The most recommended books about Colombia

Over my two decades as a scholar of American foreign policy and international politics, I had multiple opportunities to serve as a Latin America foreign policy aide. Given that Latin America plays a central role in the U.S.-hatched modern war on drugs, much of my policymaking was directly or indirectly tied to drug policy. I thus wrote Drugs and Thugs above all to make sure that I had a good sense of the history of this seemingly eternal conflict, one that is “fought” as much at home as abroad. 

I have been doing research in the Caribbean for twenty-five years. The region is diverse and magnificent. Caribbean people have sought creative solutions for racial inequality, climate and sustainability, media literacy and information, women’s and family issues. The transnational connections with the US are complex and wide-ranging, and knowing more about this region is an urgent matter. I work to understand how sound and media work because they structure our reality in important ways. Listening as a way of approaching relationships in work and play is key to our survival. So is understanding how media works, where we get our information from, and how to tell what’s relevant, significant, and true, and what is not. 

Documentary Comics are this genre of comics in which you can make a community visible, denounce a crime or expose yourself to the world. Being able to dialogue with the world while dialoguing with the reader is amazing. The elements you have to take into account the things you can hide in the silence of a drawing, compelling the reader to read again, to find the easter egg about that thing you really want to talk about. The ways of telling the truth in drawings. All those things are the things that I love about documentary comics.

I am an information architect, writer, and community organizer on a mission to make information architecture education accessible to everybody. I started practicing IA in pure pursuit of stronger visual design, but in the two decades since have developed an insatiable appetite for understanding and teaching the practical skills that make people better sensemakers, regardless of their role or medium. The books I chose for this list are all foundational to me becoming the sensemaker that I am today. I offer them as suggestions because they are not the books you will find should you search for “Information Architecture” yet they have all become my go-to recommendations for helping others to strengthen their own sensemaking.

Emotional novels are my forte. I love to read them, and I especially love to write them. Most folks say they want a book they can’t put down – but I search for ones that I have to put down and walk away from long enough to pull myself together. I want stories that linger with me, that infiltrate my dreams – books that inspire me to create works in their honor. While my life is great, sometimes I just want to get away to a world where right prevails, long conquers all, and holding out for a hero is not an impossible dream. Trust me, these picks will not disappoint. 

Some of my earliest memories are of sitting with my mom or dad while they read me stories like The Tale of Peter Rabbit by Beatrix Potter or Charlotte’s Web by E.B. White. These memories, along with many great teachers who got me excited about stories, are what helped me develop a love of reading and writing. I love stories with animal characters in them, whether they’re the main characters, or simply there in a supporting role.

Judith M. Heimann grew up in New York City, where her father and both his brothers were newspapermen. She lived in Borneo in the mid-1960s with her American diplomat husband John Heimann, and their school-age children. In Borneo, she made lifelong friends of Tom Harrisson, his then-wife Barbara, and indigenous people she later wrote about. After a career in Europe, Asia, and Africa, as a US diplomat alongside her husband, in retirement she became a nonfiction writer and went back to Borneo several times to research her books, help on tv documentaries, and celebrate anniversaries of important wartime dates there; she still remembers the names of the people, the songs, the carvings and paintings, and especially the way the local people met her and her family more than halfway. 

As a very successful professional stage actor and visual artist I have learned that perfection is boring. A person or thing without flaws loses my interest very quickly. There's nothing more boring for an actor to play than someone who does no wrong. Since I have so much experience in putting myself in another person’s shoes with my acting and finding different ways to express emotion in my art, I find great pleasure in finding the flawed people in the world and telling their emotional stories. Their challenges, their obstacles and their success and failures – both self-imposed and that which is thrust upon them by society.

I wear many aprons. I am a writer; a professor of creative writing and literature; a mother to five children – daughters and sons; the wife of a criminal defense attorney; and the daughter of therapists. I read and write at the intersection of these influences: crime, motherhood, and psychology. When I teach children’s literature, I lean toward the Brothers Grimm. Childhood is grittier – more suspenseful – when we darken the stories. The same is true of motherhood. Nobody wants to read about a perfect mother, especially when mothers spend so much of our psychic energy worried about our children in the forms of violence, illness, and death. I prefer to seek out books that complicate the otherwise pristine stories of our lives we pretend to tell.