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One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
This is a short story collection I return to every few years. There are four novellas in this collection, but each of them was delivered directly to my cerebral cortex. I can recall passages from each story. And I can see the locations.
I feel King is at his best when he's twisting his way through novellas and short stories. After reading "1922", it was weeks before I stopped seeing the well. And weeks before, I stopped shaking my head at what Wilfred James did or the grit of Tess in "Big Driver" or the pettiness of Dave Streeter. This is worth reading every year.
From the master of the long story form, the Sunday Times No. 1 besteller, Full Dark, No Stars - described by the Sunday Telegraph as 'an extraordinary collection, thrillingly merciless, and a career high point' - now with a stunning new cover look.
Is it possible to fully know anyone? Even those we love the most? What tips someone over the edge to commit a crime?
In '1922', a story which was adapted into a Netflix original film, a Nebraska farmer, the turning point comes when his wife threatens to sell off the family homestead.
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
This was one of the first horror novels I read, so it has almost a mystical hold on me. I returned to it quite a few times through the years turning my paperback edition into a dogeared mess.
It was the first time I read a story where the real world of politics and cruelty were tied to the immortal, the unliving, the monsters of our imagination. The mix of horror and the supernatural works in this book as well as anything I've read.
And the scene under the keep, the tunnels that kept me awake as a youngster, and I still look at it as a masterclass on how to build fear and suspense.
The Keep is the first book in the Adversary Cycle from bestselling author F. Paul Wilson and the basis for the 1983 cult classic horror film written and directed by Michael Mann.
"Something is murdering my men."
Thus reads the message received from a Nazi commander stationed in a small castle high in the remote Transylvanian Alps. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims.
When an elite SS extermination squad is dispatched to solve the problem, the men find something that's both powerful and terrifying.…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
Each short story is an epic in disguise. They have unique settings, and twists on the predictable beats of a horror genre keep you guessing.
Real life is more frightening than the monsters we imagine, isn't it? Highly original and engaging, I read the book three times in the first year of ownership.
Nathan Ballingrud's Shirley Jackson Award winning debut collection is a shattering and luminous experience not to be missed by those who love to explore the darker parts of the human psyche. Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible. These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
This is the only graphic novel/comic book on my list and it goes above and beyond in art and story.
I have enjoyed reading the Harrow County stories many times. I prefer the collected edition where you can take your time and read comic issues 1-16 of Darkhorse Comics Harrow County. The artwork pulls you in, and the story is filled with zippy turns and good dialogue.
It pulls from many of the books I've mentioned in building an early American horror story that heads off in multiple directions. I can smell the grass and trees, hear the click-clack of the horse-pulled carts, and taste autumn in the air while reading these books.
A topic for another time would be examining the different experiences when reading a graphic novel compared to a novel. The strengths and weaknesses, what exactly the illustrations add, but for a horror fan who has never…
The first half of the highly acclaimed, Eisner-nominated horror fantasy tale, collected in a value-priced omnibus.
Emmy always knew that the woods surrounding her home crawled with ghosts and monsters. But on the eve of her eighteenth birthday, she learns that she is connected to these creatures--and to the land itself--in a way she never imagined.
Even before I found Lovecraft and Stephen King and my world turned, I was raised on Doyle, Wells, Hodgson, and Robert Louis Stevenson which gave me both a love of the "gentleman detective" era and a deep love of the late Victorian/early Edwardian historical period in general. Once you merge that with my abiding interest in all things weird and spooky, you can see where a lot of my stories come from. There seems to be quite a burgeoning market for this kind of mixing of detection and supernatural, and I intend to write more... maybe even a lot more.
Silver John, a balladeer with a silver-stringed guitar, crisscrosses rural USA encountering all manner of supernatural entities, and does it with a song in his heart. There's a deep love of ancient folklore that shines through in this wonderful collection. It's far removed from Carnacki or Silence's cozy sitting rooms and libraries, but every bit as tied to a desire to get to the root of ancient mysteries. There's an almost Bradburyesque sense of wonder in these tales that lifts you up and carries you alongside John on his travels.
There's a traveling man the Carolina mountain folk call Silver John for the silver strings strung on his guitar. In his wanderings, John encounters a parade of benighted forest creatures, mountain spirits, and shapeless horrors from the void of history with only his enduring spirit, playful wit, and the magic of his guitar to preserve him. Manly Wade Wellman's Silver John is one of the most beloved figures in fantasy, a true American folk hero of the literary age. For the first time the "Planet Stories" edition of "Who Fears the Devil?" collects all of John's adventures published throughout Wellman's…
As long as I can remember I have found the world a terrifying yet magical place. My first memories are of reading ghost stories, the best mirrors for my emotional experiences. As a teenager supernatural tales continued to inspire me and still do. Sometimes a starkly realistic approach can prove too dull or intrusive; far better to process or confront issues by presenting them as fantastical. When I return to these books, or discover similar stories, I listen hard to what they are trying to tell me. I won’t learn overnight for, as the villain in The Doll Maker states: “the life so short, the craft so long to learn.”
“I wanted to be alone in my room and glad over it all to myself.” In the framing story, two Victorian gents struggle to decipher the hidden meanings of a teenage girl’s diary they have recently uncovered. Partially written in a secret language, that could equally derive from folklore sayings or teen slang, the contents appear to hint at an inauguration into pagan rituals and witchcraft in the nearby woods. A unique attempt to conjure a dark magic out of the missing memories of childhood, this novella explores both the excitement and peril of keeping your first secrets. “I was afraid something had happened to me…”
Machen's weird tales of the creepy and fantastic finally come to Penguin Classics. With an introduction from S.T. Joshi, editor of American Supernatural Tales, The White People and Other Weird Stories is the perfect introduction to the father of weird fiction. The title story "The White People" is an exercise in the bizarre leaving the reader disoriented and on edge. From the first page, Machen turns even fundamental truths upside-down, as his character Ambrose explains, "there have been those who have sounded the very depths of sin, who all their lives have never done an 'ill deed'" setting the stage…
I am fascinated by the myth, legend, and the supernatural, and love to link them with a particular setting. The books listed all inspired my writing from their pace, elegant prose, great characterisation, and especially, descriptive settings and atmosphere evoked from those settings (something I strive to do as an author, using places I know really well). And I am lucky enough to have lived in Cornwall by the River Fal, a place so steeped in legend and natural beauty that Angel’s Blade almost wrote itself.
No writer evokes atmosphere better than Daphne Du Maurier, and this collection of five short stories demonstrates her gifts superbly. Best known of these short stories is "Don’t Look Now," a tale of bereavement and despair with a wicked twist at the end, set in Venice and subsequently made into a superb horror movie. But the other stories within this anthology also immerse the reader in their settings, with each delivering an unexpected twist.
I’ve been a huge fan of vampires, werewolves, elves, fairies, and all sorts of supernatural-themed creatures since I can remember. In addition, I grew up on sci-fi and fantasy movies and novels, which inspired me to pen my first short story at ten years old and send it in for publication. Since then, I’ve enjoyed creating art and writing stories that feature fantastical characters and creatures in extraordinary worlds having adventures. Though I have had two book series and numerous short stories published, I have many more stories and novels in the vault that I can’t wait to share with my readers.
Wow! Talk about meaty and juicy with substance! I bought this book in paperback and it is the definition of a tome! When I first read it, it reminded me of a good gothic literature tale with a dash of the beautiful world-building of Anne Rice’s Interview With the Vampire sprinkled with the language of Gabaldon’s Outlander book. It’s another book that deals with life through the paranormal characters’ lives in a human world which I can never get enough of.
Blood Tears takes place across the centuries throughout the large world wars and other historical events that nicely tie into our real timeline. Every time I cracked open the book to read just a little bit I would find myself entranced in the story and the characters.
A foreign child - taken to live under Azrar's protection as his ward. But what strange ability does this girl possess, that so terrified her own people it led them to abandon her in Isolann's wolf-ridden forests? And will it aid in Prince Azrar's destruction or his survival?
I write about aloneness and individuals, what it takes to connect to family and community, and how to hang on to the people we hold dear. This means I think a lot about points of view and personal perception. We often wonder: Have I got this right? Did they get my meaning? Does everybody feel this? And more often than not, everybody does. These interpretations are both personal and universal at the same time. We all fear loss; we all have to be brave to hold onto people we love and principles we value.
I've just discovered Fae Urban Fantasy and I'm absolutely hooked. I love this world and this writing partnership sparkles like endless glitter showers of fairy dust. I connected with student Noelle like a sister, and – you guessed it – by a quirk of fate, she finds herself in the land of the fae, and they are Bad People. Well, they're not all bad, but they can be every bit as mean and spiteful as mortals, even though they look pretty. I've read both books and I believe there's a third one coming out. Again, it's about being brave, confronting your problems, and holding on to people you love. I can't wait to see how the story turns out.
Abducted by a cruel Fae. Condemned to fight, or die. "My heart is still racing...an adrenaline filled gem." "Purchased this book on the off chance and so glad I did."
All college student Noelle Fidelis wants is a chance to be normal. To blend in at a party, without the crippling social anxieties that come from a history of abuse and insecurity. Instead, a chance encounter with a dark-alley creep turns into a terrifying prison sentence, after she's abducted by a royal Fae and condemned to fight against other supernatural inmates in a battle for survival. Her only allies are…
I have always been enamored with myth and the fantastic, even as a child. They offer an escape from the mundane, but also deliver a fine method to guide our moral compasses, learn about other cultures, and assign meaning to those things that vex us. I studied literature and history in college and found myself delving more and more into theology and mythology as I went because literature is filled with their essence. My exploits have guided me to the desk as a language arts and special education teacher, but my heart always whisks me back to the bookshelf or the desk to visit these fantastic worlds of the supernatural.
This history of myths, folklore, and legend is a must-own for any reader who fancies themselves a fan of the supernatural genre. Written in the form of a field guide to help travelers traversing the landscape pocked with these entities, A Field Guide is a phenomenal read and lends insights into the myths and religious entities of various cultures. Equipped with a section for how to ward off each, this guide may prove to be more useful to the reader than just a bit of reference material.
“Scouring the face of the earth, Carol and Dinah Mack have come up with an array of the most dreaded demons mythology has to offer.” —Robert L. Carniero, former Curator of South American Ethnology, American Museum of Natural History
If you met a werewolf on the eve of a full moon, would you know how to tell what he really was? Could you resist the dark charms of a vampire or the lure of a fallen angel? Did you know the Mbulu of South Africa has a razor-sharp tail with a mind of its own? Or that the Kuru-Pira of…
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