Why am I passionate about this?

Growing up in a sheltered environment on Long Island, NY, I had little sense of a larger world, except for seeing images of the Vietnam War. Going to college in the early 70s and becoming an anthropology major, the world began to open up, yet I hadn't experienced life outside the U.S. until my mid-20s as a graduate student living in Mexico to do dissertation research. That experience and travels to Guatemala, Peru, Cuba, and Costa Rica helped me to see how diverse Latin America is, and how real poverty and suffering are as well. Coming into my own as a historian, teacher, and writer, my fascination with women’s voices, experiences, and activism only grew.


I wrote

Weaving the Past: A History of Latin America's Indigenous Women from the Prehispanic Period to the Present

By Susan Kellogg,

Book cover of Weaving the Past: A History of Latin America's Indigenous Women from the Prehispanic Period to the Present

What is my book about?

The book represents my attempt to chronicle the long-term history of indigenous women across Latin America from early civilizations to…

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The books I picked & why

Book cover of Moon, Sun, and Witches: Gender Ideologies and Class in Inca and Colonial Peru

Susan Kellogg Why did I love this book?

This book is a classic of Latin American women’s history, telling the story of how Andean women’s relative gender equity (what the author calls “gender parallelism,” a concept that applies to gender structures in many Latin American societies, especially the Aztecs—known as Nahuas—about whom I’ve also written) became transformed first by the Inca, then by the Spanish.

Written with feeling about forms of both complementarity and exploitation, Silverblatt shows women of the past, non-elite and noble, to have been productive, creative, and responsive to the social and economic conditions around them.

By Irene Marsha Silverblatt,

Why should I read it?

1 author picked Moon, Sun, and Witches as one of their favorite books, and they share why you should read it.

What is this book about?

When the Spanish arrived in Peru in 1532, men of the Inca Umpire worshipped the Sun as Father and their dead kings as ancestor heroes, while women venerated the Moon and her daughters, the Inca queens, as founders of female dynasties. In the pre-Inca period such notions of parallel descent were expressions of complementarity between men and women. Examining the interplay between gender ideologies and political hierarchy. Irene Silverblatt shows how Inca rulers used their Sun and Moon traditions as methods of controlling women and the Andean peoples the Incas conquered. She then explores the process by which the Spaniards…


Book cover of Indian Women of Early Mexico

Susan Kellogg Why did I love this book?

Like Silverblatt’s book on native women in prehispanic and colonial Peru, this edited volume on early Mexico was and remains a gamer changer in bringing to light women’s work, including ways women accumulated and distributed wealth, their varieties of social and political identities they held, and their power and influence.

With chapters by experts in Aztec/Nahua women’s, social, and cultural history, the chapters represent a variety of approaches and methodologies to women’s and gender history even in areas where the documentation on women is sparser than in central Mesoamerica, especially for northern Mexico and Maya women further south.

By Susan Schroeder, Stephanie Wood, Robert Haskett

Why should I read it?

1 author picked Indian Women of Early Mexico as one of their favorite books, and they share why you should read it.

What is this book about?


This volume counters the stereotype that Indian women are without history. Neither silent nor invisible, women of early Mexico were active participants in society and critically influenced the direction history would take. This collection of essays by leading scholars in Mexican ethnohistory, edited by Susan Schroeder, Stephanie Wood, and Robert Haskett, examines the life experiences of Indian women in preconquest and colonial Mexico.


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Book cover of American Daredevil: Comics, Communism, and the Battles of Lev Gleason

American Daredevil By Brett Dakin,

Meet Lev Gleason, a real-life comics superhero! Gleason was a titan among Golden Age comics publishers who fought back against the censorship campaigns and paranoia of the Red Scare. After dropping out of Harvard to fight in World War I in France, Gleason moved to New York City and eventually…

Book cover of The Woman Who Turned Into a Jaguar, and Other Narratives of Native Women in Archives of Colonial Mexico

Susan Kellogg Why did I love this book?

This superb book is a culturally and indigenous-language-focused study of women in four central Mesoamerican native societies—Aztecs (Nahuas), Mixtec, Zapotec, and Mixe.

In addition to a deep dive into texts dealing with all facets of women’s lives, Sousa uses visual evidence to great effect, showing how images contain much information about women’s and gender history, a history in which women struggled over centuries to maintain agency and authority despite efforts by a newly imposed colonial state to erode their power and status and exploit their labor.

By Lisa Sousa,

Why should I read it?

1 author picked The Woman Who Turned Into a Jaguar, and Other Narratives of Native Women in Archives of Colonial Mexico as one of their favorite books, and they share why you should read it.

What is this book about?

This book is an ambitious and wide-ranging social and cultural history of gender relations among indigenous peoples of New Spain, from the Spanish conquest through the first half of the eighteenth century. In this expansive account, Lisa Sousa focuses on four native groups in highland Mexico-the Nahua, Mixtec, Zapotec, and Mixe-and traces cross-cultural similarities and differences in the roles and status attributed to women in prehispanic and colonial Mesoamerica.

Sousa intricately renders the full complexity of women's life experiences in the household and community, from the significance of their names, age, and social standing, to their identities, ethnicities, family, dress,…


Book cover of Cacicas: The Indigenous Women Leaders of Spanish America, 1492-1825

Susan Kellogg Why did I love this book?

Cacicas were women who held high status, positions of political authority, and/or communally-significant economic or other responsibilities in colonial Spanish American native societies.

This book offers compelling portraits of how colonial women strategized to maneuver around patriarchal limitations of Spanish law, especially because they could not hold formal offices in the colonial governing hierarchy (though sometimes they actually did).

The individually-authored essays in this collection provide insightful portraits of individual women in a variety of circumstances across a wide range of geographic locations and types of communities across the Caribbean, Mesoamerica, and Central and South American societies.

The reader will feel she or he learns something about these women as people defending themselves, their families, and peoples.

By Margarita R. Ochoa (editor), Sara V. Guengerich (editor),

Why should I read it?

1 author picked Cacicas as one of their favorite books, and they share why you should read it.

What is this book about?

The term cacica was a Spanish linguistic invention, a female counterpart to caciques, the Arawak word for male indigenous leaders in Spanish America. But the term's meaning was adapted and manipulated by natives, creating a new social stratum where it previously may not have existed. This book explores that transformation, a conscious construction and reshaping of identity from within.

Cacicas feature far and wide in the history of Spanish America, as female governors and tribute collectors and as relatives of ruling caciques - or their destitute widows. They played a crucial role in the establishment and success of Spanish rule,…


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Book cover of The Romanov Heiress

The Romanov Heiress By Jennifer Laam,

Four sisters in hiding. A grand duchess in disguise. Dark family secrets revealed. An alternate future for the Romanovs from Jennifer Laam, author of The Secret Daughter Of The Tsar.

With her parents and brother missing and presumed dead, former Grand Duchess Olga Romanova must keep her younger sisters…

Book cover of Zapotec Women: Gender, Class, and Ethnicity in Globalized Oaxaca

Susan Kellogg Why did I love this book?

This rich ethnography explores women’s lives between the 1980s and early 2000s in the Zapotec community of Teotitlán del Valle in southern Mexico.

Oaxacan-produced textiles are enormously popular transnationally, and this demand has reshaped production, the gendered division of labor, and economic and social relations in many native communities, a theme explored in depth by Stephen.

She begins to draw attention to a theme that becomes more prominent in her later work and that is the impact of migration and the creation and growth of what she calls “transborder” communities.

A picture of how women respond to economic change while rooted in the practices of a deeply rooted indigenous culture, this book represents a model of narrative and methodological approaches that connect women’s history to wider patterns of globalization.

By Lynn Stephen,

Why should I read it?

1 author picked Zapotec Women as one of their favorite books, and they share why you should read it.

What is this book about?

In this extensively revised and updated second edition of her classic ethnography, Lynn Stephen explores the intersection of gender, class, and indigenous ethnicity in southern Mexico. She provides a detailed study of how the lives of women weavers and merchants in the Zapotec-speaking town of Teotitlan del Valle, Oaxaca, have changed in response to the international demand for Oaxacan textiles. Based on Stephen's research in Teotitlan during the mid-1980s, in 1990, and between 2001 and 2004, this volume provides a unique view of a Zapotec community balancing a rapidly advancing future in export production with an entrenched past anchored in…


Explore my book 😀

Weaving the Past: A History of Latin America's Indigenous Women from the Prehispanic Period to the Present

By Susan Kellogg,

Book cover of Weaving the Past: A History of Latin America's Indigenous Women from the Prehispanic Period to the Present

What is my book about?

The book represents my attempt to chronicle the long-term history of indigenous women across Latin America from early civilizations to the early 2000s. In researching these women’s history, I learned they had long been active agents who shaped the histories of their communities, societies, and eventually nations as modern nation-states formed and developed over time. Women’s work was always essential for the survival of their families. Their activism has been crucial in responding to forces of change. Many factors shaped women’s history including geographic location, patterns of trade and market integration, as well as war, colonialism, and empire, the presence of ethnic and racial hierarchies, and the introduction of new technologies of communication and representation.

Book cover of Moon, Sun, and Witches: Gender Ideologies and Class in Inca and Colonial Peru
Book cover of Indian Women of Early Mexico
Book cover of The Woman Who Turned Into a Jaguar, and Other Narratives of Native Women in Archives of Colonial Mexico

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