10 books like The Old Forest and Other Stories

As a teenager, I “discovered” the poetry of Emily Dickinson and put her verse to music. Later, at Yale University I delved deeper into the power of rhythms, the beauty of images, the clarity of insights—how they combine to create a genuine poetic voice that reveals an interior world. Politics, of course, define our interactions in the exterior world, and great novels meld these two elements—poetry and politics—into a seamless union. I’ve been inspired to write novels about two poets—Emily Dickinson and John Keats—to bring the reader into the intense, poetic world of their blazing interiors and their unique outward politics.

It took a career as a librarian to help me understand my need for order, instead of the emotional chaos I grew up with in a large family. Being the child of an alcoholic father and a codependent mother gave me little personal value. After gaining some sense of worth in college, I wanted to give my kids the stability and support every child deserves, but I had to learn how to do this. I used my resources: education, self-scrutiny, honesty, art, nature, and the good Lord of the universe.

I grew up in North Carolina and Washington, D.C., and have since lived in Arkansas and Virginia. My two novels are historical, set in the late 1800s and early 1900s in Virginia and North Carolina, and are heavily influenced by the great Southern writers. My books feature family dramas, how the land interacts with characters, questions of fate and personal action, and the decisions that change people’s lives. I love Faulkner, but you’ll find him on every list. He influenced every writer who came later, but there are plenty of other heavy hitters to choose from. Here are a few favorites.

I grew up in North Carolina and Washington, D.C., and have since lived in Arkansas and Virginia. My two novels are historical, set in the late 1800s and early 1900s in Virginia and North Carolina, and are heavily influenced by the great Southern writers. My books feature family dramas, how the land interacts with characters, questions of fate and personal action, and the decisions that change people’s lives. I love Faulkner, but you’ll find him on every list. He influenced every writer who came later, but there are plenty of other heavy hitters to choose from. Here are a few favorites.

I’m the author of ten books, including fiction, memoir, collected journalism, and criticism. My novels are historical fiction, hence my decision to make my recommendations within that genre, mostly. My own historical novels comprise a tetralogy beginning with The Strange Death of Mistress Coffin and ending with The Turner Erotica, so the series takes the reader roughly from 1648 to 1900. The second book chronologically in the series, Rebecca Wentworth’s Distraction, won the 2003 Langum Prize for historical fiction. Retired now, I was the founding director of the MFA in Fiction and Nonfiction at Southern New Hampshire University.

I am the author of The Lost Indictment of Robert E. Lee and A Fire in the Wilderness: The First Battle Between Ulysses S. Grant and Robert E. Lee. I’ve been a teacher, editor, and writer for over twenty-five years. The Civil War, in particular, has been my passion since I first read Bruce Catton’s The American Heritage Picture History of the Civil War as an elementary school student in the 1960s. My articles on Robert E. Lee and Ulysses S. Grant have been featured in The Washington Post, The Wall Street Journal, and on the History News Network.

I believe in democracy. I think the US has the opportunity to be the world’s first multicultural and inclusive democracy. And I think that’s a very, very hard thing to do. I’ve been writing about democracy through the lens of presidential history my whole career, and I think the US has done some things so impressively well while at the same time it frustratingly keeps failing to live up to its own ideals. The tensions and contradictions in our history as we try to expand and enact those ideas are endlessly fascinating. And I’m nervous that we may be seeing the end of a national commitment to democracy. 

I remember when I saw the photograph of the lynching of Rubin Stacy, his corpse surrounded by white girls in their Sunday best dresses. For me the immediate question was, why would white parents take their children on an outing to this? What purpose is this memorial photograph serving? I have spent over twenty years exploring the answers, learning how cultures persist by teaching their dominant beliefs to the next generation, and considering the perpetuation of white supremacy from generation to generation.

I'm now retired. But like many historians of my generation, I've been lucky. Having gone to the University of California when there was no tuition and got through graduate school thanks to the GI Bill, I then taught history for five decades, briefly at San Francisco State College and the University of Hawaii, and for a long stretch at the University of Massachusetts in Amherst. During those years, I wrote eight books, one was a finalist for the Pulitzer Prize in 1987, and three won prizes—the Albert J. Beverage Award in 1970, the second-place Lincoln Prize in 2001, and the Langum Trust Prize in 2015. All but one deal with slavery and power.

John J. Miller is director of the Dow Journalism Program at Hillsdale College, a writer for National Review, and the host of two book-themed podcasts, The Great Books and The Bookmonger. His books include The Big Scrum: How Teddy Roosevelt Saved Football and Reading Around: Journalism on Authors, Artists, and Ideas. He lives on a dirt road in rural Michigan.