Here are 33 books that Justice fans have personally recommended if you like
Justice.
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Born into a family with friction between parents, I never thought relationships could get much worse. When my parents divorced, father became estranged, then died by apparent suicide, memoirs by diverse voices opened my world and made me feel less alone. When I went through a sexual and gender identity crisis of my own, they helped me navigate the turmoil in my own life. I spent more than twenty-five years writing professionally for corporate and academic employers before writing biography and memoir became a coping skill.
Preston and Spezi’s memoir helped me learn how to write from inside a murder investigation. I knew I needed to write about my father’s unusual death and my suspicions, but I didn’t have the tools to tackle it. The two journalists describe how they solved an infamous serial killer case only to become suspects themselves. Preston and Spezi drive their story with a momentum I tried to match in telling mine.
The Monster of Florence, which was shortlisted for the prestigious CWA Gold Dagger Award for Non Fiction in 2010, is a true account of brutal serial murder in idyllic Florence. After settling in Italy in 2000, Douglas Preston discovered that the olive grove in front of his family's new home had been the scene of one of the most infamous double-murders in Italian history, committed by a serial killer who had never been found and was known only as the Monster of Florence. Preston, intrigued, met Italian journalist Mario Spezi, who had followed the case since the first murders in…
I’ve been enthralled with history since childhood thanks to my late father, a college professor with a passion for the past. Our house was always filled with history books of all types and my father was a veritable encyclopedia who enjoyed answering my questions. When I became a crime reporter in the early 2000s, my predilection for history merged with my interest in crime and I ended up writing four books centered around historical crimes ranging in time from the 1700s to the 1960s.
David Grann’s Killers of the Flower Moon gives the viewer a window into a piece of Native American culture in 1920s Oklahoma as well as the inner workings of the brand-new FBI under its narcissistic and despotic head J. Edgar Hoover.
For me, the heart of the story is the Osage people and their struggle to prosper in the face of racism, corruption, and murder. That’s not to say that Grann doesn’t do a brilliant job with the FBI investigation into the killings.
In the 1920s, the richest people per capita in the world were members of the Osage Indian nation in Oklahoma. After oil was discovered beneath their land, they rode in chauffeured automobiles, built mansions and sent their children to study in Europe.
Then, one by one, the Osage began to be killed off. As the death toll climbed, the FBI took up the case. But the bureau badly bungled the investigation. In desperation, its young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to unravel the mystery. Together with the Osage he and his undercover…
I’ve always hated horror movies and anything scary—but I love true crime. I’m particular in how I consume it; I prefer to listen to it rather than read it and never at night. But give me a Dateline marathon and I’m a happy woman. While much of my own writing is far from true crime (Twin Willows Trilogy is YA urban fantasy, and What They Don’t Know is contemporary YA), my thriller The Forgetting explores dark subject matters—so dark, in fact, that my agent said to me, “But you seem so nice.” I am, for the most part…but I’m also not afraid to shine a flashlight into the darkness that lives in all of us.
In 1974, two couples sailed into the Palmyra Atoll in search of a tropical paradise—but only one couple sailed back. When Eleanor “Muff” Graham’s body washes up on shore 6 years later, Buck Walker and his former girlfriend Stephanie Stearns are charged with her murder, but the outcome of their trials surprises everyone. Written by Stearns’ famed defense attorney Vincent Bugliosi, this story has everything: a tropical island teeming with tension, two couples whose ideologies were bound to come to a head, and a wild court case that will have you on the edge of your seat until the very end.
ALONE WITH HER NEW HUSBAND on a tiny Pacific atoll, a young woman, combing the beach, finds an odd aluminum container washed up out of the lagoon, and beside it on the sand something glitters: a gold tooth in a scorched human skull. The investigation that follows uncovers an extraordinarily complex and puzzling true-crime story. Only Vincent Bugliosi, who recounted his successful prosecution of mass murderer Charles Manson in the bestseller Helter Skelter, was able to draw together the hundreds of conflicting details of the mystery and reconstruct what really happened when four people found hell in a tropical paradise.…
I’ve always hated horror movies and anything scary—but I love true crime. I’m particular in how I consume it; I prefer to listen to it rather than read it and never at night. But give me a Dateline marathon and I’m a happy woman. While much of my own writing is far from true crime (Twin Willows Trilogy is YA urban fantasy, and What They Don’t Know is contemporary YA), my thriller The Forgetting explores dark subject matters—so dark, in fact, that my agent said to me, “But you seem so nice.” I am, for the most part…but I’m also not afraid to shine a flashlight into the darkness that lives in all of us.
While not a true-crime book per se, this memoir from the hosts of the smash-hit podcast My Favorite Murderis written with humor and authenticity. The book is filled with anecdotes about all the dumb mistakes they made as teenagers that could’ve ended very badly, lists such as "Ten Starter Ideas For Self-Care Beginners," and stories about the origins of their true-crime obsession. My Favorite Murder stands out amongst all the other true crime podcasts because of the way Hardstark and Kilgariff use humor to cope with the darkness in our world, and their special blend of dark humor is on every page of their book.
The instant #1 New York Times and USA Today best seller by Karen Kilgariff and Georgia Hardstark, the voices behind the hit podcast My Favorite Murder!
Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the nation.
In Stay Sexy & Don’t Get Murdered, Karen and Georgia focus on the importance of self-advocating and valuing personal safety over being ‘nice’ or ‘helpful.’ They delve into their own pasts,…
Everybody lies. Good people, evil-doers, and the well-intentioned. My fascination began when I discovered through genealogy the mistruths, obfuscations, and lies by omission that peppered my own family tree. In my case the forebears believed there were good reasons to lie and no reason to think that the truth would ever be uncovered. But DNA profiling has shone a big light on the dark corners. Also being a teacher for a few decades means I’ve heard just about every permutation of alleged truth there is! These books focus on the character’s journey through deception and fabrications to arrive at a version of truth that is less unbearable than the lies.
This book remains one of the most evocative texts for me about where truth lies in a story. But this beautifully crafted version of the events that ended Joe Cinque’s life is no fiction. My heart breaks every time I read it, my rage at the callousness of his murderer and deep-seated sadness at the carelessness of his friends bubbles anew with each foray into the pages. Garner’s writing takes me to the scene, to the court, and into the very core of his family’s grief. Powerful.
A true story of death, grief and the law from the 2019 winner of the Australia Council Award for Lifetime Achievement in Literature.
In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests-most of them university students-had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder.
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I love traditional, play-fair mysteries and the puzzles they present. But I also love writers who get the technical details right while also writing engaging novels I can get lost in. Nothing better than curling up with a good mystery.
Nancy Pickard is one of my favorite authors, starting with her Jenny Cain series. The Whole Truth, featuring true-crime writer Marie Lightfoot, was a shift for her. The novel simultaneously follows Marie as she researches the case of a dangerous serial killer and as she writes about it, which gives an interesting insight into the difficulties of living in a world where crime is real.
"Nancy Pickard pushes at the presumed limits of [crime fiction]" said the Los Angeles Times Book Review, praising the award-winning creator of the Jenny Cain mysteries. Now, Pickard blurs the line between fiction and reality in a novel of gripping intensity, and premieres a superb new heroine: true-crime author Marie Lightfoot. For her next surefire bestseller, Marie is covering the trial of a Florida killer -- a case that penetrates her own life, layer by disturbing layer.
Whether real like Ted Bundy, or imagined like Hannibal Lecter, few killers of our time are in the same league as Raymond Raintree.…
I’ve always been a bit of a daydreamer and drawn to books that look through a window into the "other world." These novels, often dubbed dystopian, are reflections or exaggerations of our own world, and this always appealed to me. Like the question, "What if?”. The premise of “What if we lived in a world where you had to pay for words?” inspired my first novel, The Qwerty Man. Although I love fiction, I’m more of a nonfiction reader these days and interested in Buddhism (as an education, not religion), geography, and history. I’ve also written travel guidebooks for Lonely Planet and a children’s travel poetry book called Rhyme Travels.
Another classic dystopian novel, The Trial, is also something that could easily happen. Kafka’s timeless character, K, wakes up one morning and is simply arrested for an unknown reason. K spends the rest of the novel trying to decipher what happened in a world of endless bureaucracy.
Although I haven’t been arrested, I can definitely identify with the sometimes ludicrous measures we go through for bureaucracy. When I moved to Tel Aviv, I had to fill out seemingly endless forms over and over again, go to offices that were only open for a few hours a day, and stand in queues for a stamp or whatever.
K’s struggle is also a kind of dark prophecy of the Holocaust and persecution of the Jews which starts with innocuous measures like wearing star badges and ends with mass murder. Sadly, this is also too close to today’s world.
"Someone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested." From its gripping first sentence onward, this novel exemplifies the term ""Kafkaesque." Its darkly humorous narrative recounts a bank clerk's entrapment — based on an undisclosed charge — in a maze of nonsensical rules and bureaucratic roadblocks. Written in 1914 and published posthumously in 1925, Kafka's engrossing parable about the human condition plunges an isolated individual into an impersonal, illogical system. Josef K.'s ordeals raise provocative, ever-relevant issues related to the role of government and the nature of…
I’m a historian of early modern Europe. I have a particular interest in the history of violence and social relations and how and why ordinary people came into conflict with each other and how they made peace, that’s the subject of my most recent book Enmity and Violence in Early Modern Europe, which compares the entanglement of everyday animosities and how these were resolved in Italy, Germany, France and England. I’m also passionate about understanding Europe’s contribution to world history. As editor of The Cambridge World History of Violence, I explored the dark side of this. But my next book, The Invention of Civil Society, will demonstrate Europe’s more positive achievements.
I love this book because it’s a story about ordinary people. But it’s a true story.
It reads like a fairytale: a peasant, Arnaud du Tilh, is accused of impersonating another man who had abandoned his wife several years before. Arnaud seems to have outwitted the judges until the errant husband returns condemning the impostor to death.
I like this story because it helps to identify with men and women in the past, who in many respects, are just like us. It’s also a piece of great history reconstructed from original trial records. Davis is a great writer.
The clever peasant Arnaud du Tilh had almost persuaded the learned judges at the Parlement of Toulouse when, on a summer's day in 1560, a man swaggered into the court on a wooden leg, denounced Arnaud, and reestablished his claim to the identity, property, and wife of Martin Guerre. The astonishing case captured the imagination of the continent. Told and retold over the centuries, the story of Martin Guerre became a legend, still remembered in the Pyrenean village where the impostor was executed more than 400 years ago.
Now a noted historian, who served as consultant for a new French…
I’m a historian of early American history and a professor at Southern Methodist University in Dallas. I came to my love of history through reading fiction as a child, and I’m still an avid reader of good stories of all kinds. Asking new questions about history requires imagination, and writers of good historical fiction provide brilliant ways to engage the past. They offer something real and human that transcends the need to footnote or fact check, so I turn off my historical accuracy meter when I read books like these. My list encapsulates some of my favorite novels for when I want to be a time traveler from my couch.
In this amazing mystery/whodunit, Sara Collins tells the story of Frannie Langton, a Jamaican woman brought to London by her enslavers in the 1820s.
First and foremost, this book is a great story, with all the joys of fantastic fiction. When Frannie is put on trial for double murder, Collins opens up the complex world of plantation households—in the Caribbean and in London—to her readers. I study the dynamics of empire from a birds-eye view; Collins makes them personal, real, human, and intimate.
At the book’s core is Frannie’s searching, propulsive intellect and desire for human connection within a toxic world she cannot ultimately control. Through Frannie’s eyes the reader learns about the history of science, politics, class, race, and gender, but Collins’s storytelling makes it all utterly engrossing.
Don't miss the TV miniseries, streaming now exclusively on BritBox!
“A blistering historical thriller.” — Entertainment Weekly
A servant and former slave is accused of murdering her employer and his wife in this breathtaking debut that moves from a Jamaican sugar plantation to the fetid streets of Georgian London—a gripping historical thriller with echoes of Alias Grace, The Underground Railroad, and The Paying Guests.
All of London is abuzz with the scandalous case of Frannie Langton, accused of the brutal double murder of her employers, renowned scientist George Benham and his eccentric French wife, Marguerite. Crowds pack the courtroom, eagerly…
I’ve written fourteen historical novels now and most of them include real historical characters. I particularly like writing about women I feel have been misjudged or ignored by historians, and trying to reassess them in the modern age. Fiction allows me to imagine what they were thinking and feeling as they lived through dramatic, life-changing experiences, giving more insight than facts alone could do. Sitting at my desk in the morning and pretending to be someone else is a strange way to earn a living but it’s terrific fun!
Most of this novel is narrated by Grace Marks, a servant girl who is supposed to have committed a murder but says she doesn’t remember doing it.
She is being interviewed by a psychiatrist who is trying to jog her memory. But is she telling him the truth? I love this use of a possibly unreliable narrator, based on a true story that remains unresolved to this day. It’s a disturbing and compelling read.
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
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