100 books like The Burden of Southern History

This book captured me from its first pages, a history that reads like a novel. “They fled as if under a spell or a high fever,” Isabel Wilkerson writes, explaining the exodus from the South by oppressed African Americans.

As a writer, she drew me in by focusing on three people she came to know, who comprise the main story, providing an intimate window into the epic event. And didn’t they meet resistance and white supremacy in the North, too? Sadly, of course. I knew little about the Great Migration before and yet had learned much about the Harlem Renaissance, the southern roots of jazz in Chicago, and more. Six million on the move! This book taught me not just about our country in the past but our present as well.

Though published in 1941, this book remains, for my money, at least, the most insightful book on white southerners. In an account equally rich in provocative thought and vivid phraseology, Cash explored the roots of the historically fierce masculine individualism, and near-visceral hostility to new ideas—the "savage ideal," he called it—that not only kept the South a hot mess most of the time, but sustained it as "not quite a nation within a nation, but the next thing to it" right up to the eve of American entry in World War II. Cash trembled at the prospect of the powerful, likely irreversible new forces unleashed by this momentous development colliding with the South's historically rigid resistance to change. When the time came, however, the region would show a “capacity for adjustment” that would have astounded its reproving, though still affectionate son, had he not taken his own life just short… show more.

I make no apology for including this immense and important work. So much of the music I love originated with the kidnapping of black people from Africa.

This book shows how not merely the music of Africa but whole swathes of culture now considered “American” were imported along with the slaves. How did they cope with being ripped from their homeland, transported across the Atlantic in chains, and forced to work in the fields of an alien land?

Levine lays it all out, including everything from Black religion to Black comedy, and despite what you might think, it’s a real page-turner.

In this intriguing and highly readable book, Gavin Wright essentially explores both the immediate and long-term economic consequences of slavery for the South. In doing so, he makes a persuasive case that, for the greatest part of its history, much of what passed for a distinctive southern culture and mindset can also be understood as a function of the persistence of its distinctive low-wage regional economy.

No book was more fundamental in shaping and revolutionizing our understanding of the mores and values of the Antebellum South than Bertram Wyatt-Brown’s Southern Honor. Using legal documents, letters, diaries, and newspaper columns, this book reveals how the South’s honor system shaped and influenced how southerners lived, worked, and fought with one another. “Primal Honor” also influenced the way that Southerners made, enforced, or did not enforce the law.  Southern men adopted an ancient honor code that shaped their society from top to bottom. By claiming honor and dreading shame, they controlled their slaves, ruled their households, established the social rankings of themselves, kinfolk, and neighbors, and responded ferociously against perceived threats. Honor required men to demonstrate their prowess and engage in fierce defense of the individual, family, community, and regional reputation by duel, physical encounter, or war. Subordination of African-Americans was uppermost in this Southern ethic. Any threat, whether… show more.

Smith, professor of communications at the University of Arkansas, examines the stories that Southerners have told about themselves—the “myths” of the South. The Old South/Lost Cause/New South myths “controlled Southern culture and Southern rhetoric for one hundred fifty years,” he argues, but by the mid-twentieth century, the strain between myth and reality finally became too great and “a period of mythic confusion,” ensued. By the 1970s, however, Southern artists, scholars, journalists, politicians, and preachers—both Black and white—had forged a new myth, based on the themes of distinctiveness, racial civility, and community. When Smith wrote, he was confident that there will always be some myth of the South, that it won’t become a mere quadrant of the U.S. with a "dysfunctional amythic culture." We shall see.

“So you’re the little woman who wrote the book that started this great war,” Abraham Lincoln supposedly said when he met Stowe. The quote may be apocryphal, but it points to a truth about the 1852 novel that shaped American opinions about the cruelty and injustice of slavery. The writing is a bit melodramatic for modern sensibilities, but it’s hard to beat the scene in which the escaped slave Eliza tries to carry her young son across an icy river for freedom on the other side.

Growing up in the South and having a penchant for writing about racial justice, genealogy, travel, truth-telling, and more, this book is among the top ones on my favorite list. The South is more complicated than many think. Along with the racists and bigots, there are plenty of really smart people who are progressive and thoughtful. Good writers sprout like the wild primroses in Alabama. I liked how Perry stirs together history with her travels and her own dear ancestors.

Perry starts her explorations with Harper’s Ferry, which brought back my vivid memories of its spectacular scenery. It still holds onto John Brown, but there is so much more, which she explains. There are plenty of nuanced stories and surprises as she travels across state after state. 

This classic short story by Flannery O'Connor follows a family on a road trip through the South.

Included on the journey is the manipulative and deceitful grandmother, who somehow convinces the family to take a detour to visit an old plantation home that she remembers from her childhood. The consequences of this detour are chilling.

Spoiler alert, but in the context of the ongoing investigations of our former President, one of the passages really struck a chord, “I found out the crime don't matter. You can do one thing or you can do another, kill a man or take a tire off his car, because sooner or later you're going to forget what it was you done and just be punished for it”

This book paints a vivid picture of the symbiotic relationship between 19th-century Southern slave masters and the people they enslaved. It also underscores the fact that for oppressed Black people, allies and enemies came in all colors.

The protagonist, Hiram Walker, is a child prodigy whose intellect and ambition make him poorly suited for a life of servitude. Significantly, Coates speaks to the obligation to “reach back” which those who have achieved a measure of physical, spiritual, or intellectual freedom owe to those who are still enslaved.

Harriet Tubman plays an important role in his narrative because she embodies that ideal.