Here are 88 books that The Keep fans have personally recommended if you like
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I’m a writer and musician with a background in mathematics, which is what originally led to my intrigue in cosmology. For writing speculative fiction, I’ve dug into a range of topics from quantum mechanics to cognitive theory, but spacetime had the opposite causality: my interest later spawned my writing. When I first learned about special relativity, many aspects seemed counterintuitive but were mathematically sound, leading me to obsessively read books, watch videos, and perform hours of calculations to get a feel for it. And what draws my adoration most to the cosmos is the quality it shares with dinosaurs—the more I learn, the more majestic it becomes.
I was repeatedly impressed by H.G. Wells’ book, constantly reminding myself that it was written in the 19th century before relativity and the concept of spacetime, even before the game Red Dead Redemption 2 took place.
Conceptually, I found the ideas remarkably ahead of their time and enjoyed seeing the different eras of sci-fi that would follow represented to varying degrees, especially the Golden Age and New Wave. I went through a period of going through all of the fundamental science fiction I’d never read, and this was by far the most meaningful.
I frequently drive between L.A. and the bay, and the time I listened to it on my way home was the fastest the trip ever felt.
A brilliant scientist constructs a machine, which, with the pull of a lever, propels him to the year AD 802,701.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of The Time Machine features an introduction by Dr Mark Bould.
The Time Traveller finds himself in a verdant, seemingly idyllic landscape where he is greeted by the diminutive Eloi people. The Eloi are beautiful but weak and indolent, and the explorer is perplexed by…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
This is a short story collection I return to every few years. There are four novellas in this collection, but each of them was delivered directly to my cerebral cortex. I can recall passages from each story. And I can see the locations.
I feel King is at his best when he's twisting his way through novellas and short stories. After reading "1922", it was weeks before I stopped seeing the well. And weeks before, I stopped shaking my head at what Wilfred James did or the grit of Tess in "Big Driver" or the pettiness of Dave Streeter. This is worth reading every year.
From the master of the long story form, the Sunday Times No. 1 besteller, Full Dark, No Stars - described by the Sunday Telegraph as 'an extraordinary collection, thrillingly merciless, and a career high point' - now with a stunning new cover look.
Is it possible to fully know anyone? Even those we love the most? What tips someone over the edge to commit a crime?
In '1922', a story which was adapted into a Netflix original film, a Nebraska farmer, the turning point comes when his wife threatens to sell off the family homestead.
I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.
Like H.G. Wells, Wyndham is excellent at depicting normal people who are dealing with an unusual event in normal locations. This creates a level of reality that makes the circumstances more horrific. I could imagine myself in those places, with those people.
The Triffids have never translated well to the screen because the plants look awkward. This isn’t the case in the book. This is my favorite of all the Wyndham books because of their journeys and their descriptions of the landscape around them.
When Bill Masen wakes up in his hospital bed, he has reason to be grateful for the bandages that covered his eyes the night before. For he finds a population rendered blind and helpless by the spectacular meteor shower that filled the night sky, the evening before. But his relief is short-lived as he realises that a newly-blinded population is now at the mercy of the Triffids.
Once, the Triffids were farmed for their oil, their uncanny ability to move and their carnivorous habits well controlled by their human keepers. But now, with humans so vulnerable, they are a potent…
After picking up a copy of James Herbert’s Lair (the second in his Rats trilogy) back in the early 80s, I decided I wanted to write something myself one day. That day came in about 1990, when I finished my first manuscript, Minstrel’s Bargain. I also wrote another MS around that time called Point of Contact, but nothing happened with these stories and I gave up on my writing dreams to concentrate on bringing up a family. Fast forward to 2015, and I sent the MS for Minstrel’s Bargain to an indie publisher. To my surprise, they took it on, and that book has spawned two sequels, entitled the Prophecy Trilogy.
James Herbert was, for me, the king, and The Jonah is brilliant. Jim Kelso, undercover cop, is a man with dark secrets. Shunned by others in the Police, he is seen as the eponymous Jonah as everything he touches seems to go wrong. Sent off to investigate a suspected drug factory on the coast, Kelso finds himself not only fighting the drug dealers he has been sent to bring to justice, but also with his own horrifying past. Part police procedural, part terrifying horror. Brilliant stuff.
The shadow of the past was always with him. But he never knew what it was, or when it would strike next. In James Herbert's The Jonah, detective Jim Kelso is sent to a small coastal town to investigate drug smuggling and stumbles on a dangerous organization. Suddenly more than just his life is at stake. It's his past, his future, his sanity. Through torture and drugs he discovers the terrifying secret of The Jonah. And learns, in the most horrifying way that it can destroy him as well as others . . .
After picking up a copy of James Herbert’s Lair (the second in his Rats trilogy) back in the early 80s, I decided I wanted to write something myself one day. That day came in about 1990, when I finished my first manuscript, Minstrel’s Bargain. I also wrote another MS around that time called Point of Contact, but nothing happened with these stories and I gave up on my writing dreams to concentrate on bringing up a family. Fast forward to 2015, and I sent the MS for Minstrel’s Bargain to an indie publisher. To my surprise, they took it on, and that book has spawned two sequels, entitled the Prophecy Trilogy.
Writing as Richard Bachman, this quite short story (for King) is set in a future where once a year, young people are invited to take part in the ‘Long Walk.’ The premise is simple; you walk until you can’t walk any further. Keep above a certain speed limit or, after a couple of warnings, the soldiers who trail the walkers will shoot you dead. The winner is the one who survives. It sounds stupid, but, my God, when I first read it, I felt as if I had been on the walk with the characters you get to know. Horrifying simply because of the skill of King’s writing in describing the feelings of utter exhaustion and terror along the way. Human horror at its peak.
In this #1 national bestseller, “master storyteller” (Houston Chronicle) Stephen King, writing as Richard Bachman, tells the tale of the contestants of a grueling walking competition where there can only be one winner—the one that survives.
“I give my congratulations to the winner among your number, and my acknowledgements of valor to the losers.”
Against the wishes of his mother, sixteen-year-old Ray Garraty is about to compete in the annual grueling match of stamina and wits known as The Long Walk. One hundred boys must keep a steady pace of four miles per hour without ever stopping...with the winner being…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
Each short story is an epic in disguise. They have unique settings, and twists on the predictable beats of a horror genre keep you guessing.
Real life is more frightening than the monsters we imagine, isn't it? Highly original and engaging, I read the book three times in the first year of ownership.
Nathan Ballingrud's Shirley Jackson Award winning debut collection is a shattering and luminous experience not to be missed by those who love to explore the darker parts of the human psyche. Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible. These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
It's sort of a classic, and yet, there's more to this story than the formal style of the peculiar author. It creates almost a trance when I read it. So many other authors have grabbed parts of this tale, and so many books and movies seem to resonate with aspects of the tale.
The odd Americana aspect of the setting and the historical overtones lull you into solitude while the plot twists the hold on your mind ever tighter. It's a favorite, even though I admit it can be a difficult read when compared to the pacing of modern genre writing.
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
This is the only graphic novel/comic book on my list and it goes above and beyond in art and story.
I have enjoyed reading the Harrow County stories many times. I prefer the collected edition where you can take your time and read comic issues 1-16 of Darkhorse Comics Harrow County. The artwork pulls you in, and the story is filled with zippy turns and good dialogue.
It pulls from many of the books I've mentioned in building an early American horror story that heads off in multiple directions. I can smell the grass and trees, hear the click-clack of the horse-pulled carts, and taste autumn in the air while reading these books.
A topic for another time would be examining the different experiences when reading a graphic novel compared to a novel. The strengths and weaknesses, what exactly the illustrations add, but for a horror fan who has never…
The first half of the highly acclaimed, Eisner-nominated horror fantasy tale, collected in a value-priced omnibus.
Emmy always knew that the woods surrounding her home crawled with ghosts and monsters. But on the eve of her eighteenth birthday, she learns that she is connected to these creatures--and to the land itself--in a way she never imagined.
The main reason I care about the relationship of war, conscience, and religion is because I believe strongly in the separation of church and state. A country’s methods of pursuing its best interests, include the use of power and warfare. Religions, however, make central: love your neighbor as much as you love yourself. People need to develop a conscience about what principle matters most. In the Civil War, the old tenet, an “eye for an eye,” was used to justify killing others for reasons of advantage or revenge. But I want to be involved instead in creating peace and justice for all.
The historical figure, Dietrich Bonhoeffer, is a striking exemplar of courage in response to the atrocities of World War II. Denise Giardina’s historical fiction book, Saints and Villains, portrays the interplay of Bonhoeffer’s moral values as a Nazi resister and as a German theologian. Factually, Bonhoeffer could have fled from the horrors of war, but he chose not to do so and ended up involved in a failed plot to assassinate Hitler. I don’t think of Bonhoeffer’s characterization as a model of virtue, but I rooted for his ordinariness, his questions, and doubts that made him morally complex. My own writing benefited from reading this book that focused on fictionalizing a complicated historical figure.
What is the price of acting morally in a time of great evil, when sin and necessity seem twinned? Saints and Villains is a strikingly resonant novel that dramatizes this painful dilemma through the fictional re-creation of the life of Dietrich Bonhoeffer. This emblematic figure risked his life--and finally lost it--through his participation in the failed plot to assassinate Hitler and topple the Nazi regime. In a gripping and sweeping narrative that moves from Berlin to London to New York City, encompassing shattering historical events, clandestine meetings, perilous missions abroad, and eventual imprisonments and death, Denise Giardina brings to life…
Reading certain texts in the Bible growing up began my love for all things supernatural. The more I studied the subject and understood the worldview of the biblical authors and of other ancient cultures, the more I began to see these scenes in vivid color. With my passion for theological study (personally and as part of a master’s program), my work as a police officer, and my love for fantasy fiction perfectly positions me to write stories in which deep supernatural elements intersect with the gritty and real space of everyday life.
This was one of the first fiction books I read that set before me a world that is ordinary interrupted, and affected by another world that is supernatural.
In this book, when the main character goes to sleep, he wakes up in another world populated by mysterious beings and people.
Perhaps most interesting about this set up, is that events in this “dream world” affect events in the waking one.
While the main character only retains a passive ability (entering this other world and healing) the whole traveling between both spaces, his interactions with both divine and malevolent beings, and his race to stop his world from destruction all pulled me into the story in such a way that I could not put down.
Enter the adrenaline-laced story that started it all: the fate of two worlds hangs in the balance of one man's choices as dreams and reality collide.
Thomas Hunter narrowly escapes mysterious assailants only to encounter a silent bullet that clips his head . . . and his world goes black. He awakens in an alternate reality and soon finds himself pulled between two worlds. In one, Thomas is an average guy working in a coffeehouse. In the other, he's a battle-scarred general leading a band of warriors known as the Circle.
Every time Thomas falls asleep in one reality, he…
