon series, The Age of Odin, which recast the myths as a modern military-SF thriller, I leaned heavily into the aspects I found the most appealing as well as the most dramatic, not least the snowy apocalypse that is Ragnarök, while injecting some appropriately ribald humour too.
This series of short back-up strips in the 1960s Thor comic from Marvel retold and embellished on the myths in characteristically bombastic Lee/Kirby fashion. While Thor himself, in the main feature, battled costumed supervillains in contemporary New York, the supporting feature dealt with his youth, his allies and enemies in Asgard itself and the rest of the Nine Realms, and a whole host of sorcerers, witches, and grotesque monsters. Kirby in particular seemed enthused by the project and it shows in his artwork.
Never has Thor been more sensational than during these early tales, crafted by Marvel's greatest, Stan Lee and Jack Kirby. Re-live Stan and Jack's stories of the Norse Gods and Thor before he came to Earth as Don Blake. Witness as these masters breathe life into the thunder god. Read these stories as never before with all-new, modern coloring and six interlocking covers by Olivier Coipel.
Collecting:
Thor: Tales of Asgard by Stan Lee & Jack Kirby #1-6
Like Neil Gaiman, I came to Norse mythology via the Stan Lee/Jack Kirby Marvel comics route. And when I explored the material further I was struck by the darkness and unsanitised oddity of many of the stories. They clearly reflected the Vikings’ view of the world as a cold, hostile, sometimes absurd place that must be met with a strong arm and a hearty laugh if one is to survive not only physically but mentally. There’s something refreshingly honest about such an approach, and when I came to write the third novel in my Pantheon series, The Age of Odin, which recast the myths as a modern military-SF thriller, I leaned heavily into the aspects I found the most appealing as well as the most dramatic, not least the snowy apocalypse that is Ragnarök, while injecting some appropriately ribald humour too.
This is less about the myths themselves and more about the culture that spawned them. Ellis Davidson’s analysis of Nordic pre-Christian religion is sober but accessible, and comparisons are made with other contemporary belief systems such as the Celts’ and the ancient Britons’. The book nicely ties together the disparate tales much as the world tree, Yggdrasil, is said to have tied together the Nine Realms.
Surveys the pre-Christian beliefs of the Scandinavian and Germanic peoples. Provides an introduction to this subject, giving basic outlines to the sagas and stories, and helps identify the charachter traits of not only the well known but also the lesser gods of the age.
Like any writer, I’m fascinated with what makes people tick and why they act the way they do. Naturally, this means I read a lot of history. I love reference reading; I love researching arcane questions for a tiny detail that will bring a character or their world to life. Creating epic fantasy is an extension of both my drives as a reader and a writer. Pouring myself into characters who inhabit different settings is a deeply satisfying exercise in both craft and empathy, and each history book has some small bit I can use to make my settings more compelling, more enjoyable for readers, and more real.
This is a pretty dense scholarly work, but that very density makes it a cornucopia for anyone interested in how a specific historical culture regarded magic.
I appreciated that while academic, Price is never boring or needlessly obscure; he does a very good job of not only explaining the historical record but also the best guess at how it can be interpreted.
Not only did it teach me a great deal about the Vikings, but it also taught me other strategies and ways of thinking about other cultures’ magical practices, and for a fantasy writer, that’s pure gold.
Magic, sorcery and witchcraft are among the most common themes of the great medieval Icelandic sagas and poems, the problematic yet vital sources that provide our primary textual evidence for the Viking Age that they claim to describe. Yet despite the consistency of this picture, surprisingly little archaeological or historical research has been done to explore what this may really have meant to the men and women of the time. This book examines the evidence for Old Norse sorcery, looking at its meaning and function, practice and practitioners, and the complicated constructions of gender and sexual identity with which these…
An ambitious orphan. A ruthless warlord. An impossible destiny.
Arya Nameless is a lowly Raider posted to an isolated fort in the most dangerous place in Dunidaen. She has few prospects, and as much as she loves her fellow soldiers, she burns for more—more control, more autonomy, more power.
When…
As a fiction writer who prides herself on drowning her stories in a thick marinade of authenticity, I’m a research hound. In preparing to write my Asgard Awakening series, I leaned on my lifelong love of mythology to fuel countless hours of research about Norse cosmology, runes, myths, and gods. I now consider myself an expert on deconstructing Marvel movie plotlines, comparing their Asgardian characters to the Norse gods they’re based on, and womansplaining everything the studio did wrong to any sucker who will listen. ;-)
This Old Norse poem was part of the collection of works included in the Poetic Edda, written around 1300 CE and collected by Snorri Sturlusson. It centers around the god Odin and includes advice for life and love, the story of Odin’s self-sacrifice on the World Tree of Yggdrasil, and eighteen spells Odin claims to know. The book provides revealing details about life in Viking times, but my favorite part is the section on spells, which include healing, manipulating metal so weapons do less damage, escape artistry, redirecting curses, calming winds, and even resurrection. Hávamál isn’t as popular as some of the other poems, but it’s worth a read for the insights into the god Odin and what makes him tick.
The Wanderer's Havamal features Jackson Crawford's complete, carefully revised English translation of the Old Norse poem Havamal , newly annotated for this volume, together with facing original Old Norse text sourced directly from the Codex Regius manuscript. Rounding out the volume are Crawford's classic Cowboy Havamal and translations of other related texts central to understanding the character, wisdom, and mysteries of odinn (Odin). Portable and reader-friendly, it makes an ideal companion for both lovers of Old Norse mythology and those new to the wisdom of this central Eddic poem wherever they may find themselves.
