The author, editor, or ghostwriter of more than 100 book titles, GlennStout loves to mine microfilmed newspaper archives and specializes in deeply reported historical narrative non-fiction that brings the past to life. Many of his titles have intersected with the Roaring Twenties, including Young Woman and the Sea: How Trudy Ederle Conquered the English Channel and Changed the World, now in development for Disney+ as a major motion picture starring Daisy Ridley. A long-time aficionado of noir and true crime, Tiger Girl and the Candy Kid was the culmination of more than fifteen years of dogged research, a story The Wall Street Journal called “a hell of a yarn--worthy of an HBO hoodlum epic like Boardwalk Empire.”
The Roaring Twenties wouldn’t have roared quite as loud without Prohibition. And without George Remus, who cornered the bourbon market while enjoying a lifestyle pulled from the pages of The Great Gatsby – and who probably murdered his wife along the way - the era would have been a lot less liquid.
NEW YORK TIMES BESTSELLER • The epic true crime story of the most successful bootlegger in American history and the murder that shocked the nation, from the New York Times bestselling author of Sin in the Second City and Liar, Temptress, Soldier, Spy
“Gatsby-era noir at its best.”—Erik Larson
An ID Book Club Selection • NAMED ONE OF THE TEN BEST HISTORY BOOKS OF THE YEAR BY SMITHSONIAN
In the early days of Prohibition, long before Al Capone became a household name, a German immigrant named George Remus quits practicing law and starts trafficking whiskey. Within two years he's a…
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
For me, this is another masterful interweaving of historical fact and wildly creative imagination. It’s a prime example of in-depth research wielded to tangibly ground the reader in the book’s world; you learn about everything from 19th-century psychological theory and forensics to quilt-making and housecleaning techniques.
Part of what I really love about the novel, though, is that unlike in The Handmaid’s Tale, here Atwood deliberately blurs the lines between “good” and “evil” and “victim” and “villain.” Grace isn’t entirely likable, and she’s pretty much entirely unreliable. So, embodying her perspective as a reader is a continual guessing game of whether or not she’s telling the truth about her role in the murders at the book’s center. At the same time, it’s also a kind of ethical guessing game, for even if Grace is guilty, Atwood makes the role society and class play in her downfall so painfully clear…
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
I’ve been researching the Leopold-Loeb case for around a decade, ever since a documentary sparked my interest back in high school. That sent me on a quest for knowledge: devouring all the books I could find on the subject, before turning to archival collections to look at the primary source material. Flash forward to today and I’ve read thousands of newspaper stories, hundreds of scholarly articles and books on the subject and travelled around the country searching in over 50 archives, trying to understand this case as much as I possibly can. Here’s a list of books I found particularly helpful or inspiring on my journey.
There have been many, many fictional adaptations of the Leopold-Loeb story, and it seems to be tricky to get the details and the people portrayed accurately, while still telling a tight and intriguing story. This play achieves that the best that I’ve seen.
Told in a non-linear fashion, it explores a nuanced relationship between Leopold and Loeb and what led them to the murder, as well as the arguments of the lawyers and the vitriol of the press. Exploring themes of prejudice, love, and mob hysteria, the audience gets to see many angles of the case and feel the vast effect it had on the city, without losing the more nuanced explorations of the characters and their struggles.
I’m a seventh-generation West Virginian. My husband and I own the farm that’s been in my family since before the Civil War. My Appalachian roots are sunk deep, so when it comes to “writing what you know,” this is it! I was baptized in stories by my father who transformed my ancestors and my history into a living, breathing cast of characters I longed to meet. So, I began to write their stories in the guise of novels about made-up people. My seven novels (and two novellas) are love letters to the place that shaped me.
Don’t you love that title?!? And the novel is based on a true story about a ghost who testified at her own trial. Seriously. Testimony from the Greenbrier Ghost was accepted in a court of law. I’m just sorry I didn’t get around to writing about this one before Sharyn did!
From New York Times bestselling author Sharyn McCrumb comes this finely wrought novel set in nineteenth-century West Virginia, based on the true story of one of the strangest murder trials in American history-the case of the Greenbrier Ghost.
Lakin, West Virginia, 1930-Following a suicide attempt and consigned to a segregated insane asylum, attorney James P.D. Gardner finds himself under the care of Dr. James Boozer. Eager to try the new talking cure for insanity, Boozer encourages his elderly patient to reminisce about his experiences as the first black attorney to practice law in nineteenth-century West Virginia. In his forty-year career,…
The one thing you’ll find in common about the books I recommend and the books I write is the attention to detail. As a retired police officer, I know that it was often the smallest of details that helped solve a crime. In my books, you’ll find an inordinate amount of information that was never known to the public, and I think that’s what truly holds a reader’s interest. Killing Women is the true story of serial killer Don Miller, and you’ll be abhorred at what he did to his victims. Are you ready for his release in 2031?
This book is absolutely fascinating to me. When I write, I strive to include painstakingly detailed accounts of the crimes that were never known to the general public, and this book goes into every minute detail regarding the 1913 murder of thirteen-year-old Mary Phagan in Atlanta, Georgia. Mary’s body was discovered in the basement of Atlanta’s National Pencil Factory, and it culminated in the conviction and death sentence of Leo Frank. Frank’s death sentence was commuted, but he was ultimately kidnapped and lynched two months after the commutation. I considered this a powerful example of investigative journalism with largely unknown details. It’s a gripping account of a time period in this nation’s history that could best be forgotten.
On April 27, 1913, the bludgeoned body of thirteen-year-old Mary Phagan was discovered in the basement of Atlanta’s National Pencil Factory. The girl’s murder would be the catalyst for an epic saga that to this day holds a singular place in America’s collective imagination—a saga that would climax in 1915 with the lynching of Leo Frank, the Cornell-educated Jew who was convicted of the murder. The case has been the subject of novels, plays, movies and even musicals, but only now, with the publication of And the Dead Shall Rise, do we have an account that does full justice to…
I am fascinated by all that was happening in the world before WWII. Amidst a silent, looming economic collapse, many social norms were turned on their head, women broke out of their molds, and art, literature, technology, and music all flourished. And a heady mix of cultures blended not altogether seamlessly to influence the Roaring Twenties like no other decade before it. The juxtaposition of this exciting yet challenging tumult lures me into reading books and writing immigrant-forward stories about this period—and as an author with deep roots in the boot—I particularly enjoy doing so through an Italian lens.
Veering away from fiction for a moment, this is a true crime tale set in the Jazz Age in San Diego. Flappers and playboys and actors in Hollywood during Prohibition, oh my! The biggest question this narrative nonfiction book doesn’t answer, though attempts to, is who killed the dancer, Fritzie Mann? A sensational story that was splashed on newspapers across the nation in the 1920s that I happened to stumble on last year. A tragic unsolved homicide by the sea that had me gripped from the get-go—and that’s saying something for someone not usually drawn to true crime—this book reads like a novel and should be a movie.
This “fast-paced, thoughtful true-crime” examines the cultural shifts of Jazz Age America through a beautiful dancer’s mysterious and scandalous death (Kirkus, starred review).
In January 1923, twenty-year-old Fritzie Mann left home for a remote cottage by the sea to meet a man whose identity she had revealed to no one. The next morning, the dancer’s barely clad body washed up on Torrey Pines beach, her party dress and possessions strewn about the sand. The scene baffled investigators, and abotched autopsy created more questions than it answered. However, the investigation revealed a scandalous secret.
I’ve always hated horror movies and anything scary—but I love true crime. I’m particular in how I consume it; I prefer to listen to it rather than read it and never at night. But give me a Dateline marathon and I’m a happy woman. While much of my own writing is far from true crime (Twin Willows Trilogy is YA urban fantasy, and What They Don’t Know is contemporary YA), my thriller The Forgetting explores dark subject matters—so dark, in fact, that my agent said to me, “But you seem so nice.” I am, for the most part…but I’m also not afraid to shine a flashlight into the darkness that lives in all of us.
Every month when my copy of Vanity Fairarrived, I’d flip directly to Dominick Dunne’s column and savor every word. Each story in this collection reads like those columns: full of juicy details alongside human pathos. While most of the pieces cover the O.J. Simpson trial (for which Dunne was front and center in the courtroom every day), he also writes about other high-profile cases of the rich and infamous such as the Menendez Brothers and Sunny von Bulow. But the first story in the book is about the murder of Dunne’s own daughter, Dominique, reminding us that at the other end of these sensationalized stories is a real person whose life has tragically been cut short. One of the things that affected me most about Dunne’s writing is that he was always on the side of the victim, and that’s displayed here in spades.
Dominick Dunne's mesmerizing tales of justice denied and justice affirmed.
For more than two decades, Vanity Fair published Dominick Dunne’s brilliant, revelatory chronicles of the most famous crimes, trials, and punishments of our time. Whether writing of Claus von Bülow’s romp through two trials; the Los Angeles media frenzy surrounding O.J. Simpson; the death by fire of multibillionaire banker Edmond Safra; or the Greenwich, Connecticut, murder of Martha Moxley and the indictment—decades later—of Michael Skakel, Dominick Dunne tells it honestly and tells it from his unique perspective. His search for the truth is relentless.
I’m a keen follower of Scottish crime fiction, a genre that has really come to the fore in recent years, spawning dedicated book festivals and many TV and film adaptations. The great thing about many of these books is that they don’t always follow the usual narrative of cops and baddies but have varied and diverse storylines, often concentrating on characters in unusual or extreme situations and not involving the police–something I attempted in my own book. My picks on this list hopefully illustrate just how diverse Scottish crime writing can be and encourage more readers to seek it out.
I love books with unusual structures, and this one certainly fits the bill. The story concerns the violent murder of three crofters (farmers) in a remote Scottish Highland community in 1869.
When reading the book and the way it is presented, you are never sure if you are reading true witness testimonies, contemporaneous court reports and medical statements, or the confession of the actual murderer himself. Unreliable narrators can sometimes be frustrating, but in this case, how sure are we that any of what we are reading is actually true?
The book delivers a sort of courtroom drama in which the reader is left to piece together to draw their own conclusion.
NAMED A BEST BOOK OF 2016 BY NEWSWEEK, NPR, THE GUARDIAN, THE TELEGRAPH, AND THE SUNDAY TIMES
A NEW YORK TIMES EDITORS' CHOICE
"THOUGHT PROVOKING FICTION"-THE NEW YORK TIMES BOOK REVIEW
A brutal triple murder in a remote Scottish farming community in 1869 leads to the arrest of seventeen-year-old Roderick Macrae. There is no question that Macrae committed this terrible act. What would lead such a shy and intelligent boy down this bloody path? And will he hang for his crime?
Presented as a collection of documents discovered by the…
I’ve been fascinated with true crime since a serial killer operated in my hometown when I was a kid. I’m now an expert on criminal psychology, which I teach at DeSales University. I’ve appeared in more than 200 crime documentaries and was an executive producer on Murder House Flip (my idea) and A&E’s Confession of a Serial Killer: BTK. I’ve published more than 72 books, and over the past 12 years, I’ve penned a blog on the dark side of the human psyche for Psychology Today. Currently, I’m writing a fiction series based on a female forensic psychologist who runs a PI agency and consults on unique death investigations.
I was so excited to see a book that featured an innovative French pathologist, Alexandre Lacassagne, who invented the criminal autobiography during the 1890s.
Starr delves into the French records to show the insights Lacassagne derived about the criminal mind, which altered many notions in criminology. Starr also tells a compelling tale about an early serial killer, the French Ripper, who openly discussed his life history and even helped police find his victims.
During the age of Jack the Ripper, when the first behavioral profiles were used for linking crimes and understanding motives, the French Ripper demonstrated just how deranged a lust killer can be. This book expanded my awareness of early criminal psychology.
A fascinating true crime story that details the rise of modern forensics and the development of modern criminal investigation.
At the end of the nineteenth century, serial murderer Joseph Vacher terrorized the French countryside, eluding authorities for years, and murdering twice as many victims as Jack The Ripper. Here, Douglas Starr revisits Vacher's infamous crime wave, interweaving the story of the two men who eventually stopped him—prosecutor Emile Fourquet and Dr. Alexandre Lacassagne, the era's most renowned criminologist. In dramatic detail, Starr shows how Lacassagne and his colleagues were developing forensic science as we…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I love traditional, play-fair mysteries and the puzzles they present. But I also love writers who get the technical details right while also writing engaging novels I can get lost in. Nothing better than curling up with a good mystery.
Nancy Pickard is one of my favorite authors, starting with her Jenny Cain series. The Whole Truth, featuring true-crime writer Marie Lightfoot, was a shift for her. The novel simultaneously follows Marie as she researches the case of a dangerous serial killer and as she writes about it, which gives an interesting insight into the difficulties of living in a world where crime is real.
"Nancy Pickard pushes at the presumed limits of [crime fiction]" said the Los Angeles Times Book Review, praising the award-winning creator of the Jenny Cain mysteries. Now, Pickard blurs the line between fiction and reality in a novel of gripping intensity, and premieres a superb new heroine: true-crime author Marie Lightfoot. For her next surefire bestseller, Marie is covering the trial of a Florida killer -- a case that penetrates her own life, layer by disturbing layer.
Whether real like Ted Bundy, or imagined like Hannibal Lecter, few killers of our time are in the same league as Raymond Raintree.…
