As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.
The late great Patricia McKillip is one of the finest prose writers in the fantasy genre. Through her meticulous wordsmithing, the twin settings of Ombria come to life on the page. Some settings and imagery have been branded into my brain since the very first time I read it.
After I finished my first readthrough I immediately started the second, as I’d gotten so entranced by the story and the atmosphere that the words disappeared from the page. The second readthrough was for my writer brain to fully absorb it and what made it effective.
The Prince of Ombria is dying, and already his sinister great-aunt is plotting to seize power. The Black Pearl is feared throughout the land, and the city folk know her reign will be a terrible one. Only the prince's son can stop her from seizing the throne but he's just a boy - barely worth the trouble of doing away with.
Ombria, it seems, is doomed. And yet, beneath the streets, in a buried world of shadows and ghosts, a mysterious sorceress is weaving new spells, watched over by a girl sculpted entirely from wax ...
Peake writes with the experience of someone who paints and that has a remarkable effect on his use of imagery. There are certain figurative turns of phrases he uses, such as “a face like scrunched up paper” or describing a cat purring as “the sound of an ocean inside a shell,” that click in my mind like—yes! You’ve put that into words! And Titus Groan is, once again, full of that amazing and immersive wordsmithery that elevates the text into something cinematic.
The first volume of the GORMENGHAST trilogy of fantasy novels. Titus Groan is born the heir to Gormenghast castle, and finds himself in a world predetermined by complex rituals that have been made obscure by the passage of time. Along the corridors of the castle, the child encounters some of the dark characters who will shape his life.
Reading this book felt like drinking a pitch-black winter night. That’s the best way I can describe it. Somehow, Valente managed to masterfully bottle the frigid sensation of a bleak midwinter and transport it to the page.
I’ve always loved this book for how mythic and grandiose it feels even in the short amount of pages it has. This is something that I feel would come alive in an animated adaptation where you can really capture the eerie and surrealist imagery used.
A handsome young man arrives in St Petersburg at the house of Marya Morevna. He is Koschei, the Tsar of Life, and he is Marya's fate. For years she follows him in love and in war, and bears the scars. But eventually Marya returns to her birthplace - only to discover a starveling city, haunted by death. Deathless is a fierce story of life and death, love and power, old memories, deep myth and dark magic, set against the history of Russia in the twentieth century. It is, quite simply, unforgettable.
Uncanny and strange, the idyllic village of this book could not be described more vividly than by the masterful hand of Mirrlees. If I described Deathless as a pitch-black winter night, this one is a viridian spring morning. The scent of the flowers, the chirp of the birds, the speech patterns of the characters… all felt as though I’d been snatched into the book itself.
After I’d finished, I was left mourning that I couldn’t hop on a train and traverse to this quaint little setting neighbouring a fae realm that sounded like it should be right up the road from me.
A true classic - and the 'single most beautiful...and unjustifiably forgotten novel of the twentieth century' Neil Gaiman
Lud-in-the-Mist is a prosperous country town situated where two rivers meet: the Dawl and the Dapple. The Dapple springs from the land of Faerie, and is a great trial to Lud, which rejects anything 'other', preferring to believe only in what is known, what is solid.
Nathaniel Chanticleer, a dreamy, melancholy man, is deliberately ignoring a vital part of his own past; a secret he refuses even to acknowledge. But with the disappearance of his daughter, and a long-overdue desire to protect…
While more of an anthology than a book, this still encapsulates the theme quite well. Perhaps more suited to a mini episodic format than a feature-length film, Carter still imbues many of her short stories with striking and unforgettable imagery.
I think of the titular story and its ancient castle by the sea or The Erl-King and its inescapable labyrinth of a forest and am left dumbfounded that I have not seen it rendered anywhere other than my own mind’s eye.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
A star princess travels to a cursed island to make first contact with a legendary race of demons. She soon finds herself up against a tyrannical king who rules without a heart.
To spare her country from his warmongering ways, she must play the role of charming diplomat aided by the prince and his bastard brother. But soon, it is her heart she must keep from being torn between their dangerous rivalry for her affection.
Historical fiction inspired by the story of Mary Leakey, who carved her own path to become one of the world's most distinguished paleoanthropologists.
It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories.
Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations. When well-known paleoanthropologist Louis Leakey…
Historical fiction inspired by the story of Mary Leakey, who carved her own path to become one of the world's most distinguished paleoanthropologists.
It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories.
Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations. When well-known paleoanthropologist Louis Leakey…
