Here are 100 books that Invisible Man fans have personally recommended if you like
Invisible Man.
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I’m Kai Storm, author of reality-based urban fiction and erotica, erotica blogger, YouTuber, and Podcaster. I love reading books that feel real, that make you feel, and that teach you something as they entertain you.
This book scared the hell out of me when I was a teenager because its vivid descriptions stayed in my dreams yet it never stopped me from reading and loving the entire book.
It taught me a lot about following your intuition and/or gut feelings. Although it has been a long time since I read it, the main thing I remember is that your intuition is your protector, and listening to that inner voice helps a lot along the way.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
This book is a longtime favorite of mine. Toni Morrison was a master at blending the personal story and the political, and in this book, she blends the true story of a mother who kills her child to prevent slave catchers from returning the baby to life as a slave.
Morrison’s fictional Sethe is haunted by the ghost of the baby she killed and the memories of her difficult life as a slave. This is one of the novels I return to time after time, both for the beauty of the writing and the portrayal of a mother’s love, guilt, and the lingering impact of slavery.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
I have no expertise on anything, but I do feel like I have had a lot of experience being around families and observing complex family dynamics. It’s funny because I would say I have never actually had the “family” experience myself. I grew up with just a mother and a younger sister. That’s it. I barely knew my father, barely knew my grandfather, sort of knew my grandmother. Barely knew my uncles. I found myself looking at other families with awe. Not with envy, but more with curiosity. And as someone who has had his own issues with my sole sibling, I am forever intrigued by that dynamic as well.
I mean, hello! The opening sentence “All happy families are alike…” is probably my favorite opening sentence of all time. This book is what I place in the “epic story telling” category for its breadth and scope of time. In many ways it is the story of two separate families and it hits on several themes I have come to crave and demand from art. Tolstoy looks at class, cultural and societal norms, and the emotional toll of familial expectations. It is a book so dense with interesting, flawed characters and it is one of the rare works I come back again to read every few years.
In 1872 the mistress of a neighbouring landowner threw herself under a train at a station near Tolstoy's home. This gave Tolstoy the starting point he needed for composing what many believe to be the greatest novel ever written.
In writing Anna Karenina he moved away from the vast historical sweep of War and Peace to tell, with extraordinary understanding, the story of an aristocratic woman who brings ruin on herself. Anna's tragedy is interwoven with not only the courtship and marriage of Kitty and Levin but also the lives of many other characters. Rich in incident, powerful in characterization,…
One of my favorite writers, Ralph Ellison, said art could "transform dismal sociological facts" through "tragi-comic transcendence." For me, finding humor in the horrific is a means of survival. It's a way of embracing life's tragedy and finding beauty. My two novels, Pickard County Atlas and Little Underworld, try to do that.
When I say Slaughterhouse-Five is funny, people eye me like I’m a monster. But it is. The New York Times even has my back on this.
Is the novel also gut-wrenchingly tragic and horrifying? Of course. It’s one of the most potent stories ever written, and I’m not sure I’ve encountered anything whose biting satire eviscerates the absurdity of war (and of existence) so well.
Vonnegut balances humor and grief on the head of a pin: “Billy turned on the Magic Fingers, and he was jiggled as he wept.”
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
My passion for examining racism and identity has been lifelong, born out of my experience as the daughter of an Ecuadorian mother and a Jewish-American father, a native speaker of English and Spanish, and a citizen of three countries. I was born in La Paz, Bolivia, raised in NYC, and spent childhood summers in Guayaquil. My identity has been consistently questioned and challenged. This all led to a deep desire to understand the complexity of identity and the history and dynamics of systemic racism. My son, who is presumed to be white, enhanced this passion, and it is because of him that I wrote Strength of Soul.
Without having read Between The World And Me, I would have never written my own book.I taught Ta-Nehisi Coates’s son, Samori, in middle school, which made reading this book even more impactful.Between The World And Me is just as much about challenging systemic racism and being the change one wishes to see, as it is about the profound love that exists between parent and child. Becoming a parent is one of the most transformative experiences one can have and in Between The World And Me,Coates’s love for his son, and his desire for his son to know he can change the world, is palpable. It was a powerful read both as a mother, and as an individual deeply invested in examining, understanding, and challenging systemic racism.
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT
Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone)
NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN •…
We grew up in predominantly white communities and came of age during the Civil Rights and Black Power movements. As academics, we focused on issues of race in our research and teaching. Yet, despite our reading and writing about race, we still hadn’t made a connection to our own lives and how our white privilege shielded us and made us complicit in perpetuating racial inequities. We didn’t fully see our role in white supremacy until we adopted our sons. Becoming an interracial family and parenting Black sons taught us about white privilege and the myriad ways that Blacks confront racism in education, criminal justice, health care, and simply living day-to-day.
Growing up, Marlene learned about the Holocaust through stories about members of her mother’s family who died in the Holocaust. As a Lutheran growing up in Minnesota, Fern learned little about the Holocaust. As whites, neither of us learned much about the Jim Crow era in the US or the northern migration of southern African Americans during that era.
Isabelle Wilkerson grew up knowing the stories of her parents’ migration north to Washington, DC. Those stories shaped her desire to chronicle the Great Migration (1915-1970), in which millions of African Americans left the Jim Crow South for better lives in northern cities. Although many achieved success that would not have been possible, they experienced the same interpersonal and institutional racism in the North that they thought they were escaping from.
Wilkerson, a journalist, gives us the sweep of history grounded by the stories of four African Americans.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NEW YORK TIMES BESTSELLER • In this beautifully written masterwork, the Pulitzer Prize–winnner and bestselling author of Caste chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life.
From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official…
I am a policy advocate, grassroots activist, university professor, and author committed to social change—at scale—to advance social work values of racial, economic, environmental, and social justice. Recognizing that most social workers are drawn to our profession because they want to make a difference in the lives of their clients, one by one, I invest my energies and skills to making policy study and practice accessible, relevant, and urgent. My students quickly get used to noting the book recommendations I sprinkle throughout class discussions and in assignment feedback, because when you see the world through a social policy frame, everything has a policy implication!
Wilkerson’s scholarship on race and injustice is certainly not a secret, but I still find some colleagues who have not yet read this book.
To convince people to pick it up, I promise that its language is poetic and imminently accessible, and I share the two pieces that have remained top of mind for years: first, Wilkerson’s research about the lessons Nazi Germany took from the racial caste system of Jim Crow United States, and second, the way she crafts an analogy of a crumbling house to make the case for reparations for racist harm, which—like cracks in the foundation of a house you just bought—may not be your faultbut are still your problem.
I am forever grateful to Wilkerson for gifting us her insights and rhetorical tools, conveyed so skillfully in this tremendous contribution.
THE TIME NONFICTION BOOK OF THE YEAR | #1 NEW YORK TIMES BESTSELLER
"Powerful and timely ... I cannot recommend it strongly enough" - Barack Obama
From one of America's most celebrated and insightful writers, the moving, eye-opening bestseller about what lies hidden under the surface of ordinary lives
In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human…
I’m from North Carolina, and Inside the Wolf is the first book I’ve written about the American South. For a long time, I resisted writing about my home state. I moved to New York and tried to write elegant New York stories. But writing is thinking for me, and I had to think through some of the stories and memories and hauntings of my youth. The books on this list have made me want to keep doing it
Sula is a slim book and not only my favorite Toni Morrison novel, but one of my favorite novels. Although set in Ohio, Sula reveals more about American history and American Southern history than most historical tomes.
“What was taken by outsiders to be slackness, slovenliness or even generosity was in fact a full recognition of the legitimacy of forces other than good ones. They did not believe doctors could heal—for them, none ever had done so. They did not believe death was accidental—life might be, but death was deliberate....”
Sula, a singular character in a singular novel by a singular writer.
'Extravagantly beautiful... Enormously, achingly alive... A howl of love and rage, playful and funny as well as hard and bitter' New York Times
As young girls, Nel and Sula shared each other's secrets and dreams in the poor black mid-West of their childhood. Then Sula ran away to live her dreams and Nel got married.
Ten years later Sula returns and no one, least of all Nel, trusts her. Sula is a story of fear - the fear that traps us, justifying itself through perpetual myth and legend. Cast as a witch by the people who resent her strength, Sula…
For whatever reason, I have always been interested in sad men. Successful men can be boring. It is failure, and how men manage it when success is the primary marker of masculinity, that I find interesting as a subject for fiction. Even when I was in my 20s, I liked reading novels about men suffering mid-life crisis. And now that I am squarely in middle age, novels that were about the future are now novels about the present.
I have returned to many of these stories over and over again through the years—for Cheever’s prose, for his sense of what makes men tick. On one level, I can’t quite relate to white suburban husbands in upstate New York in the 1950s and 60s. And yet, somehow, they seem profoundly familiar.
John Cheever's Collected Stories explores the delicate psychological frameworks of 20th century suburbia.
WITH AN INTRODUCTION BY HANIF KUREISHI
This outstanding collection by Pulitzer Prize-winning novelist John Cheever shows the power and range of one of the finest short story writers of the last century. Stories of love and of squalor, they include masterpieces such as 'The Swimmer' and 'Goodbye, My Brother' and date from the time of his honourable discharge from the Army at the end of the Second World War.
I am a scholar of European history who spent the last twenty years studying how minorities relate to each other and how their efforts to communicate their silenced histories are entwined. I remain fascinated by the many ways we think we know—and so frequently fail—to grasp the suffering and ambitions of others. All of this makes me ultimately a historian of the hidden stories of marginalized people and of the struggle to document and understand them.
While other books use small subjects to make big points, Slezkine’s book is nothing if not ambitious in its breadth.
A provocative book that is not afraid to make sweeping claims, Slezkine manages to convey the story of twentieth-century Russian Jews as a transnational drama between the Soviet Union, Israel, and the United States on an epic scale. Hidden histories need not be small.
This masterwork of interpretative history begins with a bold declaration: "The Modern Age is the Jewish Age, and the twentieth century, in particular, is the Jewish Century." The assertion is, of course, metaphorical. But it drives home Yuri Slezkine's provocative thesis: Jews have adapted to the modern world so well that they have become models of what it means to be modern. While focusing on the drama of the Russian Jews, including emigres and their offspring, The Jewish Century is also an incredibly original account of the many faces of modernity-nationalism, socialism, capitalism, and liberalism. Rich in its insight, sweeping…
