Reading Historical Fiction as a youngster led me to study history at university – so the Tudors have been part of my life for about forty years now. After graduating with a Master’s degree, my career choice was easy. Of my thirteen novels, ten are Tudor, covering among others, the lives of Margaret Beaufort, Elizabeth of York, Anne Boleyn, Katheryn Parr, Mary Tudor, and King Henry VIII himself. It isn’t necessarily ‘normal’ to live in such close proximity to the Tudors, but I would be hard pushed to write in a modern setting. Give me an ill-lit chamber, a royal banquet, or even a grisly beheading and I am perfectly at home.
I wrote
A Matter of Conscience: Henry VIII, The Aragon Years
I was immediately drawn to the first book in Karen Heenan’s Tudor trilogy because of the perspective from which it was written. Despite studying the period for more than thirty years, I knew next to nothing about the lives of royal minstrels. I enjoyed stories that are set against the familiar backdrop of Henry VIII’s court and especially liked this one as it is both well-researched and written. I thoroughly recommend this series.
She came from nothing. One false note could send her back.
Ten-year-old Bess is only good at one thing—singing, which has no place in her family’s bleak existence. When her father sells her to the king of England, she balances the loss of all she’s known against a world of music and plenty, and builds a new life as a royal minstrel, earning the nickname the king's songbird.
Bess comes of age in the dangerous Tudor court, where the stakes are always high, and where politics, heartbreak, and disease threaten everyone from the king to the lowliest musician.
This book provides a different angle on Jane Seymour. I’ve never particularly ‘liked’ fictional Janes because they are usually so one-dimensional but this author delves more deeply. Jane’s character is subtle. On the surface she seems meek but beneath the façade she is quite determined to get what she wants. Often, the modern ideal of strong women doesn’t sit well on historical figures but J. Wertman has understood that subterfuge was often the only way for a female, even a queen, to get her own way. Janet Wertman has written other engaging Tudor books but this is my favourite.
"One of the Best Books of 2016" - Open Letters Monthly; Finalist, 2016 Novel of the Year - Underground Book Reviews; Semi-Finalist - 2017 M.M. Bennetts Award
All Jane Seymour wants is a husband; but when she catches the eye of a volatile king, she is pulled deep into the Tudor court's realm of plot and intrigue....
England. 1535. Jane Seymour is 27 years old and increasingly desperate to marry and secure her place in the world. When the court visits Wolf Hall, the Seymour ancestral manor, Jane has the perfect opportunity to shine: her diligence, efficiency, and newfound poise…
I was drawn to this book because Mary is so often overshadowed by her older brother, King Henry VIII. The research is faultless, and the story well told. I enjoyed how Tony Riches went against convention and entertained the idea that perhaps the marriage between Arthur Tudor and Catherine of Aragon was actually consummated. His characters are fully rounded keep within the social boundaries of the time. The setting was one that I recognized and peopled with familiar historical figures yet it was still full of pleasant surprises. Tony Riches has written several books set just before and after this period and I’ve read them all. I enjoy the underlying wit and humour with which he writes.
Mary Tudor watches her elder brother become King of England and wonders what the future holds for her. Henry plans to use her marriage to build a powerful alliance against his enemies....
Will she risk his anger by marrying for love?
How far will Mary’s loyalty to Henry be tested by the ambitious Boleyn family?
Based on actual events of courage, passion and adventure in the turbulent and dangerous world of the Tudor court.
If you like the human stories behind medieval history, this is the book for you.
Another lesser-known figure, Elizabeth is the wife of Thomas Cromwell. She has very little mention in the historical record but the author draws on what we do know of her husband, Thomas. Elizabeth Cromwell’s character is convincing and likable. I particularly enjoyed glimpsing another side of Thomas Cromwell, a more human side and I loved the descriptions of their imagined daily life together. The author doesn’t over describe but the sights, sounds, and smells of the city are touched on just enough to provide a sense of place. It was also refreshing to see a woman involved in business in her own right, the cloth trade is described with enough detail to engage the reader but never becomes tedious.
"One of my favourite Tudor set books . . . A wonderfully vivid read." Nicola Cornick
Young widow Elizabeth Williams is determined to make a success of the business she inherited from her merchant father. But an independent woman draws the wrong kind of attention, and Elizabeth soon realises she has enemies - enemies who know the dark truth about her dead husband.
Happiness arrives when Elizabeth meets rapidly rising lawyer, Thomas Cromwell. Their marriage begins in mutual love and respect - but it isn't easy being the wife of an ambitious courtier in Henry VIII's London. The city is…
I’d already written a few Tudor books by the time this one was published, and the first reading really blew me away and made me rethink several of the characters we think we know so well. Mantel is a genius and when it comes to world-building, there are few who can come close to her. She doesn’t create monsters, her characters are nuanced, just as real people are and the Cromwell she shows us lingers in the mind long after the final page has turned. I like a book that makes me think. I’ve read all three in the series now and have also listened to them on audible. They do not grow old. I know there are plenty who will disagree with me but I respect the way Mantel breaks rules, and writes to her own agenda. The books are long but if you can’t make it through to the end, listen to the audiobook.
Winner of the Man Booker Prize
Shortlisted for the the Orange Prize
Shortlisted for the Costa Novel Award
`Dizzyingly, dazzlingly good'
Daily Mail
'Our most brilliant English writer'
Guardian
England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.
Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with…
On the unexpected death of Arthur Tudor, Prince of Wales his brother, Henry, becomes heir to the throne of England. On his accession, he chooses his brother’s widow, Caterina of Aragon, to be his queen. Together they plan to reinstate the glory of days of old and fill the royal nursery with boys. But when their first-born son dies, and subsequent babies are born dead or perish in the womb, the king’s golden dreams are tarnished.
Caterina’s fertile years are ending yet all he has is one useless living daughter, and a baseborn son. He needs a solution but stubborn to the end, Caterina refuses to step aside. As their relationship founders his eye is caught by a woman newly arrived from the French court. Her name is Anne Boleyn.
Not So Little Things by Kyle Ann Robertson unravels the meticulously crafted life of Tina, an artist engrossed in the intricate world of historically accurate miniatures. As she dutifully honors her deceased father's desire for her to follow in his artistic and historical footsteps, Tina's controlled existence is shaken by the emergence of long-buried secrets when she takes a commission to build a replica of Jake Martin’s family mansion.
Robertson navigates the delicate balance between Tina's devotion to her father's wishes and the disruptions caused by revelations from the past. The novel beautifully explores the complexity of familial expectations and…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away leaving Tina with feelings of abandonment and suspicion. Raised by her loving, wheelchair-bound Aunt Liddy, her father's sister, 33 year old Tina has become a miniature room artist and cherishes the control she has over her life in Northeast Georgia as she works hard to please her beloved dead father's wishes of following in his footsteps in art and…
