64 books like Never the Sinner

Despite being published in 1975, Hal Higdon’s book about the Leopold and Loeb case remains the definitive account, at least to me.

If you’re looking for a factual, in-depth look at the crime, investigation, and sentencing hearing, look no further. Higdon was able to interview and correspond with dozens of people who were close to the case and who personally knew the killers and victim. He weaved those recollections into the narrative along with newspaper reports and quotes from the court documents in addition to the rest of his vast research, which gives his book a wonderful richness and depth. 

This pick is not without some caveats. This book, Nathan Leopold’s autobiography, was written while he was trying to get paroled from prison and it has to be taken in that context.

There are lies and omissions, but there are also harrowing sections describing the brutality that prisoners faced in the 1920s and genuine emotion when he discusses his complicated feelings for Richard Loeb. There’s no better place to go for information about his life in prison, or to get a feel for his personality, as long as you can read between the lines and remain skeptical when things seem a little too good to be true.

The Hunting Accident is a graphic novel that explores a fictionalized version of the life of Matt Rizzo: a prisoner whom Leopold knew in the 1930s.

While the book is more focused on Rizzo’s story, Leopold also plays a big part, and I recommend it because it’s a very unique way to experience this story. Rizzo was blinded while committing the crime which got him sent to prison, and the book focuses on Rizzo adjusting to living without his sight while Leopold adjusts to living without Loeb, who was murdered shortly before Rizzo’s arrival.

The artwork is detailed and sometimes disturbing as it portrays the pair navigating the prison and searching for purpose, connections, and meaning in their lives. 

If you’re someone who would like to dive more deeply into the sources from the case, this book is a great place to start.

The book’s author, Maureen McKernan, wrote half a dozen articles for The Chicago Tribune about the case in 1924, and then worked with defense lawyers Clarence Darrow and Walter Bachrach to compile this primer of the important facts and sources. In addition to a solid summary of the case, this book contains large portions of the actual confessions, psychiatric reports, testimony, speeches, and the Judge’s final decision from the hearing itself.

As the book was published in 1924, there are omissions of some subjects, notably homosexuality, but this is still an excellent introduction to deeper research.

Unless your first reading has been spoiled by a movie or CliffsNotes, I don’t believe you can fail to be stunned by Wright’s 1940 eons-ahead-of-its-time pièce de résistance. While much has been written addressing racial bias in the courtroom (that is, if the defendant survives the initial encounter with police), the author took the outlandish step of providing head-spinning complexity: presenting a culpable protagonist, albeit one whose crime against an affluent young white woman came about unwittingly, having everything to do with his knowledge that he, a Black man, would invariably be perceived as guilty. Wright never lets us off the hook, forcing readers of all hues to consider the entanglements of race, class, and jurisprudence, beginning the day those of us who are not white and/or privileged are born.

Nathan Leopold and Richard Loeb set out to commit the perfect crime and ended up in newspapers as the perpetrators of “the crime of the century.” They kidnapped and murdered a teenage boy in Chicago in 1924, but both Leopold and Loeb were still considered boys themselves at the time. Clarence Darrow defended them at trial, arguing that they were guilty but that the situation had extenuating circumstances. Baatz’s book explores how two college students from good families ended up in prison for murder. Leopold’s family even came from Michigan’s Upper Peninsula, near where I currently live, so even though the case is almost 100 years old, it’s not as distant as it might seem.

TCE here is a virus that leaves just one woman alive. I found this quite irritating at first because the law of averages would say there HAD to be at least a handful of other survivors. The story features a woman who would take to her bed for the day if she broke a fingernail. I enjoyed seeing a female character in this role although she has a tendency to be a bit wet. She spends the first few weeks post-TCE breaking into nightclubs, drug dens, and museums and getting smashed. Set in London, it’s a great travelogue for this brilliant city.  I started to warm towards her when she finally pulls herself together and we watch as she learns the skills needed to survive. 

Mixing elves and eldridge powers into the gang warfare of prohibition Chicago, this book is a fast-paced wild ride into the dark and seedy lives of those who use violence to hold on to power.

The key to a good noir story is that it forces the protagonist to confront something they’d rather not know and to survive, they must find a way to live with that dark truth. This is a journey too many of us face, and Ford writes just such a brilliant journey for his protagonist, Doc.

Once I started reading this, it gripped me like cold iron until I was done.

Dev’s book is an escape into the exuberance of migrant families from India. Ria is a reclusive Bollywood actress, who betrays Vikram, her childhood sweetheart, to protect him from the same fate as her father. Ten years later, Ria returns to Chicago for her cousin Nik’s wedding, knowing she will meet Vik again. For Ria, the loving embrace of her family and found family provides the safety and love she needs to reassess her life in Bollywood. For Vik meeting Ria again brings back all the pain he thought he had recovered from after her betrayal. In the two weeks, Ria and Vik rekindle the love they have both denied. A beautifully written story of migrants who embrace their life in America but still hold on to their Indian heritage.

Laura March is serving as temporary guardian of a little refugee girl who may be the next heir to a fortune when a man claiming to be the child’s father turns up at her door—and when shortly afterward he turns up dead, Laura is both a suspect and a target for the real killer in this atmospheric whodunit. The fun of this one lies in its wintry 1950s Chicago setting: the foggy streets, high-rise apartment buildings, corner phone booths and drugstores, and department stores decorated for Christmas.