Growing up in a sheltered environment on Long Island, NY, I had little sense of a larger world, except for seeing images of the Vietnam War. Going to college in the early 70s and becoming an anthropology major, the world began to open up, yet I hadn't experienced life outside the U.S. until my mid-20s as a graduate student living in Mexico to do dissertation research. That experience and travels to Guatemala, Peru, Cuba, and Costa Rica helped me to see how diverse Latin America is, and how real poverty and suffering are as well. Coming into my own as a historian, teacher, and writer, my fascination with women’s voices, experiences, and activism only grew.
This book is a classic of Latin American women’s history, telling the story of how Andean women’s relative gender equity (what the author calls “gender parallelism,” a concept that applies to gender structures in many Latin American societies, especially the Aztecs—known as Nahuas—about whom I’ve also written) became transformed first by the Inca, then by the Spanish.
Written with feeling about forms of both complementarity and exploitation, Silverblatt shows women of the past, non-elite and noble, to have been productive, creative, and responsive to the social and economic conditions around them.
When the Spanish arrived in Peru in 1532, men of the Inca Umpire worshipped the Sun as Father and their dead kings as ancestor heroes, while women venerated the Moon and her daughters, the Inca queens, as founders of female dynasties. In the pre-Inca period such notions of parallel descent were expressions of complementarity between men and women. Examining the interplay between gender ideologies and political hierarchy. Irene Silverblatt shows how Inca rulers used their Sun and Moon traditions as methods of controlling women and the Andean peoples the Incas conquered. She then explores the process by which the Spaniards…
Growing up in a sheltered environment on Long Island, NY, I had little sense of a larger world, except for seeing images of the Vietnam War. Going to college in the early 70s and becoming an anthropology major, the world began to open up, yet I hadn't experienced life outside the U.S. until my mid-20s as a graduate student living in Mexico to do dissertation research. That experience and travels to Guatemala, Peru, Cuba, and Costa Rica helped me to see how diverse Latin America is, and how real poverty and suffering are as well. Coming into my own as a historian, teacher, and writer, my fascination with women’s voices, experiences, and activism only grew.
Like Silverblatt’s book on native women in prehispanic and colonial Peru, this edited volume on early Mexico was and remains a gamer changer in bringing to light women’s work, including ways women accumulated and distributed wealth, their varieties of social and political identities they held, and their power and influence.
With chapters by experts in Aztec/Nahua women’s, social, and cultural history, the chapters represent a variety of approaches and methodologies to women’s and gender history even in areas where the documentation on women is sparser than in central Mesoamerica, especially for northern Mexico and Maya women further south.
This volume counters the stereotype that Indian women are without history. Neither silent nor invisible, women of early Mexico were active participants in society and critically influenced the direction history would take. This collection of essays by leading scholars in Mexican ethnohistory, edited by Susan Schroeder, Stephanie Wood, and Robert Haskett, examines the life experiences of Indian women in preconquest and colonial Mexico.
Growing up in a sheltered environment on Long Island, NY, I had little sense of a larger world, except for seeing images of the Vietnam War. Going to college in the early 70s and becoming an anthropology major, the world began to open up, yet I hadn't experienced life outside the U.S. until my mid-20s as a graduate student living in Mexico to do dissertation research. That experience and travels to Guatemala, Peru, Cuba, and Costa Rica helped me to see how diverse Latin America is, and how real poverty and suffering are as well. Coming into my own as a historian, teacher, and writer, my fascination with women’s voices, experiences, and activism only grew.
Cacicaswere women who held high status, positions of political authority, and/or communally-significant economic or other responsibilities in colonial Spanish American native societies.
This book offers compelling portraits of how colonial women strategized to maneuver around patriarchal limitations of Spanish law, especially because they could not hold formal offices in the colonial governing hierarchy (though sometimes they actually did).
The individually-authored essays in this collection provide insightful portraits of individual women in a variety of circumstances across a wide range of geographic locations and types of communities across the Caribbean, Mesoamerica, and Central and South American societies.
The reader will feel she or he learns something about these women as people defending themselves, their families, and peoples.
The term cacica was a Spanish linguistic invention, a female counterpart to caciques, the Arawak word for male indigenous leaders in Spanish America. But the term's meaning was adapted and manipulated by natives, creating a new social stratum where it previously may not have existed. This book explores that transformation, a conscious construction and reshaping of identity from within.
Cacicas feature far and wide in the history of Spanish America, as female governors and tribute collectors and as relatives of ruling caciques - or their destitute widows. They played a crucial role in the establishment and success of Spanish rule,…
Growing up in a sheltered environment on Long Island, NY, I had little sense of a larger world, except for seeing images of the Vietnam War. Going to college in the early 70s and becoming an anthropology major, the world began to open up, yet I hadn't experienced life outside the U.S. until my mid-20s as a graduate student living in Mexico to do dissertation research. That experience and travels to Guatemala, Peru, Cuba, and Costa Rica helped me to see how diverse Latin America is, and how real poverty and suffering are as well. Coming into my own as a historian, teacher, and writer, my fascination with women’s voices, experiences, and activism only grew.
This rich ethnography explores women’s lives between the 1980s and early 2000s in the Zapotec community of Teotitlán del Valle in southern Mexico.
Oaxacan-produced textiles are enormously popular transnationally, and this demand has reshaped production, the gendered division of labor, and economic and social relations in many native communities, a theme explored in depth by Stephen.
She begins to draw attention to a theme that becomes more prominent in her later work and that is the impact of migration and the creation and growth of what she calls “transborder” communities.
A picture of how women respond to economic change while rooted in the practices of a deeply rooted indigenous culture, this book represents a model of narrative and methodological approaches that connect women’s history to wider patterns of globalization.
In this extensively revised and updated second edition of her classic ethnography, Lynn Stephen explores the intersection of gender, class, and indigenous ethnicity in southern Mexico. She provides a detailed study of how the lives of women weavers and merchants in the Zapotec-speaking town of Teotitlan del Valle, Oaxaca, have changed in response to the international demand for Oaxacan textiles. Based on Stephen's research in Teotitlan during the mid-1980s, in 1990, and between 2001 and 2004, this volume provides a unique view of a Zapotec community balancing a rapidly advancing future in export production with an entrenched past anchored in…
I have published seven books, all set in the West, including an anthology,West of 98: Living and Writing the New American West, that features writers from every state west of the Mississippi. For four years now, I have been doing a podcast called Breakfast in Montana, where my partner Aaron Parrett and I discuss Montana books. I also published a book in 2016 called56 Counties, where I traveled to every county in Montana and interviewed people about what it means to live in this state. So I have a good feel for the people of this region and for the books they love.
And another Montana writer, Debra Magpie Earling grew up in Spokane, and is a member of the Salish tribe. Her 2002 debut novel, Perma Red, became an immediate classic. It’s the story of Louise White Elk, a young woman living on the reservation in the 1940s who is determined to avoid the trap of becoming the possession of a man. A challenge for any woman during that time period, but especially for a native woman living in a place with few options. Earling’s prose is elegant but tough, and that would be a pretty apt description of her main character as well as Louise makes a valiant effort to fight off the powerful men trying to take control of her life.
Bold, passionate, and more urgent than ever, Debra Magpie Earling's powerful classic novel is reborn in this new edition.
On the Flathead Indian Reservation, summer is ending, and Louise White Elk is determined to forge her own path. Raised by her Grandmother Magpie after the death of her mother, Louise and her younger sister have grown up into the harsh social and physical landscape of western Montana in the 1940s, where Native people endure boarding schools and life far from home. As she approaches adulthood, Louise hopes to create an independent life for herself and an improved future for her…
I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.
I was drawn to Harness’ incredible memoir because she speaks truth to power from an Indigenous perspective as a survivor of Indian adoption.
As an infant in the 1960s, Harness was adopted by a white couple and raised far from the rez, far from her birth community, and completely segregated from her cultural heritage. This story is about her weaving her way back home and making sense of her traumatic adoption.
As an adoptee myself I found her story gut wrenching and inspiring. Harness is a brilliant writer and a phenomenal woman. Her wisdom, authenticity, and strength reverberate through the pages of this beautiful memoir.
2019 High Plains Book Award (Creative Nonfiction and Indigenous Writer categories) 2021 Barbara Sudler Award from History Colorado
In Bitterroot Susan Devan Harness traces her journey to understand the complexities and struggles of being an American Indian child adopted by a white couple and living in the rural American West. When Harness was fifteen years old, she questioned her adoptive father about her "real" parents. He replied that they had died in a car accident not long after she was born-except they hadn't, as Harness would learn in a conversation with a social worker a few years later.
I grew up in Michigan where I was outdoors in the woods most of the time, running around with my imaginary friends. I built an entire world in my imagination where girls and women were powerful and ruled the world. I wrote stories about that world, and I’ve never stopped writing or reading myths, folklore, and fairy tales. Stories are the best way to bring the mythic and hidden realms of our existence out into the open. When I catch a glimpse of other worlds through storytelling, it always feels healing. It gives me hope that there is more to our existence than what we ordinarily see.
This is Paula Gunn Allen’s modern-day retelling of many Native American tales. They feature talking animals, shape-shifting bears, and creation stories. Here, we see how the underneath comes to the surface in wondrous and awe-inspiring ways. The ordinary walks with the extraordinary. In fact, the ordinary is extraordinary. Allen sees power in these tales for women, and that’s what I loved about this book. These stories are part of a female shamanic tradition; they are in many ways medicinal.
This extraordinary collection of goddess stories from Native American civilizations across the continent, Paula Gunn Allen shares myths that have guided female shamans toward an understanding of the sacred for centuries.
I’ve spent my life as an avid reader, but I hadn’t seen my culture represented in many books, so I began writing the stories that I wished had existed on the shelves when I was younger. It took until my forties for my books to be published, and for me to start finding stories by other Indian authors like me, but better late than never! As someone who has lived in multiple countries and traveled to more than 70 others, I’m no stranger to writing about and searching for places that feel like home, and each of these books helped bring a piece of home to me.
I was in my forties, the first time I ever read a novel about a Gujarati American family, and this was the one. I was on a beach in Mexico, experiencing for the first time what it felt like to see my comfort foods, my family’s mannerisms, and my culture’s ideologies represented in a book. The story is told from the perspective of three generations of women in a family and it made me think about my own relationships with my mother and grandmother, and what secrets each of them may be carrying because nothing is ever as simple as it seems.
“A sparkling debut.”—Emily Giffin, #1 New York Times Bestselling Author
From a compelling new voice in women's fiction comes a mother-daughter story about three generations of women who struggle to define themselves as they pursue their dreams.
Simran Mehta has always felt harshly judged by her mother, Nandini, especially when it comes to her little "writing hobby." But when a charismatic and highly respected journalist careens into Simran's life, she begins to question not only her future as a psychologist, but her engagement to her high school sweetheart.
Nandini Mehta has strived to create an easy life for her children…
I’ve been a novelist all my adult life. My first three books are novels about teenagers, regarded as pioneers in the genre of Young Adult fiction. My inspiration has always been real people, events, and places. Animals, especially dogs have always been part of my life. I turned to adult fiction because I felt the need to write about the full cast of life. City Wolves was inspired, if not driven by my first Malamute, Yukon Sally. With the research she led me to do into wolves, sled dogs, the history of women veterinarians, the real people who were part of the Klondike Gold Rush, I found some marvellous biographies, histories, biological studies, and poetry.
My main focus in my book is people, Meg Wilkinson the first female veterinarian and other adventurers and pioneers who wound up on the Klondike Gold Rush.
Though the wolf like nature of humans and the human nature of wolves permeates the whole story. I also had to research veterinary history but I found no particular book on that to recommend.
Pauline Johnson did not go to the Klondike but she is a very influential figure of the times and in the life of Meg. I’m a fan of Charlotte Gray’s biographies and I think her biography of Pauline Johnson is the best.
A graceful biography that was a #1 national bestseller, Flint & Feather confirms Charlotte Gray’s position as a master biographer, a writer with a rare gift for transforming a historical character into a living, breathing woman who immediately captures our imagination.
In Flint & Feather, Charlotte Gray explores the life of this nineteenth-century daughter of a Mohawk chief and English gentlewoman, creating a fascinating portrait of a young woman equally at home on the stage in her “Indian” costume and in the salons of the rich and powerful. Uncovering Pauline Johnson’s complex and dramatic personality, Flint & Feather is studded…
Reproductive justice – reproductive rights – reproductive self-determination – this has been my passion for decades. I’m a historian. The most important thing I’ve learned is how reproductive bodies have always been racialized in the United States, from 1619 to the present day. Circumstances and tactics have changed over time, but lawmakers and others have always valued the reproduction of some people while degrading the reproduction of people defined as less valuable – or valueless – to the nation. Throughout our history, reproductive politics has been at the center of public life. As we see today. I keep writing because I want more and more of us to understand where we are – and why.
This book is a first. Theobald gives us a really interesting and comprehensive history of pregnancy, birthing, motherhood -- and activism -- on the Crow Reservation in Montana. She explains the interventions of the federal government, for example, via coercive sterilization and child removal, and provides rich accounts of family, tribal, and inter-tribal resistance -- and claims of self-determination -- in the face of these interventions.
This pathbreaking book documents the transformation of reproductive practices and politics on Indian reservations from the late nineteenth century to the present, integrating a localized history of childbearing, motherhood, and activism on the Crow Reservation in Montana with an analysis of trends affecting Indigenous women more broadly. As Brianna Theobald illustrates, the federal government and local authorities have long sought to control Indigenous families and women's reproduction, using tactics such as coercive sterilization and removal of Indigenous children into the white foster care system. But Theobald examines women's resistance, showing how they have worked within families, tribal networks, and activist…
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