The best oral history books

In 2011, I was a newly minted college professor who was trying to support my students’ interests (Greek life) in hopes that they would return the favor and support mine (medieval literature). Never in a million years would I have guessed that accepting an invitation to attend a Greek event on campus would snowball into receiving a bid to join a National Panhellenic Conference sorority and serve as its faculty advisor. Somewhere along the way, I realized that my perspective uniquely positioned me to shed new light on the longstanding controversies plaguing these organizations and provide a new lens through which to view their impact not only on campus culture but society at large. 

Joshua M. Greene is the author of a dozen Holocaust biographies that have sold more than a half-million copies worldwide. He sits on the board of Yale University Video Archive for Holocaust Testimonies and has spoken on issues of Holocaust memory for such outlets as NPR and Fox News. His editorials on Holocaust history have appeared in the New York Times, the Los Angeles Times, and the Chicago Tribune.

As an Indigenous person, I have a lived experience of the negative impacts of an erased history on all people. Students I teach are shocked to hear that Indigenous people have been in the Americas for over 60,000 years. The violence against archaeologists publishing on older than Clovis sites in the Americas is intense; that got me asking why? I sought the truth about the evidence for Pleistocene age archaeology sites in the Americas. Global human migrations attest to the fact that humans have been migrating great distances for over 2 million years. Reclaiming and rewriting Indigenous history is one path of many, leading to healing and reconciliation. 

I am a Canadian freelance writer, who has a BA in honours history from Smith College, an MA in history from McGill University, and a Bachelor in Journalism from Carleton University. As I have a special interest in Canadian history and Canadian biography, I have authored books in these subject areas. These include an award-winning biography of Sir William Van Horne, a polymath and railway general who pushed through the construction of the Canadian Pacific Railway, and Cairine Wilson. Canada’s first woman senator, who was celebrated for her work with refugees in the 1930s and 1940s, and a best-selling survey of Canadian immigration and immigration policy, Strangers At Our Gates.

I am currently the features editor at Input, a website about tech and culture. Earlier in my career, I worked at the now-defunct music magazine Blender, for which I wrote an oral history of Sub Pop, the Seattle label that put out early records by the likes of Nirvana, Soundgarden, and Mudhoney. That article was the basis of my book for Everybody Loves Our Town. I’m also a widely published freelancer, with pieces in the New Yorker, the New York Times, Wired, WSJ. Magazine, Rolling Stone, and many other outlets.

We are three anthropologists who have focused decades of research on the cultures and histories of the beautiful part of the world known as Micronesia. We wrote this book when we realized that the many volumes of history on War in the Pacific focused on the combatants, and told us little of the experiences of the Islanders across whose lands, seas, and airspace the war was fought. Kwajalein, Enewetak, Pohnpei, Chuuk, Peleliu, Saipan, Guam, Tinian—these were not just battlegrounds, but also precious homelands. Our goal was to combine documentary history with interviews of more than 300 elders to tell the story of the war in Micronesia as it was experienced by Islanders who lived through it.

At one point in my life, I took Ph.D. classes in the morning, taught philosophy in the afternoon, and tended bar at night. I was always working, and money was tight. Then, one day at a faculty meeting, my colleagues and I discussed developing an appealing new course. I suggested one on the philosophy of work and ended up teaching it and writing my dissertation on work and moral values. I loved teaching the class to the part-time students. They came to class straight from work and shared their experiences. Those students taught me more about work than any book in the library. Years later, I wrote The Working Life.

I’m a research nerd at heart. I am happiest pouring over historic newspapers online (thank you Library of Congress) or digging into a non-fiction book. The research I do for a book can be more rewarding than writing the book itself. When I read a 1933 article about a baby that would be given away as a prize during a civic fundraiser, I was hooked. What desperation would lead a parent to give away a child? Who would buy such a raffle ticket? Who thought this would be a good idea? I never did find the answers to my questions, so I made up my own.

I am a professor at Gettysburg College in Gettysburg, Pennsylvania, where I teach Early American, Native American, and British history. My books include Indians and Colonists at the Crossroads of Empire: The Albany Congress of 1754 and Iroquois Diplomacy on the Early American Frontier. As a historian, I've long been fascinated by stories of imposters, charlatans, and con artists. I like fictional and factual picaresque tales about people set adrift in strange lands and I have a soft spot for unreliable narrators. Historians are a skeptical breed, so slippery characters like those featured in the books listed here represent a welcome challenge: can you trust them as far as you can throw them? 

I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy -  the women who were once so notorious they were Public Enemy No.1. 

I am currently the features editor at Input, a website about tech and culture. Earlier in my career, I worked at the now-defunct music magazine Blender, for which I wrote an oral history of Sub Pop, the Seattle label that put out early records by the likes of Nirvana, Soundgarden, and Mudhoney. That article was the basis of my book for Everybody Loves Our Town. I’m also a widely published freelancer, with pieces in the New Yorker, the New York Times, Wired, WSJ. Magazine, Rolling Stone, and many other outlets.

I stumbled upon Hickey’s memoirs and while reading them became captivated not only by the frequently hilarious episodes he recounts from his life, but also by the subject of autobiography and how narrating our life story somehow projects a sense of self and identity to the reader. Trying to grasp this process led me to exploring a wide range of books, and opened up understanding of how our selves are fashioned and what they mean to others. An endlessly fascinating subject.

I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.

I’m a filmmaker and writer who made a TV series about street gangs around the world with actor and presenter Ross Kemp. But it was one London street gang, the PDC, that particularly caught my attention. The newspaper reports were full of overblown headlines, terrifying statistics, and quotes from police forces. That’s when I decided to head down to the PDC’s “turf” in a small corner of south London because if you are going to try and tackle this crimewave it’s best to find out who is doing it and why. Right? I spoke to PDC gang members, their friends and families and the surprising truth behind the headlines is revealed in my book.

Certain books have the ability to inspire you or help you go beyond the boundaries of your understanding, to teach you something new or to show you how to look at things differently, to alter and enhance your perception. Each of these texts have encouraged and enchanted me, with hard-won truths. I appreciate the style of writing which draws you further and further into the author's psyche, and thus into your own, like deep diving into uncharted depths. Also, as someone who tries to write poetry and prose, I find each of these writers have a refreshing and interesting technique and method of communicating their thoughts and ideas.

Stewart Binns is a former academic, soldier, and documentary filmmaker, who became a writer quite late in life. He has since written a wide range of books in both fiction and non-fiction. His passions are history and sport. He has completed a medieval quartet called the Making of England Series, two books about the Great War and a novel set during Northern Ireland’s Troubles. His latest work of non-fiction, Barbarossa, tells the story of the Eastern Front (1945 to 1944) from the perspective of the peoples of Eastern Europe. He is now working on a history of modern Japan.

I am currently the features editor at Input, a website about tech and culture. Earlier in my career, I worked at the now-defunct music magazine Blender, for which I wrote an oral history of Sub Pop, the Seattle label that put out early records by the likes of Nirvana, Soundgarden, and Mudhoney. That article was the basis of my book for Everybody Loves Our Town. I’m also a widely published freelancer, with pieces in the New Yorker, the New York Times, Wired, WSJ. Magazine, Rolling Stone, and many other outlets.

I first heard about Melungeons when a babysitter told me they would “git” me if I didn’t behave.  She said they lived in caves outside our East Tennessee town and had six fingers on each hand.  I consigned these creatures to myth and nightmares, until a cousin informed me that some of our shared ancestors were Melungeons and showed me scars from the removal of his extra thumbs.  For the next ten years I visited sites related to Melungeons and interviewed many who claimed Melungeon ancestry, running DNA tests on some. This research yielded my memoir Kinfolks: Falling Off The Family Tree and my historical novel Washed In The Blood.

I have been studying and writing about, anarchism, gender, and the Spanish Civil War for almost 4 decades. I first explored what it would mean to organize a society without formal institutions of authority; and, as part of that research, I looked at how anarcho-syndicalist organizations related to governmental institutions and the struggle against fascism in Spain. I then engaged in a multi-year investigation of the social revolution that occurred in the midst of the ensuing Civil War and, in particular, the activities of the anarchist women’s organization, Mujeres Libres. Through the research for my book, Free Women of Spain: Anarchism and the Struggle for the Emancipation of Women, I was captivated by the extraordinary strength and enthusiasm of those women, and committed myself to telling their stories in ways that would be relevant to contemporary readers.