100 books like The Long Walk

I am a lifelong fan of science fiction, and especially all things time travel. However, I do get annoyed by time travel stories where the time travel is never really explained or it’s just reduced to a magical vehicle for the story setting. I want my science fiction to ask the big questions of humanity. I have a PhD in history and theology, and in my research for my book From Star Wars to Superman, I combined a lifetime of enjoying science fiction and time travel with a career studying those big philosophical questions, and I’ve come to the conclusion that true sci-fi has to be thought-provoking.

As a teenager I loved the post-apocalyptic genre, especially John Wyndham and H G Wells, and as a scientist I’ve become increasingly aware of the threats to society, especially from climate change and pandemics. But it seems to me that any collapse will be gradual: yes, the weather will worsen, and the seas will rise; but those won’t happen overnight. We’re unlikely to see a pandemic that kills everyone, but we could well see a train of smaller ones. This is the world of Truth Sister: it’s changed, but we’ve had time to adapt. The books in my list have different takes on how a post-civilisation world might look. Enjoy!

After picking up a copy of James Herbert’s Lair (the second in his Rats trilogy) back in the early 80s, I decided I wanted to write something myself one day. That day came in about 1990, when I finished my first manuscript, Minstrel’s Bargain. I also wrote another MS around that time called Point of Contact, but nothing happened with these stories and I gave up on my writing dreams to concentrate on bringing up a family. Fast forward to 2015, and I sent the MS for Minstrel’s Bargain to an indie publisher. To my surprise, they took it on, and that book has spawned two sequels, entitled the Prophecy Trilogy. 

One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.

As a writer of murder mysteries, it goes without saying I’m a fan of whodunits. But I’m also a fan of horror stories and those tales that keep me turning pages and looking into the shadows. So in my newest book, I wanted to combine the two. That is, mixing scares and thrills with a whodunit and adding a big dose of Latino culture and characters. In a lot of my work, I write about the culture with which I grew up. I also love to tap into the Mexican myths and folk stories I heard as a kid then revamping and retelling them into something new.

As a kid, I’ve always loved reading romances, even if it meant spending my recesses in the library and reading through lunchtime. This resulted in my 6th-grade teacher giving me the weirdest look when she caught me reading a romance at school. When I started writing, I wrote a couple of different genres to test out, but YA contemporary romances were always the ones that stuck with me. I loved writing about the fluttery feelings of first love and the complexities of an uncertain future. It also helps that I met my husband, the love of my life, in high school so I’ll always have a soft spot for books that make me feel that way again.

I’ve always been surrounded by food culture. I grew up in a diner family. My parents started Lakey’s Cafe just before I was born. My first jobs as a kid were in that restaurant. After that, I worked in restaurants as a server for more than 10 years of my life. When the opportunity presented itself to throw in the napkin and become a writer, I did. My writing now as a professional writer centers around the food and beverage industry. One topic that I don’t see discussed enough is the role that food plays in science fiction and fantasy novels. Food in novels has a way of showing us something about ourselves.

Since I was a girl, I’ve had an enduring sense that women must work harder, be cleverer, think more creatively than men, both at work and sometimes at home. So I love a woman who stands up for herself, who doesn’t suffer fools gladly. At one time, when the series Spooks was popular on TV, I wanted to be Ros, the operator who, when a dodgy guy followed her, hid around a corner. She flattened him with some nifty moves, stole his car keys and said: “Never follow me again.” Brilliant! I hope you enjoy all the feisty females on my book list. 

I love dystopian novels. What I love most is trying to figure out what the heck happened? Why did this happen, and what was the world like before this happened? I really love books that are based on Earth, but you can’t tell until you read part or all the way through. The whole idea of “what the heck happened” was the inception of my novel, The Incident. I wanted to begin with the inciting event that caused the world to get knocked off-center and go from normal to not. I wanted to show the changes that would make it impossible for us to recognize the world as the one we live in.

The books I've recommended are all skillfully told by someone who is not of the race or sexual orientation of the protagonist. Though I believe in the importance of people telling their own stories, I also think there should be room for writers to write from viewpoints other than their own. The past is where many of my characters live, but I still have to deal with the quandry of authenticity. Daughter of Winter is placed in Essex, MA, in 1949, at the height of the shipbuilding industry and features a mixed-race child and a Wapanoag grandmother. To make certain of my characterizations, I hired a chief of that tribe to read the finished manuscript.