100 books like The Power and the Glory

Russia is once again in the headlines, sparking a geopolitical contest between her and the West.

The period immediately following the Second World War can be viewed as a romantic era, marked by new hope for peace and the rebuilding of the world. The establishment of the UN aimed to resolve power struggles at the negotiating table rather than on the battlefield. 

These elements are all found in this novel, which delves into the past to shed light on Russia's psyche and how it might shape the future. It effectively connects the past with the near future. House arrest is common in oppressive regimes across the developing world.

What intrigued me was that the protagonist was placed under hotel arrest and restricted, punished for a crime he didn't commit. It was a captivating read, especially given the ongoing conflict between Russia and Ukraine, which will undoubtedly have far-reaching consequences for… show more.

I love O’Farrell’s use of language–the depth and the poetry—and have read most of her books. I especially liked this book because I read it shortly after my daughter died in 2020, and the maternal and complicated feelings of Hamnet’s mother (Shakespeare’s wife) are so well rendered.

O’Farrell also has a magical way of recreating a time and a place. I think she’s one of the best writers when it comes to getting into a character’s head, too.

You don’t have to know much about the Spanish civil war to have heard of Guernica. If you’ve ever seen Picasso’s work depicting the bombing, this book creates the story of the people of the town going about their everyday lives just before the painting’s horror. As a reader, you know what is coming but are helpless to do anything but care for characters who are oblivious to the destruction coming their way. 

As an author, I found inspiration in this novel for my own portrayal of the civil war in Spain. The trick is to let ordinary people tell the story for you.

I love adventure stories that offer unexpected challenges in foreign lands. 

This story, set in upper-class England and rural China in the 1920s, is about Kitty, a selfish, beautiful, and attention-seeking woman, and the shy and unattractive English bacteriologist, Walter, who falls hopelessly in love and asks for Kitty’s hand in marriage. Kitty consents, but Walter’s discovery of her lover and the resulting social pressure, force the couple to enter into a marriage doomed for failure. 

Even though bitterness prevails, the couple set off for Walter’s assignment in the cholera-infected area of China. It is an act of suicide, fraught with peril. 

During their dangerous sojourn in this strange and foreign land, the couple’s discoveries are many. In the end, they realize that the greatest discovery is their mutual love.

Was the hero of F. Scott Fitzgerald’s American classic African-American?

A couple of academics have advanced that theory. I’m not sure I buy it. The notion (and supporting “evidence”) seems little more than a literary parlor game, not to mention the fact that nothing in Fitzgerald’s work or his letters shows a particular engagement with, or sympathy for, black Americans.

Still, it’s an interesting metaphor and the reason this seminal American novel appears in a list of what’s otherwise non-fiction. Gatsby’s yearning for his lost love could be an African-American yearning for a beloved country that does not always love them in return.

I first read this book in high school. It wasn’t until my second, third, and fourth re-reading that I began to appreciate Fitzgerald’s gift for story-telling and his evocative, poignant language. And to identify with Gatsby, the outsider craving to become an insider.

Whether trying to finish an email or a book, I feel Dorothy Parker’s words deeply: “I hate writing,” she is purported to have said, but “I love having written.” 

In this book, protagonist Jacob Finch Bonner does Parker one better. Stuck after his well-received first novel, he takes someone else’s story and passes it off as his own. Korelitz unravels the dire consequences, though with fizzy, suspenseful glee rather than scared-straight preachiness.

Bonner may not be, as he tells himself, “a great writer,” but Korelitz certainly is. It made me want to try to write again: hate, love, and all other feelings welcome. 

CJ Sansom, a renowned historian, released this first fiction novel to huge acclaim. I was fascinated to find the investigator was a London lawyer during the reign of Henry VIII. It ticked all the boxes: history, a juicy murder, crime, and mystery. I was not disappointed. In my own writing, I endeavour to make my characters individual and memorable and, therefore, look for that in books I read.

The protagonist, lawyer Matthew Shardlake, has the brain, persistence, and vision of a Holmes or Poirot in uncovering the clues and is admired by all for his ability to win cases. Despite this, one thing continually erodes his confidence: he is a hunchback. Not restricted by twenty-first-century political correctness, his enemies take delight in reminding him of this. I loved the way the author handled that.

I enjoyed the detective story in an entirely different setting. It is a magnificent first book;… show more.

Mervyn Peake’s writing is unusual. In Gormenghast he creates a bizarre world of weird hierarchical rituals, peopled by eccentric characters, each one singular in a different way. What really brings this novel to life is Peake’s wonderfully rich prose, as he describes the destruction of an ancient social structure.

I have loved this novel since first reading it in college—probably when I should have been studying for exams! 

Double Indemnity is one of the first and best American noir novels and served as the basis for the 1944 film by the same name. The novel taught me about the classic noir trap: a basically good but flawed man helps a basically bad but attractive woman in an effort to murder her husband, the good/flawed man hoping to end up with both the woman and the money.

But things seem fated to go wrong, and what starts out as a bleak tale ends up even bleaker—at the dark end of a one-way street. Since reading this powerful novel—and seeing the equally powerful film with its crackling dialogue by famed hardboiled crime writer Raymond Chandler—I have never looked at life quite the same way again.

I love the sense of intimacy in this book.

The characters are flawed and detailed against the backdrop of London and Great Britain. It is a classic of the genre and really takes you back to the pre-internet and pre-fall of the USSR. It really captures what it was like to live in those times.