94 books like Who Fears the Devil (Planet Stories 24)

William Hope Hodgson's Carnacki is the ultimate occult detective, willing to venture deep into mystic lore to get to the root of any problem. You may notice while reading that Carnacki likes a drink and a smoke, and a hearty meal with his friends gathered 'round. This dovetails perfectly with my own idea of a good time. And although I no longer smoke, writing about characters who do allows me a small vicarious reminder of my own younger days. I wish I had Carnacki's library, his toys, but most of all, I envy him his regular visits from his tight group of friends, all more than willing to listen to his tales of adventure into the weird places of the world while drinking his Scotch and smoking his cigarettes.

Silence is much more cerebral than Carnacki, more prone to solve his mysteries from the comfort of his armchair over a pipe of tobacco. But don't let the leisurely pace fool you; Blackwood brings the chills like few others can, and you might find yourself looking over your shoulder more than once, or even getting up to put a stronger light on. If creeping dread is your thing, Blackwood's your man for it.

These collected graphic novels set the benchmark for Occult Detectives in comic form. Constantine shows up as a fully realized character from the off, and having him as a rough-and-tumble Brit is a stroke of genius. His adventures tie together modern comic sensibilities with pulp themes to great effect and having 'names' as the writers and artists ensures a high standard of storytelling throughout. This collection is the perfect place to start to follow his journeys. 

Lumley is steeped in both the occult detective and the Lovecraftian tradition, and it shows most clearly in this set of pulpy occult detective stories featuring his cerebral-yet-tough Titus Crow, and involving wild flights of fancy in time and space that also arguably show some influence from Doctor Who. We get a lovely creepy origin story here, and several vignettes, but the highlight is the longer tale of the mysteries of the wyrm, and festering, crawling things in an ancient manor house and its library. It fairly oozes supernatural evil and is one of my favorite things.

I love a good coming-of-age story coupled with supernatural events in a period-piece setting, and that’s exactly what Polly Schattel serves up. Her cinematic style of story-telling (her filmmaking past is obvious) offers up a vivid picture of her protagonist, young Max Grahame as he journeys literally across the country from his home in Georgia and metaphorically as he discovers more about who he is and what his budding supernatural talents entail. Schattel is also a master of creating rich supporting characters ranging from the other children whom Max meets as he first undergoes his occult training to the mysterious adults whose spiritual machinations are woven into the history of this turn-of-the-century setting. This book begs to be made into a movie, but Schattel helps you create one in your head.

1987’s Communion made Whitley Strieber the world’s most famous alien abductee. Since then, many have derided him as a fantasist or even a charlatan.

Most attacks stem from his critics’ insistence on viewing Strieber’s experiences literally. Few stop to consider whether or not that approach may be misguided. In this collaboration with Rice University professor Dr. Jeffrey Kripal, Strieber’s firsthand accounts are placed in dialogue with religious scholarship, providing a useful framework for navigating the treacherous waters between the objective and subjective.

The Super Natural acknowledges that these things are—at least partially—"real" in a sense that modern culture would recognize. Their meaning, however, may well be something else entirely, best apprehended through our never-ending attempt to make sense of our place in the cosmos.

One of the reasons I read this genre is because so many of these stories include strong, fierce heroines and Calla Tor from Nightshade is one of the strongest. In a society and culture that imposes rules and oppression on their people, Calla is forced to test the limits and figure out who she really is and what she’s made of while still being a strong leader to her pack. This story is on my top 5 list because Calla is an unforgettable character, but so much of why you’ll love her is thanks to the world this author creates. Nightshade is another unique, fresh take on werewolves that you won’t want to put down.

In a Glass Darkly is a collection of unusual Gothic tales. The shorter stories provide the foreboding inevitability of the genre, with atmospheric hauntings and ghostly floating eyes. Fans of M. R. James or H. P Lovecraft will appreciate these.

In addition, the collection features two novella-length stories. Carmilla, an early and influential vampire story, and "The Room At The Dragon Volant", which is a romance horror. Carmilla inspired many of the elements Bram Stoker used in Dracula. Both these longer stories are atmospheric and wonderfully picturesque in their descriptions of the people and places.

“I wanted to be alone in my room and glad over it all to myself.” In the framing story, two Victorian gents struggle to decipher the hidden meanings of a teenage girl’s diary they have recently uncovered. Partially written in a secret language, that could equally derive from folklore sayings or teen slang, the contents appear to hint at an inauguration into pagan rituals and witchcraft in the nearby woods. A unique attempt to conjure a dark magic out of the missing memories of childhood, this novella explores both the excitement and peril of keeping your first secrets. “I was afraid something had happened to me…”

Grant’s book is yet another series that feature young adults who wield extraordinary powers.

From burning lasers, to telekinesis, to canceling gravity itself, I was fascinated to discover all of the gifts that these teens inherited once their little home of Perdido Beach became isolated, in space and time, from the rest of the world.

In addition to those supernatural elements, Grant explores the very gritty reality of what it would be like to live in an isolated city, devoid of adults in which these teens are forced to govern, manage, lead, and feed their group with ever-diminishing resources.