Here are 95 books that Within The Fog fans have personally recommended if you like
Within The Fog.
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I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
Neil Gaiman has probably had more of an impact on my brain and my writing than any other author. Selecting just one of his many incredible "dark and sad" books was a real challenge for me.
I settled on this one, in part because it is the perfect bookend to my previous recommendation, Doll Bones, in that it eloquently expresses the quiet joys, fears, and sorrows of childhood, as seen through the eyes of an adult who knows full well the meaning of loss, and the cost of things we can barely recognize, much less understand, when we are young.
Like the narrator of the book, I feel the ever-widening gulf between myself and my own memories. I also see it beginning for my offspring, who have both recently entered adulthood, and my heart breaks for all three of us.
'Neil Gaiman's entire body of work is a feat of elegant sorcery. He writes with such assurance and originality that the reader has no choice but to surrender to a waking dream' ARMISTEAD MAUPIN
'Some books just swallow you up, heart and soul' JOANNE HARRIS
'Summons both the powerlessness and wonder of childhood, and the complicated landscape of memory and forgetting' GUARDIAN
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'My favourite response to this book is when people say, 'My childhood was nothing like that - and it was as if…
I’ve loved weird horror from a young age, and that passion only grew as the years went on. It all started when I was ten, and I got an anthology of classic horror for my birthday. Inside I read The White People by Machen, Cast the Runes by MR James, and The Colour Out of Space by Lovecraft, and I was hooked. Ever since then I chased that same thrill of the horror that is so out there and strange it just breaks your brain and changes you inside out. I have a feeling I’ll be chasing that obsession until the end of my days.
Another fun bit of psychedelic folk horror, combined with a really cool history of the experimental films of Canada.
The narrator is compelling, and the whole time you feel the pull of her obsession to the film she’s looking into, even if it unsettles her and terrifies her at the same time. Love that pull of danger, wanting to look, to see, but knowing that doing so will probably kill you…
The award-winning author of the Hexslinger Series "explores the world of film and horror in a way that will leave you reeling" (Jeff VanderMeer, author of the Southern Reach Trilogy).
Former film teacher Lois Cairns is struggling to raise her autistic son while freelancing as a critic when, at a screening, she happens upon a sampled piece of silver nitrate silent footage. She is able to connect it to the early work of Mrs. Iris Dunlopp Whitcomb, the spiritualist and collector of fairy tales who mysteriously disappeared from a train compartment in 1918.
I have always been enamored with myth and the fantastic, even as a child. They offer an escape from the mundane, but also deliver a fine method to guide our moral compasses, learn about other cultures, and assign meaning to those things that vex us. I studied literature and history in college and found myself delving more and more into theology and mythology as I went because literature is filled with their essence. My exploits have guided me to the desk as a language arts and special education teacher, but my heart always whisks me back to the bookshelf or the desk to visit these fantastic worlds of the supernatural.
The pretense for modern fantasy and supernatural suspense is rooted in the concept of folklore and fairytale. Harkening back to those days, Byatt weaves an intricate world of wonder and spirits the reader away to become enveloped within it. Byatt stands on the shoulder of the giants who came before to tell these five songs and expertly uses imagery and allegory to make the reader think about the deeper meaning of these stories.
A stunning collection of fairy tales for grown-ups from the Booker Prize-winning author of Possession, a "storyteller who could keep a sultan on the edge of his throne for a thousand and one nights" (The New York Times Book Review).
Includes the story “The Djinn in the Nightingale's Eye”—the basis for the George Miller film Three Thousand Years of Longing starring Idris Elba and Tilda Swinton
A.S. Byatt portrays the strange relationship between an intelligent heroine—a world-renowned scholar of the art of storytelling—and the marvelous being that lives in a bottle, found in a dusty shop in an Istanbul bazaar.…
I have always been enamored with myth and the fantastic, even as a child. They offer an escape from the mundane, but also deliver a fine method to guide our moral compasses, learn about other cultures, and assign meaning to those things that vex us. I studied literature and history in college and found myself delving more and more into theology and mythology as I went because literature is filled with their essence. My exploits have guided me to the desk as a language arts and special education teacher, but my heart always whisks me back to the bookshelf or the desk to visit these fantastic worlds of the supernatural.
This history of myths, folklore, and legend is a must-own for any reader who fancies themselves a fan of the supernatural genre. Written in the form of a field guide to help travelers traversing the landscape pocked with these entities, A Field Guide is a phenomenal read and lends insights into the myths and religious entities of various cultures. Equipped with a section for how to ward off each, this guide may prove to be more useful to the reader than just a bit of reference material.
“Scouring the face of the earth, Carol and Dinah Mack have come up with an array of the most dreaded demons mythology has to offer.” —Robert L. Carniero, former Curator of South American Ethnology, American Museum of Natural History
If you met a werewolf on the eve of a full moon, would you know how to tell what he really was? Could you resist the dark charms of a vampire or the lure of a fallen angel? Did you know the Mbulu of South Africa has a razor-sharp tail with a mind of its own? Or that the Kuru-Pira of…
I’m a Canadian author and artist that loves to write and draw the darker side of fantasy. Ever since I was a child, I have adored mythology, horror, and the creatures and worlds that are present within the fantasy genre. The world of fantasy has unlimited imagination, and its lore and structure grow constantly, which gives endless ideas to us writers to create endless brilliant realms and the creatures that dwell within them.
The Artemis Fowl series is one of my favourite reads. The Lost Colony was especially an enjoyable read due to its time traversing and presence of demons and magic. I recommend this novel and the entire Artemis Fowl series if you love a well-paced and enjoyable read into one of the many intricate worlds of fantasy. This novel is one of the many that inspired me to become a fantasy writer and gave me some inspiration and ideas when coming up with the storyline for my first novel.
Artemis Fowl and the Lost Colony is the stunning fifth audio adventure in Eoin Colfer's mega-selling Artemis Fowl series, read by the actor Adrian Dunbar.
Ten millennia ago, the fairy people were defeated in a great battle with mankind, forcing them to move underground. Only the 8th family of fairies remained undefeated: the demons. But now one demon has discovered the secrets of the fairy world, and if humans get hold of this information, the fairies are in BIG trouble. Only one person can prevent this disaster - teenage criminal mastermind Artemis Fowl
As long as I can remember I have found the world a terrifying yet magical place. My first memories are of reading ghost stories, the best mirrors for my emotional experiences. As a teenager supernatural tales continued to inspire me and still do. Sometimes a starkly realistic approach can prove too dull or intrusive; far better to process or confront issues by presenting them as fantastical. When I return to these books, or discover similar stories, I listen hard to what they are trying to tell me. I won’t learn overnight for, as the villain in The Doll Maker states: “the life so short, the craft so long to learn.”
“I wanted to be alone in my room and glad over it all to myself.” In the framing story, two Victorian gents struggle to decipher the hidden meanings of a teenage girl’s diary they have recently uncovered. Partially written in a secret language, that could equally derive from folklore sayings or teen slang, the contents appear to hint at an inauguration into pagan rituals and witchcraft in the nearby woods. A unique attempt to conjure a dark magic out of the missing memories of childhood, this novella explores both the excitement and peril of keeping your first secrets. “I was afraid something had happened to me…”
Machen's weird tales of the creepy and fantastic finally come to Penguin Classics. With an introduction from S.T. Joshi, editor of American Supernatural Tales, The White People and Other Weird Stories is the perfect introduction to the father of weird fiction. The title story "The White People" is an exercise in the bizarre leaving the reader disoriented and on edge. From the first page, Machen turns even fundamental truths upside-down, as his character Ambrose explains, "there have been those who have sounded the very depths of sin, who all their lives have never done an 'ill deed'" setting the stage…
Even before I found Lovecraft and Stephen King and my world turned, I was raised on Doyle, Wells, Hodgson, and Robert Louis Stevenson which gave me both a love of the "gentleman detective" era and a deep love of the late Victorian/early Edwardian historical period in general. Once you merge that with my abiding interest in all things weird and spooky, you can see where a lot of my stories come from. There seems to be quite a burgeoning market for this kind of mixing of detection and supernatural, and I intend to write more... maybe even a lot more.
Silver John, a balladeer with a silver-stringed guitar, crisscrosses rural USA encountering all manner of supernatural entities, and does it with a song in his heart. There's a deep love of ancient folklore that shines through in this wonderful collection. It's far removed from Carnacki or Silence's cozy sitting rooms and libraries, but every bit as tied to a desire to get to the root of ancient mysteries. There's an almost Bradburyesque sense of wonder in these tales that lifts you up and carries you alongside John on his travels.
There's a traveling man the Carolina mountain folk call Silver John for the silver strings strung on his guitar. In his wanderings, John encounters a parade of benighted forest creatures, mountain spirits, and shapeless horrors from the void of history with only his enduring spirit, playful wit, and the magic of his guitar to preserve him. Manly Wade Wellman's Silver John is one of the most beloved figures in fantasy, a true American folk hero of the literary age. For the first time the "Planet Stories" edition of "Who Fears the Devil?" collects all of John's adventures published throughout Wellman's…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
It's sort of a classic, and yet, there's more to this story than the formal style of the peculiar author. It creates almost a trance when I read it. So many other authors have grabbed parts of this tale, and so many books and movies seem to resonate with aspects of the tale.
The odd Americana aspect of the setting and the historical overtones lull you into solitude while the plot twists the hold on your mind ever tighter. It's a favorite, even though I admit it can be a difficult read when compared to the pacing of modern genre writing.
I am fascinated by the myth, legend, and the supernatural, and love to link them with a particular setting. The books listed all inspired my writing from their pace, elegant prose, great characterisation, and especially, descriptive settings and atmosphere evoked from those settings (something I strive to do as an author, using places I know really well). And I am lucky enough to have lived in Cornwall by the River Fal, a place so steeped in legend and natural beauty that Angel’s Blade almost wrote itself.
No writer evokes atmosphere better than Daphne Du Maurier, and this collection of five short stories demonstrates her gifts superbly. Best known of these short stories is "Don’t Look Now," a tale of bereavement and despair with a wicked twist at the end, set in Venice and subsequently made into a superb horror movie. But the other stories within this anthology also immerse the reader in their settings, with each delivering an unexpected twist.
I write about aloneness and individuals, what it takes to connect to family and community, and how to hang on to the people we hold dear. This means I think a lot about points of view and personal perception. We often wonder: Have I got this right? Did they get my meaning? Does everybody feel this? And more often than not, everybody does. These interpretations are both personal and universal at the same time. We all fear loss; we all have to be brave to hold onto people we love and principles we value.
I've just discovered Fae Urban Fantasy and I'm absolutely hooked. I love this world and this writing partnership sparkles like endless glitter showers of fairy dust. I connected with student Noelle like a sister, and – you guessed it – by a quirk of fate, she finds herself in the land of the fae, and they are Bad People. Well, they're not all bad, but they can be every bit as mean and spiteful as mortals, even though they look pretty. I've read both books and I believe there's a third one coming out. Again, it's about being brave, confronting your problems, and holding on to people you love. I can't wait to see how the story turns out.
Abducted by a cruel Fae. Condemned to fight, or die. "My heart is still racing...an adrenaline filled gem." "Purchased this book on the off chance and so glad I did."
All college student Noelle Fidelis wants is a chance to be normal. To blend in at a party, without the crippling social anxieties that come from a history of abuse and insecurity. Instead, a chance encounter with a dark-alley creep turns into a terrifying prison sentence, after she's abducted by a royal Fae and condemned to fight against other supernatural inmates in a battle for survival. Her only allies are…
