43 books like The Revolt on Venus

I'm a lot of things. I design games. I study literature and theater. I write novels that are messy fusions of literary and genre fiction. I'm endlessly curious. Each of my books starts with when I hear in my head, the voice of a character asking a question. It's always a silly question, and it's always the one that matters more to them than anything else in the world. "Why does being superintelligent make you evil?" became Soon I Will Be Invincible. "What are people who play video games obsessively really looking for?" became You. Answering the question isn't simple, but of course that's where the fun starts.

I had a rotten childhood. Stuck in bed with asthma, I couldn’t do sports; but I could roam space and time with books, especially science fiction. Yet when I tried to re-read my beloved sci-fi titles as an adult, I got a shock. The books with sound science had terrible writing; the well-written books were full of scientific schlock. I realized that if I wanted sci-fi that was both technically astute and rewarding to read, I’d have to write it myself. And so I did.

I had a rotten childhood. Stuck in bed with asthma, I couldn’t do sports; but I could roam space and time with books, especially science fiction. Yet when I tried to re-read my beloved sci-fi titles as an adult, I got a shock. The books with sound science had terrible writing; the well-written books were full of scientific schlock. I realized that if I wanted sci-fi that was both technically astute and rewarding to read, I’d have to write it myself. And so I did.

I had a rotten childhood. Stuck in bed with asthma, I couldn’t do sports; but I could roam space and time with books, especially science fiction. Yet when I tried to re-read my beloved sci-fi titles as an adult, I got a shock. The books with sound science had terrible writing; the well-written books were full of scientific schlock. I realized that if I wanted sci-fi that was both technically astute and rewarding to read, I’d have to write it myself. And so I did.

My first book was Quiver, a collection of erotic short stories. I wrote it to immortalize the hedonism of Sydney in the 1990s, wanting to show a nonjudgmental, joyful side. The fact that it touched a lot of people compelled me to write two more collections Tremble and Yearn – each exploring different themes: Tremble is an erotic re-imagining of various root myths, whilst Yearn has more historical and fantastical elements. I interweave all the characters in the stories throughout the whole collections. Humor is also important to me when it comes to the ironies and emotions around sex, the other aspect is gender power play and all the sublime reversals that can encapsulate. 

As an engineer, scientist, and historian, I’ve always been fascinated by how science has always served the political goals of nations and empires. Today, we look at the Space Race to land a person on the Moon as a part of the Cold War effort to establish the intellectual and cultural dominance of the United States and the Soviet Union, even as it created new technologies and completely changed our understanding of the world. When I came across the Geodesic Mission to the Equator 1735-1744, I realized that even in the 18th century, voyages of discovery could do more than simply find new lands to conquer and exploit–they could, and did extend our knowledge of nature and mankind.

Growing up, I was exposed to the same influences as most other SF writers of my generation – Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. It’s an approach that’s carried over into my own writing ever since.

I have always been interested in art, science, and feminism. I became particularly engaged in the history and science of astronomy when I was the manager of the Sydney Observatory. While there, I wrote a doctoral thesis about the work of female ‘computers’ and star measurers for the Australian section of the Great Star Catalogue in the early 20th Century. I am interested in how astronomical events and observations have influenced history, art, and culture. I am an amateur astronomer, have seen eight total solar eclipses, two transits of Venus, and other astronomical events, and plan to see many more.

Okay, so you’ve read Dune, you’ve read Starship Troopers, you’ve read 2001: A Space Odyssey, and maybe you’ve even read From Earth to the Moon and The First Men in the Moon. Seen the movies, too (or maybe you cheat and say you’ve read the books when you’ve only seen the flicks). Bet you think that makes you an expert on science fiction about space, right? Not even close! If you want to read more than just the well-known classics everyone else has, find these books. Some have become obscure and are now out of print, but they’re not hard to find; try ABE, eBay, and local second-hand bookstores. They’re worth searching for, and then you’ll really have something to talk about.

Once upon a time, I didn’t know any stories from Africa. I found one, and it stirred me to my core. I found others and read them to my children. These were oral stories that had been trapped between the covers of books. One day, I discovered the oral tradition – stories told as they were originally heard. They had been liberated from the page and flew into my heart. A storyteller was born in me. I went on my own journey to collect stories in Ghana. I now tell stories from traditions around the world.