77 books like Edie

I started singing and playing guitar in garage bands in high school, about the same time that I began thinking of myself as a serious writer, so for me the two endeavors have always gone hand in hand. Over the decades, I’ve continued to write creatively—while teaching thousands of students along the way—and also to play in a number of bands that have specialized in everything from country-folk to raucous punk. Like many writer-musicians, I love reading good stories about the challenges and joys of people joining together, and falling apart, as they attempt to transcend ordinary life through the power of music.

I am currently the features editor at Input, a website about tech and culture. Earlier in my career, I worked at the now-defunct music magazine Blender, for which I wrote an oral history of Sub Pop, the Seattle label that put out early records by the likes of Nirvana, Soundgarden, and Mudhoney. That article was the basis of my book for Everybody Loves Our Town. I’m also a widely published freelancer, with pieces in the New Yorker, the New York Times, Wired, WSJ. Magazine, Rolling Stone, and many other outlets.

My grandfather was a labour activist in Hull in the UK and my father had many classic labour texts such as the book by Tressell, listed below. That got me interested in the world of work and later more specifically in managing people. I moved from studying economics to employment relations /human resource management. Given that most of us (workers) spend 80,000 hours of our lives at work - more time than we are likely to spend on any other activity during our lifetimes - how we spend these lives has remained a source of fascination

I am currently the features editor at Input, a website about tech and culture. Earlier in my career, I worked at the now-defunct music magazine Blender, for which I wrote an oral history of Sub Pop, the Seattle label that put out early records by the likes of Nirvana, Soundgarden, and Mudhoney. That article was the basis of my book for Everybody Loves Our Town. I’m also a widely published freelancer, with pieces in the New Yorker, the New York Times, Wired, WSJ. Magazine, Rolling Stone, and many other outlets.

Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.

Long before presenting my writing, or for that matter, becoming a writer, I have loved the spotlight of the oral storyteller. I have told stories at gatherings for children and adults, layering the content to fit every age. Every spoken story I tell comes from bits of my own life situations, and therefore, first person view has been the only effective tool I have had. Really, that is the only way I see the world. So, when I tell a story about someone besides me, I simply jump into their shoes and become that character. 

The seventh child of a seventh son of a seventh son. Mother spoke of my sleeping nights and alert days…felt I was curious, observant. She was convinced I’d be the writer in the family. Named me Jerome after the librarian St. Jerome and Mark after Mark Twain, her favorite author as a child. Mother read to us daily, during high school time, a chapter a night. My brother Fred mailed me a word a week to look up. My freshman year in college I earned money writing compositions. And so it began. I sat on the floor and listened to the world war from Pearl Harbor to D-Day and Hiroshima.

I started studying the tarot ten years ago with no thought that I would ever write about it. I took an introductory class in the back of a local metaphysical shop and went down a rabbit hole of books and teachings. I also enjoy readings myself - from quick fifteen minute reads at sidewalk fairs, to hour long readings in person with renowned readers, from an hour on Zoom with a famous reader, to a reading in a shop in Salem, Massachusetts during the chaos that is October in that town - I’ve benefited from them all. It has been a delight to include this interest in my latest novel.

I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.

I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.