The most recommended books about Indiana

I’m a Korean American author who believes life is too short to read books that bore you, classics or otherwise. I’ve always had eclectic tastes and like to pick out books the way customers choose bonbons at my chocolate shop (which I’ve co-owned since 1984). And while I do read and often write longer works, I’ve always preferred to fall into a world from the opening line and bow out soon thereafter. By nature, I’m a minimalist – and maybe don’t have the greatest attention span – so I’m in awe of short works that stand on their own. They’re just more dramatic and memorable to me.

I stumbled upon Hickey’s memoirs and while reading them became captivated not only by the frequently hilarious episodes he recounts from his life, but also by the subject of autobiography and how narrating our life story somehow projects a sense of self and identity to the reader. Trying to grasp this process led me to exploring a wide range of books, and opened up understanding of how our selves are fashioned and what they mean to others. An endlessly fascinating subject.

Twenty-one years ago, I moved off the grid. As a city-dweller who didn't even go camping, I'd never considered myself a country woman, but I felt called to the woods. I wanted to learn practical skills like how to split wood and bake bread, and I wanted to reduce my carbon footprint. Now, because of our lifestyle, we don't run microwaves, toasters, or dishwashers, and it’s been 20 years since I’ve had a clothes dryer. Living this way has changed me. My relationship with the environment has evolved over the years, and I don’t think I’ll ever stop learning about the different ways experiences in nature can help us humans to grow.

As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.

When people find out I write YA novels, they sometimes ask, “How do you remember what it was like to be that age?” I want to respond, “How do you forget?” I’m still—many years past my own adolescence and after 25 years of teaching teenagers—trying to figure out how high school works. I’m pretty sure I won’t find a satisfying answer, but I hope that, if I keep asking the question (actually, I can’t help asking it), I’ll write some YA books that make kids feel a little less alone. Who am I? Clearly, a person who hopes it’s never too late to be popular in high school.

I’ve always believed a story should be world changing and epic on some level. Perhaps on a personal level, perhaps in the actual sense of world changing. Whether it’s for my readers of a short story, the players in a tabletop role playing game I’m running, or the arc of a novel. Some of these books help form that idea, and others supported it later in my life. I love it when a tale shakes my world—in addition to the world of the characters—and makes me question what I believe. With a doctorate in metaphysics and a love of fantasy and sci-fi, I’m always looking for ways to shake up my worldview!

I love to read, and a good story is one thing. But once you’ve read the story, you know how it ends. It’s the characters in the story that determine if you want to go back and read them again. These are stories that I enjoy reading over again, (some several times) although I know how the story ends. The characters in these stories have inspired me to write my own.

I’ve been hooked on adventure stories since I started reading. When I became serious about writing for young readers, I couldn’t resist creating fearless kids out to tackle. Indiana Jones-sized dangers. While I love writing these kinds of stories, I can’t resist reading them either. If there’s an added element of magic or sci-fi time-travel, I have to find out what happens and how. The most fun is to read these stories aloud to the young readers in my family in hopes they’ll also fall in love with adventure/fantasy—maybe one of them will even write a few of these books. That would be fabulous.

I’ve always been in love with the idea of love. I didn’t know what that feeling was like for a long time–not being in love myself–so I grew attached to fictionalised worlds that brought those ideas to life. I’ve always been the person who smiles at a meet-cute or feels that warm, fuzzy feeling inside when the couple you’ve been rooting for the last two hundred pages finally kisses. I want them to know how exciting it can be to feel loved and experience that through the creation of stories. This is why romance is, and likely always will be, a huge thematic influence on all forms of my work. 

For the past two decades, I have written about the intersection of people and place, particularly as viewed through the lens of geology and how it influences our lives. My nine books include Too High and Too Steep: Reshaping Seattle’s Topography, Cairns: Messengers in Stone, and Homewaters: A Human and Natural History of Puget Sound. All of them have a goal of helping people develop a better connection with the natural world around them.