Here are 100 books that The Great Gatsby fans have personally recommended if you like
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I am fascinated by time, how a few brief moments can change or define a life, and how, when faced with danger, a first reaction can make you a hero or a coward. In trying cases, I saw how a slight hesitation or a quick glance away could make a witness under cross-examination seem a liar. The instant of truth, when everything about someone’s character becomes clear–the common theme of the five novels–is what my book is all about. The captain, Vincent Marlowe, had to make a decision about the price he had to pay for the deaths he had caused.
When I was young and ambitious and dreamed about politics, when I had studied Greek philosophy and ancient history in graduate school, the life of T.E.Lawrence–Lawrence of Arabia as he became known–a young Englishman who had never been in a battle before led the Arab Revolt which helped bring an end to the First World War, made everything seem possible.
Lawrence had his secrets, but some of them he shared. Two of them seemed to my young imagination everything that was needed. Speaking like Odysseus was one of them, which meant tailoring what you say to the audience you have. The other was to make the strength of your opponent his fatal weakness.
I did not realize until much later that the most important thing I learned from T.E. Lawrence was that what is best remembered is what is written, like this book, with clarity and passion.
As Angus Calder states in his introduction to this edition, 'Seven Pillars of Wisdom is one of the major statements about the fighting experience of the First World War'. Lawrence's younger brothers, Frank and Will, had been killed on the Western Front in 1915. Seven Pillars of Wisdom, written between 1919 and 1926, tells of the vastly different campaign against the Turks in the Middle East - one which encompasses gross acts of cruelty and revenge and ends in a welter of stink and corpses in the disgusting 'hospital' in Damascus.
My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
I read this book when it came out in the ‘70s, and I was in my mid-twenties, with only the most abstract, hypothetical awareness of my own mortality. It opened my eyes to the fact that our avoidance of thinking about our own deaths is not just an individual quirk of cowardice but a foundation of human culture and individual action.
To me, the latest popular manifestation of this avoidance is the current popular obsession with longevity, and this remains as current as the day it was published 50 years ago.
Winner of the Pulitzer prize in 1974 and the culmination of a life's work,The Denial of Death is Ernest Becker's brilliant and impassioned answer to the "why" of human existence. In bold contrast to the predominant Freudian school of thought, Becker tackles the problem of the vital lie -- man's refusal to acknowledge his own mortality. In doing so, he sheds new light on the nature of humanity and issues a call to life and its living that still resonates more than twenty years after its writing.
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
The perfect crime? Actually not! It was so imperfect that it turned into the perfect crime by just pure luck. No clues were left behind. In fact, there was nothing to trace the murder back to the murderer except his own guilt.
His guilt turned out to be his biggest punishment. When he finally surrenders, he feels at peace–the long-eluded peace.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
I am passionate about the Vietnam War because my male relatives served and came back changed by the experience. I spent ten years as the editor of The Patton Saber, writing articles about the experience of World War II soldiers, but when I came across an idea for a novel about past life memories, I decided to focus on memories of the Vietnam War. What I love about this list is that it reflects many facets of the war, including soldiers, nurses, veterans, and the family members touched by those affected by war.
O’Brien’s depiction of American soldiers in Vietnam was vivid and moving. It gave me a deeper understanding of the soldier’s experience. His artful use of the metaphor of what they carried revealed not only the items on hand but also the psychological baggage each soldier dealt with.
The stories were haunting and made me a full witness to the complexity of war and the many ways it is experienced. It is artfully written, moving, complex, touching and unforgettable.
The million-copy bestseller, which is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling.
'The Things They Carried' is, on its surface, a sequence of award-winning stories about the madness of the Vietnam War; at the same time it has the cumulative power and unity of a novel, with recurring characters and interwoven strands of plot and theme.
But while Vietnam is central to 'The Things They Carried', it is not simply a book about war. It is also a book about the human heart - about the terrible weight of those things we carry through…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
It took me a while to get to this part of Orwell’s oeuvre, but once I did, I was engrossed. The crispness of the writing and the precision of his observations are unmatched. Admittedly, due to Orwell’s own political persuasions, you should not base your views of the Spanish Civil War on this book alone, but as a piece of honest journalistic writing with a clear point of view, it deserves its status as a classic.
Homage to Catalonia remains one of the most famous accounts of the Spanish Civil War. With characteristic scrutiny, Orwell questions the actions and motives of all sides whilst retaining his firm beliefs in human courage and the need for radical social change.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Helen Graham, a leading historian on the Spanish Civil War.
I am captivated by memoirs that shed light on the deeper life experiences of their authors. My curiosity about inner life compelled me to learn about the psychological essence of memoir writers, resulting in my writing a memoir from an in-depth psychological perspective. My curiosity also led me to become a psychotherapist, which helped me better navigate dark and uncertain waters with my clients. By probing the inner psychological dynamics of such memoirs, I learned more about myself and became a writer with rare psychological insight. Such illumination served to ignite my very soul. My passion is fueled by tapping the mysteries of what lies within us all.
At age 15, I was captivated by Ernest Hemingway and his depiction of Paris in the 1920s. This book today reignites the enchantment of those years. Hemingway's profound influence shaped my aspirations as a writer. Through his eyes, I can vividly see Paris's cafés, salons, and vibrant social scenes, which ultimately became the backdrop of my dreams.
This book, rich with lovemaking, drinking, writing, betting at the track, and the bohemian lifestyle of so many young artists in Paris, reawakens my desire to immerse myself in that world. Hemingway's narrative voice and his novels continue to speak to me in a language that feels intimately mine, reminding me of the undying impact of his work on my life and aspirations.
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Sean Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and…
“And what do you do?” someone asked at a crowded reception at the NY Academy of Science. “Write—comparative religion.” Startled, he backed away, asking suspiciously, “Why religion? Are you religious?” Yes, incorrigibly—although I grew up among people who regarded religion as obsolete as an outgrown bicycle stashed in a back closet. While many of us leave institutions behind, identifying as “spiritual, not religious,” I’ve done both—had faith, lost it; then began exploring recent discoveries from Israel and Egypt—Dead Sea Scrolls, Christian “secret gospels,” Buddhist practices, asking, Why is religion still around in the twenty-first century? What I love is how such stories, art, music, and rituals engage our imagination and illuminate our experience.
This book is full of stories, using case studies that include the lives of Walt Whitman, Saint Augustine, and Russian writer Leo Tolstoy—that I found fascinating. Here psychologist William James challenges what he—and I—were both taught: namely, that religions are primarily childish fantasies (the view of Sigmund Freud, founder of psychoanalysis, in The Future of an Illusion). But after James, as a young man, experienced a terrifying depression, he describes his surprise at what felt to him like a spiritual breakthrough that enabled him to recover. James skips questions about dogma and belief, instead identifies a range of different “varieties of religious experience” that, far more than “belief,” can give rise to spiritual insight.
Standing at the crossroads of psychology and religion, this catalyzing work applied the scientific method to a field abounding in abstract theory. William James believed that individual religious experiences, rather than the precepts of organized religions, were the backbone of the world's religious life. His discussions of conversion, repentance, mysticism and saintliness, and his observations on actual, personal religious experiences - all support this thesis. In his introduction, Martin E. Marty discusses how James's pluralistic view of religion led to his remarkable tolerance of extreme forms of religious behaviour, his challenging, highly original theories, and his welcome lack of pretension…
The key to a great contemporary thriller—as opposed to older novels about say, Sherlock Holmes or James Bond—is that solving the mystery reveals something essential about the protagonist. In other words these are character investigations as well as whodunits, where the same action provides revelations in both arenas. It’s what I discovered I wanted to do, when I veered from “serious fiction” to the books I began to write, starting with Presumed Innocent.
Set in Mexico in the 1930s when the revolutionary government engaged in an active campaign against the Catholic Church, Greene’s hero, the so-called Whiskey Priest, is a drunk who has also failed to adhere to his vow of chastity, but his kindness and commitment to worshippers make him an intensely sympathetic figure, as he is hunted by the local police chief determined to put him behind bars.
The book was a revelation to me when I first read it in college. I did not realize that the Mexican government had engaged in this war against the Church so recently. Nor did I realize that a novel so gripping could be told with such literary grace.
During an anti-clerical purge in Mexico, a priest is hunted like a hare. Too human for heroism, too humble for martyrdom, the little worldly priest is nevertheless impelled towards his squalid Calvary as much by his own compassion for humanity as by the efforts of his pursuers.
My passion and subsequent expertise in this subject have followed years of self-study and reading. I have tried to make sense of the conflicting views that the world has thrown at me, confusing me by each claiming to be the truth, the whole truth, and nothing but the truth (the seller's marketplace).The books in this series, reflect how difficult it is to be yourself and how much courage it takes to break free of your conditioning, parental or societal. It covers the necessary breakdown of the internal personality, so that a new you can emerge from the cocoon of the reassembled old you, butterfly-like.
The Divided Self kick-started my search for the truth of the human condition. It taught me that I didn't have to follow the life laid out for me and that I was expected to follow. Through it I discovered that I was not the only person trapped in a world and struggling to make sense of the bizarre and contradictory reality around me, that lied and lied about existence continually. Further books by him reinforced this awareness of the illogic of it all, including The Politics of Experience, The Self and Others, and Knots. I was Brer Rabbit, caught in the honey trap of the tar baby and this book showed me that.
Presenting case studies of schizophrenic patients, Laing aims to make madness and the process of going mad comprehensible. He also offers an existential analysis of personal alienation.
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.
He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.
McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood.
And the truth he finds in the details, from the brutality of religious authority figures to the abject…
The author recounts his childhood in Depression-era Brooklyn as the child of Irish immigrants who decide to return to worse poverty in Ireland when his infant sister dies.
