Here are 100 books that Joe Cinque's Consolation fans have personally recommended if you like
Joe Cinque's Consolation.
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As a troubled teen who wasn’t raised in a traditional family environment, I had always gravitated toward books with transformative characters—underdogs who were lost or lost their way by accident and on purpose.
The genre never mattered to me as much as my ability to relate to struggling protagonists who needed to escape their situation or environment, regardless of what they had to do, right or wrong. Love them or loathe them, I learned something from each of them. I hope you enjoy their journeys as much as I have.
So what if his worldview never makes sense to anyone but himself? I see Holden Caulfield as the quintessential benchmark for a bad boy, shucking off the last few days at the boarding school that expelled him to wander around Manhattan in a daze. Some readers don’t like him so much that they are personally invested in attacking him and what he represents.
But what is it that he represents, exactly? When I look beyond the surface of his false bravado, he’s a character deeply affected by the death of his brother and is setting out on a quest to understand how to be a real person in a world of phonies. Many of us, as teenagers, also have moments of feeling misunderstood and alone. I know I did, and so did Holden.
Everybody lies. Good people, evil-doers, and the well-intentioned. My fascination began when I discovered through genealogy the mistruths, obfuscations, and lies by omission that peppered my own family tree. In my case the forebears believed there were good reasons to lie and no reason to think that the truth would ever be uncovered. But DNA profiling has shone a big light on the dark corners. Also being a teacher for a few decades means I’ve heard just about every permutation of alleged truth there is! These books focus on the character’s journey through deception and fabrications to arrive at a version of truth that is less unbearable than the lies.
Vertigo is not so much about the lies people tell, more the reasons why they can’t face the truth. The story unfolds as the reader is immersed in the physical world of the characters. The environment frames the sense of loss and isolation they experience and is described in detail. You can almost hear and smell the land around them. Lohrey also evokes the power of the Australian bushfire season and its power to destroy everything we build. Having lived through the New Year’s Eve fire in NSW in 2019/20 I feel every raw nerve ignite through her description.
Luke and Anna, thirty-something and restless, decide on a sea change. Worn down by city life and wounded by a loss neither can talk about, they flee to a sleepy village by the coast. There, surrounded by nature, they begin to feel rejuvenated. But when bushfire threatens their new home, they must confront what they have tried to put behind them.
Vertigo is a fable of love and awakening by one of Australia's finest writers, about the unexpected way emotions can return and life can change.
‘Vertigo will keep you up much too late but it’s worth a one-sitting read.’…
Everybody lies. Good people, evil-doers, and the well-intentioned. My fascination began when I discovered through genealogy the mistruths, obfuscations, and lies by omission that peppered my own family tree. In my case the forebears believed there were good reasons to lie and no reason to think that the truth would ever be uncovered. But DNA profiling has shone a big light on the dark corners. Also being a teacher for a few decades means I’ve heard just about every permutation of alleged truth there is! These books focus on the character’s journey through deception and fabrications to arrive at a version of truth that is less unbearable than the lies.
I love Nordic crime and Icelandic writer Arnaldur Indridason writes a good game. His Detective Erlendur is a complex man who has little luck in his relationships with the living; but when it comes to solving murder and mystery, he is like a dog with a bone. Like all his Reykjavik Murder Mysteries there are several strands interwoven to create a multi-layered puzzle. At the heart of the series, and this fifth book, is the one mystery that he can’t, yet most desperately wants to solve, his brother’s disappearance in a snowstorm when they were boys. Everyone lies, particularly the guilty.
One cold autumn night, a woman is found hanging from a beam at her holiday cottage. At first sight, it appears like a straightforward case of suicide; Maria had never recovered from the death of her mother two years previously and she had a history of depression. But then the friend who found her body approaches Detective Erlendur with a tape of a seance that Maria attended before her death and his curiosity is aroused.
Driven by a need to find answers, Erlendur begins an unofficial investigation into Maria's death. But he is also haunted by another unsolved mystery -…
Everybody lies. Good people, evil-doers, and the well-intentioned. My fascination began when I discovered through genealogy the mistruths, obfuscations, and lies by omission that peppered my own family tree. In my case the forebears believed there were good reasons to lie and no reason to think that the truth would ever be uncovered. But DNA profiling has shone a big light on the dark corners. Also being a teacher for a few decades means I’ve heard just about every permutation of alleged truth there is! These books focus on the character’s journey through deception and fabrications to arrive at a version of truth that is less unbearable than the lies.
Brian McGilloway’s novel is told in the first person from the perspective of a grieving mother who tries to pick through the lies and secrets to uncover what happened to her only child. On her journey she uncovers the brutal truth; everybody lies. The book takes a realistic look at Dora Condron’s emotional descent into a bleak world where she comes to believe that no one will tell the truth. I like most of all that it is crime novel, a mystery, and a family drama that is told from the single perspective. The mother’s introspection about her failings as a parent really hits home when we consider what our own last words might have been to a loved one who walks out the door and never walks back in.
'A hugely compelling story of loss, grief and vengeance, The Empty Room is probably the best novel yet by one of our finest mystery writers. Unmissable.' John Connolly
'The tension and heartbreak kept me turning the pages' Patricia Gibney
'A searing, thrilling and heartbreaking look at life, loss and revenge, expertly handled by a hugely talented storyteller' Chris Whitaker
Pandora - Dora - Condron wakes one morning to discover her 17-year old daughter Ellie, has not come home after a party.
The day Ellie disappears, Dora is alone as her husband Eamon…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I love traditional, play-fair mysteries and the puzzles they present. But I also love writers who get the technical details right while also writing engaging novels I can get lost in. Nothing better than curling up with a good mystery.
Nancy Pickard is one of my favorite authors, starting with her Jenny Cain series. The Whole Truth, featuring true-crime writer Marie Lightfoot, was a shift for her. The novel simultaneously follows Marie as she researches the case of a dangerous serial killer and as she writes about it, which gives an interesting insight into the difficulties of living in a world where crime is real.
"Nancy Pickard pushes at the presumed limits of [crime fiction]" said the Los Angeles Times Book Review, praising the award-winning creator of the Jenny Cain mysteries. Now, Pickard blurs the line between fiction and reality in a novel of gripping intensity, and premieres a superb new heroine: true-crime author Marie Lightfoot. For her next surefire bestseller, Marie is covering the trial of a Florida killer -- a case that penetrates her own life, layer by disturbing layer.
Whether real like Ted Bundy, or imagined like Hannibal Lecter, few killers of our time are in the same league as Raymond Raintree.…
I’ve always hated horror movies and anything scary—but I love true crime. I’m particular in how I consume it; I prefer to listen to it rather than read it and never at night. But give me a Dateline marathon and I’m a happy woman. While much of my own writing is far from true crime (Twin Willows Trilogy is YA urban fantasy, and What They Don’t Know is contemporary YA), my thriller The Forgetting explores dark subject matters—so dark, in fact, that my agent said to me, “But you seem so nice.” I am, for the most part…but I’m also not afraid to shine a flashlight into the darkness that lives in all of us.
Every month when my copy of Vanity Fairarrived, I’d flip directly to Dominick Dunne’s column and savor every word. Each story in this collection reads like those columns: full of juicy details alongside human pathos. While most of the pieces cover the O.J. Simpson trial (for which Dunne was front and center in the courtroom every day), he also writes about other high-profile cases of the rich and infamous such as the Menendez Brothers and Sunny von Bulow. But the first story in the book is about the murder of Dunne’s own daughter, Dominique, reminding us that at the other end of these sensationalized stories is a real person whose life has tragically been cut short. One of the things that affected me most about Dunne’s writing is that he was always on the side of the victim, and that’s displayed here in spades.
Dominick Dunne's mesmerizing tales of justice denied and justice affirmed.
For more than two decades, Vanity Fair published Dominick Dunne’s brilliant, revelatory chronicles of the most famous crimes, trials, and punishments of our time. Whether writing of Claus von Bülow’s romp through two trials; the Los Angeles media frenzy surrounding O.J. Simpson; the death by fire of multibillionaire banker Edmond Safra; or the Greenwich, Connecticut, murder of Martha Moxley and the indictment—decades later—of Michael Skakel, Dominick Dunne tells it honestly and tells it from his unique perspective. His search for the truth is relentless.
I am a queer writer who lovers to read and write mystery and crime fiction. The history of these genres is often full of homophobic stereotypes and scapegoating of queer characters. While I think it’s important to show queer characters as flawed, I also want to make sure to celebrate the contributions of queer writers to these messy, wonderful genres.
I adore historical mysteries, particularly those that confront the unsavory realities of racism, sexism, and homophobia in our not-so-distant pasts. This book delves into all of these in such a striking, fully inhabited way.
What I loved most about this book was the immediacy and urgency of its voice, which drew me in from the first page and never let me go. It’s a harrowing story, and the narrative frame gives it a pace that always manages to drive forward while still allowing enough space for the setting to come to life.
Don't miss the TV miniseries, streaming now exclusively on BritBox!
“A blistering historical thriller.” — Entertainment Weekly
A servant and former slave is accused of murdering her employer and his wife in this breathtaking debut that moves from a Jamaican sugar plantation to the fetid streets of Georgian London—a gripping historical thriller with echoes of Alias Grace, The Underground Railroad, and The Paying Guests.
All of London is abuzz with the scandalous case of Frannie Langton, accused of the brutal double murder of her employers, renowned scientist George Benham and his eccentric French wife, Marguerite. Crowds pack the courtroom, eagerly…
Throughout my life, I’ve moved around quite a bit, and in the process, members of my family and I have encountered many wildly strange people and things. The universe itself is a wild place when you delve into the more exotic aspects: black holes, quantum physics, and measurable differences in subjective realities. It’s hard to say what the real boundaries are, and so I look for stories that stretch my ability to conceive what could be–and that help me find wonder in all the darkness and strangeness around me.
This book by Franz Kafka may well be the OG book in the pursuit of weirdness in long-form fiction. Telling the harsh and anxious story of Joseph K’s unexplained arrest, Kafka brilliantly creates a universal allegory for the way we often feel like we must defend ourselves against a world that feels impossible to understand.
"Someone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested." From its gripping first sentence onward, this novel exemplifies the term ""Kafkaesque." Its darkly humorous narrative recounts a bank clerk's entrapment — based on an undisclosed charge — in a maze of nonsensical rules and bureaucratic roadblocks. Written in 1914 and published posthumously in 1925, Kafka's engrossing parable about the human condition plunges an isolated individual into an impersonal, illogical system. Josef K.'s ordeals raise provocative, ever-relevant issues related to the role of government and the nature of…
I’m a historian of early modern Europe. I have a particular interest in the history of violence and social relations and how and why ordinary people came into conflict with each other and how they made peace, that’s the subject of my most recent book Enmity and Violence in Early Modern Europe, which compares the entanglement of everyday animosities and how these were resolved in Italy, Germany, France and England. I’m also passionate about understanding Europe’s contribution to world history. As editor of The Cambridge World History of Violence, I explored the dark side of this. But my next book, The Invention of Civil Society, will demonstrate Europe’s more positive achievements.
I love this book because it’s a story about ordinary people. But it’s a true story.
It reads like a fairytale: a peasant, Arnaud du Tilh, is accused of impersonating another man who had abandoned his wife several years before. Arnaud seems to have outwitted the judges until the errant husband returns condemning the impostor to death.
I like this story because it helps to identify with men and women in the past, who in many respects, are just like us. It’s also a piece of great history reconstructed from original trial records. Davis is a great writer.
The clever peasant Arnaud du Tilh had almost persuaded the learned judges at the Parlement of Toulouse when, on a summer's day in 1560, a man swaggered into the court on a wooden leg, denounced Arnaud, and reestablished his claim to the identity, property, and wife of Martin Guerre. The astonishing case captured the imagination of the continent. Told and retold over the centuries, the story of Martin Guerre became a legend, still remembered in the Pyrenean village where the impostor was executed more than 400 years ago.
Now a noted historian, who served as consultant for a new French…
I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
Everyone knows who Lizzie Borden is, and everyone thinks they know whether or not she did it. But what few people know about is her trial. I have always been pretty obsessed with the Lizzie Borden story (hint: she’s totally guilty). But this book put a whole new spin on the country’s original true crime.
I loved reading about the legal proceedings that put Lizzie front and center of a violent crime (not a common place for a woman to be in Gilded Age America). It painted Lizzie in a more vulnerable light than the axe-wielding murderess I had always pictured her as. It also helped explain why she was acquitted.
In Cara Robertson’s “enthralling new book,” The Trial of Lizzie Borden, “the reader is to serve as judge and jury” (The New York Times). Based on twenty years of research and recently unearthed evidence, this true crime and legal history is the “definitive account to date of one of America’s most notorious and enduring murder mysteries” (Publishers Weekly, starred review).
When Andrew and Abby Borden were brutally hacked to death in Fall River, Massachusetts, in August 1892, the arrest of the couple’s younger daughter Lizzie turned the case into international news and…
