Here are 100 books that Original Sins fans have personally recommended if you like
Original Sins.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m passionate about dark fantasy stories due to the fact of their characters and worlds. The eeriness of their landscapes can tell a tale of their own. Dark fantasy has always been a drawing interest for me when it comes to telling stories. I read these books mainly because of their dark fantasy worlds. The stories and characters which come to life as I read them only captivated my creativity to tell my own stories. It is my sincere desire that you take a look into these books on this list and have your creativity sparked just as my own to craft your own dark fantasy stories.
Who doesn’t like ghost stories? especially when there’s an occult detective eager to solve the case. That is what Carnacki, The Ghost-Finder, presented to me.
What I loved about the short stories is that Thomas Carnacki investigates the mysteries of the supernatural, seeking to solve them with his skillset. Sometimes, the cases are just pranks by humans, others by small spirits, and even some with malevolent forces.
This collection of supernatural dark fantasy sparked my imagination. Even to the point of inspiring me to create my own occult detective character.
Six tales of Carnacki the Ghost Finder, tales of the outre, the unexpected, and the unexplained from a reknowned master of the macabre, William Hope Hodgeson.
Even before I found Lovecraft and Stephen King and my world turned, I was raised on Doyle, Wells, Hodgson, and Robert Louis Stevenson which gave me both a love of the "gentleman detective" era and a deep love of the late Victorian/early Edwardian historical period in general. Once you merge that with my abiding interest in all things weird and spooky, you can see where a lot of my stories come from. There seems to be quite a burgeoning market for this kind of mixing of detection and supernatural, and I intend to write more... maybe even a lot more.
Silence is much more cerebral than Carnacki, more prone to solve his mysteries from the comfort of his armchair over a pipe of tobacco. But don't let the leisurely pace fool you; Blackwood brings the chills like few others can, and you might find yourself looking over your shoulder more than once, or even getting up to put a stronger light on. If creeping dread is your thing, Blackwood's your man for it.
One of the former British writers of supernatural tales in the twentieth century, Algernon Blackwood (1869–1951) wrote stories in which the slow accumulation of telling details produced a foreboding atmosphere of almost unendurable tension. Blackwood's literary renown began in 1908 with the publication of a highly successful collection of stories, John Silence — Physician Extraordinary, featuring a "psychic doctor." This volume contains all five of the John Silence stories from the 1908 edition plus one additional tale. Edited and with an informative introduction by S. T. Joshi, noted occult fiction authority, the stories include "A Psychical Invasion," in which Silence…
Even before I found Lovecraft and Stephen King and my world turned, I was raised on Doyle, Wells, Hodgson, and Robert Louis Stevenson which gave me both a love of the "gentleman detective" era and a deep love of the late Victorian/early Edwardian historical period in general. Once you merge that with my abiding interest in all things weird and spooky, you can see where a lot of my stories come from. There seems to be quite a burgeoning market for this kind of mixing of detection and supernatural, and I intend to write more... maybe even a lot more.
Silver John, a balladeer with a silver-stringed guitar, crisscrosses rural USA encountering all manner of supernatural entities, and does it with a song in his heart. There's a deep love of ancient folklore that shines through in this wonderful collection. It's far removed from Carnacki or Silence's cozy sitting rooms and libraries, but every bit as tied to a desire to get to the root of ancient mysteries. There's an almost Bradburyesque sense of wonder in these tales that lifts you up and carries you alongside John on his travels.
There's a traveling man the Carolina mountain folk call Silver John for the silver strings strung on his guitar. In his wanderings, John encounters a parade of benighted forest creatures, mountain spirits, and shapeless horrors from the void of history with only his enduring spirit, playful wit, and the magic of his guitar to preserve him. Manly Wade Wellman's Silver John is one of the most beloved figures in fantasy, a true American folk hero of the literary age. For the first time the "Planet Stories" edition of "Who Fears the Devil?" collects all of John's adventures published throughout Wellman's…
Even before I found Lovecraft and Stephen King and my world turned, I was raised on Doyle, Wells, Hodgson, and Robert Louis Stevenson which gave me both a love of the "gentleman detective" era and a deep love of the late Victorian/early Edwardian historical period in general. Once you merge that with my abiding interest in all things weird and spooky, you can see where a lot of my stories come from. There seems to be quite a burgeoning market for this kind of mixing of detection and supernatural, and I intend to write more... maybe even a lot more.
Lumley is steeped in both the occult detective and the Lovecraftian tradition, and it shows most clearly in this set of pulpy occult detective stories featuring his cerebral-yet-tough Titus Crow, and involving wild flights of fancy in time and space that also arguably show some influence from Doctor Who. We get a lovely creepy origin story here, and several vignettes, but the highlight is the longer tale of the mysteries of the wyrm, and festering, crawling things in an ancient manor house and its library. It fairly oozes supernatural evil and is one of my favorite things.
Titus Crow is an occult investigator, psychic sleuth and cosmic voyager. In this book 11 short stories featuring Crow are brought together. These stories were written before the "Cthulhu Mythos" novels and follow Crow as he explores beyond the frontiers where mortal man is not meant to tread.
I’ve been a devoted reader of superhero comics since I was bequeathed a battered pile of comics (along with a giant felt-covered Denver Broncos cowboy hat. The love of superheroes stuck; I’m ambivalent about the Broncos). In that pile was Superboy #195, a comic I can still recite from memory decades later. The combination of clever plotting, visual storytelling, and fantastical escapism hooked me immediately. While building an academic career as a university professor, I held on to this “secret origin” and never stopped wondering what made superhero stories tick.
Deadpool is superhero comics', and perhaps literature in general’s,
most consistently challenging fictional engagement with cancer.
Deadpool’s healing factor prevents his cancer from ever being cured,
which traps him in a never-ending cycle of remission and relapse.
Unlike a superhero who responds to a bodily transformation by
self-sacrificingly upholding the status quo, Deadpool is a mercenary and
anti-hero. In this collection, writer Joe Kelly creates much of the
narrative infrastructure that eventually made the character one of
Marvel’s most popular.
Kelly also crafts a story where Deadpool is offered a heroic transformation that—through personal weakness, history, bad luck, and supervillainous interference—tragically fails. This book establishes the template for Deadpool stories and digs into Deadpool’s cancer for the first time.
I've spent my life feeling out of place in this world which had me diving into novels since I was a little girl able to read. I was increasingly drawn to the supernatural dynamic in shows and novels. On top of that I am neurodivergent which means that I have spent years in and out of my own forms of darkness and self-doubt. As an author I wanted to create a world for characters that struggle with the same issues I struggle with and help them heal and grow through their trials. My hope has always been that in the course of my stories I can help a reader heal as well.
This is the John Constantine series. I am constantly enthralled with the nit and grit of this series.
There are a great deal of historical and biblical references in this series as well as their own twists. I found when writing my book that this was the same feeling and style I wanted. I didn’t want a world that was fluffy and beautiful but I wanted to show a world tortured and used as a battleground for angels and demons.
I couldn’t recommend this series more. The magic in this series is power from supernatural being. It's definitely the closest form of magic we could gain for ourselves as we learn the rules of our dominion over the earth.
London's savviest street sorcerer is a foul-mouthed, cynical, chain-smoking con man, but sometimes he's also our only hope. All of these facets of Constantine's character have made him one of the most popular figures in graphic literature. John Constantine, Hellblazer: 30th Anniversary Celebration collects some of the antihero's greatest stories from some of comics' greatest writers, including Alan Moore, Jamie Delano, Neil Gaiman, Garth Ennis, Brian Azzarello, and Mike Carey, and also features a foreword written by worldwide musical icon Sting!
When all the chips are down and everything's on the line, what would you do to come out on…
Stephen Silver has been a professional working artist, character designer, and teacher in the industry for over 30 years. He developed intellectual properties for some of the largest media companies in the world; such as Disney, Warner Bros., Nickelodeon, Sony, MAD Magazine, Reel FX, Bento box, Hasbro, Universal, DreamWorks, and more. Stephen is responsible for the visual character development and design of some of animation’s most iconic shows; including Disney’s Kim Possible, Nickelodeon’s Danny Phantom, and Disney’s Clerks: The Animated Series, to name a few.
How to Draw Comics the Marvel Way teaches artists step by step how to build construction and energy into their poses. Helping you create more dynamic versions. I love that it is really clear and simple to understand giving the artists extreme value that will guide them whenever they draw from imagination or from life.
When I was five years old, my father sat down with me in front of the television and we watched together as the Space Shuttle Columbia launched for the first time. Four decades later, I’ve authored a history of those early shuttle missions, been a part of developing future space missions, and, most importantly of all, watched several space firsts with my own son. Space exploration is humanity at its greatest – working together using the best of our abilities to overcome incredible challenges and improve life here on Earth – and I’m always grateful for the opportunity to share that inspiration with others.
For better or worse, this isn’t really a book that lives up to its name – or, at least, its subtitle. “Astronauts” isn’t really a history of women in space; it’s two early anecdotes tacked onto the story of Mary Cleave, one of NASA’s early female astronauts. And what a story it is – while many space graphic novels focus on the early years of spaceflight, “Astronauts” relates the experience of the Space Shuttle program that made up more than half of human spaceflight history and more closely resembles the space missions of today.
America may have put the first man on the moon, but it was the Soviet space program that made Valentina Tereshkova the first woman in space. Meanwhile, in the United States, NASA's first female astronauts were racing toward milestones of their own. These trail-blazing women were admitted into Group 9, NASA's first mixed-gender class. They had the challenging task of convincing the powers that be that a woman's place is in space. But once they'd been admitted into the training program, they discovered that NASA had plenty to learn about how to make space travel possible for all humans.
I've been interested in pirates for as long as I can remember. Hearing about Blackbeard, Calico Jack, Henry Morgan, and Anne Bonney, among others, made my imagination run wild. Learning about who they really were as I grew up made me interested in why they were the way they were. I love stories about pirate crews, especially ones that explore the why of how they became pirates. I also love fantasy stories as you can plainly see (I even cheated to include a favourite of mine) and I wanted to combine the two in my first series.
This may be a strange pick for some, but it is one of my favourite stories. It's something I grew up with and is very influential and inspirational to me.
The crew of the Going Merry become like family, not just on the pages but also personally. Ask anyone who loves One Piece, and they will tell you that they feel attached to the characters as if they're real. You get to see them overcoming adversity and loss, and with the help of their found family, they keep moving towards their dreams over and over again.
The author creates a world where it feels like anything can happen and yet still remains grounded in that world. Given a chance, I would go there in a heartbeat, provided I can join the crew of the future Pirate King.
The battle for Fish-Man Island continues as a giant ship threatens to collide with the island and destroy everything. Can the Straw Hat pirates defeat Hody Jones and create a new bond between humans and Fish-Men? And what strange new adventures await the crew when they finally step into the new world?
I’m a graphic novelist and designer based in beautiful Minneapolis. I tend to be varied in my artistic style and medium, moving between comics, illustration, design, and occasionally animation. Having created a graphic novel adaptation of The Great Gatsby, I feel very passionate about the subject of graphic novel adaptations. One of the most important things is that there should be a compelling reason for it to be a graphic novel in the first place; the graphic novel should do something that a prose book cannot. For my adaptation, that was the visual depiction of metaphors, the ethereal character designs, and the lush jewel-colored watercolor. The books I recommended add to the original story in unique and compelling ways.
Ideally, the style of art in a graphic novel should reflect the story being told. Yvain does a beautiful job of capturing this Arthurian myth set in the 12th century with drawings that feel appropriately medieval while the sketchy and gestural line art keep it from feeling heavy. I’m a bit obsessed with the idea of the style matching the story—I developed a whole new style and learned watercolor for The Great Gatsby—which is probably why I appreciate it so much in Yvain.
In his first graphic novel, National Book Award winner M. T. Anderson turns to Arthurian lore, with captivating art by Andrea Offermann bringing the classic legend to life.
Eager for glory and heedless of others, Sir Yvain sets out from King Arthur’s court and defeats a local lord in battle, unknowingly intertwining his future with the lives of two compelling women: Lady Laudine, the beautiful widow of the fallen lord, and her sly maid Lunette. In a stunning visual interpretation of a 12th century epic poem by Chrétien de Troyes, readers are — at first glance — transported into a…
