10 books like Guernica

What are some countries rich and others are poor? I strongly believe that this is the most important question for modern economics. I've become an economist to understand this. I am happy that in recent decades economists – working closely together with other social scientists – have made so much progress in this field. And this is not abstract knowledge – it is being applied already to help developing countries catch up with the rich world. I have seen it myself when I took a leave from academia to work as a Chief Economist of a development bank (European Bank for Reconstruction and Development) – to learn more from and to contribute to this work.

Identity, agency, belonging, and transformation…these are the themes which drive me to write. I love historical fiction and historical fantasy because for female characters, the past was rife with oppression, which creates an even greater barrier to self-actualization and personal alchemy. There are still barriers for females in our present world, but setting a story in the past can more clearly call out those barriers and the ways females bust through them. We finally live in a world where historians and storytellers are unearthing the untold tales of the past. No longer are the narratives in the sole control of the victors and oppressors. 

Some look through the glass and admire what lies beyond. I look beyond the glass and imagine what's ahead. What is an adventure? It's an encounter with the unexpected, an exquisite moment in time that can never be repeated, those memorable chapters in our personal story that cause us to go to the attic and lift the lid of the trunk. I've lived the experiences in my books because I walked the beaten paths where those stories were born and embraced the culture that colors the pages. I'm an intrepid traveler and adventurer with still a few personal chapters to write. As I look beyond the glass, I wonder… Will my trunk ever be full?

An avid reader when young, I made the transition from reading to writing relatively late in life. It happened unexpectedly, but once I started writing I found it impossible to stop and have had twenty-eight novels published so far. Fortunately I found a publisher within weeks of completing my first novel, which was shortlisted for several major awards. Currently I am writing the 20th novel in my Geraldine Steel detective series, which has sold over a million copies in the UK alone. As well as writing detective novels, I also support up and coming crime writers as chair of judges for the Crime Writers Association’s Debut Dagger Award.

I am the son of a pacifist poet and a Marine veteran of Vietnam. Perhaps because of this contradiction, I’ve been unable to find any occupation satisfying outside of writing. I spent my formative years with imaginary friends I met in libraries. My love of faraway places, romance, and war continues to this day. I write stories of strangers meeting under bleak conditions and finding the strength in each other to win the day.

I am a French writer of Spanish origin. My two grandfathers shared history with Spain’s darkest hours. My maternal grandfather was born in Barcelona and he was a teenager at the time of the war; just like Salvayre’s parents, he had to flee Spain as the bombs were hitting his city. My paternal grandfather, who was in his twenties at the time of the civil war, decided to fight for the “International Brigades” to defend Spain’s freedom. It is to honour their memory and one of the millions of men and women who suffered from those almost four decades of dictatorship that I wrote Blood Song, a historical thriller, the third installment in the Roy and Castell series.

I am a writer who lived in the city of Granada for almost four years, in the uncanny barrio of the Albayzin. The daily blessings of life there are powerful and cumulative, and I wrote a book in honor of such luminosity; and I wrote it, as well, because most of us have been lied to about Spanish history. But the truth, like the poetry of Garcia Lorca, cannot be suppressed. In my sojourn in Spain, and in my visits over the years, I have found Granada to be a treasure-house of stories and poetry; and in flamenco singing, the home of one of the most powerful art-forms of music in the world.

Joan Fallon is a Scottish novelist who has lived in the province of Málaga, in southern Spain, for almost thirty years. She has a great passion for all aspects of Spanish history and culture. While writing a book about the lives of Spanish women after the Civil War, she learned about the unbelievable massacre of thousands of innocent people as they left their homes and fled to Almería in 1937. Women, children and old men were gunned down by cruising gunboats. A historian, teacher and now an author, Joan wanted to know why nobody ever spoke about this tragedy.

I have been studying and writing about, anarchism, gender, and the Spanish Civil War for almost 4 decades. I first explored what it would mean to organize a society without formal institutions of authority; and, as part of that research, I looked at how anarcho-syndicalist organizations related to governmental institutions and the struggle against fascism in Spain. I then engaged in a multi-year investigation of the social revolution that occurred in the midst of the ensuing Civil War and, in particular, the activities of the anarchist women’s organization, Mujeres Libres. Through the research for my book, Free Women of Spain: Anarchism and the Struggle for the Emancipation of Women, I was captivated by the extraordinary strength and enthusiasm of those women, and committed myself to telling their stories in ways that would be relevant to contemporary readers.

My passion for historical fiction evolved late in my life. I was assigned to teach the second of the core courses required of all undergraduates at Holy Names University. Required materials: the Divine Comedy, the Canterbury Tales, Sundiata, Don Quixote, Othello, the Tale of Genji, Leonardo da Vinci, Islamic calligraphy, the music of Ravi Shankar… But everything was set in history–boring!–dates and places I could never remember, events that meant nothing to me. But my passion for genealogy and for oral history made me realize that everything had a story. This course was about people telling their stories. Now that I’m retired from teaching, I want to tell people’s stories–in their historical context.