I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.
Brian Aldiss is one of my favorite writers. His SF books are usually set far away, but this is a welcome change of pace. This novel is set around Oxford, and Aldiss breaks out his inner Tolkien (another one of my favorite authors) to describe the landscape.
In an age where ‘yoof’ is venerated, I loved the over-50s protagonists struggling with the declining world they created while their bodies and minds also declined. As I am in my mid-50s, I empathized with them.
Human reproduction has ceased and society slowly spirals in this “adult Lord of the Flies” by a Grand Master of Science Fiction (San Francisco Chronicle).
After the “Accident,” all males on Earth become sterile. Society ages and falls apart bit by bit. First, toy companies go under. Then record companies. Then cities cease to function. Now Earth’s population lives in spread‑out, isolated villages, with its youngest members in their fifties. When the people of Sparcot begin to make claims of gnomes and man‑eating rodents lurking around their village, Greybeard and his wife set out for the coast with the hope…
This is no cosy dystopia. I was shocked by the violence and ruthlessness of the protagonists. This is a prescient novel, written 64 years before COVID-19, about a virus that emerges from China and ravages the world. Instead of infecting humans, the virus kills all grass. Brutal decisions are made, and any sense of law and order disappears. We were a gnat’s whisker from this happening in the UK, and I was impressed with Priest’s vision. The book cracks along at a good pace, too.
A thought experiment in future-shock survivalism' Robert MacFarlane
'Gripping ... of all science fiction's apocalypses, this is one of the most haunting' Financial Times
WITH AN INTRODUCTION BY ROBERT MACFARLANE
A post-apocalyptic vision of the world pushed to the brink by famine, John Christopher's science fiction masterpiece The Death of Grass includes an introduction by Robert MacFarlane in Penguin Modern Classics.
At first the virus wiping out grass and crops is of little concern to John Custance. It has decimated Asia, causing mass starvation and riots, but Europe is safe and a counter-virus is expected any day. Except, it turns…
I loved the detailed characterization of the main protagonists (including a cat) in this novel set in Gloucester. Comptom’s prose is a delight to read; it is clear, descriptive, and unobtrusive. It is rare to read about a homeless person and their struggles, especially from that time and the obvious mental illness that he suffers from. His dealings with the vending machine and the cat are humorous and touching. The novel reminded me of the Beatles song ‘Eleanor Rigby,’ with a Father Mackenzie-type vicar and a lonely female journalist. It is sad, touching, real, and a good story. I read it in a couple of sittings.
In the near future, the super-modern city of Gloucester has been transformed - completely redesigned and rebuilt to the principles of 'scientific city planning'. This gleaming city is threatened with extinction by a mysterious spore from space that brings mankind's proud structures crashing to the ground . . .
Orwell is another of my favorite writers; his essays are essential reading. This novel is the culmination of his efforts, and the prose is fantastic: simple, clear, and effective. It is a delight to read and yet hard to write.
I admire how he does it. The plot is now famous, and, unfortunately, much of what he has written has come to pass. I found it hard to read again without all the public connotations invading my thoughts, but I did lose myself in the plot.
1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party's power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party's department for propaganda, Winston Smith's job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair. As he writes the words 'DOWN WITH BIG…
Like H.G. Wells, Wyndham is excellent at depicting normal people who are dealing with an unusual event in normal locations. This creates a level of reality that makes the circumstances more horrific. I could imagine myself in those places, with those people.
The Triffids have never translated well to the screen because the plants look awkward. This isn’t the case in the book. This is my favorite of all the Wyndham books because of their journeys and their descriptions of the landscape around them.
When Bill Masen wakes up in his hospital bed, he has reason to be grateful for the bandages that covered his eyes the night before. For he finds a population rendered blind and helpless by the spectacular meteor shower that filled the night sky, the evening before. But his relief is short-lived as he realises that a newly-blinded population is now at the mercy of the Triffids.
Once, the Triffids were farmed for their oil, their uncanny ability to move and their carnivorous habits well controlled by their human keepers. But now, with humans so vulnerable, they are a potent…
Since the war—a conflict between England and the Continentals (Europe)—Cornwall is now known as Kernow and is no longer part of England. Lena and Alek’s parents moved to Kernow before the border closed, and Lena, particularly, is desperate to reunite with them. However, she is stuck illustrating propaganda posters for the government, and Alek has been press-ganged into the army.
With Lena becoming increasingly uncomfortable with her role in assisting a despotic regime and Alek's military life, where obeying orders from your superiors is the only thing that matters, the siblings' inevitable drifting apart looks set. They become entangled with the Resistance and a fifth columnist while trying to take control of their own destinies.
The 19th century women's rights movement and the rise of public education intertwine with one woman's story of struggle, perseverance, and love.
Alice Harris is pressed to marry a Civil War veteran twice her age when her family’s inn fails in 1882 in western North Carolina. She remakes herself by learning to farm tobacco, campaigning for the city’s first public schools, and immersing herself in the large and divisive Carter family. But marriage offers a tenuous promise of security. When tragedy strikes, Alice turns to the courts to fight for her independence and discovers an unexpected love.
The 19th century women's rights movement and the rise of public education intertwine with one woman's story of struggle, perseverance, and love.
When her father dies and the family inn falls to ruin in 1882, western North Carolina, thirty-year-old Alice Harris is compelled to marry Jasper Carter, a Civil War veteran twice her age. Far from home and a stranger in a new family, Alice remakes herself. She learns to farm tobacco, mothers her stepson, and comes to love her husband.
However, Alice uncovers pending trouble with the family's land holdings, which threatens their livelihood on the farm. The growth…
