The most recommended castle books

Do you love YA fantasy, but want some titles you feel confident sharing with your grandmother, younger sibling, mom, teacher? As an avid YA fantasy reader, I know the struggle of finding book recs that are exciting, magical, and wouldn’t make my mother blush. Upon entering the publishing industry, I made this my focus as an agent and now as an editor. As an author, I write YA and NA titles that don’t pull any punches but can be enjoyed by anyone. All 10 of my published books and upcoming releases can be enjoyed by teens, adults, and yes, your grandmother—and here are five more books I think achieve that as well.

An avid reader when young, I made the transition from reading to writing relatively late in life. It happened unexpectedly, but once I started writing I found it impossible to stop and have had twenty-eight novels published so far. Fortunately I found a publisher within weeks of completing my first novel, which was shortlisted for several major awards. Currently I am writing the 20th novel in my Geraldine Steel detective series, which has sold over a million copies in the UK alone. As well as writing detective novels, I also support up and coming crime writers as chair of judges for the Crime Writers Association’s Debut Dagger Award.

I received a classical education steeped in myth and folklore, and consequently I’m drawn to those stories that show how magic inhabits the liminal spaces of our world. My favorite books transport me to a different historical place or time, make it feel effortlessly lived in, and then explore what lies beneath the surface. I’ve now written two novels set in our world (900s Scandinavia and 17th century Venice), but with a twist, and I hope to write many more. After all, the wonderful thing about myths is that they contain deeper truths that connect us all. They bring us together, which is its own kind of magic.

As my debut novel demonstrated, I’m a massive fan of Gothic literature. Compelling stories are found in many genres, but rarely with such atmosphere and style. The freedom and enjoyment of writing in this category are unparalleled, offering an excuse to use language your editor would prefer to eliminate from contemporary fiction.

I’m an American author who lived three years in a backyard tiny house with my family: husband, two young children, and a part-time dog. We wanted to live a bigger life, focused on our favorite activities and most important relationships. I wrote this book during the first spring of COVID-19, partly as a way to record my family’s experience weathering a pandemic in under 300 square feet, and partly as a way to explore the ways that children can be resourceful when life gives them a pinch. I've been a writer for most of my life, and I love to teach writing. Ark is my first middle-grade novel, and my lucky thirteenth book to publish!

I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.

I’ve always been fascinated by the past, through movies and books. What is it like to live in an age with no cell phones, no internet? People have to work ten times as hard. I eschewed fluffy romances and wanted to get down to the nitty-gritty of a historical era. How they dress, what they eat, the dirt and truth, then throw in obstacles to test my female characters’ strength and self-reliance. As an avid reader, I have no problem with extensive research to get my facts correct. I want to walk in their world and deal with their problems. Then delve deep into the emotions we all experience.

I love historical fiction in all its forms, from the multi-volume family epics to the Dear America middle-grade books I grew up with. And I really, truly don’t understand why historical fiction has a reputation for being dry, dull, or worst of all, like homework. Sure, there are some novels written for history buffs only, but the vast majority aren’t, and neither is mine. When I wrote A Tip for the Hangman, my goal was to write historical fiction that reads like a page-turner, not a textbook. The books on this list all pull off that trick beautifully, and I hope you enjoy them as much as I do.

I was utterly uninspired by history at school—couldn’t see the point of it at all—but then I discovered Jean Plaidy’s books and realised history was about people, real people. Dorothy Dunnett propelled me headlong into a fascination with sixteenth-century Europe, a period full of larger-than-life characters and an unusually high number of strong women. Mary Queen of Scots, Elizabeth I, Catherine de Medici, Mary of Guise, Hurrem Sultan (wife of Suleiman the Magnificent): they wielded real power. And Mary Queen of Scots was so young—it makes her the perfect starting point to interest young readers in history. I hope I’ve done her story justice.

I grew up in featureless suburbia, where the streets of identical bungalows seemed scrubbed of anything miraculous. Maybe that’s why I came to be fascinated, as a kid, with the idea of tiny things. Here was magic that might exist in my backyard: miniature people trooping through lawns as if they were forests, riding ladybugs, and carrying bramblethorn spears! These daydreams formed some of the first stories I wrote, as a child. And they’ve continued to fascinate me as a reader, and a writer, ever since. I’ve tried to pick stories that might have slipped out of sight amongst ‘bigger’ brethren like The Burrowers and Gulliver’s Travels. I hope you enjoy them!