The most recommended King Henry VIII books

This book provides a different angle on Jane Seymour. I’ve never particularly ‘liked’ fictional Janes because they are usually so one-dimensional but this author delves more deeply. Jane’s character is subtle. On the surface she seems meek but beneath the façade she is quite determined to get what she wants. Often, the modern ideal of strong women doesn’t sit well on historical figures but J. Wertman has understood that subterfuge was often the only way for a female, even a queen, to get her own way. Janet Wertman has written other engaging Tudor books but this is my favourite.

This is a historical fiction set in 1541 but written in such a beautifully crafted style you feel the immediacy of it as if you were living it right now.

Author CJ Sansom obviously does forensic research but compliments this with a fantastic imagination. Essentially, this is a murder mystery set around the time King Henry takes his procession of a thousand caravans all the way up to York. 

Sent to York to assist in some legal work, Lawyer Matthew Shardlake is unfortunately given a special task by Archbishop Cranmer – to ensure the safety of an important and dangerous prisoner who is to be taken back to London for interrogation. But the murder of a local glazier drags Shardlake even deeper into a dangerous conspiracy that threatens the very future of the Tudor throne.

CJ Sansom’s writing style is so smooth you forget you’re actually reading a book, and… show more.

Doody offers a comprehensive study of the names of people and places – real and imaginary – in Austen’s fiction. 

Illustrating how Austen’s creative choices reveal her virtuosic talent for riddles and puns, Doody also picks up deep stories from English history. 

Showing how Austen names signal class tensions and regional, ethnic, and religious differences, readers gain understandings of Austen’s literary techniques and cultural commentary. 

I found this book by accident, scrolling around TikTok with my new account (joestillmanauthor) while attempting to get the word out about my own novel.

The author was highly recommended, so I chose this particular book by chance, and instantly got caught up in a crime novel set in Cromwell’s England, circa the 1650s. The world was so vivid and reel, I became a civilian reader, carried along from one amazing scene to the next.

This simply had to be written by someone who was there at the time. The danger and stakes were fraught, the mystery engaging, and the long length of the novel only made me glad there was so much of this book to enjoy. 

Before it was adapted into a multi-Oscar-winning film, this was an award-winning play that brilliantly explored the conflict and complex interplay between religious institutions and leaders and their secular counterparts, religion as a source of inspiration and guidance, and the efforts of one courageous man to honor his commitment to the law and his king while also living according to his faith. 

Moreover, like the other authors on this list, Thomas More defends his faith position through reasoned argument rather than resorting to dogmatic statements of faith. In a sense, Bolt brings together the multiple strands of thought present in the other four books.

Susannah Dunn has a way of putting you right inside history with her instinctive and impeccable descriptive writing. She has fictionalised the stories of a number of Tudor women and all are excellent but I’ve chosen this as it was the first of hers I read. It tells of Henry VIII’s tragic fifth wife, a teenager pushed into the King’s bed by her ambitious family. The story unfolds through the eyes of her companion – an intimate insider’s view, typical of Dunn’s work – who witnesses everything but is powerless to help. Without giving too much away, it doesn’t end well.

I was surprised by how much I loved this book about England in the 1500s. The story of Thomas Cromwell and Henry VIII has been told and retold, but even when I thought I knew what was coming (it is history, after all), I didn’t!

I laughed, cried, and found myself rooting for Cromwell. Yes, Cromwell! Such is the power of Hilary Mantle; there is no better historical fiction writer.

Peter Brears takes us ‘below stairs’ at the court of Henry VIII and into the kitchens that fed and waited on up to 1000 people a day. Structured around the different rooms that made up the kitchen, he details the food and drink that was being produced and gives a snapshot of the ordinary people working there. The book is nicely illustrated with sketches of Tudor implements and methods of cooking. For anyone who wants to try eating like a Tudor, the book concludes with a selection of recipes, all of which have been trialed in the kitchens at Hampton Court and adapted for the modern kitchen.

The Nonsuch Lure is another book I read years ago, when it came out in the late seventies, but has stuck with me. The paranormal twist has a modern man being hypnotized to find out he’s lived two other lifetimes, each 200 years apart, in England. His soul has loved and lost the same woman over four centuries because of an unknown force. At the time I read this, I was fascinated with visiting England, which I did several times over the following decade. Nonsuch Castle, where the story centers around, actually existed and had been built by King Henry VIII on confiscated land. The three timelines depicted drew me into the mystery and broken romance, while I rooted for the modern main character to break the sad chain of events.

Because I was not a Classicist when I went to university, I spent the first two years of my three-year BA course reading Medieval and Modern, not Ancient, History when I went to university. One part of the syllabus was Tudor England, and a key personality was Thomas Cromwell, chief minister of Henry VIII.

Elton’s book was the main recommended modern study. I was wholly convinced by his revisionist interpretation of Cromwell: not a villain but the honest servant of a tyrannical monarch. The book made me see that to be interesting pre-modern history depends very much on a readiness to be imaginative in the interpretation of the usually scanty sources.

In this respect, significantly, Elton’s book became the (not always appreciated) basis of Hilary Mantel’s Wolf Hall trilogy.