The most recommended books about Colombia

I got interested in long-distance backpacking in my mid-twenties, looking for an escape from the messy life I had created for myself. I wanted to reinvent myself, and a blog about the Appalachian Trail suggested a perfect solution. After 650 miles on the trail and the death of my mother, I knew I would never be the same. In the years since, I have hiked the Wonderland Trail (as featured in Alone in Wonderland) and the Colorado Trail. Backpacking has become more than an escape – it has become home.

Judith M. Heimann grew up in New York City, where her father and both his brothers were newspapermen. She lived in Borneo in the mid-1960s with her American diplomat husband John Heimann, and their school-age children. In Borneo, she made lifelong friends of Tom Harrisson, his then-wife Barbara, and indigenous people she later wrote about. After a career in Europe, Asia, and Africa, as a US diplomat alongside her husband, in retirement she became a nonfiction writer and went back to Borneo several times to research her books, help on tv documentaries, and celebrate anniversaries of important wartime dates there; she still remembers the names of the people, the songs, the carvings and paintings, and especially the way the local people met her and her family more than halfway. 

Ultimately, I’m someone who enjoys a good adventure. Prior to the age of twenty, I had never gone on a vacation or been camping, and the only place I saw Mickey Mouse was on television. Determined to experience a more fulfilling life, I set my sights on becoming a world traveler. I’ve done almost everything to transform the dream into a reality. I’ve studied abroad, served as a Peace Corps Volunteer, worked for an international NGO, served in the U.S. Navy, and done some off-the-grid exploring. After spending nine years abroad and visiting thirty countries, I’m finally a published author. Life Travel And The People In Between is my debut memoir.

My expertise in things adult stems from my 65 years of life on this earth. I have a passion for adult-level writing (not “adult” as in “erotica”) because I was a junior high teacher during the Twilight craze. It didn’t take long to get my fill of sparkling vampires. I had to retire from teaching because of a disability, which left me with time on my hands. I turned to writing, something I had wanted to do since I was a high school student. I now do freelance non-fiction writing (gotta pay the bills) and writing novels. One is never too old to chase a dream.

I personally love to draw attention to not only books in women’s literature but also to encourage and support my fellow female authors whom I see as the best company a girl can ask for. Knowing that these strong individuals are living out their dreams while also filling page after page of stories varying anywhere from mystery, intrigue, love, loss, grief, etc. fills me with such gratitude and hope for the future. Because their stories are just the beginning. I'm a proud indie author and female author who enjoys writing mysteries and thrillers. I'm forever encouraging my fellow author colleagues to embrace their dreams and unique skillsets as it’s one no one else has. 

Each of these novels, in their own way, forces us to confront the realities of war and power, showing how fragile humanity truly is. They’ve inspired me to reflect on how interconnected we are, especially regarding the scars of conflict. I am reminded of the John Donne poem that inspired Hemingway’s title, For Whom the Bell Tolls (1940)–which begins: “No man is an island, intire of its selfe; every man is a piece of the continent, a part of the maine.”  War doesn’t just affect the soldiers: war has its hooks in us all.

As a very successful professional stage actor and visual artist I have learned that perfection is boring. A person or thing without flaws loses my interest very quickly. There's nothing more boring for an actor to play than someone who does no wrong. Since I have so much experience in putting myself in another person’s shoes with my acting and finding different ways to express emotion in my art, I find great pleasure in finding the flawed people in the world and telling their emotional stories. Their challenges, their obstacles and their success and failures – both self-imposed and that which is thrust upon them by society.

I worked at the International Center for Transitional Justice in 2009 when Uruguay held a second referendum to overturn the country’s amnesty law that protected the police and military from prosecution for human rights abuses during the country’s dictatorship. Despite the country’s stable democracy and progressive politics in the 21st century, citizens quite surprisingly rejected the opportunity to overturn the state-sanctioned impunity law. My interest in broader accountability efforts in the world and that seemingly shocking vote in Uruguay drove me to want to study the roots of that failed effort, ultimately compelling a broader investigation into how human rights culture in Uruguay evolved, particularly during and after its period of military rule. 

I have been doing research in the Caribbean for twenty-five years. The region is diverse and magnificent. Caribbean people have sought creative solutions for racial inequality, climate and sustainability, media literacy and information, women’s and family issues. The transnational connections with the US are complex and wide-ranging, and knowing more about this region is an urgent matter. I work to understand how sound and media work because they structure our reality in important ways. Listening as a way of approaching relationships in work and play is key to our survival. So is understanding how media works, where we get our information from, and how to tell what’s relevant, significant, and true, and what is not. 

I’ve turned lessons from a 30-year career with the Central Intelligence Agency into crime fiction loaded with intrigue and deception. My Detective Emilia Cruz mystery series pits the first female police detective in Acapulco against Mexico's drug cartels, government corruption, and social inequality. Readers will love Detective Cruz’s complex plots, fast action, and exotic location. I’m originally from upstate New York, the setting for the upcoming Galliano Club thriller series. My family tree includes a mayor, a Mensa genius, and the first homicide in the state of Connecticut with an automatic weapon. After killing two people, including his wife, my great-grandfather eluded a state-wide manhunt. He was never brought to justice.