Growing up in a sheltered environment on Long Island, NY, I had little sense of a larger world, except for seeing images of the Vietnam War. Going to college in the early 70s and becoming an anthropology major, the world began to open up, yet I hadn't experienced life outside the U.S. until my mid-20s as a graduate student living in Mexico to do dissertation research. That experience and travels to Guatemala, Peru, Cuba, and Costa Rica helped me to see how diverse Latin America is, and how real poverty and suffering are as well. Coming into my own as a historian, teacher, and writer, my fascination with women’s voices, experiences, and activism only grew.
I wrote...
Weaving the Past: A History of Latin America's Indigenous Women from the Prehispanic Period to the Present
The book represents my attempt to chronicle the long-term history of indigenous women across Latin America from early civilizations to the early 2000s. In researching these women’s history, I learned they had long been active agents who shaped the histories of their communities, societies, and eventually nations as modern nation-states formed and developed over time. Women’s work was always essential for the survival of their families. Their activism has been crucial in responding to forces of change. Many factors shaped women’s history including geographic location, patterns of trade and market integration, as well as war, colonialism, and empire, the presence of ethnic and racial hierarchies, and the introduction of new technologies of communication and representation.
This book is a classic of Latin American women’s history, telling the story of how Andean women’s relative gender equity (what the author calls “gender parallelism,” a concept that applies to gender structures in many Latin American societies, especially the Aztecs—known as Nahuas—about whom I’ve also written) became transformed first by the Inca, then by the Spanish.
Written with feeling about forms of both complementarity and exploitation, Silverblatt shows women of the past, non-elite and noble, to have been productive, creative, and responsive to the social and economic conditions around them.
When the Spanish arrived in Peru in 1532, men of the Inca Umpire worshipped the Sun as Father and their dead kings as ancestor heroes, while women venerated the Moon and her daughters, the Inca queens, as founders of female dynasties. In the pre-Inca period such notions of parallel descent were expressions of complementarity between men and women. Examining the interplay between gender ideologies and political hierarchy. Irene Silverblatt shows how Inca rulers used their Sun and Moon traditions as methods of controlling women and the Andean peoples the Incas conquered. She then explores the process by which the Spaniards…
Like Silverblatt’s book on native women in prehispanic and colonial Peru, this edited volume on early Mexico was and remains a gamer changer in bringing to light women’s work, including ways women accumulated and distributed wealth, their varieties of social and political identities they held, and their power and influence.
With chapters by experts in Aztec/Nahua women’s, social, and cultural history, the chapters represent a variety of approaches and methodologies to women’s and gender history even in areas where the documentation on women is sparser than in central Mesoamerica, especially for northern Mexico and Maya women further south.
This volume counters the stereotype that Indian women are without history. Neither silent nor invisible, women of early Mexico were active participants in society and critically influenced the direction history would take. This collection of essays by leading scholars in Mexican ethnohistory, edited by Susan Schroeder, Stephanie Wood, and Robert Haskett, examines the life experiences of Indian women in preconquest and colonial Mexico.
This superb book is a culturally and indigenous-language-focused study of women in four central Mesoamerican native societies—Aztecs (Nahuas), Mixtec, Zapotec, and Mixe.
In addition to a deep dive into texts dealing with all facets of women’s lives, Sousa uses visual evidence to great effect, showing how images contain much information about women’s and gender history, a history in which women struggled over centuries to maintain agency and authority despite efforts by a newly imposed colonial state to erode their power and status and exploit their labor.
This book is an ambitious and wide-ranging social and cultural history of gender relations among indigenous peoples of New Spain, from the Spanish conquest through the first half of the eighteenth century. In this expansive account, Lisa Sousa focuses on four native groups in highland Mexico-the Nahua, Mixtec, Zapotec, and Mixe-and traces cross-cultural similarities and differences in the roles and status attributed to women in prehispanic and colonial Mesoamerica.
Sousa intricately renders the full complexity of women's life experiences in the household and community, from the significance of their names, age, and social standing, to their identities, ethnicities, family, dress,…
Cacicaswere women who held high status, positions of political authority, and/or communally-significant economic or other responsibilities in colonial Spanish American native societies.
This book offers compelling portraits of how colonial women strategized to maneuver around patriarchal limitations of Spanish law, especially because they could not hold formal offices in the colonial governing hierarchy (though sometimes they actually did).
The individually-authored essays in this collection provide insightful portraits of individual women in a variety of circumstances across a wide range of geographic locations and types of communities across the Caribbean, Mesoamerica, and Central and South American societies.
The reader will feel she or he learns something about these women as people defending themselves, their families, and peoples.
The term cacica was a Spanish linguistic invention, a female counterpart to caciques, the Arawak word for male indigenous leaders in Spanish America. But the term's meaning was adapted and manipulated by natives, creating a new social stratum where it previously may not have existed. This book explores that transformation, a conscious construction and reshaping of identity from within.
Cacicas feature far and wide in the history of Spanish America, as female governors and tribute collectors and as relatives of ruling caciques - or their destitute widows. They played a crucial role in the establishment and success of Spanish rule,…
This rich ethnography explores women’s lives between the 1980s and early 2000s in the Zapotec community of Teotitlán del Valle in southern Mexico.
Oaxacan-produced textiles are enormously popular transnationally, and this demand has reshaped production, the gendered division of labor, and economic and social relations in many native communities, a theme explored in depth by Stephen.
She begins to draw attention to a theme that becomes more prominent in her later work and that is the impact of migration and the creation and growth of what she calls “transborder” communities.
A picture of how women respond to economic change while rooted in the practices of a deeply rooted indigenous culture, this book represents a model of narrative and methodological approaches that connect women’s history to wider patterns of globalization.
In this extensively revised and updated second edition of her classic ethnography, Lynn Stephen explores the intersection of gender, class, and indigenous ethnicity in southern Mexico. She provides a detailed study of how the lives of women weavers and merchants in the Zapotec-speaking town of Teotitlan del Valle, Oaxaca, have changed in response to the international demand for Oaxacan textiles. Based on Stephen's research in Teotitlan during the mid-1980s, in 1990, and between 2001 and 2004, this volume provides a unique view of a Zapotec community balancing a rapidly advancing future in export production with an entrenched past anchored in…
Not only am I the author of seven women’s fiction novels, I’m a voracious reader who believes she was raised by Judy Blume and Sidney Sheldon. In our broken home, reading was an escape, a salve for the wound, a place where I felt heard and understood. My novels touch on deep emotions—real and relatable. If I don’t capture thatfeeling when I’m reading through my drafts, I dig deeper. And that’s the thing about a great book, that gut punch, that slide under my skin, I get you. There’s no better read than the one that pulls the heartstrings and gives you all the feels.
What You Do To Me follows Rolling Stone reporter Cecilia James on the hunt to find the muse behind a famous love song, all while managing an estranged relationship with her father and boyfriend Pete.
Inspired by Hey There Deliah, the dual timeline stretches across the sunny beaches of 1970s Miami with star-crossed lovers Eddie and Sara, to the glittery music industry of 1990s LA. For music lovers and fans of that first, unforgettable love, What You Do To Me is the story of a love song with equal parts heart and harmony.
From the bestselling author of This Is Not How It Ends comes a moving novel of two unfinished love stories and the music and lyrics that bring them together.
Journalist Cecilia James is a sucker for a love song. So when she stumbles across a clue to the identity of the muse for one of rock’s greatest, she devotes herself to uncovering the truth, even as her own relationship is falling apart.
While writing an article for Rolling Stone, Cecilia works to reveal the mystery that has intrigued fans and discovers a classic tale of two soulmates separated by fate and circumstance. Rock…
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