Here are 100 books that The Savage Detectives fans have personally recommended if you like
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Elizabeth Buchan began her career as a blurb writer at Penguin Books. She moved on to become a fiction editor at Random House before leaving to write full-time. Her novels include the award-winning Consider the Lily, The Museum of Broken Promises, and the international bestseller, Revenge of the Middle-Aged Woman, which was made into a CBS Primetime Drama. Elizabeth’s short stories are broadcast on BBC Radio 4 and published in magazines. She has reviewed for The Times, the Sunday Times, and the Daily Mail, and has chaired the Betty Trask and Desmond Elliot literary prizes. She has been a judge for the Whitbread First Novel Award and for the 2014 Costa Novel Award.
I first read this many years ago and it has stayed with me. Every so often, I return to it in order to immerse myself in its wonderful prose and insights. It combines travelogue with biography, detective work with a probing inner exploration and is both an account of a physical journey and a remap of the writer’s imagination. He begins with his homage to Robert Louis Stevenson’s Travels with a Donkey and describes his own trek over the Cevennes. He starts out with the idea that he will be a poet and finishes his walk having been led "far away into the undiscovered land of other’s men and women’s lives. It led towards biography."
It is the turning point of his life and for the remainder of the book – as he hunts down his subjects which include Mary Wollstonecraft, Shelley, Gerard de Nerval, and Gautier – he goes…
Richard Holmes knew he had become a true biographer the day his bank bounced a check that he had inadvertently dated 1772. Because for the acclaimed chronicler of Shelley and Coleridge, biography is a physical pursuit, an ardent and arduous retracing of footsteps that may have vanished centuries before.
In this gripping book, Holmes takes us from France’s Massif Central, where he followed the route taken by Robert Louis Stevenson and a sweet-natured donkey, to Mary Wollstonecraft’s Revolutionary Paris, to the Italian villages where Percy Shelley tried to cast off the strictures of English morality and marriage. Footsteps is a…
I’m an award-winning biographer and critic. My essays and reviews appear regularly in the London Review of Books and the Times Literary Supplement, and I teach literature and creative writing at King’s College London. I’ve always loved stories about the lives of great writers – stories that seek to illuminate genius, without ever explaining it away.
This is a magnificent autobiography, a work of intricate self-portraiture that takes in everything from the author’s dental troubles, through his relationship with his father, to his reaction to his cousin’s murder. Amis’s comic energy and stylistic brio are on sizzling display throughout, but so are qualities that aren’t often associated with his fiction: gentleness, generosity, emotional vulnerability…
In this remarkable work of autobiography, the son of the great comic novelist Kingsley Amis explores his relationship with his father and writes about the various crises of Kingsley's life, including the final one of his death. Amis also reflects on the life and legacy of his cousin, Lucy Partington, who disappeared without trace in 1973 and was exhumed twenty years later from the basement of Frederick West, one of Britain's most prolific serial murderers.
**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**
I am a British novelist and biographer who lived on and off in Latin America from the 1960s to the late 1980s. I was a boy in Brazil during the Death Squads; an adolescent in Argentina during the Dirty War; and a young journalist in Peru during the Shining Path insurgency, publishing a reportage for Granta on my search for Abimael Guzman. I gave the 2010 Borges Lecture and have written two novels set in Peru, the second of which, The Dancer Upstairs, was chosen as the best novel of 1995 by the American Libraries Association and turned into a film by John Malkovich.
Neither novel nor travel book, this classic journey defies category.
Purportedly a quest for a scrap of giant slothskin, which the author finds in a cave in southern Chile, it zig-zags through time and space, alighting on travellers from Magellan to Butch Cassidy, while trampling down conventional boundaries.
“Everyone says: ‘Are you writing a novel?’ No, I’m writing a story and I do rather insist that things must be called stories. That seems to me to be what they are. I don’t quite know the meaning of the word novel.”
Bruce Chatwin sets off on a journey through South America in this wistful classic travel book
With its unique, roving structure and beautiful descriptions, In Patagonia offers an original take on the age-old adventure tale. Bruce Chatwin's journey to a remote country in search of a strange beast brings along with it a cast of fascinating characters. Their stories delay him on the road, but will have you tearing through to the book's end.
'It is hard to pin down what makes In Patagonia so unique, but, in the end, it is Chatwin's…
I am passionate about historical facts, and fiction. My narrative has a universeal appeal making my work relevant to readers of diverse backgrounds. My books entertain and at the same time educate the reader, giving him/her a greater appreciation of the complex world of Latin America and the resilience of its people. I love reading diverse approaches to history and exploring ideas of how our personal interpretations of history shape our opinions.
This book by Mario Vargas Llosa explores the last days of the Dominican Republic's Trujillo dictatorship. I really enjoyed this novel for its blending of historical facts with fiction and for providing a detailed depiction of Rafael Trujillo's regime, its impact on the country, and his assassination in 1961.
The narrative combines three storylines: The character of Urania, who returns to the Dominican Republic after many years in the United States, and shows us the long-lasting psychological impact of Trujillo's rule on her and her family. Trujillo’s last days, personality, control over the country, and the loyalty and fear he commanded. Finally, the group of people plotting to assassinate Trujillo, their motivations, fears, and actions show us that freedom is one of our most valuable treasures worthy of risking our lives.
Vargas Llosa's detailed and compelling narrative profoundly examines how dictatorial regimes can distort societies and damage lives.
'The Feast of the Goat will stand out as the great emblematic novel of Latin America's twentieth century and removes One Hundred Years of Solitude of that title.' Times Literary Supplement
Urania Cabral, a New York lawyer, returns to the Dominican Republic after a lifelong self-imposed exile. Once she is back in her homeland, the elusive feeling of terror that has overshadowed her whole life suddenly takes shape. Urania's own story alternates with the powerful climax of dictator Rafael Trujillo's reign.
In 1961, Trujillo's decadent inner circle (which includes Urania's soon-to-be disgraced father) enjoys the luxuries of privilege while the…
I was born in England, live in America, and write history books about Germany. I’ve published eight books in all (and co-edited two others), and I’m proud that two of them won prizes. I review books, too, in publications like the Guardian and the London Review of Books. History is how I make my living, but it is also a calling and a passion. I can’t imagine doing anything else. I have always enjoyed reading literature and find I am reading even more avidly since the pandemic. There are so many German novels I love it was hard to choose just five. I hope you enjoy my choices.
Reading this book made me feel as if I was watching a great magician perform several impossible tricks.
It is both clever and funny, it teems with wonderful characters but never seems overstuffed, and it does what very few historical novels manage to do. We absolutely believe that the people are living their lives in the past (this really is Germany in the 1790s), but we also recognize them as our contemporaries.
I find it a magical book, lighter than air, a poignant, gorgeous love story that also satisfies the historian in me.
One of the ten books - novels, memoirs and one very unusual biography - that make up our Matchbook Classics' series, a stunningly redesigned collection of some of the best loved titles on our backlist.
The year is 1794 and Fritz, passionate, idealistic and brilliant, is seeking his father's permission to announce his engagement to his 'heart's heart', his 'true Philosophy': twelve-year-old Sophie. His astounded family and friends are amused and disturbed by his betrothal. What can he be thinking?
Tracing the dramatic early years of the young German who was to become the great romantic…
I’m an award-winning biographer and critic. My essays and reviews appear regularly in the London Review of Books and the Times Literary Supplement, and I teach literature and creative writing at King’s College London. I’ve always loved stories about the lives of great writers – stories that seek to illuminate genius, without ever explaining it away.
This is one of the great literary biographies: impeccably researched, stylishly narrated, refreshingly indifferent to academic convention, and authentically Dickensian in its pungency of atmosphere and solidity of characterisation.
Dickens was a landmark biography when first published in 1990. This specially edited shorter edition takes the reader into the life of one of the world's greatest writers.
Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer's. Dickens had everything - fame, success and riches - but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a…
As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.
JL Borges is, in my view, the greatest literary mind of the 20th Century.
This is a book of stories, philosophical essays and parables, but even when he is writing fiction, his favoured form is that of the mock critical essay about a non-existent book or writer.
What I especially love about him is his wit, subtle and easily missed since it often takes the shape of philosophical rumination when he is actually debunking something held very highly. My natural mode of expression is irony, and Borges’s irony is inimitable.
The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths.
This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.
Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
Travel and writing are my two great passions. Since I was a child, I escaped reality by escaping into my own mind. I had relied on my stories of the warrior queens ever since I learned about them as a child. It was only a few years ago, when I lived in Geneva, that I had a memory flash at me of the statue of Queen Lakshmi Bai of Jhansi on a rearing horse with a curved sword held in one hand. I knew then that it was time to tell a story—my own story and that of my favorite warrior queens.
Love in the Time of Cholera sets a moody yet magical vibe and brings the city of Cartegena to vivid life. Gabriel Garcia Marquez’s writing is gorgeous even when not read in its original Spanish. While reading the book I could almost experience the languid, feverish haze one might dwell in, the delirium one might experience when struck by cholera.
This is an unconventional romance that follows the doomed lovers through their respective lives before life finally brings them together in their old age. It’s not a particularly large book, but its depth and brooding quality is why I return once every couple of years to re-read it.
There are novels, like journeys, which you never want to end: this is one of them. One seventh of July at six in the afternoon, a woman of 71 and a man of 78 ascend a gangplank and begin one of the greatest adventures in modern literature. The man is Florentino Ariza, President of the Carribean River Boat Company; the woman is his childhood sweetheart, the recently widowed Fermina Daza. She has earache. He is bald and lame. Their journey up-river, at an age when they can expect 'nothing more in life', holds out a shimmering promise: the consummation of…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
This one needs no plot description. If you don’t know what The Wizard of Oz is about, then I don’t know what to tell you. Watch the movie, or better yet, read the book. It’s considered a children’s classic, but like the best kid-lit, there is so much sinisterism and cynicism hiding behind the curtain (no pun intended).
HarperCollins is proud to present its range of best-loved, essential classics.
'"Come along, Toto," she said. "We will go to the Emerald City and ask the Great Oz how to get back to Kansas again."'
Swept away from her home in Kansas by a tornado, Dorothy and her dog Toto find themselves stranded in the fantastical Land of Oz. As instructed by the Good Witch of the North and the Munchkins, Dorothy sets off on the yellow brick road to try and find her way to the Emerald City and the Wizard of Oz, who can help her get home.…
