Here are 98 books that Raintree County fans have personally recommended if you like
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I'm a lot of things. I design games. I study literature and theater. I write novels that are messy fusions of literary and genre fiction. I'm endlessly curious. Each of my books starts with when I hear in my head, the voice of a character asking a question. It's always a silly question, and it's always the one that matters more to them than anything else in the world. "Why does being superintelligent make you evil?" became Soon I Will Be Invincible. "What are people who play video games obsessively really looking for?" became You. Answering the question isn't simple, but of course that's where the fun starts.
Flashman does a thing I love, which is to tell the story of another book's least notable character.
Harry Flashman comes from Thomas Hughes's 1850 novel Tom Brown's School Days (the entire basis for the Harry Potter novels), where he's a sub-Draco Malfo figure, a useless bully.
Flashman tells the story of his later years as the Victorian Empire's most cowardly soldier, rattling around British colonies, stumbling through their various atrocities and debacles. I wish the book were even harsher on the Brits, but it's a deeply fun counter-text and a lovely bit of escapism nonetheless.
For George MacDonald Fraser the bully Flashman was easily the most interesting character in Tom Brown's Schooldays, and imaginative speculation as to what might have happened to him after his expulsion from Rugby School for drunkenness ended in 12 volumes of memoirs in which Sir Harry Paget Flashman - self-confessed scoundrel, liar, cheat, thief, coward -'and, oh yes, a toady' - romps his way through decades of nineteenth-century history in a swashbuckling and often hilarious series of military and amorous adventures. In Flashman the youthful hero, armed with a commission in the 11th Dragoons, is shipped to India, woos and…
I had a rotten childhood. Stuck in bed with asthma, I couldn’t do sports; but I could roam space and time with books, especially science fiction. Yet when I tried to re-read my beloved sci-fi titles as an adult, I got a shock. The books with sound science had terrible writing; the well-written books were full of scientific schlock. I realized that if I wanted sci-fi that was both technically astute and rewarding to read, I’d have to write it myself. And so I did.
Great adventure doesn’t always mean jungles, star-wastes, or derring-do. The human heart – what one poet called "the wilderness behind the eyes" – can be as electrifying as any firefight. In this tradition, Alice Munro won the 2013 Nobel Prize in Literature. Lives of Girls and Women is her second novel, and like all great adventure stories will tell you more about yourself than you ever suspected. As Sir Walter Scott said of Jane Austen: "That young lady has a talent for describing the involvements and feelings and characters of ordinary life."
Through the women and men she encounters, Del becomes aware of her own potential and the excitement of an unknown independence. Alice Munro's previous books include "Dance of the Happy Shades" and "The Beggar Maid", which was nominated for the 1980 Booker Prize.
I had a rotten childhood. Stuck in bed with asthma, I couldn’t do sports; but I could roam space and time with books, especially science fiction. Yet when I tried to re-read my beloved sci-fi titles as an adult, I got a shock. The books with sound science had terrible writing; the well-written books were full of scientific schlock. I realized that if I wanted sci-fi that was both technically astute and rewarding to read, I’d have to write it myself. And so I did.
"I find Hornblower admirable, vastly entertaining," said Winston Churchill in the best short review ever written. Forester takes you back 200 years to an age of wooden ships and iron men. Here you smell the powder, see the mainsails strain, hear the roar of cannon and the clang of steel – and learn more about the Napoleonic Wars than any textbook could convey. The Hornblower books are all electrifying, but to my mind, this is the best.
The seventh volume in the classic naval adventure series finds Captain Hornblower a prisoner in the French fortress of Rosas, having to surrender his ship, but only after seriously disabling three French ships. C.S.Forester also wrote "The African Queen".
I had a rotten childhood. Stuck in bed with asthma, I couldn’t do sports; but I could roam space and time with books, especially science fiction. Yet when I tried to re-read my beloved sci-fi titles as an adult, I got a shock. The books with sound science had terrible writing; the well-written books were full of scientific schlock. I realized that if I wanted sci-fi that was both technically astute and rewarding to read, I’d have to write it myself. And so I did.
Tom Corbett, Space Cadet remains my favorite young adult series. What’s not to like? Fights ending in fellowship, villains, and perils defeated, all in a dazzling 24th-century world of atomic spaceflight, electric wristwatches, high-speed slidewalks, hard-nosed Solar Guard officers with hearts of gold, and – remember this was written 70 years ago – brilliant women who are full professors of astrophysics at Space Academy (I’ll always love you, Dr. Joan Dale). Oh yes, and the Paralo-Ray: a weapon that immobilizes but does not kill. Of the eight Corbett books, The Revolt on Venus is the best: tense and thrilling, full of great characters, and politically astute.
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2.…
As a writer, I’ve always been drawn to exploring the teenage experience. Maybe that’s because my experiences in high school and college were rife with the highest of highs and the lowest of lows—everything was intensely beautiful and painful at once. That tension played a major role in my self-discovery process, and story-wise, it makes for a compelling character. But in a lot of literature, I find the depiction of teenage characters to be either sensationalized or infantilizing, melodramatic, or unconvincingly flat. When writing my own adolescent subjects in The Wayside, I turned often toward the rich, complex characters in the stories here.
Along with Anthropology of an American Girl, this is one of the books that made me want to become a writer. More specifically, it opened my eyes to what a writer can do with a teenage subject.
The story follows a prep-school student, Lee, but Sittenfeld handles her experience with all the nuance of “adult” subjects. I also admire how Sittenfeld captures the labyrinthine social politics of an elite boarding school and comments on class and race hierarchies without ever feeling didactic.
I think people mistake this book as YA—I certainly did when I first picked it up as a thirteen-year-old—but don’t be fooled by that candy-colored ribbon belt on the cover. This is as complex a novel as they come.
An insightful, achingly funny coming-of-age story as well as a brilliant dissection of class, race, and gender in a hothouse of adolescent angst and ambition.
Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel.…
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
I love all things nostalgic. It is merely a memory and can never truly be recaptured, or can’t it. This nostalgic look back into a world familiar and warm invites the reader to immerse themselves into a time they might find evocative.
The choices are similar, consequences no less pivotal in shaping one’s world.
A collection of humorous and nostalgic Americana stories—the beloved, bestselling classics that inspired the movie A Christmas Story
Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant—and utterly hilarious—works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.
In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage “You can never go back.” Bending the ear…
For the past two decades, I have written about the intersection of people and place, particularly as viewed through the lens of geology and how it influences our lives. My nine books include Too High and Too Steep: Reshaping Seattle’s Topography, Cairns: Messengers in Stone, and Homewaters: A Human and Natural History of Puget Sound. All of them have a goal of helping people develop a better connection with the natural world around them.
Not only does geology shape the land, it can also shape the lives of those who quarry the stone. Rarely is this relationship between human and rock better portrayed than in Scott Russell Sanders’ thoughtful essays about the limestone country around Bedford, Indiana. With graceful and respectful prose, he tells the stories of a “piece of earth where the accidents of geology have yielded a special kind of stone, and where landscapes, towns, and the people themselves bear the mark of that stone.” And, if you seek to see this story on film, I can also recommend one of my favorite movies, Breaking Away, a humorous and passionate portrayal of life and biking in limestone country.
From a patch of land in southern Indiana has come the stone for many of the country's most famous buildings, including the Washington Cathedral, the Pentagon, the Empire State Building, and Chicago's Tribune Tower. If you live anywhere within the lower forty-eight states you probably live within walking distance of library, bank, monument, church, house or skyscraper built with Indiana limestone. In Limestone Country is the story of the stone, from its geologic origins through its mining history to the present. Sanders records the folklore, the craft, the distinct culture that has grown up around Indiana limestone. Above all we…
I read my first crime thriller at the age of 12, and since then I’ve always had a passion to write my own stories. Although I’ve never worked as a police officer, I spent close to 10 years working as an IT consultant to multiple police forces in Australia before retiring to write full-time. The time spent working closely with law enforcement gave me a ‘feel’ for how police forces operate and helped me gravitate towards the police procedural genre. A book that moved at the pace of most police investigations would never sell and I love the challenge of making the stories authentic but still moving at a pace to keep the reader captivated.
The Jack Reacher character is arguably the best-known protagonist in the mystery thriller genre. In most novels I’ve ever read, the main character has a character arc where the protagonist learns from his adventures, trials, and tribulations and becomes a better person (or in some cases the opposite). Whatever the trajectory, the character changes over time, but in Lee Childs’ books, the Jack Reacher character never changes. Reacher is your quintessential flat line – nothing phases him and nothing ever changes him. He's a drifter, who walks the USA with a toothbrush in one pocket and an ATM card in the other. Reacher likes to stay out of trouble, but he’s not afraid to confront it either when it finds him. It's very hard not to like Jack Reacher and it's even harder not to like Lee Childs books (he's written 27 so far). I always read a Jack Reacher…
A heartland city thrown into terror. But within hours the cops have it solved. A slam-dunk case. Apart from one thing. The accused gunman refuses to talk except for a single phrase:
Get Jack Reacher for me.
Reacher lives off the grid. He's not looking for trouble. But sometimes trouble looks for him. What could connect the noble Reacher to this psychopathic killer?
_________
Although the Jack Reacher can be read in any order, One Shot is the 9th in the series.
And be sure not to miss Reacher's newest adventure, no.27, No Plan B! ***OUT…
I’m a storyteller and jack of all trades who grew up on a family farm in Indiana. I can operate a combine, analyze data, or edit a book. Writing about sports can create great stories, but the true beauty lies in the people and circumstances, not the stats and game highlights. Most of my works are nonfiction—personal interest, sports, history, and sports history. I enjoy unearthing untold stories, especially when they involve equal rights, underdogs, hidden history, and non-famous people. Everyone has a story to tell.
Mike Roos did a great job telling this true story of Indiana high school basketball. Roos’s father was the high school principal that hired that crazy coach referenced in the title. He used extensive interviews and years of rewrites to recreate meetings, locker room pep talks, and dialogue. Not only is this a good story, but Roos showed readers what is wonderful about creative nonfiction. It reads like a novel, but it’s genuine nonfiction.
In the summer of 1962, the peripatetic and irrepressible Pete Gill was hired on a whim to coach basketball at tiny Ireland High School. There he would accomplish, against enormous odds, one of the great small-town feats in Indiana basketball history. With no starters taller than 5'10", few wins were predicted for the Spuds. Yet, after inflicting brutal preseason conditioning, employing a variety of unconventional motivational tactics, and overcoming fierce opposition, Gill molded the Spuds into a winning team that brought home the town's first and only sectional and regional titles. Relying on narrative strategies of creative nonfiction rather than…
When I first moved to Portland, Oregon, I heard about the 1988 murder of an Ethiopian student by skinheads of the White AryanResistance. A famous trial subsequently bankrupted that white supremacist organization. When I began writing my trilogy, set in 1923, I learned about the strength of the Oregon KKK during the 1920s. I could see a direct line between the bigotry of that era and contemporary Portland. The more I studied the Klan of the 20s, the more I knew this information had to be part of my novels. Besides these book recommendations, I read numerous articles about Klan history. Everyone should learn this history.
I couldn’t have written my trilogy without reading this book. It taught me so much about the women in the KKK, their attitudes and beliefs, their social status and background, their activities and support for the Klan, and so much more. The book is so deeply researched that it provides keen insights into the gender politics of the 1920s, the differing ways of thinking between the men in the Klan versus the women in the Klan, and their dissimilar approaches to carrying out “Klanishness.” The women that Blee describes held the typical mainstream views of white, Protestant, native-born Americans, who were the overwhelming majority in their communities. This book enhanced my understanding of Klan women so that I could create realistic Klan women characters in my novels.
Ignorant. Brutal. Male. One of these stereotypes of the Ku Klux Klan offer a misleading picture. In "Women of the Klan", sociologist Kathleen Blee unveils an accurate portrait of a racist movement that appealed to ordinary people throughout the country. In so doing, she dismantles the popular notion that politically involved women are always inspired by pacifism, equality, and justice. "All the better people," a former Klanswoman assures us, were in the Klan.During the 1920s, perhaps half a million white native-born Protestant women joined the Women's Ku Klux Klan (WKKK). Like their male counterparts, Klanswomen held reactionary views on race,…
