I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Inspired by his experiences as a reporter during the Spanish Civil War, Ernest Hemingway's For Whom the Bell Tolls tells the story of Robert Jordan, an American volunteer in the International Brigades fighting to defend the Spanish Republic against Franco. After being ordered to work with guerrilla fighters to destroy a bridge, Jordan finds himself falling in love with a young Spanish woman and clashing with the guerrilla leader over the risks of their mission.
One of the great novels of the twentieth century, For Whom the Bell Tolls was first published in 1940. It powerfully explores the brutality of…
I’m a research nerd at heart. I am happiest pouring over historic newspapers online (thank you Library of Congress) or digging into a non-fiction book. The research I do for a book can be more rewarding than writing the book itself. When I read a 1933 article about a baby that would be given away as a prize during a civic fundraiser, I was hooked. What desperation would lead a parent to give away a child? Who would buy such a raffle ticket? Who thought this would be a good idea? I never did find the answers to my questions, so I made up my own.
I read this book when I was a graduate student studying journalism, but it has never stopped resonating with me. When I began to research my novel set in the Great Depression, I returned to Hard Timesand also had the good fortune to find and listen to the recordings of Terkel’s interview subjects. This book is essentially a collection of oral histories that runs the gamut of the human condition during the Great Depression: those who had everything, those who had nothing and everyone in-between. This is “person-on-the-street” journalism at its finest. The stories are mesmerizing and the voices are authentic. That is the magic of this amazing journalist who captured the voices of the world for decades.
From the Pulitzer Prize-winning author of The Good War: A masterpiece of modern journalism and "a huge anthem in praise of the American spirit" (Saturday Review).
In this "invaluable record" of one of the most dramatic periods in modern American history, Studs Terkel recaptures the Great Depression of the 1930s in all its complexity. Featuring a mosaic of memories from politicians, businessmen, artists, striking workers, and Okies, from those who were just kids to those who remember losing a fortune, Hard Times is not only a gold mine of information but a fascinating interplay of memory and fact, revealing how…
I am a professor at Gettysburg College in Gettysburg, Pennsylvania, where I teach Early American, Native American, and British history. My books include Indians and Colonists at the Crossroads of Empire: The Albany Congress of 1754 and Iroquois Diplomacy on the Early American Frontier. As a historian, I've long been fascinated by stories of imposters, charlatans, and con artists. I like fictional and factual picaresque tales about people set adrift in strange lands and I have a soft spot for unreliable narrators. Historians are a skeptical breed, so slippery characters like those featured in the books listed here represent a welcome challenge: can you trust them as far as you can throw them?
Joe Gould first came to the world’s attention when Joseph Mitchell published two articles about him in the New Yorker in the mid-twentieth century. A self-described bohemian, he was an eccentric denizen of Greenwich Village who claimed to be writing “The Oral History of Our Time,” a massive, revolutionary book that Gould said would be read by generations yet to come. Or, was he really just a heavy drinking raconteur who ingratiated himself among some of the leading artists, poets, and writers of his day? Jill Lepore pushes Gould’s story beyond Mitchell’s original version, finding darker truths behind it.
From New Yorker staff writer and Harvard historian Jill Lepore, the dark, spellbinding tale of her restless search for the missing longest book ever written, a century-old manuscript called “The Oral History of Our Time.”
Joe Gould’s Teeth is a Poe-like tale of detection, madness, and invention. Digging through archives all over the country, Lepore unearthed evidence that “The Oral History of Our Time” did in fact once exist. Relying on letters, scraps, and Gould’s own diaries and notebooks—including volumes of his lost manuscript—Lepore argues that Joe Gould’s real secret had to do with sex and the color line, with…
Joshua M. Greene is the author of a dozen Holocaust biographies that have sold more than a half-million copies worldwide. He sits on the board of Yale University Video Archive for Holocaust Testimonies and has spoken on issues of Holocaust memory for such outlets as NPR and Fox News. His editorials on Holocaust history have appeared in the New York Times, the Los Angeles Times, and the Chicago Tribune.
Langer has written the finest analysis available on the workings of traumatic memory, one that contributes to our understanding of history as autobiography—a brilliant mapping of the tortured terrain of Holocaust remembrance.
Winner of the 1991 National Book Critics Circle Award in Criticism
This important an original book is the first sustained analysis of the unique ways in which oral testimony of survivors contributes to our understanding of the Holocaust. It also sheds light on the forms and functions of memory as victims relive devastating experiences of pain, humiliation, and loss.
Drawing on the Fortunoff Video Archives for Holocaust Testimonies at Yale University, Lawrence L. Langer shows how oral Holocaust testimonies complement historical studies by enabling us to confront the human dimensions of the catastrophe. Quoting extensively from these interviews, Langer develops…
I first heard about Melungeons when a babysitter told me they would “git” me if I didn’t behave. She said they lived in caves outside our East Tennessee town and had six fingers on each hand. I consigned these creatures to myth and nightmares, until a cousin informed me that some of our shared ancestors were Melungeons and showed me scars from the removal of his extra thumbs. For the next ten years I visited sites related to Melungeons and interviewed many who claimed Melungeon ancestry, running DNA tests on some. This research yielded my memoir Kinfolks: Falling Off The Family Tree and my historical novel Washed In The Blood.
Overbay grew up at the epicenter of Melungeon settlement in Hancock County, Tennessee. She attended the Vardy school, built for Melungeon children (who as descendants of “free people of color” weren’t allowed to attend public schools) by Presbyterian missionaries. This state-of-the-art school far surpassed in its facilities and offerings those of the local public schools, and it turned out several generations of accomplished young people. This book includes riveting oral histories about daily life in a Melungeon community and about the educational theories that inspired those who directed the school.
Windows on the Past: The Cultural History of Vardy features oral histories and images of Melungeon daily life such as church gatherings and family activities by focusing on the Vardy Community School, a Presbyterian mission school, and the Vardy Community Church. A vivid description of the community and its historical buildings is included as the interviewees discuss the classroom environment and teaching activities within the school. The impact of the school's staff and the spiritual and community leaders is also emphasized. Relative to these stories is the Vardy Community Historical Society, Inc., a group formed to restore Vardy landmarks and…
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
Stories of professional thieving by women are very rare, especially first-hand accounts, and so Gone Shopping is an unusual book. Ittells the tale of Shirley Pitts, Queen of the Shoplifters, who was a career criminal for 50 years. Professor Lorraine Gamman based the book on years of oral recordings and her description of Shirley Pitts could apply to many other female crooks. She was "a woman in a man’s world who succeeded. She was not a victim, she had agency, she wanted more."
Voted one of The Guardian's top 10 best crime books of all time and one of the best true crime books ever written according to Stylist
Shirley Pitts, the eldest of six children was born upside down on 24 November 1934. Her 'career' began by thieving bread off doorsteps and coal from coal carts. Her father's bungled attempts at black marketeering and her dipsomaniac mother's inadequacies made Shirley resolve not only to be a first-class thief but also the best mother her six children could wish for.
Before she died Shirley told her story to Lorraine - the story of…
I am currently the features editor at Input, a website about tech and culture. Earlier in my career, I worked at the now-defunct music magazine Blender, for which I wrote an oral history of Sub Pop, the Seattle label that put out early records by the likes of Nirvana, Soundgarden, and Mudhoney. That article was the basis of my book for Everybody Loves Our Town. I’m also a widely published freelancer, with pieces in the New Yorker, the New York Times, Wired, WSJ. Magazine, Rolling Stone, and many other outlets.
This is the definitive look at an American comedy institution (yes, we know it kinda sucks now) and includes input from almost all the show’s biggest names. The book features the requisite amount of sex, drugs, and rock and roll — plus fisticuffs and lots and lots of backbiting — but it also has some surprisingly tender moments, like Bill Murray’s recollection of the last time he saw his castmate, Gilda Radner, before her death.
When first published to celebrate the 30th anniversary of Saturday Night Live, LIVE FROM NEW YORK was immediately proclaimed the best book ever produced on the landmark and legendary late-night show. In their own words, unfiltered and uncensored, a dazzling galaxy of trail-blazing talents recalled three turbulent decades of on-camera antics and off-camera escapades. Now a fourth decade has passed---and bestselling authors James Andrew Miller and Tom Shales have returned to Studio 8H. Over more than 100 pages of new material, they raucously and revealingly take the SNL story up to the present, adding a constellation of iconic new stars,…
I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.
The quintessential book for anyone writing a modern biography, as well as a page-turning read. Jean Stein and George Plimpton brilliantly create a moving portrait of an Andy Warhol acolyte who became a Warhol Superstar and then an enduring icon of the 1960s, before dying of a drug overdose at age 28. A fascinating oral history that simultaneously depicts a beautiful, glamourous, and troubled young woman and a nation undergoing a paradigm shift.
A brilliant and unique biography of Andy Warhol's tragic muse, the 60s icon Edie Sedgwick
'Exceptionally seductive... You can't put it down' LA Times
Outrageous, vulnerable and strikingly beautiful - in the 1960s Edie Sedgwick became both an emblem of, and a memorial to, the doomed world spawned by Andy Warhol.
Born into a wealthy New England Edie's childhood was dominated by a brutal but glamourous father. Fleeing to New York, she became an instant celebrity, known to everyone in the literary, artistic and fashionable worlds. She was Warhol's twin soul, his creature, the superstar of his films and, finally,…
As an Indigenous person, I have a lived experience of the negative impacts of an erased history on all people. Students I teach are shocked to hear that Indigenous people have been in the Americas for over 60,000 years. The violence against archaeologists publishing on older than Clovis sites in the Americas is intense; that got me asking why? I sought the truth about the evidence for Pleistocene age archaeology sites in the Americas. Global human migrations attest to the fact that humans have been migrating great distances for over 2 million years. Reclaiming and rewriting Indigenous history is one path of many, leading to healing and reconciliation.
To grasp an understanding of the history of archaeological erasure of Pleistocene archaeological sites, Indigenous history, and the colonial history of American archaeology, Red Earth, White Lies is a must-read. Deloria has a delightful sense of humour and does not mince words regarding the absurdity of the Clovis First hypotheses. Written from an informed Indigenous perspective, this book will provide an understanding of the one question I always hear, “Why would archaeologists deny earlier than Clovis sites?"
Vine Deloria, Jr., leading Native American scholar and author of the best-selling God is Red, addresses the conflict between mainstream scientific theory about our world and the ancestral worldview of Native Americans. Claiming that science has created a largely fictional scenario for American Indians in prehistoric North America, Deloria offers an alternative view of the continent's history as seen through the eyes and memories of Native Americans. Further, he warns future generations of scientists not to repeat the ethnocentric omissions and fallacies of the past by dismissing Native oral tradition as mere legends.
I have been researching the changes in the workplace for 40 years now. The steady move over that time has been away from a situation where employers controlled the development of their “talent” and managed it carefully, especially for white-collar workers, toward arrangements that are much more arms-length where employees are on their own to develop their skills and manage their career. Most employees now see at least some management practices that just don’t make sense even for their own employer–casual approaches to hiring, using “leased employees” and contractors, who are paid more, to do the same work as employees, leaving vacancies open, and so forth.
This is a classic oral history of jobs in what older people call “the good old days.” It is told from the perspective of the individuals doing the jobs they were talking about, and it reveals how interesting their day-to-day experience is.
The reminder for today, especially in our remote workplaces, is how important relationships with people at work are to our happiness and well-being. It’s also a reminder of how important it is for people to have some control over what they do and to feel invested in their work.
People want to do things well and take pride in what they do. We forget all this when we think of workers as widgets to be optimized.
Perhaps Studs Terkel's best-known book, Working is a compelling, fascinating look at jobs and the people who do them. Consisting of over one hundred interviews conducted with everyone from gravediggers to studio heads, this book provides a timeless snapshot of people's feelings about their working lives, as well as a relevant and lasting look at how work fits into American life.
