100 books like Thor

My upbringing in refined Bucharest, surrounded by books and Romania's rich folklore, as well as my youth excursions in the idyllic Transylvanian countryside, instilled in me a love for storytelling. Although I have a medical degree, my insatiable curiosity about historical figures' lives, journeys, and the landscapes they encountered has driven me to investigate and write about these enthralling tales. This allowed me to share the wonders of travel through historical and contemporary fiction with a strong historical foundation - and a dog or two. On my blog I share enchanting gems from Romania’s past, while on social media I promote Romania’s history and culture under the hashtag #Im4Ro.

George Hagen is a Brooklyn writer who has written two adventure books for children about talking ravens. Hagen lived on three different continents by the time he was eleven, and developed a tremendous passion for folktales of all cultures from Africa, Egypt, Greece, Europe, and Celtic and Norse myth. His children's books were inspired by the myth of the Viking God Odin whose two ravens, Huginn and Muninn, flew around the land of ice and fire, reporting all the news. Hagen has appeared before hundreds of students, unraveling the secret mystery of riddles (modern and ancient) at schools from New York to Los Angeles.

I’ve always loved history, especially European history, and fell in love with the Vikings and their mythology after reading the first book of the Last Kingdom Series by Bernard Cornwell. One of the reasons I wanted to write Viking fiction is because I was keen to learn more about these amazing people who had such a large influence on European history, but had been stigmatized by the Christian religion. I really wanted to learn about who they were as a people and how they saw their world through their religion and their interactions with Christian nations around them.

Like Neil Gaiman, I came to Norse mythology via the Stan Lee/Jack Kirby Marvel comics route. And when I explored the material further I was struck by the darkness and unsanitised oddity of many of the stories. They clearly reflected the Vikings’ view of the world as a cold, hostile, sometimes absurd place that must be met with a strong arm and a hearty laugh if one is to survive not only physically but mentally. There’s something refreshingly honest about such an approach, and when I came to write the third novel in my Pantheon series, The Age of Odin, which recast the myths as a modern military-SF thriller, I leaned heavily into the aspects I found the most appealing as well as the most dramatic, not least the snowy apocalypse that is Ragnarök, while injecting some appropriately ribald humour too.

Escape to the past and have a blast is definitely my motto as a Canadian young adult author. With a penchant for escapism fiction, I’ve always loved books that pull me into different places and adverse time periods. Enter time traveling and original storytelling. Legends, myths, and mysteries of the unexplained thrill me. A lover of anything arcane and ancient mysteries, I delve into our written past to give my fiction the facts I need to immerse readers into my imaginary universe—one book at a time.

From reading by torchlight when I should have been asleep, through to adulthood, books have always been special to me. From making up stories to get the kids through tough situations to becoming an author, my deep-seated love of fantasy has been apparent. Fantasy can be so much more than elves, shapeshifters, and every other creature imaginable (although they are always exciting). It’s nearly always about a journey, a growth in character, good over evil, but whatever else you may take from the story, it’s always about losing yourself in the pages and having a really good read.

I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.

Documentary Comics are this genre of comics in which you can make a community visible, denounce a crime or expose yourself to the world. Being able to dialogue with the world while dialoguing with the reader is amazing. The elements you have to take into account the things you can hide in the silence of a drawing, compelling the reader to read again, to find the easter egg about that thing you really want to talk about. The ways of telling the truth in drawings. All those things are the things that I love about documentary comics.

I love writing about food, and it appears as a motif in nearly every comic I've ever drawn. Comics are an exceptional medium for discussing food – a talented artist can render a drawing into something that looks delicious, but they can tie it into a story that gives the dish meaning or connects to a particular character's inner life. With Meal I had the opportunity to tell a story about a kind of cuisine that delights me, but that most people know very little about – and I turned to my favorite comics about food for inspiration on how to translate that joy from the plate to the page.

I've been interested in pirates for as long as I can remember. Hearing about Blackbeard, Calico Jack, Henry Morgan, and Anne Bonney, among others, made my imagination run wild. Learning about who they really were as I grew up made me interested in why they were the way they were. I love stories about pirate crews, especially ones that explore the why of how they became pirates. I also love fantasy stories as you can plainly see (I even cheated to include a favourite of mine) and I wanted to combine the two in my first series.