The best fantasy books that provide the most cinematic experience

The late great Patricia McKillip is one of the finest prose writers in the fantasy genre. Through her meticulous wordsmithing, the twin settings of Ombria come to life on the page. Some settings and imagery have been branded into my brain since the very first time I read it.

After I finished my first readthrough I immediately started the second, as I’d gotten so entranced by the story and the atmosphere that the words disappeared from the page. The second readthrough was for my writer brain to fully absorb it and what made it effective.

Peake writes with the experience of someone who paints and that has a remarkable effect on his use of imagery. There are certain figurative turns of phrases he uses, such as “a face like scrunched up paper” or describing a cat purring as “the sound of an ocean inside a shell,” that click in my mind like—yes! You’ve put that into words! And Titus Groan is, once again, full of that amazing and immersive wordsmithery that elevates the text into something cinematic.

Reading this book felt like drinking a pitch-black winter night. That’s the best way I can describe it. Somehow, Valente managed to masterfully bottle the frigid sensation of a bleak midwinter and transport it to the page.

I’ve always loved this book for how mythic and grandiose it feels even in the short amount of pages it has. This is something that I feel would come alive in an animated adaptation where you can really capture the eerie and surrealist imagery used.

Uncanny and strange, the idyllic village of this book could not be described more vividly than by the masterful hand of Mirrlees. If I described Deathless as a pitch-black winter night, this one is a viridian spring morning. The scent of the flowers, the chirp of the birds, the speech patterns of the characters… all felt as though I’d been snatched into the book itself.

After I’d finished, I was left mourning that I couldn’t hop on a train and traverse to this quaint little setting neighbouring a fae realm that sounded like it should be right up the road from me.

While more of an anthology than a book, this still encapsulates the theme quite well. Perhaps more suited to a mini episodic format than a feature-length film, Carter still imbues many of her short stories with striking and unforgettable imagery.

I think of the titular story and its ancient castle by the sea or The Erl-King and its inescapable labyrinth of a forest and am left dumbfounded that I have not seen it rendered anywhere other than my own mind’s eye.