The best castle books

A pregnant noblewoman fleeing a less than happy happily-ever-after finds her way to Castle Waiting, an overgrown castle that’s become a haven for forgotten figures from fairy tales, folklore, and myth. Much of this unbelievably absorbing comic is spent simply exploring the castle and following the residents in their day-to-day lives. And what better way is there to spend one’s time? Linda Medley’s immersive artwork, with its flavor of old-fashioned woodcuts and classical book illustrations, makes Castle Waiting look like the perfect place to rest between adventures, or maybe stay and become one of the long-term residents.

This book describes and shows what life was like in a 14th-century castle. If you have ever wondered how hundreds of people lived and worked in a castle then this is the book. The mind-boggling detail in the illustrations keeps me poring over them for ages. Each page reveals a cut-away of the castle interior from turrets to dungeons! All the books in this series are incredible in their detail and knowledge.

Mervyn Peake was a writer, artist, and poet. His masterpiece is the Gormenghast trilogy (Titus Groan; Gormenghast; Titus Alone). Talk about world-building! Good lord, it’s wonderful. 

A friend of mine read them over a summer holiday in blazing hot Greece, and all he could remember about it was the rain and cold and floods and clouds of Gormenghast. Peake was very ill when writing the third book, which is less satisfactory than the earlier volumes. He was too weak to give it the work that he knew it needed. Perhaps not laugh-out-loud humour, but plenty of sly, dark, often grotesque comedy.

I had already included some Spanish castles in my project when I heard about the Reinhard Wolf book and discovered his unsettling pictures. This German artist had photographed the same castles half a century before me, using the same analogic films and the same traditional view cameras, composing frames that I had reproduced without knowing his work. It seems that buildings, like human beings, have a good profile which a photographer cannot miss. The other surprise came from the unexpected feeling that my photographs had been shot prior to Reinhart Wolf’s. Because the castles had meantime been restored, their walls being refreshed, the course of time seemed reversed: they appeared in an earlier condition through my camera than photographed 50 years before, when partly ruined. Having in mind that photography is much about time and traces, the discovery was puzzling. By chance the scope of my personal project was not… show more.

Mervyn Peake’s writing is unusual. In Gormenghast he creates a bizarre world of weird hierarchical rituals, peopled by eccentric characters, each one singular in a different way. What really brings this novel to life is Peake’s wonderfully rich prose, as he describes the destruction of an ancient social structure.

This book is an obvious choice perhaps, but one that can't be omitted. The tragicomic frustration of the surveyor who can't complete the job he's been sent to do no matter how hard he tries is massively influential for a number of very good reasons. Also, the way that the castle is both a literal place and a potent metaphor is crucial—as ever in Kafka, it's never just a metaphor, just as it's never just a dream, but rather a dream or a metaphor that also develops out of and into a very concrete situation. This is crucial writing advice for anyone interested in working with dreamlike or surreal elements.

This extraordinary novel by the Hungarian writer, Marai, was written in 1942. It reveals a friendship between two men who met when they were schoolboys. One, Henri, is from a privileged noble family, the other, Conrad, from a disadvantaged background, but they attend the same military academy together. One day Conrad disappears and Henri is left to wonder what happened to him. The book starts as Henri learns Conrad is about to return after 40 years of absence. The narrative is utterly compelling and the characters and their relationship are fascinating. It is one of those books that you can’t stop keep reading because you are so absorbed in the world the writer has created, but at the same time, you don’t want to finish so you put the book down to savour each moment. 

A delightful, bonkers story in which 12-year-old Alex MacBuff, Laird of ancient Castle Carra, is not so much haunted by a motley collection of ghosts as brought up by them from babyhood. For battle-hardened Krok the Viking, heartbroken Victorian governess Miss Spinks, spoilt 5-year-old poltergeist Flossie, retired vampire Stanislaus and failed Hellhound Cyril, Alex is the centre of their world, and they will do anything to help him. Anything, that is, except stop haunting the crumbling, much-loved but unaffordable Castle Carra that Alex needs to sell to Texan billionaire Hiram Hopgood. Which is awkward… as a ghost-free castle is part of the deal.

Mysterious victorian missionaries with dark secrets in the land of the fae. I truly do not know how to sell this book any better. I tend to recommend gothic literature for historical fiction newbies, since the emotional stakes are always so high and the plots often bend close to horror or fantasy, and this one is no different. The worldbuilding is spectacular, and it plays on the tropes of classic gothic novels in a way that’s knowing, clever, and never dry or stilted. No wonder Ng won the Hugo for best new author when she released this book—it deserves it.

This beautiful volume of three stories about a princess who deals with a spider-enchantress, a pair of feuding wizards, and a benevolent old dragon in her kingdom features pristine, gorgeous illustrations and a sweet-but-strong heroine. I just really love how Princess Cecile is a brave and sensible person and the twist that the real Cecile actually lives in our world and writes about Belamor was really smart, gently suggesting that princess stories are not just escapist fantasy, but an important part of self-expression for young girls as they grow up. It’s rare for me to find anything that so perfectly captures this idyllic genre. Marilyn Churchill has created a new fairy tale.

A Tom Thumb-type fable, and the first story about the miniature that I remember being enthralled by. Anton B. Stanton sails a castle moat like it’s a sea, and gets captured by Pirats (I didn’t get the lame pun until I was a grown-up and buying the book for my own son). It was the first book that held out the promise of tiny, miraculous adventures happening right under my nose. 

Set in thirteenth-century England. Ms. Morris weaves a tale of turbulence, greed, murder, and much more. I loved her historical details in an era that must be difficult to research. Yvonne is a heroine you will instantly care about as her life is upended in so many ways. The fast pace had me riveted to the story. Ms. Morris has you walking the dank halls of a castle, breathing in the smoky fires, and brooding for Yvonne as she faces the demands and restrictions on medieval women who had little control over their lives. The political maneuverings around her are also well-researched. Each character stands out. A tour de force.

How about another one you may never have heard about? The Lamplighters is a fun fantasy adventure about Gan and Lyona, two newly recruited lamplighters who are the only survivors of their squad.

They go on an epic adventure to find more fire flowers and their captured compatriots, meeting new friends in the ancient woods. One particular friend, Staghorn the wild, a brownie, helps them get all the way to the evil Fairy Empress Nymia’s castle, where things get really crazy.

Suffice it to say, Gan comes to learn that not everything he believed about duty was right while Lyona learns what it means to be a true friend. This one is a lot of fun.

This was the first ever book I read as a child of seven years old. I sat on my grandmother’s sofa in Leicester, bored, and I picked up this worn burgundy hardback and opened it looking for the pictures. Before I realised it I had read the first page and was turning to the next. An exciting moment. I subsequently read all the Famous Five books. I didn’t really think of reading them to my son as Enid Blyton is not greatly regarded these days. True, the world she recreates is traditional, especially for women, and it doesn’t challenge kids linguistically but it is not as outdated as I had thought. And there is the fiercely independent George (Georgina) – the girl who wants to be a boy and, of course, the wonderful Timothy (the dog).

There is treasure, adventure, George’s mad scientist father, secret tunnels, islands, castles, and naughty… show more.

Gothic novels took the romance genre and added elements of death, inheritance, gloomy locations, and supernatural twists. Ann Radcliffe's Mysteries of Udolpho is the canonical example of this style.

The book features a detailed rendering of the many locations featured in the book, one of which is the oppressive castle named in the title. Radcliffe conjures entire moods in this story, and you'll be whisked along in the footsteps of Emily St. Aubert as she's spirited away by the villainous Montoni.

The book also features in Jane Austen's Northanger Abby, as Catherine and Isabella both read it.

Prof Gillingham was my first PhD supervisor. (I got through a couple or more!) I have always tried to emulate not only the clarity of his writing but also his dry touches of humour and his eminent common sense; not for him the clever-silliness of many academics. All these virtues are on display here in this highly readable account of The Wars of the Roses, in which a complex conflict is rendered enjoyably accessible.

Because…I relish quiet books that sneak up on me. This one starts out slowly, with shy Callie and her family moving into an inherited (and decrepit) Scottish castle.

No ghosts, but a journal left behind by a girl who once lived there sparks Callie’s interest in “twitching”, Scottish for bird-watching. As Callie discovers the wonders of birds, she also discovers herself and the new friends who become her flock. The story nods at how hard it (still) is for women to command the same respect as men, and it will definitely have readers looking for videos on “murmuration”.

A perfect book to curl up with at bedtime.

I picked this up as an adult thinking it was straight historical fiction. After all, we meet the imprisoned Princess Elizabeth of England in the first chapter. However, when the main character is relocated to a remote castle and discovers the underground world of the fairy folk, the story takes a delightful turn into the realm of myth and legend. It pays homage to the Scottish myth of Tam Lin, the ballad of Thomas the Rhymer, and several Arthurian legends, while remaining firmly grounded in Elizabethan England. The added twist of the fairy realm was so deftly accomplished that I finished the book thinking that perhaps, if I lived in Elizabethan England, I too might have stumbled upon the land of the Fairy Folk. 

Do we need architects for our homes? Well, it seems that in the past they often failed to be there. Bernard Rudovsky, who was himself an architect, featured in 1964 an exhibition dedicated to the topic at the New York MoMA. The related catalogue, Architecture Without Architects, has since then turned into an iconic book. A beautiful set of black and white pictures that describes a primitive state of the art in which skilled but anonymous builders applied throughout the planet the laws of nature giving birth to what is presently labeled as vernacular styles. No names survived despite the talents, in this collection featuring the first steps of architecture, but rationality and functionality are already there, long before Modernism would make them its core principles. It was a pleasant surprise to discover in this book some kind of credit to my belief that medieval castles may have inspired… show more.

Waterfall takes a 21st-century girl, Gabriella, and mysteriously places her in medieval Italy. Gabi’s journey is unexpected and exciting! While the title might be misleading, you won’t be disappointed when you’re introduced to this teenage girl who’s grown up with archeologist parents learning how to wield a sword. Finding herself in the fourteenth century, Gabi literally lands in the middle of a battle, she meets a knight-prince, and her summer has only begun.