Tinseltown: Murder, Morphine, and Madness at the Dawn of Hollywood
The author, editor, or ghostwriter of more than 100 book titles, Glenn Stout loves to mine microfilmed newspaper archives and specializes in deeply reported historical narrative non-fiction that brings the past to life. Many of his titles have intersected with the Roaring Twenties, including Young Woman and the Sea: How Trudy Ederle Conquered the English Channel and Changed the World, now in development for Disney+ as a major motion picture starring Daisy Ridley. A long-time aficionado of noir and true crime, Tiger Girl and the Candy Kid was the culmination of more than fifteen years of dogged research, a story The Wall Street Journal called “a hell of a yarn--worthy of an HBO hoodlum epic like Boardwalk Empire.”
Before Bonnie and Clyde there was Tiger Girl and the Candy Kid - smarter, more successful, and better looking. In the wake of war, a pandemic, and an economic depression, Margaret and Richard Whittemore, two love-struck working-class kids from Baltimore reached for the dream of a better life. In the heart of the Jazz Age, they headed up a gang that in less than a year stole over one million dollars' worth of diamonds and precious gems - over fifteen million dollars today.
Set against the backdrop of the excesses of the Roaring Twenties, their story takes the reader from the jailhouse to the speakeasy, from the cabarets where they celebrated good times to the gallows where their story finally came to an end... and left Tiger Girl pining for a final kiss. Tiger Girl and the Candy Kid is a tale of rags to riches, tragedy, and infamy.
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5,215 authors have recommended their favorite books and what they love about them. Browse their picks for the best books about murders, Illinois, and New York State.
We think you will like First in Violence, Deepest in Dirt: Homicide in Chicago, 1875-1920, The Beautiful Cigar Girl: Mary Rogers, Edgar Allan Poe, and the Invention of Murder, and Murder at the Met if you like this list.
From Peter's list on The best books for understanding late-19th-century America through the prism of death, violence, and killing.
Lynching is central to the late 19th century and thus the theme that I explore in my recommendations, but Shepherd.com covers this tragic subject elsewhere. Instead, for my last book, I offer Adler’s study that explains the persistently high and even increasing rates of violence and homicide in Chicago during an era when varied modern social controls—urban reform, the discipline of the factory floor, expanding education and the bureaucratic state—swept over that city as they did over America, too. According to older theories about social turbulence and murder, these should have declined. Instead, the opposite was true, though the forms that violence took did change. Perhaps it was Adler’s intention to leave frighteningly unanswered what it is about people generally, and Americans specifically, that the dark impulses they have run so deeply that they are impervious to social control.
From Greg's list on The best books on the history of murder.
Similar to my second choice, this American study explores the impact of a sensational unsolved death on early Victorian New York and America in general. In 1841 Marie Rogers, an attractive young woman who worked in a tobacco shop, was found dead in the Hudson River, suspected to be a victim of murder. The case was well covered in the press and exposed weaknesses in the city’s system of policing. The author details how Edgar Allen Poe furthered early detective fiction in his story The Mystery Marie Roger, which although set in Paris borrowed heavily from the New York events. An example of how the public can make a celebrity out of a murder victim who is not from the elite.
From Lisa's list on The best crime books for music lovers.
In July of 1980, a beautiful violinist disappeared during a 45-minute break while the visiting ballet company used a prerecorded piece. Helen Hagnes Mintiks was a Julliard grad who had played with professionals since her teens. After the evening’s performance ended, her colleagues knew—as any musician would—that Helen would never have left the building without her violin. It took another nine hours to find her body, thrown down a ventilation shaft, hands tied with knots that stagehands used. A witness led them to the killer, who promptly confessed—a real villain, robbing the world of a kind-hearted talent out of lust. I read this book probably 30 years ago, while I was reading my way through the entire true crime section of the Cleveland Public Library.